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Yak (17/23)
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I was kinda excited for another season of Josh Haber's lazy story editing, especially after I felt the Lewis & Songco way overdid it last season, but the weird creativity which made season 6 appealing to me isn't rearing its head often enough this year. It's too late to find the right balance.
Oh well, at least "Horse Play" happened.
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I pin down some of the more moral-centric routes of the writers in season 7 (I personally never thought it was that egregious, save for a few outliers such as 'All Bottled Up' and 'Forever Filly') on the inexperience of the writers at the time. While I did enjoy some of the minor stylistic quirks season 7's writing team added (such as the door gag in 'Parental Glideance', although that was definitely one of the better episodes of the first half), there was the sense that many of them were inexperienced at writing for a show like FiM, resulting in the incessant thematic 'reminders' several episodes gave us - it almost comes off like the writers reaffirming their own abilities to an extent. Although the original drafts could have been entirely different, but honestly, we have so little information on how episodes are produced post-S2 that I could be either correct or wildly inaccurate here.
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