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Thrond

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  1. We don't know anything about it, but yeah, sure there's religion. I don't think it revolves around alicorns, and it might be more limited because ponies control their surroundings more and thus need fewer answers, but I don't see why there wouldn't be religion.
  2. I don't usually focus on unfortunate implications in my reviews. The aforementioned "Dragon Quest," for example, is actually a favourite of mine, even though I understand its issues. With that said, particularly in season 5, I've been picking up on them more and more. For instance: Appleoosa's Most Wanted Making Troubleshoes' cutie mark a "bad luck" symbol is a really, really bad idea. What that tells me is that ponies are not in control of their own lives, and a random event they don't understand could ruin their entire life. There may be a lesson in that, but it's sure not in "Appleoosa's Most Wanted," and I find this show's idea of predestination re: cutie marks to be really grim and distressing. The Lost Treasure of Griffonstone According to this episode, all griffons are greedy and selfish and just need some nice ponies to come in and teach them how to be friends again. This borders on being a metaphor for a "white saviour" narrative, where the poor, unfortunate savages need to be saved by the higher race, and even if you ignore that, it strains my suspension of disbelief that all the griffons needed was for some nice ponies to teach them how to make friends. To me, this is far worse that merely playing with a generic "always chaotic evil" fantasy trope for the dragons. Slice of Life This one's more meta, but describing Lyra and Bon Bon's relationship as "best friends" feels to me like it borders on erasure. If you want to make an episode with the "fan characters," why would you ignore this particular element of the fan characterization? Aside from trying to avoid controversy and sell the show in notoriously homophobic countries, why not make these two a couple? You know the fans like that idea. Can't have anyone but heterosexuals exist in this universe! I get that they want to play it safe, but that does bring implications that I'm not entirely comfortable with. Thankfully the rest of the episode is great. Amending Fences At times, Moondancer almost resembled an unflattering caricature of an introvert. Here more than anywhere else I might be looking too deep into it, but at times I feel like this episode is painting introverts as merely being people who need friendship to become extroverts. Having Twilight basically stalk and harass her for the whole episode certainly doesn't help, as I don't think that's at all appropriate. Of course, Moondancer actually did shy away from friendship due to a negative experience, but again, at times it feels like that's how the episode is painting introverts in general, if only because I don't find Moondancer's reason for rejecting friendship especially sympathetic or plausible. I would have respected the episode much more if having lots of friendships just wasn't for her. Do Princesses Dream of Magic Sheep? This was the straw that broke the camel's back for me. So Luna clearly has psychological issues as a result of her past, but she ultimately saves Ponyville from the Tantibus by "just moving on." The writers know it's not that easy, right? You can't tell people to "just get over it," especially if they seem to have serious issues like Luna does. Brotherhooves Social I think this episode does make some effort to be cautious with its "man-in-a-dress" premise, but it's clearly not cautious enough, because there are a few moments that could be interpreted as unintentionally transphobic, particularly Big Mac's Adam's apple bulging while he sings and Rainbow Dash saying she won't go easy on him "just because he's a stallion." This premise is really sensitive territory, and while I quite liked this episode, it might not have been the best approach for what this episode is going for. Gauntlet of Fire Not sure how this is all that different from "Dragon Quest," except that it trades the character nuance of that episode for largely weightless worldbuilding. Dragons are still largely rude and aggressive, and moreover, it brings back the "Lost Treasure of Griffonstone" problem of another race needing ponies to teach them values of friendship and respect. Newbie Dash Still don't think this episode promotes or supports hazing, but that's only because I think it ignores the potential hazing subtext altogether, which does leave the room open for a less than charitable interpretation. Others have explained this interpretation better.
  3. 1. Luna and Celestia engage in a prank off. Sisterly bonding ensues, including a heartfelt discussion about their past. 2. Lightning Dust learns some responsibility and tries to apologize to Rainbow Dash, perhaps in the context of a greater story. 3. Princess Cadance returns with her family to the village she was raised, based off the backstory from the "Crystal Heart Spell" book. 4. Twilight Sparkle is severely stressed out by a specific task, and begins making increasingly dangerous decisions in desperation. Starlight Glimmer and Twilight's friends need to stop her.
  4. It doesn't necessarily mean a whole lot, but I do feel like she was used better when she didn't have the title and responsibilities of a princess. I've found her most interesting lately when she's somehow uncomfortable with or stressed out by her new responsibilities, but I don't think the show is doing enough with that. I don't have a problem with her being an Alicorn princess, but I've not really been enjoying how she's been written lately.
  5. Forgot about that. I wouldn't remove it, but I'd change it so RD doesn't get embarrassed and try to deny it. She ought to be owning up to this stuff a little more by now.
  6. Thrond

    Hello!

    My Favourite Mane 6 Pony: Twilight Sparkle How did you find MLP Forums?: I was looking for a place to search for people to share a room with at cons. I didn't actually need it at the time, but it's good to know about. How you became a fan of My Little Pony: Friendship is Magic: I had heard about it for a while and eventually decided to click on a clip out of curiosity. I was immediately hooked and watched through the end of season 2 to the present. Hello! Having been a fan of MLP since 2012, I've established myself as an episode reviewer. You can find my episode reviews at my offsite blog, although new reviews will be reposted on my blog here as well. One of my favourite things about being a fan is discussing episodes with other fans, especially on places like this where people sometimes offer detailed critiques and analyses. I also write fanfiction, primarily of the shipping variety. My current story is focused on SunLight, aka the greatest of ships, and involves Sunset Shimmer taking a summer vacation in Ponyville. You can find me on FiMFiction here. However, my biggest endeavour is my Twitter account, where I talk frequently about ponies as well as whatever other topics interest me. Aside from ponies, my main hobby is movies, which I also review at an offsite blog. I also have at least a passing interest in such things as television, video games, music, and board games, alongside other things. See you around!
  7. Sombra and Tirek seem to be the most destructive and/or tyrannical. Of the lot, I'd argue that only Starlight Glimmer had good intentions (you can't convince me that Chrysalis wasn't mainly invading Canterlot for the fun of it), but Sombra and Tirek are basically just monolithic slabs of evil above all else, seeking to destroy, feed off of, and enslave everything in their path. The two are about tied for me.
  8. Well, they're national heroes at this point. I think it's just fitting that that be acknowledged sometimes. A lot of ponies know them enough to not be in complete awe of them, but they *are* the ponies who saved Equestria several times.
  9. Per episode: 1. "The Crystalling" - There's a lot going on here as is, but it might have played stronger if the show had been able to build up more investment in Starlight Glimmer and, as much as I hate to say it, Cadance and Shining Armour as well. Not really a way to do that previous to the season premiere. 2. "The Gift of the Maud Pie" - Make Rarity a little bit less hyperactive and scale back the exposition a little. 3. "On Your Marks" - Stick to one of the episode's ideas, develop it more, and push it a bit further in a specific direction so we have a better idea of what CMC episodes will be like from here on out. 4. "Gauntlet of Fire" - Make Ember three-dimensional and give the plot any weight whatsoever. 5. "No Second Prances" - Complete rewrite. Give Trixie more focus, cut the whole deal with Starlight Glimmer being irresponsible, and address Twilight's control freak tendencies more deeply. Change what Twilight learns to something she hasn't already learned. 6. "Newbie Dash" - Address Dash's history with the name in a more meaningful way. Introduce a theme about hazing. Completely retool the episode so it's about Rainbow Dash showcasing her character growth and maturation rather than demonstrating regression. 7. "A Hearth's Warming Tail" - Make the original story's themes a bit clearer in this adaptation. 8. "The Saddle Row Review" - Give the lesson a little more weight. Make Plaid Stripes entertaining. 9. "Applejack's 'Day' Off" - Add in much more hijinks, or at least a bit more low-key friendliness between Applejack and Rarity. Speed up the pace considerably, or at least fill the script a little more. Add entertaining background events. 10. "Flutter Brutter" - Remove the scene where Zephyr intrudes on his parents' hobbies. Remove his flirting. Make the first two acts and the third act cohere a little more. 11. "Spice Up Your Life" - Provide some nuance for Zesty. Cast actual actors of Indian descent as Coriander and Saffron. Introduce a more interesting theme. Overall: Place a much greater emphasis on main character development. Specifically, introduce subplots to facilitate that character development for the CMC and each of the mane six. I'd love the episodes to be less self-contained, but I doubt that can be done. I've always wanted to see more of Twilight struggling with her responsibilities, especially now that she has a protege. Maybe we'll still see some of that, but I can pick up scraps in the meantime. Re-read that. Da King was suggesting she be more than a stereotype, which, as is, I don't think she is either.
  10. Nah, I like season 6 a fair bit more than season 5 so far. It hasn't had the high notes of season 5, but it also hasn't had the low points either, and I enjoy its general direction more than I did season 5.
  11. This is, I think, the most significant thing: In "Canterlot Boutique," Rarity discovered that she valued creative fulfilment over financial success. However, here she perceives that Coriander cares more about attracting customers, so knowing the influence of Zesty's hoof ratings, she does what she thinks is necessary to get what she thinks the Coriander wants. She doesn't realize that it's completely futile in this case until after the attempt to court Zesty's favour fails. In "Canterlot Boutique," the idea was that an unfulfilling approach to business is unsustainable. Meanwhile, while "Spice Up Your Life" is similar, we don't immediately see any dissatisfaction. Rarity certainly values uniqueness, but she understands Canterlot from the perspective of its "high society." She's not even familiar with more distinctive food options in the area, and as a result, she can only apply her limited knowledge of Canterlot high society. Trying the Tasty Treat was to step out of her comfort zone, and although Rarity may be creative, Coriander didn't particularly encourage her to think outside of the box. By the time Rarity got any significant objection to her idea, it was too late. Not that this is a particularly brilliant character showcase or anything, but I at least found it inoffensive.
  12. In part I like it because, now, we can focus on stuff that actually matters. I doubt the 2017 movie is holding the show back quite as much as its very format is, as we can't have a real season-long storyline. I don't feel the past two seasons' alleged story arcs really count as such, and neither the map nor Twilicorn really meant a whole lot in the long run. Despite its changes, I actually felt season 5 played things a lot more safe than season 6 has, even if only because season 6 has been home to structural changes rather than character changes. This season lacking focus doesn't stand out to me much, because frankly, the show hasn't had any proper focus since at least season 3. Season 4 was all about playing it safe, while season 5 threw everything at the wall in hope that something stuck without actually moving the show out of its comfort zone or meaningfully developing characters. Season 6 started off trying to hone in on character development, and while now it's shifted over to relative simplicity, I'm kinda glad for that, as it allows for a resurrection of some of the charm that was curiously absent from season 5. Meanwhile, season 6 is interesting in ways that season 4 never was. "The Crystalling" lacking an immediate threat until halfway through is more meaningful to me than "The Lost Treasure of Griffonstone" reforming Gilda and showing off Griffonstone, or "Amending Fences" addressing Twilight's old friends. That's not meaningful to me. With that said, if the main characters haven't grown much by season's end, I'll be more than a little frustrated. They have a bunch of new narrative devices in place which could contribute to that, and a fresh new status quo to work with. It's not quite living up to its potential, but I can't wait to see what the second half does with it. All I really want is to see the mane six facing new problems and properly learning from them, even if they have to be relatively low-key and not majorly change any character dynamics. Episodes like "Gauntlet of Fire" and "Spice Up Your Life" don't provide a whole lot in that respect, but they're the minority this season, at least so far. I gotta be honest, this is how I want it.
  13. Numerical score around 7/10. As someone who was disappointed with both seasons 4 and 5, this season has been really exciting to me. I guess I'm in the minority here, but there's not been a single episode this season that I found entirely terrible, which puts it way above season 5, which seemed to have an episode I hated every three weeks. Meanwhile, there's more of an attempt towards freshness than season 4, partially due to changes in the status quo from season 5 but also because of an increasing move away from the show's usual formulas. Season 4 was where the show started to really feel like it was stagnating, whereas season 6 feels like the show finally pulling itself together. Unfortunately, while the show has a whole lot of new, fresh elements going on, it's displayed relatively little idea what to actually do with them. Rainbow Dash becoming a Wonderbolt was great even in spite of a disappointing episode, and I also really enjoyed the subplot about Rarity's new Manehattan shop. Unfortunately, not all of the writers seem to fully understand the characters they're writing, and characters like Starlight Glimmer, the Cutie Mark Crusaders, and even Applejack have been leaking momentum. I'll confess that there's a risk of the season wearing itself out on me if it doesn't pick up more of a direction, but its own need to be constantly self-contained is severely detrimental to that, I think. It's increasingly frustrating as the show gets older and more complex that the show isn't really equipped to handle its growth and newfound complexity. I was relatively happy with season 4 up until the halfway point, so for all I know this could go the same way. However, the difference here is that I don't feel like half of season 6 has been outright filler. I'm happier with this season so far than I was with both previous seasons, and even despite the season's problems, I'm really happy to be enjoying this show so much again.
  14. I always liked Starlight Glimmer. I actually rather like her redemption in "The Cutie Map," and she was a major highlight of "The Crystalling" and "A Hearth's Warming Tale." Plus, "No Second Prances" really hints at some further complexity for her. My problem with her right now is, as others have said, I'm fairly certain the writers have no idea where to take her as a character, and as a result, her character arc this season feels unfocused at best and outright stalled at worst. I'd also like there to be more to her beyond feeling guilty about what she did previously - that's grown a little bit stale when it's brought up constantly. One of many reasons I wish this show didn't have to worry about every episode standing alone.
  15. Best episode: A Hearth's Warming Tale. For an adaptation of another story, this episode feels very much like a product of My Little Pony. Aside from arguably the season's best presentation, it subtly strengthens Starlight's bonds with the mane six and Ponyville at large while confronting her past in an infinitely more subtle way than the likes of "No Second Prances." Its depiction of Starlight is much simpler and more even than that episode, but it's also a lot more interesting while also being a very highly entertaining and cleverly adapted version of the original story. Easily one of the best episodes of the past three seasons. Best use of starring character: Fluttershy Not even a contest. First time Fluttershy has been interesting in forever, and better still, it's one of the best character showcases we've had in a while. Fluttershy had fallen behind in my pony rankings for a while now, but she's right back up there now that a writer has finally come along who actually gets her and is able to display what makes her a strong character. It's lovely. Best new character: Flurry Heart I'd say Sunburst, as I very much enjoyed his characterization and would be happy to see him in the future, but Flurry Heart defied my expectations by not only being utterly adorable but also allowing for some strong characterization from Shining Armor and an interesting depiction of the stresses of new parenthood. I don't like babies all that much, but I like Flurry Heart. Best song: The Seeds of the Past "A Hearth's Warming Tale" had the season's best songs by some measure, and this one was my favourite, although it's a hard choice. I wonder how much the popularity of Luna's song is linked to the overwhelming popularity of that character. Not that it's not a good choice, though! Best returning character: Maud Pie I like Maud more and more with each appearance. I wasn't on board with her at first, but she's really grown on me, and "The One Where Pinkie Pie Knows" is her best depiction yet. Now that the show isn't focused on making her look boring, the subtleties of her personality really shine through. You can tell when something's exciting her, as well as when something's upsetting her, and you can tell that she really cares about her sister. She's fantastic. Best writer: Josh Haber Giving him points for executive producing such a better season than the previous two, but I really do respect him for how he approached the premiere. It wasn't the most exciting, but it was intelligent, and its focus on character development and character interactions was something previous two-parters sorely missed. By operating with a new status quo, building up relatively mature themes for this show, and eschewing the show's previous two-parter formula, it was the freshest the show had felt in years - and the season has done a decent job living up to it, even if "Gauntlet of Fire" and "Spice Up Your Life" feel more formulaic. When he's allowed to do what he does best, Haber is one of the best writers working with the show right now, even if his best episodes aren't the most conventionally exciting.
  16. SUNLIGHT. I ship Sunset and Twilight (Princess Twilight specifically) more with each movie. Hell, at this point I'm not convinced that Sunset doesn't canonically have a crush on Princess Twilight. I don't ship inter-mane six pairings as much as I used to, but I still have a soft spot for my original OTP, AppleDash. That said, I have grown increasingly interested in RariDash after "Rarity Investigates!" literally had Rainbow Dash take Rarity out to a fancy dinner. I'm telling you, the RD/Rarity dynamic is highly underrated.
  17. If I had to pick one, I'd go with LyraBon, simply because most of their personality was created by fans and the shipping is one of the least absurd parts of their fan dynamic. Disappointing that it had to be excluded from "Slice of Life," as it would have been good for representation. Although... I would really like to see my beloved SunLight become canon.
  18. I got to Ocarina fairly late, but it wouldn't even crack my top 5 for the series, which for me consists of The Minish Cap, Skyward Sword, Twilight Princess, A Link to the Past, and Tbe Wind Waker. Ocarina is great in its own right, but it was way overhyped for me.
  19. I like Cadance a loooot so I'd be very happy if the show took the time to deepen her as a character. Altogether she's just such a lovely pony and I wish she could be fleshed out more so more people could appreciate her. And, y'know, so I could get more Cadance.
  20. I should be used to this after spending so much time on Twitter, but goddamn do people here use smileys a lot.

  21. After this week's episode, My Little Pony: Friendship is Magic will go on hiatus. When the show went on mid-season hiatus last year, I published my thoughts on the season so far. For season 5, these thoughts were mixed, but I largely felt frustrated and disappointed by the season, which continued right to the season finale. Thankfully, season 6 is a marked improvement, and while it's still far from perfect, it's the first time since at least early season 4 that I have been happy with this show's direction. For all of its experimentation, season 5 consistently hesitated to take risks, and any changes to the status quo were things that wouldn't take effect until the next season. It frequently hobbled its ideas for a variety of reasons, most commonly either time constraints or an unwillingness to push into full-on drama. Season 6, meanwhile, has done a much better job of moving past the status quo, not only absorbing the major changes of season 5 but also fully exploring its ideas and frequently straying from the show's formulas. The season premiere neglected even having an overwhelming threat until the very end of its first half, and the vast majority of subsequent episodes have taken on fresh new structures. At first, this was largely in service of a renewed focus on character development. The season premiere was a slice-of-life episode that attempted to develop Starlight Glimmer and other side characters, while subsequent episodes like "The Gift of the Maud Pie," "On Your Marks," "No Second Prances," "Newbie Dash,' and "Flutter Brutter" all serve to either develop a main character or showcase their development. Compared to season 5, new character introductions are relatively infrequent, and in only two out of eleven episodes have they taken the focus away from the main characters. There's still a handful of lightweight episodes, but the more weighty episodes always emphasize characterization and character development. The last time this has been the case was season 3. Meanwhile, episodes with less focus on character development like "A Hearth's Warming Tale" and "The Saddle Row Review" still explore alternate structures to the show's usual formulas, and in addition, they play on changes to the status quo. If season 5 can be praised for one thing, it's finally introducing several genuinely meaningful changes to the status quo. While Starlight Glimmer hasn't appeared as often as expected, her presence still changes Twilight's role in the show, for better and for worse. Meanwhile, Rarity and Rainbow Dash have both achieved their dreams and reached celebrity status, and the Cutie Mark Crusaders are exploring post-cutie mark life. This changing status quo is often a basis for episode plots, and even just having it in the background makes the show feel more alive than it has in a long time. Even those characters who have remained complacent are being explored in clearer detail. Pinkie's connection to her family is explored further, Applejack gets a fairly comprehensive character showcase, and Fluttershy is finally showing off her character development. Yes, season 6 even made Fluttershy interesting again. On top of this, season 6 continues season 5's trend of showcasing underused character team-ups, most significantly the pairing of Rarity and Pinkie Pie which has occurred twice now. The recent re-introduction of the cutie map may actually be something of a mixed blessing in this regard, and if it's the only way that the writers can use fresh new pairings, then I might be willing to accept it. Still, it's disappointing that such a lazy plot device is still necessary, and even more so that the writers are completely unwilling to explore it in more detail. If it was given a little bit of backstory, it might seem less like a crutch. Especially exciting after the wildly uneven season 5 is that the worst season 6 has been so far is somewhat dull and uninteresting. Only two of these eleven episodes haven't been at least enjoyable, and even they have had their strengths. Unfortunately, the season still lacks a strong sense of direction, even in spite of more focus on continuing plotlines. While Starlight Glimmer, the CMC, and Rainbow Dash all have clear room to move forward, the show hasn't honed in on these subplots, and there's no guarantee they'll even go anywhere interesting. The season's biggest attempt at complexity in "No Second Prances" ultimately struggled under its own weight, and staunchly refused to take its more compelling ideas anywhere interesting, and the earlier episode "On Your Marks" similarly struggled to hold itself together and take its ideas somewhere worthwhile. Neither episode is irredeemable, and the season hasn't gone anywhere as complex since, but having hoped for a bit more complexity going in, seeing the show struggle so much with it is disappointing. This lack of focus is probably inherent to shows like this, and as much as I'd like to see more plot continuity, it's doubtful that My Little Pony will ever try this out, especially given that the network wants to be able to air episodes in any order. Unfortunately, this isn't the only flaw from season 5 that has carried over. While the trend of introducing new characters at the existing characters' expense has slowed significantly, it is still present, and the show still sometimes still makes the mistake of thinking that worldbuilding can compensate for a lightweight main plot. There are far fewer problematic elements than there were in season 5, but the show still occasionally stumbles in ways that lead to unfortunate implications. I've actually perceived these far less often than some other people, but neglecting the idea of hazing in "Newbie Dash" and casting white voice actors for Indian-inspired characters in "Spice Up Your Life" are problematic in ways that are hard to deny. And yet, this is still the most satisfying the show has been in years. In season 6, My Little Pony feels rejuvenated, thanks in no small part to an altered status quo, a greater focus on main character development, and a greater willingness to take risks. The alleged "exploring Equestria" theme feels misguided, but this far into season 6, the show has mostly kept its priorities straight, and the result is a legitimately enjoyable season with only a couple of subpar episodes. After sticking with the show even through its most tedious and frustrating seasons, it's exciting that, finally, the show is pulling itself together and daring to be satisfying again. This isn't my ideal MLP season, but it's a huge return to form, and that's good enough for me.
  22. The map is back. I thought it was over. Season 5's pitiful excuse for a running storyline, the cutie map is nothing more than a poor excuse to get specific pairs of ponies in certain locations. The show has never questioned it, never explained it, and never explored it in any detail, and worse, it brings with it a deeply predictable formula which rarely provides any development for the main characters or delves into its settings beyond mere regional flavours. I hated it, and the fact that it has been brought back for another season of its horrors fills me with nothing short of dread. And yet, even though the map is a plague on this show, each of its episodes is better than the last. "Spice Up Your Life," while even more formulaic than season 5's map episodes, is also much more charming than any of them, and lovely in its own right. When Twilight and Starlight resurrect the briefly-dormant Cutie Map, Rarity and Pinkie Pie are summoned to the nearby city of Canterlot to solve an unknown friendship problem. While there, Pinkie discovers that she doesn't care for the subtle flavours of Canterlot's high-rated restaurants, and leads Rarity by scent to a struggling Indian food place, managed by chef Saffron Masala and her father, Coriander Cumin. Coriander is frustrated with the restaurant's lack of business, which Rarity accredits to the restaurant's lack of a rating, which itself is derived from food critic Zesty Gourmand's very specific preferences. Rarity and Pinkie immediately offer to prepare the restaurant to be reviewed. Pinkie, joined by Saffron, attempts to court guests, while Rarity, knowing Zesty's preferences, works with Coriander to ensure that the restaurant looks exactly like other high-rated restaurants. Pinkie and Saffron aren't so pleased with this, selling the restaurant based on its unique identity, which Saffron is very passionate about. From there, the episode proceeds very predictably. The showcase goes poorly, Zesty declines to rate the restaurant, and not long afterwards, Rarity and Pinkie realize they were approaching the problem incorrectly, and decide to use Rarity's fame as a platform to promote the restaurant. With the episode following the formula of these map episodes to the letter, it needs to provide subtle nuances in order to stand out. Unfortunately, although the Rarity/Pinkie dynamic is still surprisingly amicable and entertaining, the episode has very little depth, arguably being the least distinctive of these map episodes. At least season 5's map episodes, for better and for worse, strained for complexity. Thankfully, this is in part made up for by just how charming Saffron and Coriander are. Unlike new season 5 characters like Sassy Saddles and Limestone Pie, they don't have a whole lot of hidden depth, but their family conflict and briefly described backstory is reasonably interesting, and their personalities are very likable. In addition, the representation of characters based on minority backgrounds is a great touch of diversity in this show*. As much as I want My Little Pony to stop piling on new characters, these are yet more solid additions. Zesty Gourmand, meanwhile, is a clear hate sink, possessing no redeeming traits and existing in the story solely as a despicable antagonist. She's not particularly memorable, but she serves the job well enough. Unfortunately, as a reviewer, I am a little uncomfortable with what this episode's implicit anti-critic stance. The primary issue is that Zesty presumes to tell others what they can and can't like, and while I'm no fan of pretentious, arrogant critics, the fact remains that critics can save you from a poor experience, and there are plenty of legitimately terrible restaurants out there. I have to wonder if Zesty's opinions are actually popular, and who she actually works for. Does she work for a newspaper? Does that newspaper get frequent complaints? Or is it some sort of regional taste thing? This doesn't really matter, but it's unclear. At the same time, though, "A Hearth's Warming Tale" writer Michael Vogel imbues the episode with charm, crafting a strong cultural atmosphere in the restaurant and keeping the interactions between the lead characters endearing. As a result, the episode is consistently enjoyable, even without a whole lot distinguishing it. A lot of this really is down to Saffron and Coriander, who are likeable enough that it's easy to be invested in their plight. The unique Indian-inspired ambiance also helps keep the episode from feeling too stale, as does the still-fresh duo of Rarity and Pinkie Pie. Moreover, aside from the whole critic issue, this is the cleanest map episode to date. It's less ambitious, but it's also free from any real major issues, and although its predictability makes it less entertaining, it's still a very consistent, likeable story. What I find especially interesting is how Rarity's fame becomes important at the end of the episode. Right now, of the mane six, Twilight is a princess and both Rarity and Rainbow Dash are celebrities. While Pinkie Pie, Applejack and Fluttershy don't share the same level of fame, they're still national heroes, even if they're so rarely recognized as such. This acknowledgement of Rarity's celebrity giving her a stronger voice is very interesting, and having her use it to promote struggling businesses is a good showcase of her generosity. Meanwhile, Pinkie continues to have her accomplishments ignored, but I suppose that comes with having smaller goals. After all, at least some of the main characters have to have more modest ambitions. The episode also boasts a song called "It's Gonna Work," and as if the showrunners somehow heard my complaints about the previous episode's song, because this song has a very distinctive flavour which utterly embarrasses "Can I Do It On My Own" from "Flutter Brutter." Much like the restaurant, it has an Indian style to it, and while the instrumental is a little overblown, the tune is very fun and catchy. I might just be happy to hear a song in this show that doesn't sound like a remix of earlier songs, but much like the season premiere, that freshness just makes the song all the more exciting. "Spice Up Your Life" doubles down on the formulas of the map episodes, but it does so in a way that is consistently enjoyable, due in no large part to a couple of great new characters and a few small touches that make the episode stand out just a little from the pack. For the most part, the episode coasts on the charm of its lead pair and its new characters, but these prove to be more than enough, thanks in no small part to the delightful writing of Michael Vogel. Add in a distinctive song, and you have yet another solid episode of season 6. I've said it before and I'll say it again: It feels so great to be satisfied with this show again. *Since writing this review, I've discovered that Saffron and Coriander are voiced by white actors. That is highly disappointing. Is there some reason why they couldn't hire South Asian voice talent? The episode doesn't seem to be culturally insensitive, but this casting does cast a bit of a shadow over the episode, especially for a forgettably charming episode like this. If you're not even going to cast actual Indian people, is the Indian cultural motif a little exploitative? I don't know, but this casting choice is highly questionable. Additional thoughts from the thread: Source: S06:E12 - Spice Up Your Life
  23. Not spectacular or anything but I found this thoroughly enjoyable. Easily the most formulaic episode this season, even more so than "Gauntlet of Fire," but the charm dial was cranked up and those restaurant owners are delightful. Full review here. Additional thoughts: Not only does Rarity use her platform to promote a struggling business, she does so for a business owned by (ponies inspired by) marginalized people. Shout out to that. Starlight and Twilight resurrecting the map no questions asked only underscores what a horrible, horrible plot device it is. Why don't they ask any questions about it? I get why they trust it now, but why did they just go with it at first? Why does as formulaic an episode as this need such a lazy excuse to exist? This episode is so lean that it's almost the opposite of "The Gift of the Maud Pie." I enjoyed the latter's density more, and it proved that you could easily come up with another explanation than the map. I hope there isn't any equivalent to the terrible running gag last season where Twilight complained about not being summoned by the stupid map. That would be the worst. I missed this while watching, but casting white VAs as Saffron and Coriander... not impressed, guys.
  24. So Troubleshoes' cutie mark represents his love of the rodeo, but he has particularly little idea how to use it. I guess that makes sense - his cutie mark merely represents his passion for the rodeo, and he needed to figure out a way to make that work. At the same time, it didn't come at a time when he was discovering his love of the rodeo but at a time when that love was challenged, and didn't come with an epiphany like even Sunburst's did. If Zephyr didn't even have the slightest idea what his cutie mark meant, he wouldn't have one in the first place. How I've always understood the lore is that the talent precedes the cutie mark, and not the other way around - you need to understand your talent/passion in order to get a cutie mark, so it's impossible to not at least think you know what it means.
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