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  1. Good afternoon, everypony, and welcome to MLP Forums and Poniverse's latest Community Guest Q&A! Please join me in welcoming Elley-Ray Hennessy, the voice of Mistmane and a couple of other minor characters in MLP:FiM this past season. In addition to her work on MLP:FiM, Ms. Hennessy has 79 total acting credits to her name garnered from over 30 years of voiceover, television, film, and theatre acting, including in shows like Goosebumps, Babar, and Redwall, and films such as It Takes Two and Phantom of the Megaplex. This marks the first time that MLP Forums and Poniverse have ever had an actual member of MLP:FiM's voice cast as a guest, and we could not be more excited to have her joining us! First things first, I must clarify how this Q&A will be unfolding, so PLEASE read this carefully. Ms. Hennessy will not be answering questions in the thread herself; instead, I and a few other staffers will be relaying questions to her and the answers she gives us in a Skype conversation to this thread. If you see that I have quoted you in this thread, it is because I am answering your questions with her replies via my own profile. Rest assured, Elley-Ray herself is coming up with any responses we post, and you should feel free to ask as many questions as you want as we always do in these Q&A events. So please, ask away, but just keep your eye out for me to be the one quoting you any time one of your questions is answered. Just a couple more things before we begin. Seeing as Ms. Hennesy is an actual employee of both DHX and Hasbro on account of her work with the show, we have to lay some ground rules similar to when we've hosted guests like Ward Jenkins. While you should feel free to ask whatever you want within reason, keep in mind that many questions, especially those that pertain to her work on the show, may be ones that Ms. Hennessy is unable to answer on account of confidentiality agreements with the studio and her employers. We want to have a great time with our first VA guest, not get her in any trouble with her employers or act like obnoxious or self-entitled hosts. If you'd like to learn more about her, you can visit her own website here, her IMDB page here, and her Twitter page here. That's all I've got for ya'll this afternoon, everypony, so without further, ask questions of Ms. Hennessy to your heart's content! I'll start with a fairly simple and basic question to get the ball rolling: Ms. Hennessy, you've had all sorts of acting roles in a variety of mediums throughout your career. What originally inspired you to become a voice actress?
  2. Good morning, everypony! I've got some exciting news for you all this morning and I'm sure you'll feel the same way once I've shared it. Fillies and gentlecolts, it is my distinct pleasure to announce that on Saturday, December 16th from 3 - 5 PM EST, none other than Elley-Ray Hennessy, the voice of Mistmane and a couple of other minor characters in MLP:FiM this past season, will be joining us as our next Q&A guest. In addition to her work on MLP:FiM, Ms. Hennessy has 79 total acting credits to her name garnered from over 30 years of voiceover, television, film, and theatre acting, including in shows like Goosebumps, Babar, and Redwall, and films such as It Takes Two and Phantom of the Megaplex. This marks the first time that MLP Forums and Poniverse have ever had an actual member of MLP:FiM's voice cast as a guest, and we could not be more excited to have her joining us! Now, seeing as she is an actual employee of both DHX and Hasbro on account of her work with the show, we have to lay some ground rules similar to when we've hosted guests like Ward Jenkins. While you should feel free to ask whatever you want within reason, keep in mind that many questions, especially those that pertain to her work on the show, may be ones that Ms. Hennessy is unable to answer on account of confidentiality agreements with the studio and her employers. We want to have a great time with our first VA guest, not get her in any trouble with her employers or act like obnoxious or self-entitled hosts. And trust me when I tell you this based on my interactions with her, Ms. Hennessy is very excited to join us as well and really loves the fandom! If you'd like to learn more about her, you can visit her own website here, her IMDB page here, and her Twitter page here. That's all I've got for ya'll this morning, everypony, and please, share this announcement anywhere you can! We would love to have as many visitors as possible to ask questions on the day of the Q&A, and be sure to prepare some of your own before you show up. Have a great Saturday, everypony, I'll see you in Poniverse Events for the Q&A in a couple of weeks!
  3. Good afternoon, everypony, and welcome back to another edition of "Batbrony Reviews"! It's the penultimate episode of Season 7 folks (considering the upcoming season finale is, as we would expect, a two-parter), and given how those have gone throughout the show's tenure, I think it's safe to say that most of us were very much anticipating this one. Let's rundown how penultimate episodes in previous seasons have gone as a quick recap: in Season 1 we were graced with "Party of One," easily Pinkie Pie's best episode of that season and still one of the funniest episodes of the show in general; in Season 2 we got the awfulness that was "MMMystery on the Friendship Express," a bitter pill to swallow considering the season as a whole was so outstanding, but quickly forgotten as well given how the season finale turned out; Season 3 saw "Games Ponies Play" as the penultimate episode, a fun little romp in the Crystal Empire that saw the Mane 6 having to help Cadance and Shining Armor get the Crystal Empire to win the privilege of hosting the Equestria Games (it was also a bit odd in that it was kind of the second part of a semi-two-parter episode in that the previous episode, a Spike-centric one, was tied into the events of the following episode); Season 4 saw a follow-up to the previous season's penultimate episode in "Equestria Games," which featured, what else, but the Equestria Games themselves, an event that had been built up starting at the end of Season 3 and throughout Season 4 as well, so while the episode itself might not have featured as much content from the games as we would have liked to see, it was very interesting seeing the payoff of so much build up; Season 5 had probably the greatest penultimate episode of the show to date in "The Mane Attraction," featuring one of the greatest songs the show has ever had and a very stirring, emotional episode as well about Applejack helping her old friend, Countess Coloratura, find her way again; and Season 6 had a fairly fun slice of life episode in "Top Bolt" as its penultimate episode, which was basically just another Cutie Mark Map episode. As we can see, penultimate episodes of the show's seasons (with the exception of the terrible "MMMystery on the Friendship Express") tend to turn out one of two ways: (1) they turn out as gems like "Party of One" or "The Mane Attraction," or (2) they're simply very fun slice-of-life episodes that may try some interesting things, like "Games Ponies Play" or "Equestria Games," but often just function as nice, quiet set up for the season finale, like "Top Bolt." So what did Season 7's "Uncommon Bond" turn out to be? Interestingly enough, it was mostly the latter, and I think some people were surprised by that. Sunburst hadn't appeared in a major role in the show since his first debut in Season 6 (not counting Starlight's flashback about him in the previous season's finale) and given their close history together, I think many of us were expecting a more, shall we say, impactful episode. Now that's not to say that the episode as is disappointed, far from it, in fact I very much enjoyed what we got. It was just a far slower and quieter episode in its execution, smaller in its scope, than I was expecting, but again, for what we got I don't believe that's a bad thing. Let's take a look at just why that is, without further ado, this is "Uncommon Bond"! As should become quickly apparent in this review, bobthedalek had a BLAST with this episode So the heart of this episode is definitely Starlight Glimmer, very fittingly I might add, and if there's anything in the episode that could be described as powerful, it's definitely her. Starlight has a very emotional performance, one which very much unfolds in the background of the episode, interestingly enough. She's hoping that she and Sunburst have a splendid trip together since he's visiting her in Ponyville for, more or less, the first time (at least for an extensive trip) and that they'll be able to reconnect the exact same way they used to as foals. That in particular is key here, and it's at the heart of Starlight's insecurities in the episode. As I've said before, Starlight is different from Twilight when it comes to making friends in a very big way; whereas Twilight is very comfortable with a large group of friends (and being the center that keeps it all together in the case of her and her closest friends), Starlight in contrast is someone who prizes each individual friendship for what it is for her, and each of her friends are not part of some close-knit group, but largely connected simply by their friendship to her. This is why things get awkward between her and Sunburst, because really, the last time they were truly close in their friendship with each other on a consistent basis was as foals, so most of Starlight's memories of Sunburst are from spending time together at each other's houses playing board games and dabbling a little with magic. Now, obviously Starlight has grown immensely as a character and overcome a lot of her old insecurities when it came to making and maintaining friendships since the end of Season 5, but it makes sense that her realization as to how different she and Sunburst have become over the years as they grew apart would panic her just a bit. It's her oldest friendship, and one which so many of her greatest mistakes and decisions stemmed from after Sunburst grew apart from her and she didn't feel like she had anyone else to turn to or rely on. Seeing the very ponies she's befriended in her time in Ponyville getting along more easily with Sunburst than she was (outside of when they got to play Dragon Pit together earlier in the episode) had to be dismaying for Starlight, and probably at the least convinced her that she was a bad friend to Sunburst, or at worst, that maybe they weren't really that close any more. It's an interestingly mature lesson for such a quiet slice-of-life episode, that being that over the years, we may grow very different from our friends, especially our earliest friendships, and to some extent that can be scary because it may seem like you can no longer recapture the magic of the friendship you two shared in your younger days. The episode's solution to such a conundrum is surprisingly simple, with it being a simple, quiet reminder that just because you and an old friend may grow very different from each other over the years, that doesn't mean that you two can't still be friends with one another or very close. As long as you find ways to enjoy each other's company, even if it's different than it was when you were younger, you'll both be fine, and you may even learn to appreciate the ways in which you are different from each other now. The key is simply to find a way to make the friendship work, not simply have it be the exact same as it has always been. That can be scary because old memories of how friendships used to be can be among the best one may have, and it's tempting to want to recapture that exact same experience, but it's not very realistic, especially as friends grow older or even closer. I have friendships on this site itself that used to largely be simply about me having a fun time with other fellow bronies, but these friendships have since grown to a point where both friends, myself and others, confide in each other our fears, insecurities, worries about our lives and the future, and what we're struggling with and how we can help each other as friends. These are not always fun topics or conversations, but they are fulfilling things to share with other friends, and our willingness to confide in each other make for very meaningful moments in our friendships and are testament to just how close we have become. For Starlight to learn that here, even in a little, quiet way, with Sunburst was great to see, and even though it may not be her best episode of the season, it was definitely an invaluable lesson for her to learn and a treat getting to see her learn it. That and, let's be honest, Starlight in a dragon costume looked BUCKING ADORABLE!!! Sunburst, for his part, was... a mixed bag, if I'm being honest. I don't think it was so much him as the type of episode he was in. While the lesson in this episode was great, we've seen this type of episode in cartoons before: the "this old friend of mine gets along better with my current friends than he does with me" episode. The difference between this episode and others like it is in the intent; other episodes like this one often paint the old friend as a douche for how they've changed, or are about the main character learning to appreciate their current friends more and moving on from their old friend, realizing they're not as close as they used to be. That was not the case here, as Sunburst was not an antagonist nor did he and Starlight end their friendship. The purpose of the episode was for them to find a way to reinforce their friendship. The problem is getting to that resolution, no matter how good it is, can be annoying, namely in that it required Sunburst to be unaware of the fact that the way he was behaving was hurting Starlight. He may have been having a great time in Ponyville, but considering it was Starlight who invited him in the first, who was the whole reason he was there in the first place, he should have been more attentive to how she was doing and realized she often didn't have much of anything to do in many of his activities. Yes, she tried to put on a good face for him, but even he asked early on if she really had enjoyed his antiquing all that much. The other problem with how easily he got along with Twilight, Trixie, AND Maud is that it came close to making him come off as Gary Stu-ish in some respects; I can buy that he and Twilight would share a hobby as dorky as antiquing, and even Sunburst being into geology isn't too unbelievable (though I'm not sure at what point he would have gotten into it considering his studies have always revolved around magic), but him being into parlor trick magic like Trixie too, that seemed a bit much. I get they needed him to befriend all three of these ponies in order to make the episode work, but it just seemed far fetched that he'd share all these interests with all three. Starlight may share connections with all three as well, but they're far more personal ones which makes them easier to believe. So overall, Sunburst's ease with finding so many things in common with so many of Starlight's friends, combined with his lack of awareness about what was troubling Starlight as the episode unfolded, made him frustrating to watch at times. Still, on the whole it's not like he had ill intent or anything. He was on vacation after all, and even though Starlight was his host, that didn't mean he just had to do everything with her. Sunburst didn't seem to be worried about their friendship at all until he realized what she had, that they really might not have much in common these days (though why they didn't dabble more in having fun with magic I have no idea considering we know they did this as foals, they both love studying and practicing magic, and they even had fun at first when Starlight did it with him later in the episode, at least until she upset him), so for all he knew she was having fun just like he was. And the solution he came up with to make Starlight feel better about where they stood was quite cute and heartwarming, not to mention he actually had some pretty fun scenes with Twilight and Trixie especially (his scene with Maud when he befriended her was a tad annoying, but again, mostly because his interest in geology came out of bucking nowhere). He even had some rather funny scenes throughout the whole episode, such as when Starlight wakes him up wayyyyyy early in the morning and I swear it looks like he looked down at himself in embarrassment because he realized he had morning wood. I know, I know, he's just embarrassed that she walked in on him naked in bed (same as Fluttershy way back in Season 2 with Rainbow Dash), but c'mon, it's so easy to think that's what he was embarrassed about! Overall, while he was quite frustrating at many points in the episode (mostly in order to make the story work), Sunburst was on the whole quite likable, had a nice return, and, if the ending of the episode (a bit of a cliffhanger/set up for the season finale) is anything to go by, should hopefully be playing a larger role in the show going forward, which would be nice. Our supporting cast here was essentially the rest of Starlight's closest friends, Twilight Sparkle, Trixie Lulamoon, and Maud Pie, and like Sunburst, while they were fine on the whole, because of what this episode's storyline demanded, they were frustrating at times. Twilight was probably more frustrating than the others since, if I'm being perfectly honest, she's got the most going for her in her life, and on top of that she's Starlight's mentor, so it kinda felt like she should have been most aware of any of the three as to how close Starlight feels to Sunburst and how important she would have considered spending time with him. But instead she merrily geeks out with him about antiquing which, while cute, she should have realized Starlight wasn't enjoying. Her reaction to playing Dragon Pit was, admittedly, adorable. Trixie and Maud, to their credit, had never met Sunburst before and didn't know how important Starlight considered this trip, so them making connections with him were just pleasant surprises for them that they ran with, but like I said, for Twilight to not consider that Starlight wouldn't be thrilled with her and Sunburst antiquing for hours on end while she was stuck there as basically a third wheel, bored out of her mind, was just a bit disappointing to see from her. Overall, however, all three were quite fun to watch for the most part. Twilight had her cute scene playing Dragon Pit with the two of them (seeing her geek out at her dragon falling was too adorable), Trixie and Sunburst bonding was pretty hilarious (not to mention she had some fun bits of continuity from earlier in the season, like seeing her, once again, turn something into a tea cup, and struggling to but managing to help carry Sunburst's luggage at the end of a the episode, a clear sign that her magic is improving), and Maud was, well, Maud, she's always a blast when she shows up. I quite enjoyed them all for the most part, even when they were making the conflict in the episode worse (unknowingly), and it was pretty cool seeing all of Starlight's closest friends come together for her at the end. Trixie, I... I think you may have a teacup problem. Like, for real. The animation, it's not really worth commenting on. I mean it wasn't bad, but there weren't any particularly ambitious set pieces. The same goes for the music seeing as there were no new songs (not surprising). The most interesting bit of world building was that spell Starlight came up with which apparently created a projection of Starlight and Sunburst's childhood homes but ALSO seemed to actually regress them in age; it was most disappointing that we didn't get to seem them as foals for a longer time because I was interested as to whether or not their emotional state was actually effected by their age. Starlight clearly had the same level of magic so it seems it didn't affect their physical capabilities (outside of how big they were, of course) but again, some of their reactions seemed a tad more adolescent, namely the way Sunburst had an outburst toward her and how Starlight teared up afterwards. That was really interesting to consider and, again, we unfortunately didn't get many answers since they weren't foals for very long. Also, holy shit was Starlight adorable as a filly!!! So what are we left with? Well, despite the issues I pointed out with the supporting cast to some extent, especially with Sunburst, I really wasn't that bothered by them. I mean, the most annoying thing about the behavior I had a problem with is that it was there strictly to make the plot happen, but at the same time it's not unbelievable (as we've seen in this show multiple times) that well-meaning individuals would make mistakes that, compounded, would really hurt a friend of theirs, and I always commend the show for not pretending that even its biggest characters are Mary Sues or Gary Stus. Those issues aside, this was a very quietly mature episode with a just as subdued lesson, but one which was very smart and mature as well. I appreciate when the show goes out of its way to show smaller behavior having a large impact on someone; this certainly wasn't an instance of Starlight unnecessarily "sweating the small stuff," but rather a nice highlight of just how important little things in life, like sharing a vacation with a friend and spending some quality time with them, can be, especially when things don't go the way you wanted and you're even left questioning the friendship itself. The set up for the season finale was very appreciated as well (not even the first time we've seen a book teased as a plot device for the season finale *cough cough* Season 3 *cough*), and I'm looking forward to seeing how Sunburst gets himself involved in it this week as well. All in all, for a quieter and more subdued penultimate episode, this was a very solid one and a nice, final starring appearance for Starlight Glimmer this season. Can't wait for the season finale to the most exceptional season of MLP in a long time, and I know the rest of ya'll can't either! I'll see ya'll this weekend everypony, until next time, this is Batbrony signing off. I'm off!!! *cue dramatic exit* What's the only thing that might possibly be cuter than filly Starlight? THIS!!!
  4. Good afternoon, everypony, and welcome back to another edition of "Batbrony Reviews"! This week, we've got a flawed but still solid addition to Season 7, starring Pinkie Pie and Rainbow Dash in a fun little romp where the insanity and hilarity that unfolds (and the entertainment we derive from it) is probably more important than the lesson itself. It's a curious episode, not because what it does is particularly unique, because it isn't; in fact, this episode seems to quite deliberately lift from a number of past Pinkie Pie episodes (down to the name title itself if it can be believed, considering the episode is called, after all, "Secrets and Pies" and "Secrets and lies, it's all secrets and lies!" was something Pinkie was quite fond of proclaiming in "Party of One") to the point that it could accurately be described as a spiritual successor of not one, but TWO past Pinkie Pie episodes (and oddly enough, an improvement of one of them). It's also strange in that most of its execution in its first two acts (and the first half of the third act) are far more satisfying than its actual resolution, which leaves something to be desired. In any case, while it's hardly one of the more exceptional episodes we've gotten so far in the stellar seventh season of MLP, it is a very fun and likable one all the same, and fun romps involving Pinkie Pie going crazy are always a lot of fun if executed well, which this one is for the most part. Without further ado, this is "Secrets and Pies"! Hey now, I'm the one who makes Batman references around these parts! OK, in all seriousness, this Adam West Batman reference is as delicious as Pinkie Pie's pies look So, starting with Pinkie Pie herself, just what two past episodes of hers does this episode draw from, if not act as a continuation of? Strangely enough, her best Season 1 episode and her worst Season 2 episodes (the latter being my least favorite episode of MLP until "Hard to Say Anything" came out this season): "Party of One" and "Mmmmystery on the Friendship Express." The "Party of One" similarities are fairly blatant right from the start; while her ire in that episode was directed at most of her friends, Rainbow Dash in particular had a hard time avoiding her near the end of the episode, and here we have Pinkie Pie, what else, freaking out as a result of something involving Rainbow Dash. Her freakout also stems from a supposed betrayal, the difference between the two episodes being that in "Party of One" the betrayal was in Pinkie Pie's imagination and her friends were really just planning a surprise birthday party for her, whereas here, the betrayal was actually real and not something she concocted, even if some of what Pinkie Pie imagined about it was exaggerated. Hell, even the fact that Gummy acts as Pinkie's confidant during many of her scenes is similar to "Party of One." As far as similarities to "Mmmmystery on the Friendship Express" go, as in that episode, Pinkie Pie has a mystery to solve, and she has to apply logic and sound detective work to figure it out. The differences between these two episodes is that (1) in "Mmmmystery on the Friendship Express" the mystery itself and the fact that it couldn't get solved quicker than it did all stemmed from Pinkie Pie and most other characters in the episode either acting like idiots or stupid, selfish jackasses without any self-control for the simplest of things, and (2) Pinkie Pie didn't need Twilight or anypony else holding her hoof as she solved the mystery, nor did she present idiotic theories about what actually happened to large groups of ponies as though that was what actually happened. She may have at one point come up with the notion that Rainbow Dash was turning into some kind of demonic entity and blasting her pies with laser eyes, but the only character she shared that with was Gummy, and it was just a part of her bigger theory that Rainbow Dash (based on her findings) really didn't like pies, and had been lying to Pinkie Pie that she liked pies and finding ways to get rid of hers for years (which was actually true). She may still have been silly and over the top, but oddly enough, Pinkie Pie solved this mystery completely on her own, showing she'd actually learned a lot about applying logic and reason in solving something like this since the idiocy of "Mmmmystery on the Friendship Express." So yes, as should be clear by now, the episode revolves around Pinkie Pie's discovery that Rainbow Dash doesn't like pies (including hers) and has been lying to Pinkie Pie about this for years, and her subsequent reaction to that. Basically things unfold as you'd think they would if you've been watching this show long enough: Pinkie Pie freaks out when Rainbow Dash throws out a pie she baked for her behind her back, starts digging a little deeper and finds enough solid evidence to suggest she's done this with every pie Pinkie's ever given her, and subsequently freaks out and starts trying to get Rainbow Dash to either eat one of her pies in front of her or admit that she's been lying to her this whole time. As you can imagine, this involves a lot of hilarious and crazy antics, but strangely enough you quickly realize that Pinkie Pie's not really the antagonist here, nor does she have to learn a lesson. If anything, I found myself quite anticipating Rainbow Dash getting her comeuppance when she was finally exposed as a liar in this regard (one reason the resolution actually felt a little unsatisfactory), and the fact that the writers showed what started years ago for Rainbow Dash as a white lie/fib spiraling out of control into something neither she nor Pinkie Pie had any control over from the point of view NOT of the one who was telling the lies (RD) but rather from the pony directly affected by the lies (Pinkie Pie) was interesting. When I think about it, it's a little more unusual for the character lied to to be at the center of a story like this about the negative effects of white lies/fibs that grow out of control than it is for the character doing the lying to be front and center, but I liked how they did it here, especially considering it was Pinkie Pie front and center. The way she reacts to betrayals, just how crazy and emotional she can become when something like this happens, drove home the fact that, even if Rainbow Dash had good intentions, it still didn't mean that her lying to Pinkie Pie was overall a good thing. Her lying to her friend hurt Pinkie Pie very much, and made her question the trust she had in RD. The fact that this was Pinkie Pie being lied to (about whether or not someone was eating her pies, no less) also meant that the episode didn't have to get too serious in its content while still condemning the lie itself. Overall, I really enjoyed Pinkie Pie here and don't really have anything bad to say about her. She was fun, her crazy moments were great but the fact that she was right kind of made them even funnier, and at the same time, you couldn't help but understand why she was as distressed by RD's lying as she was; not only is RD one of her dearest friends, but baking in general is one of her favorite things to do and something she takes great pride in. To find out one of her closest friends has been lying to her for years about eating her pies, one of her favorite things to bake for anyone, was clearly devastating to her, and knowing Pinkie Pie as we know her by now, it's not hard to see why. Great showing from Pinkie Pie all around, she was the heart of this episode and it was better off for it. This episode did a great job of bringing out some of Pinkie Pie's more Looney Toon-esque characteristics, especially in some of the cartoony faces she was pulling off Rainbow Dash, on the other hoof, I have words for. Now, having the lie present for the sake of the episode working at all is fine, it made sense. But at the same time, the lengths she went to throughout this episode to dispose of pies without Pinkie noticing were RIDICULOUS!!!! I know that oftentimes (even before Pinkie Pie thought she wasn't eating her pies) Pinkie wanted her to eat them in front of her so she had to usually get rid of them right away, but even she herself pointed out later on in the episode that it was a hassle doing that for years. Hell, she even put her tortoise Tank's health at risk doing so, that ain't cool! She did this after already taking him to the vet previously for, wouldn't ya know it, getting him sick from feeding him pies she didn't want, so she knew in doing so that she was risking his health... AGAIN!!! Don't get me wrong, some of the ways she got rid of pies were hilarious (I particularly enjoyed when she tossed her "It's Not Your Birthday But Here's a Pie Anyway" Day custard pie up to a balcony and Shoeshine, upon finding it, gleefully exclaims "Huh! It's not even my birthday!"), but when you think about it from both a moral and logical POV, there's really no good reason RD kept this up for years. The only excuse I can really think of is that Rainbow Dash, like Pinkie Pie, is more prone to extreme behavior even for little things, and combine that with the fact that she HATES disappointing anypony, especially her closest friends, I can actually buy that it makes sense that RD would do such extreme behavior over such a little thing as not telling Pinkie Pie that she doesn't like pies for years. However, the episode made it a little harder to sympathize with RD's reasoning by emphasizing, in its end, a little too much that her heart was in the right place. The ideal lesson for this episode (and I think this is even what they were going for) is that while many white lies may come from genuinely good places, that still doesn't mean they're good things, and they can still hurt those we love; the problem is that by the end of the episode, the focus is less on the fact that what Rainbow Dash did was wrong, and more on the idea that it's easy for Pinkie Pie to forgive her because her motivations for lying to Pinkie Pie came from a good place and she just didn't want to hurt Pinkie Pie's feelings and wanted to keep seeing her happy at the thought of RD eating her pies. Even AJ points out that RD failed in that regard in that she still ended up hurting Pinkie's feelings anyway. But again, the episode focuses a little too much on the "good place" that white lies often come from, to the point that it almost felt like they were straight up exonerating RD for her behavior and even suggesting that there are instances where it's OK to tell a white lie. Now don't get me wrong, I know that life is grey enough that almost all of us will tell a white lie at some point in order to not hurt another, but the reason I really am not OK with how this lesson was delivered here is because this went from being a white lie to being something that RD was lying about for YEARS. Lies that are carried on for years are usually over really bad shit that you don't want anyone to know about, so for the episode to even accidentally suggest that that might be OK depending on what the lie is over is, in my opinion, not a good thing at all. Also, I'm sorry, but the gross out humor that was in the episode's final scene as RD was pledging to Pinkie Pie to eat a disgusting monstrosity of a pie that she'd somehow made was the low point of the entire episode. It felt completely out of place in a show that largely doesn't very often engage in gross out humor of any kind, it wasn't funny, the pie itself was genuinely distasteful to look at, and it felt like something you'd encounter in, say, Spongebob or The Fairly Oddparents during their later, far inferior seasons when they started delving into really bad, low brow humor aimed at the lowest common denominator. Overall, while RD was pretty entertaining throughout this episode, especially when Pinkie Pie was trying to get her to crack and admit she didn't like pie, I'm not sure she learned the right lesson (or any lesson at all), and even if she did, the resolution she and Pinkie Pie came to was just... not very satisfying. Well that's certainly... terrifying. But not quite as terrifying as... Yeahhhhhhhhhhhhhhhhh... seriously, what is this even doing in MLP? This kind of humor, at least at this kind of level, feels SO out of place in this show! How they kept themselves from throwing in something about Soarin and pies I have NO idea, the writers really missed a golden opportunity to make a great joke there! I'm sure it was just an oversight, but still, too bad they missed out on that one OK, it may be bad for his health, but in all seriousness that's bucking adorable and I want more The second best member of the Mane 6 here was, surprisingly enough (considering she wasn't in that much of the episode), Applejack! She was only in about four scenes (only two of which she contributed much to) but they were quite funny appearances. I think what made her really work here is that in most of her scenes she was playing opposite Pinkie Pie, and that afforded the writers the opportunity to have her whip out some really dry, sardonic humor, which really contrasted Pinkie's over-the-top, erratic behavior. Her stumbling into Pinkie's party cave and onto a slowly-going-crazy Pinkie Pie was quite hilarious in and of itself, especially in her reactions to Pinkie Pie's interrogation as to whether or not she'd ever seen Rainbow Dash eat any of her pies, and later in the episode, she seemed to be the pony most aware (besides Pinkie Pie herself) as to how much RD had bucked the pooch by just not telling the truth in the first place (glad to see that AJ is still very much the Element of Honesty). She even seemed unsatisfied to some extent by how everything resolved, sardonically exclaiming that she could've told RD in the first place just to tell Pinkie Pie the truth. Overall, it was just fun seeing AJ in a fun supporting role that really relied on her drier sense of humor. Twilight was present a little bit too, but mostly just to tow along with AJ, and if anything her presence with Applejack for most of the episode (especially towards the end) seemed mostly to reinforce that these two are still probably the most mature (emotionally at least) members of the Mane 6. Twilight's still the center of the group that holds it together and Applejack is the best member of the group for helping the rest stay grounded and level-headed, which Twilight herself often needs the most if she's starting to panic when things start getting out of control. When they're both acting grounded and mature, you just get the sense that both of them get this and really appreciate that aspect of the other's behavior, the fact that they are the least likely of their friends to lose their heads over something. That's not to say they both haven't lost it at times (especially Twilight), but when they're grounded, boy oh boy are those two levelheaded. Applejack: she has no time for anypony's bull shit Finally, this episode went to a surprisingly large amount of locations, and we got to see a lot of major or minor supporting characters (mostly during Pinkie Pie's investigation) including the Wonderbolts, Dr. Fauna, Cheerilee, and many, many more. As far as another way in which this episode contrasts "Mmmmystery on the Friendship Express" for the better, the sheer number of locations made Pinkie's investigation far more fun and interesting to follow than the one in that dreadful episode. That episode has, after they board the train, ONE SINGLE LOCATION, and it's not a particularly interesting one to even look at. In contrast, this episode went to (1) Sugarcube Corner, (2) the Wonderbolt Academy and Training Grounds, (3) Pinkie Pie's Party Cave, (4) Dr. Fauna's Vet Clinic, (5) the Ponyville Schoolhouse, (6) Rainbow Dash's Cloud House, and (7) various locales and streets throughout Ponyville! Yeah, not hard to see which was more fun to follow, especially when some locations were visited multiple times. There was also a wide variety of humor dotted throughout, from Pinkie Pie's insane brand of humor when she starts breaking down and going crazy, to Applejack's drier sense of humor, and even a whole lot of physical humor, most of which worked (aside from anything having to do with that ridiculous pie at the end of the episode). All in all, what did we get? Just a really fun episode which, while hardly perfect, was still very entertaining. The most interesting thing about it wasn't its flawed lesson, but rather simply the fact that it not only had so many callbacks to "Party of One" and "Mmmmystery on the Friendship Express," but actually improved on that second episode as well, fixing a ton of flaws from it. It's hardly one of the best episodes we've gotten this season, but as far as breaks from the litany of exceptional episodes we've gotten this season go, this was one of the more entertaining ones, and definitely not a bad final episode of the season for Pinkie Pie, not at all. I had a lot of fun watching it, and I hope most of you did as well! That's all I've got for ya today everypony, until next time this is Batbrony signing off. I'm off!!! *cue dramatic exit*
  5. This very special edition of "Batbrony Reviews" is dedicated to Joanna Lewis and Kristine Songco (episode writers), Kaylea Chard and Jae Harm (episode storyboard artists), "Big" Jim Miller (episode director), Daniel Ingram (episode music), Felicia Day (Pear Butter), William Shatner (Grand Pear), Bill Newton (Bright McIntosh), Ashleigh Ball (Applejack), Michelle Creber (Apple Bloom), Peter New (Big McIntosh and Goldie Delicious), Tabitha St. Germain (Granny Smith and Mrs. Cake/Chiffon Swirl), Bill Mondy (Burnt Oak), Cathy Weseluck (Mayor Mare), anyone else who worked on the episode, and of course Lauren Faust for giving us this show and making this episode possible to begin with. Thank you all for all you contributed to making the perfect episode of a truly remarkable show. Those who regularly read my episode reviews have probably noticed by now that I have chosen to forego my usual introduction. No it didn't slip my mind, rather, it was very much an intentional decision. There is nothing "usual" about this episode, and hence a usual introduction would not have sufficed. The first time I watched this episode, I was too blown away by it, even after already anticipating it for over a month when word started getting out about how amazing it was, to really feel anything but pure joy. The second time I watched it, I spent the last five minutes of the episode crying; I have a feeling now that this may happen every time I watch it. I say this as someone who does not cry easily; the last time any movie made me cry, I believe it was Toy Story 3 back in 2010 (granted I don't go out of my way to watch sad movies, but still, even if I did I wouldn't be someone who cries just for anything). That movie made me shed some tears out of nostalgia, most likely because I was also fresh off of my freshman year of college and was watching it with my mom; this 22 minute episode of a show with a budget the fraction of what a Pixar movie costs, in contrast, made me weep like a newborn. What could have possibly elicited such a reaction? Nothing short of perfection, really. I've seen the best episode that My Little Pony: Friendship is Magic will ever have to offer to me, and I'm perfectly OK knowing it can't get any better than this. Some things just don't need to be touched or surpassed, kind of like how The Empire Strikes Back will probably always be the greatest Star Wars film of all time. That's enough set up for this, however, it's about time we got this show on the road. Without further ado, this is Batbrony Reviews "The Perfect Pear." While I obviously do not have a set format for my reviews, this review will have a very unusual format. It will break down elements of the episode in all areas (be it story, characters, writing, voice acting, animation, music, etc.) as I go through what was recounted in this episode in chronological order as it happened, not as the episode itself was organized. Seeds of a Tragedy The family feud is an old story trope in much of literature (it's also something we even observe in history quite a bit). The most famous example in Western literature (at least the one most people probably think of first) would be "Romeo and Juliet," but I would argue it is not among the finest examples of a family feud in literature (and I would hardly be the only one to make such an assertion). While the lesson is powerful and the tragic elements inherent to a family feud are there, there's not quite enough for us, the audience, to latch onto emotionally in regards to caring about the Capulets and Montagues. Romeo and Juliet are teenagers who fall in love incredibly quickly and get married before they even really know what being in love for a lifetime truly is (and subsequently die before they know as well), and the only other supporting characters who we really are emotionally invested in in regards to the feud are Tybalt (Juliet's cousin) and Mercutio (who's not even a Montague, but just a close friend of Romeo) and they die before Romeo and Juliet even do. By the end of the play, any characters we were sort of emotionally invested in are dead, the only truly likable one left is Friar Laurence, and there are no Capulets and Montagues left who we know enough about to really care about them, other than the fact that they just lost two young members of their families because of their bitter feud (whose roots we also don't know much of anything about). The writing is certainly as poetic as anything Shakespeare wrote, and as I said before, the tragedy and powerful lesson are both there, but anyone who truly knows Shakespeare would never claim that "Romeo and Juliet" is his finest or most enduring work (even if it was their personal favorite). So what makes for a truly powerful way to tackle the tragedy of a family feud? Believe it or not, I believe that "The Perfect Pear" has done just that. Yes, at the risk of sounding blasphemous, a 22 minute episode of animated television has made me feel more emotional about the tragedy of its family feud than Shakespeare's "Romeo and Juliet" ever has. How? I mean, really, how? Well, to get to the bottom of that, we need to start at the beginning. No, not of the episode, but of the feud itself between the Apples and the Pears. The feud starts fairly innocently. In fact, you could even be forgiven for at first thinking it's about to fall into an old cliche one encounters in many children's animated programs where a family feud or rivalry between two people (that is largely played for laughs in the given show or episode) stems from something really petty or silly even. That's usually a big root of the "humor" in the entire feud. However, this episode quickly makes it clear that it is not playing up any of the feud for laughs, but is rather treating it with the utmost seriousness. Although it initially begins with Granny Smith and Grand Pear, two fierce competitors in Ponyville simply trying to outdo the other at selling their agricultural wares, merely smack talking each other in the course of business, it rapidly escalates into something far uglier than a friendly rivalry. This is nicely highlighted with immediacy and subtle urgency by the episode in a smart visual cue at the end of their first true feud with one another in the Ponyville market. At the end of that scene, the ponies they've been trying to sell apples or pears too, ponies who are their friends and neighbors, go from being excited with their products to being completely put-off by the scene before them. They don't think there's anything funny about the feud, rather, if you look at their faces, they're clearly at least annoyed and think they're both acting obnoxious, if not downright dismayed and saddened by it all. What already makes this a sad state of affairs is that we both (1) already know from over six seasons of seeing her what a lovable character Granny Smith is (which both makes the ugliness when she's in feud mode all the more jarring, as well as early on suggests that Grand Pear too was largely amicable when he wasn't feuding with the Apples), and (2) the episode itself makes a point of showing us how much the both of them love doing what they do (in Granny Smith reading stories to her apple trees at night and Grand Pear in turn making blankets for his pear trees), growing and selling apples, pears, or apple or pear products. There shouldn't be anything wrong with loving your work, but because they take their competition with each other too far in a hurry, an inherent ugliness, at least when it comes to the Apple Family vs. the Pear Family, is added to their work itself, which we know is so important to both families, central to their very identities. And so, already tragedy emerges in the Apple and Pear Family Feud, with such a bitter, ugly element added to the thing which both families love so much: their work. They build a fence between both properties that does more than simply mark the boundaries of their properties, they're constantly trying to one-up one another, and it gets to a point where eventually, none of the Apples or the Pears, especially Granny Smith and Grand Pear, can even stand the fact that they share the same community or even think of an Apple or a Pear as their neighbor. Yet amidst this growing rift between the two families, a single, small hope emerges, which eventually becomes the best hope that both families have got. Love Blossoms This hope starts off small, as so many forms of hope often do. A tiny kindness, one foal giving another a cute nickname and sharing in a sweet moment with her, that's all there is to it really. Enter Bright McIntosh and Pear Butter, who almost immediately latch onto something as foals which, by this point in time, virtually every other Apple and Pear has forgotten in regards to one another: possibility. The possibility of being friends with one another, the possibility of being even more than that, and the possibility of the beautiful things that can come out of all of that, so much more precious than anything "gained" by feuding with each other. For them, the feud is virtually meaningless right from the start. Oh sure, one's an Apple, the other's a Pear, and they both are well aware of what their families think of each other. But at no point do they let that keep them from being decent to each other and their families for that matter. Decency in turn evolves into kindness; kindness into friendship; and friendship eventually into full blown love. From the start it seems as though these two were always destined for one another at some point in time, but that doesn't make the path they take to get there any less delightful to follow. Why? Well again, we return to that word, 'possibility.' In their growing love for one another, Bright Mac and Buttercup discover that it is possible to be even better ponies for overcoming the feud. Just as tragedy is inherent to the Apple and Pear feud by this point, so too is unconditional love inherent in how these two grow up around each other. They don't go about their business holding a grudge in their hearts that could consume them any minute or lead them to do bad things in turn. No, instead they go about each day letting their love for one another channel into everything they do. So what kinda lives do they lead? Does their love save Equestria from some centuries old tyrant or ward off some monstrous creature? Do they grow to become leaders in all of pony society who everypony else looks up to? Not in the least, in fact, not even close. Now, make no mistake, what I'm about to say is no knock on the show's main characters. If anything it's rather amazing that the show continually sells the Mane 6 as such complex characters when they've done so many remarkable things by this point in the show that they could easily, in a far lesser property, morph into Mary Sues. But what this episode does is something very hard and very rare in great love stories, or many stories in general of all kinds. It highlights what remarkable, beautiful things can come out of 'normal.' Because that's exactly what Bright Mac and Buttercup are, at least on the surface. They're farmers, they like life in their quiet little town with their friends and family, and friends, family, their work and each other is pretty much all they need. Describing it like that, this all sounds very pedestrian, and I can understand why. The only thing is, well... it's not, not in execution at least. Every step of Bright Mac and Buttercup's courtship is made up of very simple acts of love: the nickname of 'Buttercup' that Bright gives to Pear Butter; Bright's confessing he accidentally destroyed the Pear's water silo when he could have let her take the blame; the two of them sharing a picnic together, complete with him giving her flowers (even if he goes a little outside the box on that one, not by choice of course ); Buttercup writing and singing a song for Bright, confessing her love for him, and he in turn confessing his love for her with a carving of their cutie marks; their sharing milkshakes, dancing far across from one another in the town square, taking walks with each other through the seasons, or even Bright just doing a chore for Pear. These are simple, normal acts of love, and yet they tug on the viewer's heartstrings very much. Let's take a look at Buttercup's song to get a sense of why, because the song is the perfect encapsulation of what makes Bright Mac and Buttercup's love story so heartwarming. "You're In My Head Like a Catchy Song" is hardly the flashiest, longest, or most complex song that Daniel Ingram has ever written for this show. It may not even be the most technically impressive number we've heard on the show. And yet, somehow I now find a song that's really only two verses long and lasts just over a minute and a half is my favorite of the entire show. Why? Because it channels beauty through normalcy in the same way that Bright Mac and Pear Butter do. It's simple, one might even say bare bones, but therein lies its charm. If it were simple out of laziness, this wouldn't work at all, but it is very deliberately simple. The simplicity is sincere, intimate, the song not sounding like some grand, staged affair which we're not sure did or didn't just happen in the story itself, but rather sounding like something Pear Butter herself could have written. Horse feathers, it sounds like something any of us could have written! Writing music is hard, especially for people who don't do it on a normal basis, so as short as that song was, when you listen to it, when you hear the careful care and attention in Buttercup's voice that she gives to every note and word, you can just picture how long this must have taken her, how much time she spent making sure it was perfect for the stallion she loves. She could have written it in an afternoon, or days, or weeks even, whatever the case, we know she put time into making it just through the performance alone. That story, the story of what she put into it, how she poured her heart into it because she loves Bright Mac that much, that's where the beauty in the song stems from. It is a pure, sincere, intimate expression of her love, their love, and for those of us who have been in love before, it grabs us by reminding us of the things, big and small, we'd do for those we love. All of this, the sincerity, the intimacy, the pureness, pervades every single act of their love. Nothing seems staged, nothing seems forced, nothing seems like it's there because it's a cliche of love stories. Sure they may all be old standbys, but things like picnics with your true love, walking with one another, giving your sweetheart flowers, or singing your true love a song, these are old standbys because couples have loved them for generations. It's not about what they're doing, though, it's ultimately about how they're doing it. These two, from start to finish, simply work. There's not a moment they share onscreen where they don't seem like they don't belong together, and that's how you know you've got a great love story on your hands. It's one thing for a story to tell us that two people are "star-crossed lovers destined to be together," but it is another thing entirely for us, the audience, to universally believe it. That takes hard work and skill in both writing and execution. Overall, this beauty of normalcy that we see in both the song and these two as a couple, the simple acts of love, their honesty and intimacy, this is what grabs us and won't let us go. This is the true heart and soul of this episode, the idea that so many wonderful, beautiful, extraordinary things that you never even imagined or thought possible can stem from even the simplest love if its strength and pureness are immeasurable. We may not be capable of saving a magical land of talking horses with ancient, magical artifacts, but what we are all capable of is plain old love, whether it be for friends, family, or yes, even the love of your life. And just like Bright Mac and Buttercup, we too are capable of producing wondrous, beautiful things the likes of which we may have not once thought possible if we hold in our hearts a true, pure love for those dear to us as they did for one another. Tragedy's Greatest Blow And yet, just when things seem to be heading to an inevitably happy conclusion, that old Apple Family and Pear Family feud rears its ugly head again in the worst way yet. Very suddenly, Grand Pear announces that the Pears are moving away from Ponyville, much to Pear Butter's dismay. There is certainly a logic to his making the move; there is more business opportunity for them in Vanhoover and less competition from an equally ardent farming family, so there is plenty that makes sense about it. Yet the sad part is that one can't help but get the sense that these are not Grand Pear's overriding reasons for moving. He just has too much hate in his heart for the Apples by this point, and it blinds him to so much. Not simply what his daughter is going through with Bright Mac, but also the fact that this is his family's home by this point. That they have a loving community of friends and neighbors around them who love what they do, that they're a cornerstone of this community, that they'd be throwing all of that away in the name of profit and getting away from a family which he insists they can't stand. With all this in front of us, I can't help but conclude this move is more about getting away from the Apples, ignoring everything wonderful about living in Ponyville, all in the name of a stupid, needless feud. Most tragically of all, it threatens to snuff out the possibility of the beautiful things that may come of Pear Butter and Bright Mac's love for one another, the possibility that they have always believed in. In fact, it comes very close to doing just that; understandably, Pear Butter can't imagine leaving her family. We don't exactly know if her mother is still in the picture or around at this point as we never see her, and it doesn't seem she has any siblings either, so for all we know her father may be the closest family she has left, not counting her more distant relatives. So it makes sense, very sadly, when she sadly announces to Bright Mac that she has to stick with her family in spite of her undeniable love for him. Neither of them want it, clearly, but Pear is just too scared and dismayed at this point to imagine an alternative; in this moment, it must seem as though her whole world is falling apart right from under her very hooves. And it certainly seems that way to us as well. Love Always Finds a Way And so it's left up to Bright Mac to open another door for her, to keep the possibility of them and the beautiful things their being together might lead to alive. It's ultimately up to her to say yes, but he has to take a huge leap of faith, the biggest leap of faith he's ever taken or possibly will ever take in his life, to give her the opportunity to say yes. It can't be easy. He has to secretly arrange with his best friend, his love's best friend, and Ponyville's mayor itself everything needed. They have to somehow get just enough onto the border between the Apple and Pear's properties for a proper ceremony, and even a small celebration afterward. All this without their families or the love of his life even knowing. And yet he somehow does it, and then his carefulness is rewarded in getting to show it to her. Everything he's done, all of it for her, for them, for what they could have, believing in his heart and soul that it's worth fighting for and taking the biggest chances in their lives for. Confronted with all of that, reminded how much he loves her and she loves him, her belief is rekindled again almost immediately and right then and there, Buttercup and Bright Mac choose to get married. They don't need it to be a town event or an affair planned months in advance; in this moment it is perfect, as perfect as any love story could be, especially for them. We already can see, the second she says yes, how much safer and reassured she already feels; in her heart too, you simply know that she knows this is right, that this is what they're supposed to both have. Exchanging and burying an apple tree and pear tree seed with each other, they prepare to say their vows... But tragedy won't leave well enough alone. Their parents find them and for the first time, even though there's been plenty of evidence in front of them through the years, are confronted with the notion that their two children love each other. Even after their children tell them exactly how it is, finish saying their vows, and take their first true kiss as husband and wife, they're still too blinded by their mutual hatred to care. They assume that their kids are being stupid and foolish or simply trying to hurt them. They can't even consider the possibility that their children are acting more of the adult than they are. That all changes, however, when Buttercup says one single sentence. "But... the Apples are my family now too." That's when something clicks for one and snaps for the other. You look at Granny Smith's face, and she's shocked. A Pear has just said that the Apples are her family. Her. Family. Something happens in the older mare at that moment. A revelation, and suddenly you just know that their love, the beauty of it, its sincerity and the possibility it promises sweeps over her like a flood. For a moment she's genuinely too shocked to do anything. But on the other side something far worse happens in her father. He feels betrayal, from his only daughter (probably his only child) no less. Still blinded by his hatred of the Apples, he thinks his own daughter is disowning her family; in reality, she's asking him to be a part of another now as she is. He just can't see that, though, he simply cannot. So instead he lays down an ultimatum, a terrible one. Be an Apple or be a Pear: you can't be both, not in my eyes, and if you're not a Pear you're not my daughter anymore. It's the worst choice a father could present to his daughter in this moment, one Pear Butter should never have had to make. But she knows what's right, even if he can't, and even though she'd rather not have to make the choice at all, she knows she must remain true to the love that has guided her all of her life. There's so much at risk, but she believes in too much in the good and beauty that could come out of her and Bright Mac's love to say no. So she makes the choice. Grand Pear leaves in a rage. And as the disowned daughter weeps into her husband's shoulder, the first fruit of their love is born: Granny Smith comes over and extends a hoof and a smile to her. She accepts a new daughter into her life and family, and Buttercup in turn gains a mother and a new family. Although there is sadness this night, love is already overcoming it, overcoming the ugliness of years of Apples and Pears feuding with one another. Love continues its work through the years. Bright Mac and Buttercup settle down, Granny embraces her new daughter-in-law, and together they build a beautiful life and family together. Through the years Buttercup embraces being an Apple, leaving behind her old life as a Pear; we don't know much about this part, but I can't imagine it's out of hatred. Most likely it's just too sad for her thinking of her old life, of the family that left her behind. But as long as she has Bright and her new family, she is content, part of something intrinsically beautiful and special as could be. They go from being husband and wife to, eventually, father and mother as well, bearing three beautiful children together. They raise their children as best as they know how, with the entire Apple Family's love supporting them along the way as well. Life is as it should be: with their love, their family, their work, their friends and home and community, Bright Mac and Buttercup are set, having everything they could possibly ever want. The beauty and goodness stemming from their love continues to unfold more and more each and every day, until it's as normal to them and their family as the apples they grow. Then... then one day, they're gone. We don't know how. We don't know when. Based on our best guesses from what we've seen in the show, it was some time ago; Big Mac was probably somewhere around 12 or 13, Applejack anywhere from 8 to 10, and Apple Bloom may have been at most a toddler, but possibly still a young foal with barely any memories even of her parents. We'll probably never learn how it happened, and that's OK, I don't think we need to. It doesn't matter how, it doesn't even matter that it happened, really. Because as sad as it is, as terrible as their absence is in this show, as horrible as the loss must have been for their families and for their children especially, the most important thing is the beauty and good they brought into the world by taking their leap of love together. By believing in it and each other so strongly that it could not be denied. They may be gone, we may never even see more of them in the show again (though I certainly wouldn't complain if we did in more flashbacks or flashback episodes even), but they're not really gone. Everything that the Apples are in this show, especially their children, is a testament to who they were and how they lived their lives. We've seen this throughout the show, the wonderful thing that the Apple Family is for both Ponyville and across all of Equestria, and we now know what an important part in that family that Bright McIntosh and Pear Butter played. All because they believed in their love and the possibilities of it. That legacy has been there from the start of the show, even if the writers themselves didn't envision this story arc at the time, and in this episode we see it at work once more in a truly beautiful way, healing something that Buttercup and Bright Mac probably hoped ever since they got married would heal some day. It's the arc that ties this entire episode together, that gets the Apple siblings learning all of this about their parents and the beautiful love that they had together in the first place. And it's the final triumph of Bright Mac and Buttercup's love over the tragedy of the Apple Family and Pear Family feud. The Legacy of Love: Old Wounds Mended, Scars Left Behind, But Love Emerges From Tragedy An old stallion shows up in the Ponyville market one day, unannounced, just there to seemingly sell his wares. We're not even sure what his plans are, how long he really plans on staying. How long it took him to come here, to come back home. We're told he has a famous shop in Vanhoover, but this does not appear to be a businessman in his prime. He doesn't seem to care much about money anymore, or competition, or being the best; he just seems to enjoy selling his pear jam to others who seem to enjoy it. Maybe he's remembered that over the years, why he enjoyed growing and selling pears in the first place: because it made his friends and neighbors happy, and made him happy in turn. He seems gentler for it now, wiser and quieter. Then he spies a young filly. And he must know who she is. Perhaps he's seen a picture before, perhaps simply read about her. Or maybe... just maybe it's the fact that this filly is the spitting image of the stallion he hated for so many years for marrying his daughter, "stealing" her away from him. Whatever the case, he knows... it's his youngest granddaughter, asking him about his pear jam. He can't say anything, not yet. It's taken him long enough to muster up the courage to come here after all these years. So he starts by extending a small kindness to his youngest granddaughter with a gift of his pear jam; it's the first gift he's ever given to any of his grandchildren, the first endorsement he's ever given to his daughter's marriage and the life she built, the first time he's ever involved himself in the family they built. And it's with something he's loved making all of his life, but finally remembered why he loved doing it; because he loves sharing the thing he loves with others, especially his family. For now, that's enough for him. It quickly becomes not enough for the Apple siblings, though. Taken aback by the kindness of somepony they've always been told is in a feud with their family for unknown reasons, they do what their parents would have taught them to do, what they've grown up for as they've gotten older: they seek to find answers, initially because they hope they might end the feud. As they speak to first family, and later friends of their parents they never even knew about, they learn a story about their parents they weren't even seeking at first. They learn about their love, how strong it was, ways they take after their parents they didn't know about that played a part in their own story, how their parents love and devotion to one another left such a positive impact on their family and the friends their parents had in life. In the process, they gain new stories and memories of their parents to take to heart, pieces of them they never had and never got the chance to learn about, treasures they'll hold onto forever; you can see it in their eyes as they learn more and more, how special this all is to them, ponies who don't ask for much out of life to begin with and yet at this point cannot get enough of all of this. What's more, they grow closer to friends of their parents in Burnt Oak and Mrs. Cake, ponies they now know who have wonderful stories to tell them about the way they lived their lives. I hope going forward that the Apple siblings keep getting closer to these two; it'd be a wonderful character development to see unfold, a way for them to get closer indirectly to their own parents, and a way for Bright Mac and Buttercup's love and its legacy to live on in both their friends and children. And of course, they learn about the hurt that was never fully healed. About their grandfather, and what he did, the terrible, terrible mistake he made. After all these years, they'd be well in their right never to talk to him again. Nopony would really blame them if they chose not to. But that's not what they do, because they're their parents' children. Because they are the most precious, important legacy of Bright Mac and Buttercup's left behind by them, and they've been raised their whole lives to embody that love. They hold in their hearts a love that believes in possibility as much as their parents did with each other so long ago, and as long as they can believe in the possibilities of unconditional love, then they can find it in themselves to not shun their grandfather or hate him... but rather, to do what his daughter and her husband always wanted to do. Forgive him and welcome him back into their lives, now that he's ready to be a part of it. So they go off to find him, which doesn't take long at all in their small little town. When they find him, he looks tired. Maybe even a bit lost, like he's not sure now why he's here, if he can do what he came here to do in the first place. He couldn't have known he'd never see her again. He couldn't have known that the last words he'd said to his daughter would be words said in anger. He couldn't have known that he'd never get to share in the life she led with her husband, that he'd never get to see her as a wife and a mother. He has to have hated himself for a very long time for this. Then a tiny voice calls out as he's closing up his shop, and then there they are... his three grandchildren. Even his old eyes can see that. The big one that looks just like the boy he hated for so long if he were red as an apple, but with his mother's shade of mane and her freckles too; the middle one, probably close to if not around the age that Pear Butter was the last time he saw her, grown into a fine young filly herself with the best of her mother and father in her, a true leader; and the littlest one, a spitting image of her father but as sweet and gentle as her mother was, who probably never got to know either of them that well and has needed her siblings and her grandmother most of her life to be her parents. He's probably thought for years about what he'd say to them in this moment, but he couldn't have fathomed how hard it really would be. Words he's probably practiced in front of the mirror time and again all fall by the wayside, and in the moment all he can muster is a tearful "I'm... so sorry. I-I-I was just so angry, but I never..." It's the hardest thing he's ever had to do, but to his disbelief, not a second later his grandchildren are already embracing him. And just like that, he's home. The love of his grandchildren, the love that Bright Mac and Buttercup always had and believed in, it's all suddenly washing over him as it did Granny Smith on that fateful night so long ago, and it feels so good. Better than he could ever have imagined. He has another family now, as his daughter always wanted him too, and even though the sadness of the mistakes he made will never really be gone, will always leave scars, that's all they are now, scars. They're no longer the festering wounds that they were, and Bright Mac and Buttercup's love has finally healed the greatest, most terrible wound left behind by the Apple Family and Pear Family feud. As the Apple siblings bring their grandfather home to make amends with their grandmother, the two old farm ponies finally bury the hatchet and accept what their children always wanted them to: the possibility of loving each other and having one another as family. Reunited at long last, the family of Pears and Apples congregate in a tearful reunion years in the making beneath the branches of the physical embodiment and legacy of Bright Mac and Pear Butter's true love for one another: the intertwined apple and pear trees, sprouted from their apple tree and pear tree seeds planted so many years ago as their vows to one another, a perfect tribute to the beauty and goodness their love left in the world. These are the miracles of love. These are the wondrous things it can work. In an imperfect world, love is never easy, even at its strongest. But it is always worth it, because the good it can bring into the world and work into others' lives, whether it be with friends, family, or the love of your life, is always precious and priceless in comparison to any other alternative. One does not even need particularly remarkable circumstances to bring remarkable love into the world; one simply has to believe in that love strong enough, and the possibilities of it, to work something miraculous through it that only they can. This episode perfectly understands and conveys this as many, many, many other fictional properties, many with bigger budgets or resources throw at them, have failed to do, even if that was their intent. It's a remarkable piece of television, and it will probably always remain my favorite episode of My Little Pony. I am blessed enough, in this moment, to be courting a young woman myself, a friend from my own childhood; so much of what I saw in Bright Mac and Buttercup's courtship reminded me of the love and wonderful moments we have gotten to share with one another, and this episode left me hoping so hard that we are able to bring beauty and good into the world through our love as Bright Mac and Buttercup did. I know many other friends who, under different circumstances, have been touched by this episode as well; some who have gotten even further along in love with others, some who very much hope to be blessed with a true love like Bright Mac and Pear Butter had in each other, and some who even have not just taken part in such a beautiful, wonderful love like those two had, but have also known the hurt of losing the one they loved, a hurt all too similar to what the Apples and Pears experienced in losing Pear Butter and Bright Mac. Yet, just as Bright Mac and Buttercup would never trade any bit of their love for one more minute of life, just as they had no regrets for their love and all the good it did despite all the hurt they went through, just as all who loved them and cared about them, despite their sadness at their loss, feel overwhelming joy, happiness, and love recalling how wonderful they were, those friends of mine too don't regret one minute of the love they shared with their own true loves. They too in loving one another brought immeasurable good, love, and beauty into the world, and the fact that this episode can capture the truth and beauty of these acts that so many have shared in in real life, that is what makes it, for me, stand head and shoulders above so many works of fiction in general, and every episode of MLP. To those responsible for making it, thank you again. I can't wait to show it to my beloved Julianna next week, and maybe, just maybe someday I'll get to show it to children of my own as I teach them about what beauty and good true love can bring into the world. Miscellaneous Notes -Despite this episode being a little light on the laughs (not in a bad way, mind you, the episode was very intent in its approaching its subject matter with seriousness, care, respect, and gentleness even, with only some lighthearted laughs here and there), I got a huge laugh at the beginning from Granny Smith's line about praline obviously being a better topping on apple-fritter-flapjacks than caramel syrup. Also, as a quick aside, this show always manages to get me in the mood for pancakes whenever they show up; I don't know why, but among any of the food they show, the pancakes always look especially delicious! -This episode made me really want to see the Apple siblings doing more together. I mean, I know they've always been staples of the show, but here we got to see a side of all three of them we rarely have, and it was a delight. They all had great reactions throughout the episode as they learned more and more about their parents, and I would love to see long term impacts on all three of them as a result of this episode, like Big Mac spending more time with Burnt Oak, or Applejack or Apple Bloom getting closer to Mrs. Cake since she was such a good friend of their mom. And of course, obviously it would be wonderful to see more of Grand Pear, but I don't know how much we can expect since he was voice by William Shatner; either they'd have to get him for more jobs (which isn't impossible considering John de Lancie still regularly does work as Discord), or they'd have to find a voice actor who can do a good impression of his Grand Pear voice (certainly not impossible either, though hardly ideal). -Another notable laugh, possibly the best in the whole episode, came when we were first introduced to Burnt Oak. He was obviously designed to bear a striking resemblance to Sam Elliott, and clearly somebody took notice of this and just had to take advantage of it considering we already have a pony based on the Dude. So what did they do? They introduced Burnt Oak waving goodbye to The Dude pony as he walks away with a cart full of rugs!!! THAT. IS. SO. PERFECT. You could even say it ties the whole episode together. While I know it's possible that this was written into the episode, considering no dialogue was devoted to it, I would venture a guess that the storyboard artists were responsible for this purely visual gag, so props to Kaylee Chard, Jae Harm, and any other storyboard artists who worked with them on it (unless of course I'm completely wrong and it was written into the script by the writers themselves). -Our special guest stars Felicia Day and William Shatner both deserve praise for their roles as Pear Butter and Grand Pear. Felicia gave us a very well-developed personality in Pear Butter with not too many lines to work with, and little things like Pear Butter's occasional voice cracks or her very grounded personality made her an instantly lovable character. And of course I cannot praise her vocals in "You're In My Head Like a Catchy Song" enough, simply sublime. William Shatner did an equally impressive job with Grand Pear, and I was especially blown away by the fact that he was able to create distinct voices for Grand Pear at three different periods in his life (young adult Grand Pear, middle-aged Grand Pear, and elderly Grand Pear) as well as by the emotion he injected into the role, especially in Grand Pear's finally reuniting with his grandchildren and begging their forgiveness. Bill Newton did a great job as Bright McIntosh as well, and I would certainly love to see him reprise the role at some point. Top notch job from all three of you, and I for one certainly will not complain if they return to these roles in the show at any point. -Speaking of impressive voice acting jobs, let's give a hand to Tabitha St. Germain and Peter New. Tabitha of course killed it as Granny Smith and Mrs. Cake in the present day (also, I did not know until after watching this episode that Tabitha has always voiced Mrs. Cake, so let's just chalk that up to the seemingly never ending list of characters she seems to voice in this show), but like William Shatner, she had to voice characters at different periods in their lives, only she had to do so for two different characters. Her young adult Granny Smith voice was adorable, and I could even hear a tad bit of Applejack in there, and there were even subtle differences between her middle-aged Granny Smith and elderly Granny Smith. Same goes for Mrs. Cake, her younger and older selves somehow sounded a tad different, but not too much. Peter New, of course, did great as Big Mac (I very much appreciated that Big Mac was talking more here, it helped hit home how much this all meant to the Apple siblings), but I also forgot he voices Goldie Delicious, and that voice of his is hilarious! Goldie was a delight to see again, but he even managed to add some fairly heavy emotional moments to a character who has largely been used for laughs the couple of times she's appeared. A hand goes out to Cathy Weseluck too as young adult Mayor Mare and older Mayor Mare, though she had considerably less to do since her character was only in one scene. -Excellent callbacks to Season 1's "Over a Barrel" when Applejack both read a bedtime story to her tree Bloomberg and tucked him into bed. She clearly picked up reading bedtime stories to apple trees from Granny Smith, but apparently she somehow picked up covering them in blankets as well from Grand Pear somehow. While it's most likely that either Granny Smith or, even more likely, her mother Buttercup taught her that trick, I like to think it was genetic and just passed down to her from her grandpa. There were a couple of other excellent continuities in canon in repeatedly seeing the moon with Nightmare Moon still in it in the flashback's to Bright Mac and Buttercup's courtship, or Mayor Mare still sporting her pink mane when she was younger (callback's dating all the way back to the very first episode of the show and Season 2's "Ponyville Confidential, respectively). -Learning things the Apple siblings got from their parents was a real treat, even stuff that went unsaid. Things like where some of their physical features come from (Big Mac's mane and tail are colored just like his mom's, Applejack and Big Mac both have freckles just like she did, Apple Bloom has the exact mane/tail and coat colors as her father did, Applejack getting her hat from her father, etc.); learning that Bright Mac was honest just like Applejack; the fact that Buttercup had a talent for helping friends like Mrs. Cake figure out what they were good at just like Apple Bloom does with the Cutie Mark Crusaders; or the fact that Buttercup didn't like drawing attention to herself and keeping things low key just like Big McIntosh, were all wonderful things to learn. I guess we don't know if Bright Mac could or couldn't sing (he definitely couldn't play the guitar though), but it seems as though all three Apple siblings got their great singing voices from their mother, and Applejack most definitely learned how to play the guitar from her. But thankfully as well, the episode did not fall into the trap of doing nothing but showing how their parents were just like the Apple siblings; that's a bit of a cliche and it wouldn't have made for nearly as interesting an episode as one where we got to see their parents as interesting, unique, wonderful characters in and of themselves, not just carbon copies of their children. -Daniel Ingram deserves extra praise for the music as a whole in this episode, not just "You're In My Head Like a Catchy Song." All of the music did a great job of helping tell the story, and the manner in which it was utilized in scenes such as when the Apple siblings reunite with their grandfather helped make those scenes all the more emotional and powerful. Wonderful job, sir, truly wonderful. -Young Goldie Delicious briefly appears in one of the early flashbacks at one point, which is a super cool detail to fit in there. Also, is it just me, or does Burnt Oak bear more than a passing resemblance to Thunderlane? His young self really looked a lot like Thunderlane, and we do know Thunderlane is pretty bulky for a pegasus stallion, so it wouldn't surprise me if he had some earth pony blood. I'm very curious now as to whether or not they're related, possibly even father and son. -Cloud Kicker and Alula can be seen together in the background very briefly in an early shot in the Ponyville market, which was a little detail I very much appreciated myself. There's a lot of fan canon out there in both art and fanfiction, drawn from what we've seen in the show itself, that speculates they're sisters, so seeing continuity like that was really cool. -Another detail I thought was super cool was that it seemed like, especially in the earlier flashbacks, most of the ponies in Ponyville were earth ponies. It could just be a coincidence, but I get the feeling it was a subtle detail. After all, Ponyville was founded by earth pony families like the Apples, so it wouldn't surprise me if early on in its history most of the first residents who came during its initial expansions were earth ponies in turn, and it diversified among the pony races more and more as it grew. One of the few non-earth ponies in the earliest flashback was, of all things, Dinky, which implies one of two things: (1) either it was a silly oversight, or (2) they're implying that she is both Derpy and Time Turner's daughter, and that on top of that she may be doing some time travelling with Time Turner. Suffice to say, I like scenario #2 better. -I would love to hear how everyone else felt about or was impacted by this episode. Obviously plenty of you have already shared your thoughts in the episode's thread or your own blogs, but feel free to share any others here. It's an episode I'll certainly never get tired talking about. That's all I've got for ya'll this time, everypony, and thank you all for taking the time to read my most special edition ever of "Batbrony Reviews." Until next time, this is Batbrony signing off. I'm off!!! *cue dramatic exit*
  6. Good afternoon everypony, and welcome back to another edition of "Batbrony Reviews"! Well at this point it shouldn't be any surprise that this season we were delivered yet another very exceptional episode, but here we are again, and boy oh boy was this one a long time coming for a very big reason. We all know by now that family and legacy have been the two major themes of Season 7, and this week the show hit on that theme yet again with a major appearance (for the first time ever in the show) of Twilight's ENTIRE family! We may have seen plenty of Shining Armor, Princess Cadance, and even Flurry Heart in the past, but strangely enough, before this episode, her parents, Twilight Velvet and Night Light, despite making multiple appearances in episodes throughout multiple seasons, had never had roles as main characters and had only spoken a few lines in a minor appearance in last season's "The Crystalling - Part 2." This was always a bizarre oversight, not quite as infuriating as Celestia being so neglected as a character before this season, but very head scratching all the same considering (1) we've seen them make appearances in the show since Season 1, (2) they are the parents of the main character of the show (not to mention a princess of Equestria), a major supporting character, and the in-laws of another princess of Equestria (or another kingdom entirely if you're one of those folks who don't consider the Crystal Empire to be part of Equestria). Well, after the show's writers finally rectified this strange oversight, I am happy to announce that Twilight Velvet and Night Light made splendid appearances and that both were not just likable as individual characters themselves, but also gave us a very solid glimpse into how Twilight and Shining Armor both ended up the way they are with parents like those two. There's a lot of other great things to unpack from this episode, so without further ado, let's dive in! This is "Once Upon a Zeppelin"!!! So the episode start with, oddly enough, the best Spike and Twilight scene of all of Season 7 thus far, if not the best Spike scene of the season. Now, the bad thing about this is it speaks to how little major attention outside of one OK episode Spike has gotten this season, but on the other hand he still has had some very good moments this season, and this one was a true gem. The implicit and total trust and love that Twilight and Spike have in and for one another was on full display for about two minutes, if that, with Spike insisting that Twilight take a vacation for herself when her parents offered while he stay behind to handle her work load. Twilight in turn objects by declaring that he's as much a family member of hers as the rest of her family (possibly the first time she's ever flat-out stated so clearly he is family), but Spike, while clearly appreciative of Twilight recognizing this, just takes everything in stride and still insists she take a nice break for herself. This is all capped off by Spike humorously predicting to himself that Twilight's gonna start planning a schedule of activities for the trip any second now, which she then does. While, as I said, a very short scene, there's a lot of heartwarming elements to unpack here. Not only is Spike's offer very selfless and generous, especially considering he already functions as Twilight's assistant virtually 24/7, but the way he and Twilight treated each other like family didn't feel forced in the slightest. Instead it felt like how two siblings would treat each other when one is just trying to do something nice for the other and who have the utmost confidence and trust in one another. Contrast this with Season 1, where not only Spike was considerably less mature but also Twilight treated him very often more like a son than a sibling, and you have an idea of just how much these two characters' relationship with one another has matured and developed since the show began. Ya know, I should be more surprised that Twilight would find vacation-scheduling/list-making while on vacation to be relaxing, but honestly after seven seasons I don't think any brony at all should be phased by this revelation Once the vacation itself begins the episode introduces a whole slew of characters, so we'll have to break down the episode by them bit by bit. Starting with our main character, Twilight was quite good here. I wouldn't go so far as to say this was her best episode of the season by any means, but if you're going to do 'Twilight stresses herself out unnecessarily because she's trying to juggle too much and please too many people without thinking about her own wants or needs' in Season 7, this is how you should do it. It's no "Lesson Zero" breakdown where the fault and blame rested squarely on a much younger Twilight's shoulders because she was making bad choice after bad choice, no no, for the most part Twilight was trying to please both her family and the ponies on the cruise (more on them later) as best as she possibly could by keeping a stiff upper lip about it. Her biggest mistake was that she underestimated how important devoting some time to herself would be in this situation, especially in the context of taking a vacation with her entire family, which is a very rare occasion for her these days given how busy she and the rest of them are (with the exception of possibly her parents, they seemed to be either retired or, if they're too young for that, just entering the twilight stages of their career-lives and seem to be very relaxed now that both kids are out of the house). Her other mistake is that she failed until the end to set some boundaries for ponies outside of their family who, although well-meaning, were a little too pushy, clingy, or cloying at times in their desire to let Twilight know just how much they liked her. These were undoubtedly a big mistakes, after all they're why there were any problems in the first place, but they are also very understandable mistakes, even for Twilight to make at this point in her life. She's a goodhearted pony who always wants to do the right thing for any pony she can, and given her responsibilities as one of Equestria's own monarchs (technically) it's hard for her to unwind when around others these days. Thankfully she learned her lesson by the end, and I can't even say her venting and lashing out at Star Tracker was that bad (more on him later too) seeing as, even though her anger itself wasn't good, her being brutally honest was how the rest of her family finally realized something was wrong for her in the first place (though they did keep asking if she was OK throughout the episode). All in all, this was about as solid an episode featuring Twilight in Season 7 as you could ask for, at least in an appearance that, while quite exceptional, was hardly something we'd call one of her best showings ever. Holy shit, that's cute!!! Moving on, the Royal Crystal Family (or should it be Imperial Crystal Family since it's an empire??? Whatever, point is, it's Princess Cadance, Shining Armor, and Princess Flurry Heart) had a pretty great showing as well. Flurry Heart, while she didn't have much beyond some cute and funny appearances, was her usual, adorable self. Probably her funniest bit was where she was at a playtime with a bunch of other foals and couldn't help but keep trying to stack them on top of each other like building blocks with her magic. Besides that, though, wasn't too much else to her, although her surprised reaction to Twilight doing something off-schedule was both hilarious and also suggests she may be starting to understand adults more and more... that or the writers just did it for the sake of making the joke even funnier. Today's episode features Princess Flurry Heart in "Shit You Do When You're Bored, a Foal, and Have Wayyyyyyyyy Too Much Magic" Shining Armor was one of the best scene stealers in this entire episode, which is pretty impressive when you consider that a "airsickness/seasickness" running gag is pretty hard to make funny in anything. I think what made it work here is that it not only gave us a look at Shining Armor's dorkier side (which is usually when he shines the most) but we also got to see him hilariously trying to handle airsickness which he tried to insist wasn't a thing the entire time in front of his ENTIRE family, quite literally. His sister was pretty much laughing her ass off at him, his wife was quietly trying to help him save face, and his parents (especially his mom) were pretty much coddling him (the funniest bit being when his mom literally lifted him out of the water with her magic, an image which just looked hilarious considering he looks to be a head taller than her). Don't get me wrong, Shining obviously wasn't just the butt of jokes; he still looked out for his sister and family and seemed to have a good time, but my goodness, "Airsick Shining Armor" was a terribly fun running gag. "I'M THE KING OF THE WORL- oh buck, nope, not good!" "As your LSBFF, I am obligated to find joy in your suffering." "I bucking hate you sometimes, Twilight." Finally, Cadance herself had an exceptionally solid showing with a bit of a subplot of her own evening, a pretty subtle one at that. The entire trip she seemed to look out for Twilight the most out of the entire family, most likely because she could relate the most to what Twilight was dealing with. They all wanted to make sure she was doing alright, but Cadance in particular kept approaching her and, after Twilight's breakdown, was able to tell her exactly what she needed to hear. She explained that part of being a princess means accepting that you can still be a good princess even if you are unable to please everyone 24/7. You have to be able to take care of your own needs still, and sometimes even wants are needs (such as Twilight needing some time to relax with her family). Cadance both explained and showed this in the episode in how her first and foremost priority, in most scenes, was taking care of Flurry Heart, and watching out for the rest of her family while she was at it. This is best displayed when Cadance explains as much to Twilight and Iron Will when they learn the exact nature of the air cruise, as well as when she makes sure her daughter doesn't get smothered with attention from complete strangers who just want to see their kids befriend a baby royal princess, even though they're well meaning. She's very protective throughout the entire episode, and much of that includes being protective of her family's privacy. The fact that this never came off as snobbish was very impressive, you could really sympathize with what Cadance was going through and why she was doing what she did, and I even found myself wondering if this is what watching out for their kids in real life is like for major celebs or public figures. But overall, as far as being the bearer of an episode lesson goes, this was definitely one of Cadance's best showings ever in that regard, especially in her role as a mother and her mentoring Twilight as her sister-in-law, friend, and fellow princess. This, however, will probably haunt her nightmares for quite some time... and mine, too. Seriously, who the hell sold that in the first place??? Now that we've got the familiar faces out of the way, it's time to get into some of the juicier and unexpected bits of the episode... which were admittedly a bit of a mixed bag, though largely solid on the whole. First of all, let's talk about, you guessed it... Twilight's parents, Night Light and Twilight Velvet (voice by Charlie Demers and Patricia Drake, though they had been previously voiced by Andrew Francis and Tara Strong). How were these two? Oh, a whole lot of fun! They weren't the amazing soccer parents that Bow Hothoof and Windy Whistle were, nor were they the sweetest of couples with an amazing romantic backstory to go along with it like Bright Mac and Pear Butter were. In fact, their appearance, while anticipated, wasn't nearly as fandom-mind-blowing as those previous two sets of parents were, considering, as I mentioned earlier, we've seen these two many times before. And yet it was still a very satisfying appearance all the same in which we got a very solid idea of how these two produced the children they did. First, you have Night Light, who, although both he and his wife are pretty grounded for the most part, is definitely the more straight-laced of the two. I mean, the guy's favorite thing to do on the airship for crying out loud is BINGO! This is the type of guy who, like Twilight, probably loves nothing more on a lazy Sunday than curling up in his favorite chair with a good book and a cup of tea, and I could easily see the majority of her love of organization, lists, and scheduling coming from him mostly. Not that Twilight Velvet seemed out of sorts or anything, but out of those two, she was, very surprisingly, the wild child of the two! I think many bronies were caught off guard by this character development, but at the same time most I've spoken to (myself included) welcomed it, as it quite refreshingly helps distinguish the two parents from each other. She still seems very similar to her husband and daughter, but she definitely has a bit of the "thrill junkie" within her; heck, speaking as someone who keeps a lot of his own likes and habits "close to the vest" myself, I could totally see Twilight Velvet being the same way. Not necessarily being dishonest in public about who she is to others, but simply keeping a lot of her own private likes and habits to herself, only occasionally cutting loose with them. The best bit in this, of course, was Twilight Velvet's literally riding a barrel over Neighagara Falls, a scene which was as hilarious as it was adorable. Twilight Velvet's reaction and adrenaline from it all was priceless, her wet mane whipped over her face looked adorable, and Night Light coming up and pecking her on the cheek to her delight while her face was still covered was even MORE adorable!!! And now Batbrony presents... lewd conversations with the Sparkles. Read at your own peril MAJESTIC AS BUCK!!! My lewd jokes about Twilight Velvet's "wild" side aside, this was the bucking cutest shot in this entire episode and it is as sweet as it is pure and innocent. It's amazing how just a little peck on the cheek from Night Light and the smile it brings out on his wife can reveal so much about how much they love one another, and I'm sure that many married couples or just people completely in love with one another could tell you (speaking as someone madly in love myself) that little gestures like that between two loved ones are some of the best parts of getting to shower love upon someone else you love. Doesn't always have to be a sweeping gesture, sometimes little reinforcements of one's love for another like that mean all the world to them. Also, c'mon, I mean... LOOK AT HOW BUCKING CUTE THAT IS!!! Of course, they had more good bits than just that. Their policy about accepting free tickets to a cruise, no questions asked (even though they had no idea what contest it was for to begin with), was too funny (especially how it came back to bite them in the flank later, not to mention it sounds like the setup to a slasher film); their looking out for their children was quite fun to see (especially the aforementioned scene where Twilight Velvet literally lifts Shining Armor from the water with her magic); and their soaking up attention from cruise participants thrilled to see the princesses was pretty funny too. Overall, they were just a cool, cute couple who behaved for the most part pretty much exactly as you'd expect Twilight's parents to behave - dorky, straight-laced, and just a little bit crazy, with just enough wrinkles and unique character traits thrown in there to make them stand on their own as their own characters. It was a great showing from the both of them and I am happy we finally got to see these two in expanded roles! Hopefully we'll get to see even more of them in the future. In yet another returning character, we, surprisingly, saw the return of Iron Will in this episode! The reason I list him here among newer elements is because (1) his return was so unexpected (seriously, I would never have pegged him to show back up in this of all episodes) and (2) he was written kind of... differently than in his first appearance. Let's recall, in Iron Will's first appearance in "Putting Your Hoof Down" he was, at the most, a minor antagonist, if even that. He didn't come off as deliberately malevolent or anything, just a bit of a shrewd businessman and slightly bully-ish in the way he threw his muscles around to intimidate others. But he was still a minotaur of his word who set out to ACTUALLY help ponies become more assertive, and when Fluttershy insisted that she wasn't satisfied with his services, he kept his end of the bargain and stopped demanding payment from her. He seemed like someone who overall was, at the end of the day, pretty decent, even if he was a bit of a hothead as well. Here, Iron Will was far more of a jerk and written as, if I'm being honest, a bit of a con artist as well. I mean, he did try to deliver a quality product to his customers until the end of the episode, but he bamboozled Twilight's family into taking the trip in the first place and then, when they finally decided they were done letting him drag Twilight all over the place at the end of the episode and explained the situation to the other ponies onboard, just skipped out on his angry customers for some bizarre reason. Now, make no mistake, hearing Trevor Devall in this role again (one week after he reprised his role as Thunderlane as well) was hilarious and a lot of fun, and for the most part Iron Will was still his old, over-the-top, bombastic self (like a... jerkier Mr. T, if you will). But again, his presence here was confusing at times, especially in his interactions with Twilight considering... well, he'd technically never even met her before! He'd met Rarity, Pinkie Pie, and Fluttershy previously, but certainly not Twilight. Now I'm sure it's both possible Twilight saw him around town and heard about him from her friends, but still, as far as we know, those two individuals had never actually met each other. Heck, I was confused as well how he'd heard about Twilight's tour of Cloudsdale; his other stories about her were obviously made up, but that first one was legit, unless of course he thought he made it up and instead accidentally told a legit story about Twilight. However, if I'm being perfectly honest, most of my critiques for Iron Will here are largely me nitpicking. He was for the most part a treat to see; his story about getting into the themed cruise business because the assertiveness-seminar market had dried up was as hilarious as it was random, and his exit at the end, like with everything involving Iron Will, was hilariously over the top! Overall, he had a fine showing, and was a lot of fun to see once more. Finally, we come to the cruise passengers themselves, who, let's be honest, were an obvious allegory and stand-in for the fandom, particularly fans when they encounter show makers and celebs at pony conventions. As in "Fame and Misfortune," their presence here was both mixed and very meta. However, it was definitively superior to the depiction of the fandom in "Fame and Misfortune" for a number of very good reasons. Generally speaking, the cruise passengers here, while often depicted in a negative light, were also depicted in a positive light as well (I'd say the balance between the negative and positive was 50/50) and they had a satisfying resolution to their place in the story arc. In contrast, "Fame and Misfortune" felt very raw and hostile in its treatment of any ponies who were supposed to be representing the fandom (with like the exception of one or two characters), and had barely any resolution with them even. As I said in my "Fame and Misfortune" review, there is nothing wrong in concept with the show delivering a message aimed squarely at the fandom about how we act as fans and how we should act; the problem there is that it feels more like the show makers venting about the fandom than actually, constructively saying anything about it. By itself it was just a meh episode for me, and I still stand by my earlier conclusion that it is such a divisive episode that there is no one right way to feel about it, whether one loves, hates, or just doesn't care for that episode; however, this episode's existence does bring down "Fame and Misfortune" quite a bit, since it was a far better handling of how the show should and can critique the fandom while still having plenty of positive things to say about it. Were the passengers oftentimes too exuberant, clingy, or nosy in their adoration of the princesses, especially Twilight? Sure, but the worst their behavior got was awkward to cringey, and they never treated Twilight or her family like assholes or jerks as so many ponies in "Fame and Misfortune" treated Twilight and her friends. They also had a better excuse for their behavior in that they thought from the get-go that the princesses were there as a part of the cruise specifically to see them, meaning they would never think of treating them like this in regular, day-to-day life; now, as a brony, while I would argue that going to a con doesn't give one license to just leave your brain and good sense behind and treat con guests however you want, there is an expectation at cons that celeb guests are there to see fans, unlike say if you randomly encounter a celeb in real life at a store or restaurant. Once these passengers were explicitly told by Twilight that she could use some space and time to be with her family, they were very respectful of her wishes and realized that they'd been misled by Iron Will. Once again the overall message directed at the fandom was that just because you're a fan of someone doesn't mean you should feel entitled, no matter what the circumstances are, to butt too much into their business, even if they're taking time to hang out with you, but it was delivered and executed so much better in this episode than it was at all in "Fame and Misfortune." Honestly this isn't even that different from how he behaved in the actual episode... The most obvious stand-in among these passengers, of course, was Star Tracker, and I'm even more mixed in my feelings about him than I am the passengers as a whole. For starters, I couldn't figure out whether this guy was supposed to be a teenager or an adult (I'm leaning towards the former but still, not sure), and whether he's one or the other does put his behavior into a different context. Also, while by the end of the episode we realized that he too was, overall, just a well-meaning pony who was really excited to see Twilight, the delivery in some of his humor was... odd. Like, my best guess is that the writers wanted to make it seem like he was just a really, really awkward pony, largely for the sake of humor. The problem, however, is that he does things like (1) keep invading Twilight's personal space WAYYYYYYY too much, (2) awkward gestures like continually biting his lip around Twilight or combing back his mane, and (3) talking with a very odd tone in his voice that his behavior ultimately came off for much of the episode as less awkward and more... creepy, really, especially in a sexually stalker-ish kind of way. Again, I really don't think that that was the intent of the character, but for me, that's simply what he came off as for much of the episode. Also, his freakout from Twilight stepping on his hoof was WAY too over-the-top. No offense Star Tracker, but frankly, ya acted kind of like a pussy in all that; I mean dear Lord, my mom doesn't flip out that much from someone stepping on her foot! Seriously man, NUT UP!!! I'm not even one to usually say that, but sheesh, grow a pair! Thankfully he was pretty cool by the end of the episode (though his standing up for Twilight to Iron Will felt a little forced, and I never really dug his voice actor; I couldn't figure out if it was an actual VA doing a bad, awkward teenager/obsessed fan voice or an actual fan who just wasn't very good at voice acting). Overall, as far as meta-stand ins for the fandom go, Star Tracker and the other passengers here, while not perfect in their delivery, were a significant step above the incredibly hostile, angry, and at times downright cruel crowds that Twilight and her friends encountered in "Fame and Misfortune," and in that respect they felt like they were a part of delivering a far more helpful and constructive message to the fandom than the latter were. This, however, will forever and always be terrifying Besides all of these players, there were plenty of other things that caught my attention in this episode for both better and worse. Finally getting to see an episode featuring a zeppelin the entire time was pretty awesome, and the design of the airship here was sweet. The one thing that bugged me with it was how the passage of time and distance seemed to work; the tour scene in particular was bizarre in that Iron Will seemed to point out locations in a matter of minutes that should be hundreds of miles apart from each other, and there's no way the ship was moving fast enough to get to those that quickly (hell, his pointing out Canterlot second on the tour was downright confusing considering they TOOK OFF from Canterlot). I get that that was largely because the show had to be fit into 22 minutes, but still, it was an odd flaw all the same. Some of the activities, particularly barrel riding over Neighagara Falls and Shining Armor's boat race, were hilarious, though I will say it's a shame that we didn't get to see a full scene of the actual Frozen North Stars. The one thing about that scene that bugged me was that Twilight's family didn't seem to consider at first that she'd be upset that she missed literally the one thing she'd wanted to do with all of them more than anything else the entire trip, but again, that's a minor nitpick. Getting a pretty even dosage of day and night scenes was pretty cool and unusual as well, as were the sheer number of settings in this whole episode. All in all, while not a flawless episode, this was still a very exceptional Season 7 episode and, especially for all of the new elements it had like getting to see more of Twilight's parents, a delight to watch on the whole! We've only got 4 episodes left everypony, and I've got a feeling they're going to be rather delightful (and please, while I'm on the subject, don't watch the early episode leaks so that we can support the official DHX releases of them, or if you do, please don't spoil them for anyone else). That's all I've got for ya everypony, until next time, this is Batbrony signing off. I'm off!!! *cue dramatic exit* This is what Spike gets for doing nice things
  7. Good evening, everypony, and welcome back to another edition of "Batbrony Reviews"! This week's episode, while not quite as surprisingly excellent as last week's, was still, nonetheless, quite exceptional for what it was. Our last Cutie Mark Crusader episode of the season, "Marks and Recreation" features the CMC starting a Cutie Mark day camp for blank flanks, mostly so that they can help more than one at a time. However, trouble arises when Rumble decides he'd rather remain a blank flank than get his cutie mark, and convinces the other campers to do the same. Without further ado, this is "Marks and Recreation." So one thing that particularly stood out to me about this episode to start off is simply how many fillies and colts it featured. Now make no mistake, we've seen plenty of ponies from the CMC's age group before, oftentimes in episodes featuring them in school. The difference between those episodes and this one, however, are that, normally, most of the ponies there are mostly background characters. They might have some jokes or bits here and there, but for the most part they're not exactly critical to the plot. Here, however, not only was Rumble one of the main characters, but at least 2-3 of the other fillies and colts, including Pipsqueak, Kettle Corn, and Skeedaddle, were all supporting characters actively involved in the main events of the episode. Hell, Kettle Corn got her bucking cutie mark, then disowned it, and then re-embraced it all in the same episode! All in all, it was just very pleasing seeing how much young ponies besides the CMC featured in this episode, and I certainly wouldn't mind seeing more episodes like this one in that regard. Where this episode suffered for that, however, might just have been with the CMC themselves. Don't get me wrong, for the most part the CMC were perfectly fine. Their day camp idea was great, they were doing an awesome job counseling their friends, and they moved the action of the episode along just fine. However, when you get down to it, most of this episode (including its resolution even) is driven by Rumble and Thunderlane. The CMC usually facilitate most of what's going on, but this didn't really seem like an episode where they learned anything at all, they simply helped a friend learn a valuable lesson, but really his big brother helped him learn that more than they did. I wouldn't mind that the CMC kind of took a backseat in certain respects (again, make no mistake, they were still main characters, just not as explicitly as they usually are), if it weren't for one thing. The writers for some reason felt the need to force the CMC to not realize that Rumble was phoning in every one of his "attempts" to do any camp activities. The only reason I can figure they may have felt the need to do this is because the CMC didn't realize what fears about cutie marks Rumble may have had until Thunderlane told them he was good at all of the things they thought he wasn't good at, which led them to realize he was deliberately failing at them because he didn't want to get a cutie mark at something other than flying. I can kind of understand their reasoning, but at the same time, with how smart the CMC as a whole are - not to mention how obvious some of Rumble's "failure" at the camp activities were, seriously, the guy couldn't have been more obvious that he simply wasn't trying if he, well, tried - it felt really forced that they honestly thought he just wasn't good at any of these things. It doesn't break the whole episode or anything, it just felt like unnecessarily forced writing. Overall, however, the CMC had a pretty solid episode, and Sweetie Belle in particular gets props for easily the funniest moment of the episode when she straight up broke out her own version of a "Rarity freakout." They really should start charging for their cutie mark services at some point if this really is what they're meant to do their whole lives... oh don't look at me like that, YOU WOULD TOO IF YOU HAD TO!!! Thankfully, even though the CMC weren't exactly the bright spots of this episode, the true bright spots more than made up for it. First we've got Rumble, who prior to this has only appeared in minor supporting or background roles before. Here, excellently voiced by Vincent Tong (deliciously feeding the rumors that DHX intentionally casts him in roles that are at least somewhat douchey), he serves for most of the episode as its main antagonist before finally learning an incredibly valuable lesson. His fear for most of the episode is that if he tries something other than honing his flying skills, then he may accidentally get his cutie mark in something else that'll keep him from becoming a Wonderbolt like his older brother, Thunderlane. This is great on a couple of levels. First, speaking as an older sibling myself, I can totally see where a fear like this would come from for a younger sibling like Rumble. Younger siblings often can feel like they're in their older siblings shadow in terms of personal achievements and life goals, and may even struggle with figuring out what they want to do even as a result, especially if they idolize their elder sibling to a point that they want to be just like them. This is obviously not the case with all siblings, but it very often can be, and here that's clearly the case (though Rumble does seem to have some insecurity issues as well considering he clearly doesn't just idolize Thunderlane, he makes it very clear at certain points that he wants to be as cool as him, but not just thought of as Thunderlane's little brother). In all honesty, as a big brother, I do have to say as well that I wouldn't have had any complaints if Thunderlane had smacked some sense into Rumble THIS way instead On another level, it was great seeing the show once again delve into the lore of cutie marks and what concerns ponies might have about them, especially growing up. They're so commonplace in pony society that it's actually quite believable that most ponies would take them for granted and simply assume that everypony will "get" cutie marks (not just physically get them, but understand what they're deal is and what they mean to them). But the show has made it quite clear at this point that they do not mean the same thing for everypony, and that many ponies in going about getting them don't even quite understand what it'll mean for them when they do get them. With young ponies like those mostly featured in this episode, that was clearly the case, so it wasn't that surprising that they could be convinced by a pony like Rumble that cutie marks would just put them into a "special box," forcing them to pursue one thing for the rest of their lives while foregoing all other activities. That's even a relatable fear for children in general. Growing up, I think most of us at some point like to think we could basically be anything we want to be, but in the back of our heads (especially as we get older) that creeping notion that at some point we're going to have to be one thing in particular is always there, and I think a fear for kids who dwell on that too much is that they're not going to be able to try other things once that happens. Thankfully, by the show's end all of the younger ponies, including Rumble, had realized that they can do all sorts of things no matter what their cutie mark ends up being. Just because they're cutie mark signifies what they have a special talent for doing doesn't mean that's the only thing they'll ever be able to do, or even be good at or enjoy doing. Likewise, with adults in the real world, just because our careers may be in one particular field doesn't mean we can't do plenty of other pursuits in our spare time, whether they be hobbies, ways of giving back to the community, or other activities. It's sometimes hard work fitting everything we want to do in (something briefly indicated by Apple Bloom realizing she hadn't made potions with Zecora in some time), but balancing time to fit a lot of different activities into our lives is part of being an adult, and a skill that is more than worth cultivating. Overall, I was very impressed with the moral revolving around Rumble in this episode, plus just pleased to see a character like him as the episode's focus. So just how did Rumble come to his realization by the end of the episode that cutie marks keep you from doing anything else? Well, partly with the help of the CMC, but mostly because of his older brother, Thunderlane, another long time minor supporting/background character (voiced quite excellently by Trevor Devall, who actually voiced him way back in Season 2 and Season 4 as well, with, impressively enough, pretty much the exact same voice). Earlier this season we got an excellent revelation that Thunderlane, like Rainbow Dash, had actually become a Wonderbolt as well, which in many ways helped normalize the group quite a bit as well as not make Rainbow Dash look SO unusual as a member. Having two members from Ponyville makes it clear that you don't just have to be a Rainbow Dash-tier flier to get in, as well as emphasizes nicely that Thunderlane ain't too shabby himself when it comes to flying. Well here, the fact that he was a Wonderbolt was also, as discussed earlier, critical to the plot and Rumble's own insecurities about getting a cutie mark. First he got Rumble involved in the day camp to begin with, hoping that it might help Rumble explore a variety of activities he might enjoy and broaden his horizons, not to mention have fun with other fillies and colts while he was at it. But when the CMC finally confronted Thunderlane about Rumble's fears, he realized just how bad some of Rumble's insecurities were and set out to make things right, for both him and the other campers he'd persuaded to ditch the CMC's day camp. This final scene was excellent, showcasing both a Wonderbolt doing some normal, community service as a role model for younger ponies on his own time (something I've always, desperately wanted to see considering it just seems natural that members of a group like that would give back to their communities in ways like that, not just go around engaging in photo ops or autograph signings), as well as Thunderlane just trying to be a good older brother, reassuring Rumble that he doesn't have to worry about his cutie mark sticking him into one corner only. This is especially highlighted when he tells his brother how much he discovered he loved cooking once his service with the Wonderbolts forced him to take it up at points, and they then proceed to have some sibling bonding as they help cook a meal together. While Thunderlane was able to help the other ponies at the camp as a Wonderbolt, he was able to help Rumble as his older brother, and the presentation of both was fantastic. I'd love to see more of Thunderlane and Rumble in the future after this, and it was a true treat getting to see both of them get such big roles here alone. Besides those two, the rest of the supporting cast was a delight. Little Pipsqueak was adorkable as ever in his tiny, cute British-y way, though it would have been nice to see him make some progress on the cutie mark front. Ah well, I'm sure he'll discover his true calling as a worshiper of all things Princess Luna and/or the Night in general at some point in time soon enough. Skeedaddle was pretty funny here as well, both in his helping Kettle Corn discover her cutie mark in his leading the others in their haiku writing activity, as well as with some funny lines like "What if I get my cutie mark in being bored?" BUT, I have to say that out of all the supporting characters in this episode, the one who stole the show for me was, without a doubt, Kettle Corn. Holy shit, this filly had it all. First, she develops an obsession with painting circles (and they were always, ALWAYS the exact same circle, slightly unfinished even if you looked at them closely). That, however, does not turn out to be her cutie mark. What does turn out to be her cutie mark? BUCKING HAIKU WRITING, THAT'S WHAT!!! In fact, once she discovers that's her special talent, she starts saying haikus naturally in her speech (even when she's trying to repress her special talent), and it is as bucking hilarious as it sounds. And yet, despite all of that, she still loves, you guessed it, PAINTING CIRCLES!!! Even when she disowns her cutie mark and joins Rumble's group, she still. Loves. Painting. CIRCLES!!!! I don't know why I'm so obsessed with everything this little filly got up to in this episode. I think it's a combination of the fact that (1) she is pretty bucking adorable, along with (2) just how bizarre and hilarious both her special talent as well as her interest in painting circles was. In any case, for a first time character, this filly left a wonderful first impression in both how cute and hilarious she was, and frankly I kinda want to see more of her, I won't lie. Kettle Corn: she SERIOUSLY needs some circles and haikus in her life ASAP OK, I have to admit that if this is really what the writers were doing in depicting how Kettle Corn painted her circles, then I have to say... bravo, BUCKING BRAVO, that's a scary awesome and subtle detail to include for a character whose special talent is coming up with haikus! I mean... wow, talk about mind blown, right? Just got a few other miscellaneous items to cover before we wrap things up. The return to Camp Friendship, the same day camp where Applejack and Coloratura became friends as young fillies, was a fun callback to Season 5 (though I wouldn't have minded seeing AJ here if that were at all possible, even more so Coloratura even). Rumble's song "Blank Flanks Forever," while hardly one of the show's best tunes, was pretty fun and upbeat (even if it was a minor antagonist's song), though I do have one bone to pick with it that's REALLY silly. At one point in the song some of the fillies and colts in the background are waving their hooves back and forth to emulate finger snapping, like you might encounter in an old, 1950's doo-wop number. I can see why, in concept, this idea might have sounded bucking hilarious to the storyboard artists who most likely came up with it, but in execution it looked bucking stupid. I know I shouldn't overthink it, but WHY THE BUCK WOULD THEY DO THAT??? They have no concept of digits, why would they emulate finger snapping if they don't know what the buck finger snapping is??? Am I totally overthinking this? Yes, yes I am, but I don't care, this was bucking stupid, even if it was meant as a gag. Other than that, however, I had no issue with the song itself; hardly Season 7's best tune, but pretty fun nonetheless. Other than that, I've got nothing else to add. This was just a fun CMC episode with a very good, well-written lesson at its heart, and a great note to send the CMC out on for Season 7. Until next time, everypony, this is Batbrony signing off. I'm off!!! *cue dramatic exit* If we're all being honest with ourselves, we've all probably shipped Rumble with Sweetie Belle or Scootaloo at SOME point in time, so don't even pretend you haven't
  8. Good evening, everypony, and welcome back to another edition of "Batbrony Reviews"! Goodness me, at this point the amount of exceptional episodes this season has become so commonplace that it's almost starting to lose its effect. But just almost. This past week we had yet another delight of an episode in "A Health of Information," and easily Fluttershy's best episode of the season. It was well-paced, well-written, had great appearances from new and old characters, and a side of its main character that we rarely get to see. Without further ado, let's begin, this is "A Health of Information." "Ya'll ready to learn all about the magic of... the perfect gumbo recipe?" So first things first, even though she appeared in this episode less than last week's, I'd say this was easily the better of Zecora's two appearances this season, so far at least. For starters, we got to see her helping somepony *gasp* outside of her damn hut! OK, fine, I know this is hardly the only time she's stepped outside of her house, but still, it's a rare enough occurrence that it stood out to me, plus it was interesting that she wasn't helping somepony brew something like she usually is. She was specifically helping Fluttershy track down a moss for some oxen visiting her animal sanctuary whose location in the Everfree Forest she was familiar with, though I have to admit this opening scene raises to points of concern. (1) Does this mean that oxen aren't sapient in this universe? If so that's fairly confusing considering both yaks and cows are. (2) Why the hell was Zecora fetching the moss when she ended up falling into the water in order to get them? Look, I know it set off the whole plot in the first place, and it even tied into why Fluttershy felt so bad about everything, but still, let me reiterate a common sense point that both Fluttershy and Zecora should have been well aware of... FLUTTERSHY CAN FLY!!! Like, I know Fluttershy doesn't like flying that much, but it's not like she would've been flying over a mountain, she would've had to hover like two feet over the water while she was gathering moss! It's not something that breaks the whole episode, but still, I kinda found it to be a silly oversight by both characters all the same. Why does Zecora look so bucking cute in this still image? Wings. You have them. USE THEM!!! Anyways, it's not long before this episode goes from being a pleasant bit of slice of life to a medical drama. Oh wait, my mistake, it doesn't become JUST a medical drama... IT BECOMES BUCKING NIGHTMARE FUEL!!! Why, you may ask? Well because of the disease in question which Zecora (and later Fluttershy and Doctor Horse) catches from a mysterious flower pod called Swamp Fever. I don't know what sick bucker on the MLP writing staff came up with this disease, but get a load of this... you've got silly symptoms like it causing you to exhale bubbles or causing you to break out in spots (which aren't exactly pox so much as polka dots), but it also gives you fatigue, confusion, causes you to eventually start sneezing lightning apparently, and worst of all is the end result. This bucking disease causes its victims to eventually TURN INTO THE TREES THAT DROP THE FLOWER PODS WHICH SPREAD SWAMP FEVER?!?! Well, I think it's safe to say that this is the appropriate response to that... Holy. Bucking. Shit. THAT IS THE STUFF OF NIGHTMARES!!! I mean, let's wrap our heads around what this disease in a children's television show does to ponies. It transforms their entire biological structure into a form completely unnatural to their own, and assuming they lose sapience, more or less kills them in the process of slowly transforming them into a bucking tree. That sounds like some bucked up idea that you'd find in a 1980's children's television show or film, and again, I have no idea who the buck came up with it for here, but it's bucking terrifying in concept alone. Not that I'm complaining, it certainly raised the stakes from the very beginning for everypony involved, but still, definitely wasn't something I was expecting here. Once Zecora's been diagnosed, we get to the real meat of this episode where Fluttershy shines, and on top of that a very solid, subtle moral is delivered as well. Feeling guilty for putting Zecora in a position to come down with Swamp Fever in the first place (and she's not wrong technically, which is possibly the only thing that KIND OF takes away from a still very powerful moral), Fluttershy throws herself into frantic efforts to find a cure. She sifts through Twilight's library even more ardently than the alicorn princess herself, and in the process (through some excellent research) discovers exactly where they need to go to find a cure, Hayseed, the old village of Mage Meadowbrook, a legendary sorceress and healer (some question how an earth pony was a sorceress, but we know that earth pony's do have their own type of magic and the ability to interact with and use magical elements, so I certainly think it's possible for an earth pony or a pegasus to be a sorcerer/sorceress in their own way). Once there, they track down her old home and even stumble across her descendant (seemingly sole descendant by the looks of things), Cattail, and also hunt down information recorded by Mage Meadowbrook in her old diaries leading them to conclude that the key to a cure for Swamp Fever is the honey produced by Flash Bees, who are immune to the effects of the Swamp Fever flower pods. During all of this, Fluttershy foregoes getting any rest for herself, and soon it becomes apparent that she too is coming down with Swamp Fever. In desperation, she frantically attempts to use her natural charm on animals, and when that doesn't work the Stare itself, to get honey from the Flash Bees, but neither works, and after getting stung by them, Fluttershy faints from her fatigue and remains unconscious for three days while nothing Twilight or Cattail do to retrieve the honey works. When she awakens, Fluttershy realizes that in not getting herself any rest, she not only endangered herself but also Zecora as well, since if she'd been fully rested she might have managed to retrieve the cure sooner. Realizing that Mage Meadowbrook successfully got honey from the Flash Bees by wearing a healer's mask with a stripe pattern similar to those of Flash Bee queens, who the males are subservient to, Fluttershy uses the mask to get the honey and heals herself, Zecora, and Doctor Horse of Swamp Fever, in the process also rediscovering the cure for Swamp Fever for good (very odd that Mage Meadowbrook only recorded the cure in her personal diary, but given that she seems to have lived centuries ago long before printed works in Equestria, we can give her a bit of a pass for not more widely publishing her medical knowledge). Fluttershy's character arc in this episode is at the heart of a very mature, subtle moral, especially personal and meaningful to people who can relate to it (such as at least one very dear friend of so many of us on the forums here). People who've had a loved one get diagnosed with a bad disease or debilitating medical condition in general often go through hell to help them get through it, if they can. They try everything they can to make it better, whether that be financially or just anything at all they personally can do for the one they love. They might drive themselves to such lengths that they even start blaming themselves for what's happening in the first place, or keep convincing themselves that they're not doing enough. Again, this message was just slightly undercut by the fact that this was technically Fluttershy's fault, but again that is easy enough to ignore when you consider just how good the message is. It is not good for one to neglect their own needs when trying to care for another, no matter how much you love them or how bad things may be for them. They wouldn't want you to do so since they love and care for you as well, and on a more pragmatic level, not looking after your own needs might actually make it more difficult for you to take care of them, much less yourself. While such perseverance and determination to aid another as Fluttershy displayed is certainly admirable and capable of achieving much, it needs to be tempered and balanced if one hopes to sustain such a drive in the long run. This is a mature message both on an intellectual and emotional level, and I am sure those who can personally relate to Fluttershy in this episode were very much affected by it and knew exactly what the show was doing. Beyond these core elements, the episode had a lot of other great things to offer viewers as well. Twilight had one of her best supporting roles in sometime, and a true one at that. Oftentimes a risk with having Twilight as a supporting character is that, by the sheer nature of who she is as the show's main character, she will dominate the screen time. Heck, we've seen her paired up (rarely) with Fluttershy in past episodes, such as when they visited the Hooffields and McColts, and while they were both supposed to be main characters in that episode, one could argue Twilight stood out far more than Fluttershy. Here, however, she was firmly a supporting character; Fluttershy took the lead on most things, while Twilight offered good support and mature advice the whole time. It wasn't even out of deference to Fluttershy or anything, Fluttershy just had a better handle on the situation from the start than Twilight did and she knew this. Her intro with Spike in which they were having a cooking competition was also rather cute and funny, a more normal side of Twilight we don't get to see nearly as much these days like we used to, plus it was fun seeing her do something not related to her love of intellectual pursuits like baking (also, those sweet potato muffins honestly sounded REALLY good if I'm being perfectly honest). OK, Twiley looks ridiculously adorable with flower on her little hoovesies and her horn! Remember kids, this is what baking too much does to you. Before you know it, you're having fever dreams about pans!!! Cattail was another fun, new element added to the episode. The entire village of Hayseed seems to have had an Equestrian version of Cajun-bayou culture, which was pretty unique to see in this show. While the real world parallels could only go so far, the show has never made a habit of stereotyping other cultures when it does have shades of cultures similar to ones in our own world, and the same was true here. In addition, his willingness to simply help Fluttershy and Twilight as soon as he learned what they were after was admirable to see seeing as he'd just met them, not to mention he basically opened his home to them as well (well, after they inadvertently broke into it, though in their defense they had no idea it was occupied to begin with). The lore with his distant relative and ancestor, Mage Meadowbrook, was quite cool as well, and it was nice learning about the last of the Legends of Magic (though I still think it would have been cool if Fluttershy's allegory among them were Somnambula). But all in all, the best elements of this episode that will stick with me going forward are those relating to its message and just how great of an appearance Fluttershy herself had. That's not to say the episode as a whole wasn't exceptional, it really was. It's just that these elements in particular are what make it particularly unique in its own way as an exceptional episode, especially in a season like Season 7 where there have been so many great episodes already. Well, that's all I've got for you everypony. I feel fairly certain that by the end of Season 7 this episode will still stand out as Fluttershy's best of the season, so it was a pleasure getting around to finally reviewing such a great episode. Until next time, this is Batbrony signing off. I'm off!!! *cue dramatic exit*
  9. Hi everyone, Hope you are all doing well and are looking forward to the movie in a couple of weeks! It's definitely been a while since I posted on the forums here. There is something that I have been meaning to get off my chest these past couple of months. After the midseason break, I have been unable to get myself to watch new episodes of My Little Pony. This has never happened to me before. I began watching MLP back in 2012, and would always catch new episodes the Saturday it came out. I never missed an episode of Season 3, 4, 5, 6, and the 1st half of season 7. The last episode that I watched was episode 10 (A Royal Problem) and I enjoyed it immensely! I loved Starlight, Princess Celestia, and Princess Luna in that episode. Glimmy has even overtaken Rainbow Dash as my all time favorite character in the entire show! Yet for some reason, I seemed to have lost that excitement I used to get when viewing a new episode. Don't get me wrong, I still love FIM. I have posters, plushies, t-shirts, music, you name it. I used to look forward to viewing new episodes of Pony as soon as the weekend hit. I don't want to get to the point where I look at it as another task I need to do to check off my "to-do list" for the day. I haven't reached that point yet, but I feel it approaching quickly. I have been in the fandom for nearly 5 1/2 years. Maybe a part of it is due to fatigue and just "growing out" of the series. This is where you guys come in. Has anyone experienced something similar to this before? How have you guys stayed engaged and excited over all of these years? Any tips and advice you guys are willing to share, I would greatly appreciate it.
  10. As should be VERY evident in this thread, the fandom artist community pretty much exploded after this episode Good evening everypony, and welcome back to another edition of "Batbrony Reviews"! First of all, apologies for getting this review out so late. Just been having trouble making time for it over the last few days on account of a whole lot of exciting real life stuff that's been happening. But that will be saved for another day, for now, onto the episode itself! Without further ado, this is "It Isn't the Mane Thing About You." So first things first, I just have to say that this was an odd duck of an episode. Like, not a bad one, far from it. In fact in execution this is a perfectly good episode, and in tone very much in the same vein as predecessors from Season 1 or Season 2 of the show. But that said, what did stand out to me as apparent was the fact that this was a Season 7 subject in an episode executed like a Season 1 or Season 2 episode, and that threw me for a bit of a loop. Unlike last week's episode, this is not so much a bad or disappointing thing as simply an odd thing to ponder. I cannot help but find myself asking "What if this episode had been executed differently?" and in fact will do just that at the end of the review. But for now, let's delve into what we got here. To start, Rarity kicks ass here, and I don't just say that because of the end. This was undoubtedly a Season 7 Rarity performance; while the character has never been completely self-obsessed or shallow I cannot help but think that if this episode had debuted in Season 1, she would have displayed far less grace or restraint in how she handled things than she did here. Instead, we got a Rarity who, while more than understandably upset at her predicament, did not come across as particularly shallow at any point; if anything, we actually readily understood how being unable to fix such a situation could truly devastate her without it feeling forced. Rarity doesn't just put a premium on maintaining good looks to make herself feel better, she does it to make an impression on ponies both in her own dealings as well as when she's lending a helping hoof to them, as evidenced by the opening scene of this episode where she's going around town lending assistance to various businesses and establishments. This does have a practical effect in that, well, without sounding too shallow, if there's one thing folks love more than practical-minded people, it's practical-minded people who look radiant. Politicians like John F. Kennedy, Ronald Reagan, Barack Obama, etc. all had good looks and distinct images, and this applies to business as well. A great example that comes to mind is who will folks always associate as the face of Apple, Jobs or Wozniak? Jobs of course, and not just because he was the better PR guy and knew how to connect to what customers wanted, but because eventually he developed a distinct image that, while not Hollywood-handsome, was its own kind of handsome within the Silicon Valley world. Point is, Rarity looking good isn't just something that she shallowly does to make herself feel better; at this point, it's simply a part of who she is and how she carries herself about, and there's nothing really wrong with that. She doesn't think she's better than other ponies because of it, she doesn't really even flaunt it, she just enjoys looking fabulous and using that part of herself to help others try to realize their own potential to be fabulous in their own ways. When you're just having one of "those" days This makes her reaction to losing most of her mane more than believable, even if some of her bits during her most panicky moments are hilarious. She doesn't just focus on getting it back (even if that is her top priority), she really does try to go about her business as well but just finds at first that she can't. She also doesn't blame Zecora or Pinkie Pie, and tries to have as much of a stiff upper lip as she can. Let's also consider that this isn't just something Rarity would freak out about; she may freak out more than most would, but evidently losing one's mane or tail is something that most ponies dread and understand magic can't fix easily, if at all. Even her sadness is, eventually, oddly subdued; normally we'd expect to see Rarity having a grand and fabulously over-the-top display of drama when she's especially feeling low, but here her lowest point is Rarity just... well, not being Rarity. She truly feels at that moment like she's not her true self, and can't even muster the ability to lament her current state as grandly as she normally would. That was a nice, subtle touch and Tabitha St. Germain's handling of the subdued, restrained Rarity in that moment was very effective. The ending of course was fantastic, and Rarity rocking the punk look all over town was as unexpected as it was delightful to watch, especially when she kept acting like herself again, it contrasted the punk image so wonderfully! And her learning to always believe that she was always fabulous no matter what she looked like, so long as she still behaved fabulously and channeled that into everything she did, was a great lesson for both herself as well as those who may be most affected by this episode, and a nice continuation of part of the lesson from Rarity's own legend of Mistmane which she recounted just a few episodes ago. So all in all, I really have no complaints about Rarity's performance here or how she was written; I still enjoyed her turn in "Campfire Tales" more personally, and for me that's still her highlight of the season, but this was a splendid turn for her all the same. Zecora coming back (in the first of back-to-back appearances, how about that!) was a welcome return, and unlike Daring Do's performance last week, Zecora's appearance here was not, thankfully, botched. I was honestly a little disappointed we didn't get to see her just shoot the shit some more with Pinkie Pie and Rarity when she started talking about manes and how tricky they are to handle with magic, but that was mostly because an unfortunate truth about Zecora is that she's usually there for the purpose of plot devices more than anything else. Most of what she says is either exposition about something that will be critical to the plot, or words of wisdom tied into the lesson learned. Make no mistake, I still enjoy her as a character and think she was used well here, but it is something I've noticed about her over time, and really it's a big reason we should see more of her, so that she's not just being used in such formulaic and predictable ways. Also, I can't help but think she should have taken a little bit more of the blame here for what happened to Rarity; she may not have gotten the bottles mixed up, but she is partially responsible in that she had no labels for two VERY different potions that look exactly the same. Overall, however, it was just nice seeing Ponyville's resident zebra once more, and I'm sure it'll be even better seeing her in this week's upcoming episode! Pinkie Pie, on the other hand, kind of annoyed me here. Her performance was nowhere near "MMMMystery on the Friendship Express" levels of bad or anything, but the best way I can put it is that they wrote her unnecessarily stupid here for the purposes of the plot. This is not the first time this has ever happened to Pinkie Pie as her over-the-top nature is often exploited by the show to create some kind of foil or plot device that gets everything else rolling, and many times it too has come off as lazy writing for this character. Pinkie may hardly be the brightest member of the Mane 6, but some of the shit she was doing in this episode seemed to be stuff that a five year old could figure out. Her spraying of that ridiculously sticky silly string EVERYWHERE in sight felt like something she'd impulsively do in a bad MLP fanfiction, not an actual episode; her repeated suggestion to simply use any cupcakes she salvaged from the silly string rather than bake new ones came off as both lazy and inconsiderate to the Cakes or their customers (even if it was a funny gag at certain points); and she seems to have spent at least an entire afternoon, if not one or multiple days even, simply trying to clean Sugarcube Corner up with the wrong potion, and you're telling me that in all of that time she never realized that this might be shampoo and not a magical cleaner??? All in all, hardly Pinkie's worst showing, but not exactly a flattering one either. She did, however, admittedly look rather adorable at the end of the episode after the shampoo debacle The rest of the Mane 6, on the other hand, were phenomenal, especially at the end. Twilight and Starlight (honorary fill-in for Spike here as far as I'm concerned) did admittedly get off to a bit of a rough start, mostly in that they, once again, couldn't resist messing with the laws of nature by trying to do something with their magic which, not a second before, they had said they shouldn't when they tried to assist Rarity with her mane through their magic. Now look, I get that they were just trying to be good friends, but (1) they've both made this mistake enough times with often near disastrous consequences that they should know better by this point, and (2) Twilight's first attempt in particular was a really shitty thing of her to do. They're trying to help their friend get her mane back, or some semblance of it, and what does she do? Why steal another pony's mane of course, much to that poor bucking crystal pony stallion's horror! I don't even get how the writers thought they could play this for laughs when they literally just gave this guy the same exact problem that Rarity was contending with the entire time, except I doubt he has a group of friends that includes a bucking Equestrian princess to help him try to get over such a dilemma. That'd be like doing a high school drama episode where, in order to help a friend who was anorexic, her friends tried somehow "passing" her anorexia onto someone else. Not a solid solution guys, not at all! At least the rest of their magical attempts weren't harmful to anyone else, and it was fantastic hearing them at least say no to attempting using time travel to fix things, but still, it was kind of ridiculous that those two made as many attempts as they did when they were so sure to start out that it wouldn't work. Besides that, however, Rarity's friends were great. Fluttershy, Rainbow Dash, and Applejack in particular tried their best to come through, first in trying to come up with whatever kind of wigs they could (in all honesty Applejack's was probably the most likely to work, even if Rainbow's looked the prettiest, but dear Lord Flutters I don't know why you thought Harry the Bear's green plant wig would work at all... even if it was hilarious and adorable seeing Harry working on it), and second in trying to bolster Rarity's spirits and help her regain her confidence to channel her inner fabulosity no matter what she looked like. Applejack in particular had some very personal lines of encouragement and support, a nice dose of Rarijack and reminder of how close those two in particular are in a season where we haven't seen a whole lot of it outside of this and one other episode. Probably her best line was when she hearkened back all the way to their very first adventure, reminding Rarity of when she did her first major act of generosity among her friends in giving up her tail to Steven Magnet; this was not only a critical element of Rarity's own nature to remind her of, but also highlighted how close these two are in showing how much of an impression this memory in particular must have left on Applejack. In the end, their support and friendship was exactly what Rarity needed in order to regain her confidence. Ponyville itself was very much alive in this episode, again in a way reminiscent of Seasons 1 and 2. The Flower Sisters, Roseluck, Daisy, and Lily, in particular had great showings and even showed shades of character growth; while they came close to panicking like they were so wont to do in early seasons, they ultimately kept their cool (with some assistance from Rarity) and did some smashing business with their flower sales while they were at it. They also treated Rarity the least different of any other business associates around Ponyville after her mane fiasco, simply unable to help her when they couldn't see her mane, which felt like a far more natural reaction than the other two. Speaking of which, fan pony salesman and Davenport, the owner of Quills and Sofas, were not nearly as charming. Fan pony store owner was relatively harmless, but he came off as a really inept business owner seeing as he was hurting his own business... simply because he had all of the fans in his store going at once, which made it hard for any pony to even enter his store. Pretty stupid move on his part, plus his later comments about "non-fabulous" ponies seemed a bit... superficial, at least how he delivered them. Davenport, however, was far worse in that he wasn't just stupid for not having wider variety in his sofas to start out, but was also a complete jackass! Dude made a business arrangement with Rarity, a very simple one at that; she gave him VERY sound business advice that helped him improve his sales, and in return all she wanted was a custom-made chaise lounge. Hell, as far as we know she was even going to pay for it in bits as well, so the fact that he was willing to break that agreement just for a few more bits is dickish beyond all belief. If I was Rarity, I wouldn't do business with a guy like that ever again! How can you really trust a guy like that in any type of business arrangement if he's willing to straight up break his word when it comes to his own business?! Aside from that, we had some fun appearances from Filthy Rich, Caramel (who may or may not now be a father of a filly via Sassaflash, who he was dating back in Season 2), Granny Smith and Grand Pear (who could be spotted in multiple scenes selling apple and pear products at a shared stand in the Ponyville Market), Apple Bloom conversing with Burnt Oak (again, another great bit of continuity from "The Perfect Pear," even if it would have been cooler seeing Big Mac talk to him), Big Mac and Sugar Belle taking a romantic walk at Sweet Apple Acres (something which I missed in my first viewing, though to be fair they showed it sooooooo briefly that it really is easy for anyone to miss), and Derpy at both the beginning and end, including rocking the ONLY one of the Rarity-inspired punk manes that looked as fabulous as hers did! Seeing so many different faces from Ponyville showing up in notable roles here was great, and something that is far too rare at this point in the show. Mannnnnnnn, the Flower Sisters are SO CUTE!!! As you can see, all of the elements we had in this episode easily add up to a good, perfectly likable episode. So you're probably wondering in what way I think it possibly could have been better? Well, odd as it may sound, I really do think this episode, by virtue of its subject alone, could have been far more daring if it wanted to. Allow me to explain. The elephant in the room with the subject of an episode like this is twofold. Rarity lost something which she believed is fundamental to achieving her own identity. Not in a superficial way (mostly), but this is a character who loves being fabulous and sharing that side of herself with others in any way she can, so it's easy to understand why this situation would be so personally distressful for her. Obviously, this episode can easily be relatable for two groups of people: (1) more generally speaking, anyone who has lost due to unfortunate circumstances something about themselves they consider to be a defining trait, or (2) more specifically, people who have lost their hair, especially due to a medical condition of some kind. That's a pretty heavy real world parallel for any MLP ep, and there's no way the writers weren't aware of it. So how could they have pushed the envelope just a bit more with this one? In just a few little ways, really. For starters, even though Rarity's mane eventually grew back, we didn't need to see that at the end of the episode; it needlessly minimized what she'd gone through, as well as the triumph of how she'd just rectified her situation as best as she could. Going even further, she didn't even necessarily need to fix her mane at all; as awesome as the punk mane was, I couldn't help but wonder (1) why it didn't occur to her to do that in the first place, and (2) how she had enough hair to do that? For her it was a wonderful fix, but in real world parallels, lots of people can't always do such a fun solution as Rarity did. Some may have no hair to spare at all (though of course wigs are always an option), and for others the lack of hair may even be the least of their problems. So what could have happened instead? Well, I say, what if the Mane 6 hadn't been able to really help Rarity? What if no one at first could, and she herself couldn't simply fix it by going with a different mane style? What if eventually, she came across somepony who in many ways had it even rougher than she did? This could either have been somepony with some kind of medical condition, or if the writers wanted to be less serious, a character like Derpy who has been the town klutz for years and has had to always live with that. In either case, she could have simply talked with this pony, asking in awe how they've managed to stay positive or their chipper selves despite their struggles and challenges in life. Their answer? They never let whatever bad conditions or circumstances they had in their lives define who they were. They always stay true to themselves and never, ever let any limitations they face keep them from remaining who they are, for their own sake as well as for the sake of those they love. Doing it doesn't mean it's easy, just worthwhile. Such an example would have been inspiring to somepony like Rarity, and led her to concluding the same thing she did in the episode as it is, simply in more dramatic fashion as the result of a far more serious experience. Now again, I must reiterate that this episode did not disappoint me. Executed as it was, it was a very good episode. But I still strongly believe that it could have been more if it wanted to be, and can't help but regret that we'll never get to see what it could have been if treated just a tad more seriously, even if what we got all around was good itself. That's all I've got for you everypony, until next time this is Batbrony signing off. I'm off!!! *cue dramatic exit* Let's close this thread with, what else, a shitload of Punk Rarity pics!!! I won't lie, if this had happened, it would have easily been the most metal thing ever!!!
  11. Good afternoon everypony, and welcome back to another edition of "Batbrony Reviews"! I'm sure you're all wondering why I'm posting my review of this latest episode so early. Well, while I normally always wait to write a review until after an episode has officially aired on Saturdays, I felt I had to make an exception this week since my girlfriend is briefly visiting me today and Saturday. If I waited, that'd leave me only Saturday evening and Sunday to catch up on this new episode and write my review on it, which is just more work and stress than I need. So without further ado, let's dive into "Daring Done?"! So, how did this episode leave me feeling? Welllllllllllllllllll, something like this... Very, very, very, very, VERY disappointed... That moment you need both Peyton Manning and a dog that looks just like him to sum up how disappointed you are Now do not mistake me, this episode is nowhere NEAR one of my least favorite ever in the entire show. Compared to a dumpster fire like "Hard to Say Anything," it's a bucking masterpiece. On its own this is just a very 'meh' episode, not that good, but not that bad either. HOWEVER, I still found myself disliking it more than most 'meh' episodes in this show, about as much as I would dislike an actually bad episode of the show. Why? Because like I said, it's an incredibly disappointing showing all the same. There was real potential here and some great ideas for what should have been at least a good, if not great, episode. It's nowhere near as infuriating in its disappointment as "Hard to Say Anything" was for blowing such a massive change in show canon with Big Mac getting into a relationship and all, but it is disappointing in these respects, which I will go through in detail. DON'T MAKE ME CHOOSE!!! BTW, most of the pics in this review will probably be from the Somnambula segment, simply because that's really the only part of this episode I loved through and through Disappointing Factor #1: We Don't Get Many Daring Do Episodes One of the most charming aspects about MLP at this point in its run is that there is a wide bevvy of beloved supporting characters in it. These come in two varieties: (1) supporting characters who we see with a pretty steady degree of regularity, such as Cheerilee, Big Mac, the Cakes, the Princesses, etc., and (2) supporting characters who only appear on special occasions, even less so if they have celebrity VAs. A.K. Yearling/Daring Do is definitely the latter, but she shows up far more than beloved supporting characters like Cheese Sandwich or Countess Coloratura because her voice actress, Chiara Zanni, isn't a celebrity voice actor like those VAs are. This means she's become what I'd like to refer as a "special staple" on the show; she's not a regular main or supporting character, but she is a well-enough established element of the world that gets referenced so often, or flat out shows up enough, that she can be considered in her own way to be a staple of the show. While her appearances are still special occasions, you'd like for them to leave something of an impact on the show as well, even if they don't leave the biggest of impacts. Normally this has been the case, to varying extents. Here, however, everything was handled so poorly that not really anyone came out looking better for it, including Daring Do. Plot points were forced and contrived to the point that I couldn't help but think that Daring Do could have probably figured out most of the problems she was facing on her own, especially considering what solutions she chose to come up with at the end. The idea of Daring's exploits having unintended consequences that make life harder for others is not a bad one, in fact it's a fairly well-explored theme in the superhero genre in general, but it was handled badly here for a number of reasons that I will get into later, including the fact that Daring simply couldn't figure out for most of the episode how to fix things (like I said, given what she figured out she should do, this shouldn't have been that hard to figure out). She created an existential crisis for herself when she really didn't have to, and her lack of resolute behavior made it come off as though she didn't have a handle on anything that was going on. Anytime the incredibly EASILY swayed crowd in Somnambula turned against her, she got sad, anytime they said something nice about her, she got happy; it's like the entire direction of her life, whether or not she retired, was hinging moment-by-moment on whether or not these ponies were in a good mood around her or when talking about her, it was ridiculous. Perhaps worst of all, however, was that absolutely NONE of the exploits Daring Do got up to here, even rescuing Rainbow Dash from a bucking pyramid, came off as epic or adventurous. It all felt watered down somehow, like a wilted flower, and for a character who has always excellently channeled the spirit of Indiana Jones, who in just her last appearance embarked on this amazingly fun and exciting adventure with Rainbow Dash and Quibble Pants that involved puzzles, temple traps, and a giant bucking crocodile monster, for any of her adventures to come off as lame and empty of adventure is the biggest sin of all. By far this was the worst Daring Do episode to date, and seeing as this is a supporting character who only appears on special occasions, it is all the more disappointing because of that. Disappointing Factor #2: Wasting a Cool Setting with a Great Background So @Jeric and I were at first convinced that this ENTIRE setting was being ambiguously referred to as "southern Equestria" which really doesn't make sense for one bucking town to be called that, but when I consulted the MLP Wiki entry on this episode, I realized the town is called Somnambula. However, while that name makes sense, I'm not sure they actually said the name once in the episode (although I could be wrong); the only time I recall them even suggesting it was called that was when the one villager said that Somnambula was the town's namesake, but again, I may be wrong and may have to rewatch it again. Either way, at least it's not called southern Equestria, that name is bucking generic as hell, though I have no idea what Somnambula itself is supposed to refer to considering it is drawn from the word "somnambulism" which is just the scientific term for sleepwalking, and there wasn't one bucking thing in this whole episode even close to that. Back to the issue at hand, this actually is a pretty cool setting, both visually and in its background. The idea of an Egyptian pony society (while a bit confusing considering all of these ponies in Equestria share the same country) is not a bad one in the slightest - though I will point out this was a missed opportunity to return to Saddle Arabia instead, I REALLY wanna see the Saddle Arabians again - and their looks, while a bit confusing given that they are clearly modern ponies in their garb but for some reason had ancient Egyptian eye paint, were pretty cool. Jeric even pointed out to me that one of the Somnambulans was wearing specifically an Egyptian hijab, not just a generic one, meaning somebody did their research in coming up with that look, and I give props for that attention to detail. Say what I will about this episode, the Egyptian hijab is a very cool detail all in all! I mean look at this, look at the bucking colors and gorgeous visuals in this one shot alone! AND ALL OF THIS GOT WASTED ON A THOROUGHLY MEH EPISODE?! For shame!!! Even cooler is the town's background, which is easily the best part of this whole episode. Somnambula has a really great story around her (with some cool alternative animation at parts), and a unique personality to boot from what we saw; she seemed to have this very kind, hopeful demeanor, even resonating what I would call a natural nobility even though it seemed she wasn't an actual noble herself, or at least not part of the royal family. She was smart but also clearly brave, and didn't seem to rely too much on her brains or her brawn, but a healthy balance of all sorts of commendable qualities. The Sphinx itself was a bucking cool villain in its design, and my only gripe with both of them is that, for some reason, the show makers didn't bother to get either of them voice actors, and I think that's quite the missed opportunity; both of these characters could have sounded very unique, but instead all we got was the random village pony reading their lines, it was kind of annoying and distracting. But like I said, her whole backstory about rescuing Prince Hisan and saving her land from the Sphinx was awesome and honestly I wouldn't have complained if it was longer, and Somnambula is another great addition to the growing members of the Legends of Magic. D'awwwwwwwwwww, who's a cute ancient Egyptian pony??? YOU ARE! YES, YOU ARE!!! The problem is that, ultimately, this cool setting and background all came to nothing. The city itself felt minuscule, largely because it seemed they didn't utilize nearly as much of it as they could have, and considering this thing was right next to multiple pyramids, that's a bucking shame. We're talking about the first time ever we've gotten to see MLP's version of Indiana Jones in an EGYPTIAN-type setting... guys... in case you forgot, Raiders of the Lost Ark is still easily the best and most beloved Indiana Jones movie ever, and most of that takes place in Egypt!!! There are so many great Indiana Jones callbacks they could have done here, but instead most of the episode was spent with the main crew dawdling about listening to ponies waffle between praising Daring Do or bitching about her, hearing an awesome story that had no impact on the present events, and then embarking on a really stupid and underwhelming adventure inside a, if I'm being honest, really boring pyramid, and that's saying something considering it was a perfectly awesome setting in Somnambula's own backstory! Hell, even the stakes are lame! What do Daring Do, Rainbow, and Pinkie ultimately stop Dr. Caballeron from doing? Stealing a bunch of glowing topaz! Like, I know it has huge meaning to the townsponies, but c'mon, all they did was stop them from carrying a giant ass sack out of town, that's it! We didn't even get any kind of epic chase, they just confronted them like Scooby Doo and the gang would confront a monster about to get unmasked. While this setting had great potential, especially considering it does have a pretty awesome background, overall everything about how it was actually used was simply underwhelming and not particularly fun or exhilarating. Disappointing Factor #3: Bad Editing and Bad Pacing Wowwwwwwwwwww, was this episode ever a hot mess in the editing and pacing department! The biggest problem probably stems from the fact that we wasted five minutes of the episode opening up in Ponyville and then at A.K. Yearling's house (speaking of which, where the buck is it exactly that they got to it so quickly AND apparently A.K. Yearling for some reason gave this exclusive interview to, of all papers, the bucking Ponyville Chronicle? I thought she was a recluse living somewhere in northern Equestria, what the buck is she giving an exclusive interview to the town paper of one of Equestria's most podunk little towns when she should be telling this to, oh IDK, a paper in like Manehattan or something?!); I'll expand on this point about the opening later in the review, but from there it was all downhill. We didn't seem to get nearly enough exposure to the town of Somnambula itself, most likely as a result of those wasted opening five minutes, which in turn made the setting feel too small and confined; some scenes lasted too long or seemed to drag, others didn't seem to develop enough; and finally, as a result of the bad editing and pacing, laughably stupid things would occur, like Dr. Caballeron kidnapping Rainbow Dash when Pinkie Pie and Daring Do were LITERALLY 20 FEET AWAY!!! Oh yeah, we're gonna tear that bit of stupidity apart later. Point is, everything about the pacing and editing in this episode (except, oddly enough, for Somnambula's story) felt off somehow, like it just wasn't right. It's not the worst I've ever seen in the show, but it is plenty of testament to how something seemingly as small or simple as getting the editing and pacing wrong in an episode can screw the whole pooch. Disappointing Factor #4: Plot Contrivances and Poor Continuity Good gravy, are there a shitload of plot contrivances and poor continuity in this episode! This is one of those cases where the plot contrivances and bad continuity honestly just get worse the longer the episode goes on, so I'm just going to list them off down below one by one. *deep breath* Let's begin! (1) The aforementioned "where the buck does A.K. Yearling live" plot point. We see Pinkie and RD read about her retiring in the paper, and then cut to them running to her house, with no sense of how far they just traveled! Not only is this a poor transition, but it, compounded with the fact that A.K. spoke to the Ponyville Chronicle, makes it impossible to determine just how far she does live from Ponyville, or even where exactly in Equestria she lives. (2) A.K. Yearling's inability to confront a very solvable problem. The fact that her actions as Daring Do are disrupting others lives in harmful ways is not a bad plot point, nor is her feeling bad about it bad; however, A.K. suffers an existential crisis from this fact that almost leads her to retire as Daring Do for good, when there are far better options available to her for confronting it which aren't all that hard to figure out, namely, using her considerable resources accrued from her Daring Do novel sales and royalties to pay for damages and costs she incurs in her adventuring! Given that this is exactly what she does at the end, the fact that she couldn't figure out she should do it before on her own is even more infuriating and stupid for it. (3) The "A.K. Yearling is Daring Do and vice versa" plot point is finally falling apart as a result of some really shitty continuity in this episode. It was always an awkward situation, but I was able to believe that most ponies didn't know Daring Do was real because I always figured her adventures took her to far away lands outside of Equestria. I still thought it would make more sense if she acted like she was just reporting on the REAL adventures of Daring Do, not pretending to be a novelist, but that theory held up well enough. Well that all went out the window because of this episode, because Somnambula is a town in Equestria itself, meaning Daring Do does indeed adventure in Equestria. Even worse is the fact that A.K. Yearling tells Rainbow and Pinkie that southern Equestrian (and we have no idea how much of Equestria that's supposed to cover) don't know about her books since they're not sold there, so they don't know who A.K. Yearling is and that Daring Do is a popular fictional character. What this essentially means is that while ponies in "southern Equestria" know that Daring Do is real but don't know about the books about her written by A.K. Yearling, vice versa, in "northern Equestria" (again, no idea how much of Equestria that is supposed to cover) ponies don't know that Daring Do is real and think she's just a fictional character because of A.K. Yearling's books. This is a terribly stupid plot point resulting from really bad continuity more than anything else, and it makes every pony in Equestria look like idiots. I know they don't have the Internet, but this country is probably the most developed nation in its setting and is pretty well-interconnected by this point, so communication isn't that primitive. So you're telling me that in all these years, no northern Equestrians have ever told southern Equestrians about the Daring Do novels and, vice versa, no southern Equestrians have ever told northern Equestrians that Daring Do is real? Nope, can't buy that, it's too big of a leap in logic. (4) The ponies of Somnambula are far too ridiculously easy to sway. Every single time both Rainbow Dash and Caballeron bring up a point for and against Daring Do, they agree with whoever's speaking, it's bucking annoying. I know it might be a joke about mob behavior, but if it is it isn't particularly executed that well or cleverly. On top of that, you're telling me that absolutely NONE of these ponies could recall seeing Ahuizotl on Daring's previous adventure there? The biggest reason I find that hard to believe is because he and Daring were responsible for the destruction of Somnambula's statue, which sits right in the middle of the whole bucking town, and not a single pony saw him at any point when that happened? That's a HUGE stretch right there. (5) Nopony recognizes Caballeron when he's hiding under nothing but a cloak. I know that A.K. Yearling's disguise when she's not Daring Do is fairly simple, but it at least has multiple pieces of clothing (hat, cloak, very big glasses) and is convincing enough considering how much of her it conceals. Caballeron, however, wears nothing but a cloak and his INCREDIBLY distinct five-o'-clock shadow is still visible even when he has it on. You're telling me that RD, Pinkie, and bucking Daring Do, his archnemesis, didn't at any point recognize him under that? (6) Rainbow Dash gets captured in the absolutely stupidest way possible... BECAUSE SHE FORGETS THAT SHE CAN FLY!!! It doesn't help that the abduction wasn't even particularly well handled considering (1) his henchmen just pop up out of nowhere and (2) THEY'RE STANDING 20 BUCKING FEET AWAY FROM DARING DO AND PINKIE PIE WHEN THEY ABDUCT RAINBOW, but for obvious reasons, the most egregious bit of forced plot in all of this stupidity is Rainbow forgetting that not only she can just fly away from them, but she just so happens to be a little thing called, oh, THE FASTEST FLYER IN ALL OF EQUESTRIA!!!!!!! There's really no getting around or justifying this one, it was just stupidity for the sake of moving the plot forward. Rainbow Dash: She... just didn't feel like trying that day (7) The pyramid rescue is a bucking joke and completely undermines the message of "having hope." Having hope does, admittedly, sometimes mean you have to take a leap of faith in certain things, BUT that's not all that it means. Hope is so much more than just about taking a leap of faith, and holding onto it does much more for someone than convince them to take chances. On top of that, this show has done the "you have to take a leap of faith" lesson before all the way back in Season 1's "Feeling Pinkie Keen," and frankly it was much better handled there. Here, they jumped down into a slime pit to their doom without any plan or reason to think this would work whatsoever and got BUCKING LUCKY!!! What did they find at the bottom, you may ask? Oh, just these bizarre contraptions that, for some unknown reason, blow puffs of air that are strong enough to float them across the gap! What? Don't you know those are super common in ancient deathtrap temples?! This plot device is one of the worst, most forced deus ex machinas I have seen in some time, and in fact it's so bad that it even ruins the Somnambula story to a certain extent. For starters, why would they even make these? What purpose were they actually supposed to serve? As far as I could tell, the bridge was supposed to be the only way across the pit, but because they have these in there, there's essentially no threat if one fell off the bridge or it wasn't there. Why would someone build a deathtrap slime pit if it wasn't supposed to be, ya know, an actual deathtrap??? Second, they shouldn't have needed to take a leap of faith at all if those were down there. I don't know how they could have possibly missed those devices considering they were clearly poking out of the slime below, so Pinkie and Daring should have been able to determine that they could just use those. Finally, while this doesn't have to do with the devices themselves, why was that "no flight" spell still in the pyramid? It really shouldn't have been after all of those years considering I was under the impression that the Sphinx just put that spell on Somnambula alone in that particular moment. To make matters worse, why did Dr. Caballeron tell Daring Do that the spell was there at all? He could have let her try to fly to save Rainbow and fall to her doom instead, problem solved! Overall, this whole climax was just one giant clusterbuck of stupidity and some of the biggest plot contrivances I've ever seen in this show. Disappointing Factor #5: Bad Character Writing and Utilization This point applies largely to the main characters. I've already detailed how A.K. Yearling/Daring Do clearly shouldn't have been so troubled by the unintended consequences of her actions that she simply decided the best thing would be for her to retire; she's been doing this for years, and she's a very different character than Rainbow Dash is. Whereas Rainbow Dash has always been impulsive, Daring seems like she's a healthier balance of adventurous, but also thoughtful and considerate. The very fact that these reports bothered her so much are proof of that. She's a successful novelist at that, and her adventuring requires a great amount of intelligence (not that Rainbow Dash isn't smart, but Daring Do seems like she's about as book smart as she is street smart), so she should have been able to conclude on her own that a sound way to fix the trouble she'd caused would have been simply paying for the damages and costs she'd incurred. Beyond that, she just wasn't particularly engaging to watch in general; she spent most of the episode moping, and the little actual adventuring she did wasn't really exciting at all. Always a shame to see such a good supporting character wasted here like Daring was. Pinkie Pie was fine for what she contributed, heck, she seemed to be acting of sounder mind here than Rainbow Dash was and offered some solid advice to Daring Do. Her presence was a tad confusing but I'll get into that later. Dr. Caballeron did unnecessarily stupid things like tell Daring Do that she couldn't fly inside the pyramid, or kidnap Rainbow Dash when Daring Do was standing 20 feet away; he may be traditionally an over-the-top villain, but he's still been competent enough in the past. However, by far the absolutely worst character here was none other than Rainbow Dash, both in her writing and very utilization. Rainbow may be impulsive, but she also loves solving a mystery, ESPECIALLY if Daring Do is involved. A dilemma like the one Daring faced required talking to ponies face-to-face and figuring out what their problems were, and what they needed to fix in order for them to be cool with Daring again. What does she spend most of the episode doing? Ignoring what the ponies of Somnambula are mad about and just loudly insisting that they should love Daring Do because she's "so awesome and cool!" It gets so bad that she straight up insults their own culture and belittles the statue of Somnambula as being crummy when she doesn't even know anything about why it means so much to them! I forgive this point only a little bit since she does seem to understand why they care about it so much after they've explained the story of Somnambula to her, but still, as a historian myself I know what a culturally insensitive thing it is to simply belittle another person's culture, especially when you don't know thing one about it. Rainbow Dash was acting like an idiotic Daring Do fangirl here, doing nothing but cheerleading for Daring Do for most of the episode in the most superficial of ways, which really isn't the kind of support Daring Do needed. She needed real friends who were ready to support her but also give her good advice and figure out how to address some truly genuine concerns. But instead she got Fangirl Dash, and considering just a few episodes ago we got an entire episode in "Fame and Misfortune" where the writers specifically called out and condemned the worst type of fanboy behavior in all kinds of nerdy fandoms, RD's behavior here feels hypocritical and in many ways makes "Fame and Misfortune" worse. Another point that makes "Fame and Misfortune" worse is simply the fact that RD's outing Daring Do as being A.K. Yearling in their journal wasn't what caused A.K. Yearling to retire; @Jeric and I both agreed that if that'd been the case it would have been a cool bit of continuity from that episode, but instead it's now clear that the show is simply ignoring that ever even happened, which makes "Fame and Misfortune" even less consequential to the show's continuity and canon than it already was. The worst part about RD, besides her poor writing in general (let's not forget while we're at it her forgetting how to fly, I mean, seriously) was that she didn't even have to be in this episode. She didn't really help Daring figure out to never stop having hope even if she made mistakes, that was mostly Pinkie and the story of Somnambula, and Somnambula wasn't even her Legends of Magic analogue, we already got that in Flash Magnus just a couple of episodes ago. So why did they include Rainbow Dash here? Simple, because it was a Daring Do episode and for some reason the writers feel like Rainbow is the only one of the Mane 6 who absolutely MUST be involved in any Daring Do episode. Frankly, that's a policy that I disagree with and I'll go into more details about that in the next section. But Daring Do is not some mirror image of Rainbow Dash, there's a ton more to her than that, so I don't see why other members of the Mane 6 can't just as easily adventure with her as well. Unfortunately, DHX clearly doesn't see it that way, and as a result RD just felt out of place in this story the whole time; she didn't really contribute anything, she only made matters worse for Daring, and the writers were forced to make her behave very stupidly in order to set up a very forced climax. Overall, this episode simply would have been far better if Rainbow Dash wasn't here at all, and if the show insisted she had to be, then she should have at least been acting far smarter and more considerate than she was here. OK, at first glance she may look like a terrifying, tyrannical pony Sphinx, BUT... ...I bet in reality she's just a cute widdle giant bird-cat pony who wants some belly rubs! What the Episode Could Have and Should Have Been As you can see, while the overall product we got in this episode was simply 'meh,' all of the meh elements in this episode make for a very unlikable product, far more unlikable than it should be. The worst part of this entire episode, as I said earlier, is that this could have at the very least been a good, if not great episode; the pieces were all there, they just simply didn't come together. A few changes, some minor, some major, would have given us something far better than we got, and so below I'm going to detail what direction I truly believe this episode should have taken instead. First of all, Rainbow Dash simply shouldn't have been the main character here. In fact, you don't even need to start it in Ponyville. The whole episode should have started in Somnambula so that we didn't waste five minutes outside of this setting itself, allowing the characters more time to explore this setting. Pinkie Pie could possibly still be there, but other candidates for supporting Mane 6 character could include Rarity (who would be well equipped to help with this dilemma) or Twilight (who really should be able to go on an adventure of her own with Daring Do, especially considering she's been a fan of hers far longer than Rainbow Dash has been). That said, the only pony who absolutely should have been there of the Mane 6, whether another Mane 6 member was accompanying her or not, is Fluttershy. For starters, it seems like she'd be better equipped to deal with this sort of problem; she's kind, considerate, and very much capable of listening to others but still offering helpful advice after she has heard their concerns. She could have been traveling to Somnambula for her own personal reasons, possibly to see some type of exotic creature, and while there she could overhear how much the locals didn't like Daring Do. After running into A.K. Yearling, she could explain to Fluttershy why the locals don't like her; Fluttershy would listen, be very supportive since she knows how to be kind and considerate to those struggling with some kind of personal dilemma, but also be in a prime position to help Daring confront this. They'd start going around, with Fluttershy asking others to explain why exactly they don't like Daring Do; she wouldn't impulsively shout them down any time they raised a concern, but patiently and quietly listen, possibly offering some gentle counterpoints now and then. She'd probably even be able to advise Daring on how to fix this situation after hearing their concerns. Secondly, Fluttershy just seems to be a far closer analogue to Somnambula than Pinkie Pie or Rainbow Dash are. After carefully thinking about it I'm pretty sure that Somnambula is supposed to be Pinkie's analogue from the Legends of Magic as opposed to Rainbow's, considering Flash Magnus is clearly hers, but frankly it's hard to see the connection in Pinkie's case too. I think it's supposed to stem from Somnambula spreading hope to others being comparable to how Pinkie, when she puts smiles on the faces of others, spreads hope to them, but to be honest that's not enough of a connection for me. While it's obvious that Mage Meadowbrook, a healer, will probably be Fluttershy's analogue, I think she clearly has far more in common with Somnambula than Pinkie Pie does. Somnambula may have been good at spreading hope to others in ways similar to how Pinkie does, but she also seemed somewhat quiet, reserved, thoughtful, and had this very natural nobility and grace to her demeanor and how she carried herself; watching her story play out, I was far more reminded about Fluttershy's character arc than I was Pinkie's. Fluttershy gives hope to others too in her kind, considerate behavior, and is usually very thoughtful in her actions. Hell, she has a very similar natural grace to how she carries herself just as Somnambula does, which ponies like Rarity and Photo Finish have pointed out in the past. Overall, it just felt like, after watching this, that Fluttershy would have been far more comparable to Somnambula than Pinkie Pie is supposed to be. Finally, having Fluttershy here would have gotten extra brownie points from me for simply being unique. As I said earlier, why should we have this rule that Rainbow Dash MUST show up in any Daring Do episode? Daring Do is beloved by ponies all over Equestria, whether or not they know she's real, and this includes multiple members of the Mane 6, all of whom have technically adventured with her at least once and are thus friends of hers just like Rainbow Dash is. RD contributed virtually nothing to the plot here and was downright unbearable at times, but having Daring go on an adventure with another member of the Mane 6 (or even a couple, like Fluttershy and Rarity or Fluttershy and Twilight) would have mixed things up a bit, giving this episode a distinct, unique element distinguishing it from all other Daring Do episodes. It's a shame the writers didn't consider this and instead went with the easier, lazier, more predictable route of giving Rainbow Dash the spotlight in another Daring Do episode, even though she really didn't deserve it here and only distracted from both the main problem as well as Pinkie Pie, who did far more to help Daring Do solve her personal dilemma than RD did at all. Other elements that could have been different as a result of these changes are (1) the town of Somnambula could have been more thoroughly explored if the episode had started there from the very beginning, (2) more adventurous elements could have and should have been added, including actual callbacks to Indiana Jones, particularly Raiders of the Lost Ark, (3) plot points wouldn't have necessarily felt so forced or contrived if characters had simply been approaching them more smartly and subtly, (4) with more time in Somnambula, Somnambula's own story could have been expanded upon to a certain extent, and (5) both Daring and the townsponies should have been gradually convinced that things weren't as bad as they thought and that there were good ways they could both resolve the problems they were facing and come to appreciate each other more. All of these new elements would have most likely resulted in a far better episode, one which was at the very least good, if not great, in its premise and execution. Unfortunately, that's not what we got. While most meh episodes in this show are simply forgettable, this one left a particularly bad taste in my mouth simply because of how much of its potential it failed to realize. It's hardly one of my least favorite episodes of the show ever, but it is one of the biggest disappointments the show's ever had, at least for me. With so much unrealized potential, this is a real shame, but it thankfully doesn't take away from the great things that this season has already done and will continue to do I'm sure. That's all I've got for you today, everypony, until next time this is Batbrony signing off! I'm off!!! *cue dramatic exit* Huh... apparently the word of today for this episode is 'kinky'
  12. Good evening, everypony, and welcome back to another edition of "Batbrony Reviews"! The hits just keep on coming in Season 7 with, yet again, another episode that was more than exceptional. In fact, I'd go so far as to say that "To Change a Changeling" was downright inspired in certain moments, especially in its writing. Let's not waste any more time dawdling on introductions and just get to it, without further ado, this is "To Change a Changeling"! Starlight Glimmer and Trixie - Imperfect Mediators Given how influential the Cutie Mark Map has become as a plot device in the show for helping the main cast find new friendship problems, most of us going into this episode were assuming that Starlight and Trixie would be chosen by it to visit the changelings. Much to our delighted surprise, this was not the case. Now, make no mistake, I don't mind the Cutie Mark Map in concept, nor in how it's used most of the time; DHX has shown restraint in not using it too much to the point that it would become an obvious and forced plot device crutch, and it is definitely a staple of the show by this point, but not in a tired or overused way. Still, given how likely it seemed that it would be used here, it was still pleasantly surprising and noteworthy to see that Starlight and Trixie were simply on hoof to help by accident more than anything else. They were simply coming by to surprise their friend Thorax with a visit and see what the state of the Hive in general was, but they had no idea what exact problems they were facing. This both helps make perfect sense as to why Spike wasn't there, and also helps put into context why Starlight and Trixie weren't the best prepared to help with this specific issue; while they share similar backgrounds with Pharynx, Starlight was a true ringleader (and as such shares more in common with the still-unreformed Chrysalis) while Trixie was (and to some extent still is) just an annoying nuisance more than anything else, who just so happened to get incredibly dangerous at one point by virtue of acquiring an incredibly powerful magical artifact. What really made them most helpful in this situation is that they both knew how much it can hurt to not really feel like you belong anywhere or are a part of anything, which was definitely at the heart of Pharynx's issues. We'll get into those more later on, but probably the biggest reason they weren't willing to give up on Pharynx is because they could sympathize with his situation; if somepony else had been there, they may have focused too much on how Pharynx was affecting the Hive, not how the Hive's situation was affecting Pharynx as well. Now, some may raise that Starlight was willing to recommend that Pharynx be kicked out of the Hive, but in her defense she (1) didn't believe that Pharynx had any willingness, inclination, or personal reasons or potential to change for the better at the time, (2) was trying to figure out what was best for the most parties involved, which did in fairness have to put precedent on the Hive first and foremost, and (3) changed her mind about this after learning more about who Pharynx was as an individual and realizing that he did have the potential to find his own place in the Hive again. Even though her initial recommendation that Pharynx be kicked out as well as her plan to lure maulwurf to the Hive so that Pharynx might have the chance to protect it and prove his worth to it both backfired, she did remain perseverant in her efforts to help both Thorax, Pharynx, and the Hive, and ultimately her and Trixie's efforts forced them to confront Pharynx's issues head on, instead of letting them fester and grow worse. On top of that, Starlight and Trixie were, as always, an entertaining pair. Trixie's ego is still as hilarious as when it backfires on her (her "teleportation spell GO!!!" bit was especially amusing, as was her constantly being a thorn in Starlight's side), Starlight found herself confronted by more than a few problems she wasn't necessarily very well equipped to handle (largely because of cultural differences between the ponies and changelings) which led to many amusing results, AND to top it all off, Starlight had a Braveheart moment that inspired absolutely... NOPONY!!! Well, at least for five minutes, but to be fair, it DID eventually work! All in all, while neither Starlight or Trixie had all of the answers for the changelings here, they still found a way to help them confront their problems and ultimately resolve them, which is to be commended considering most ponies probably would have balked at a problem like this. Good outing from the both of them, all in all, very solid indeed! "HELLO! My name is Starlight Glimmer, and today I am here to tell you about the maulwurf: Half Mole, Half Bear, Half Razor Sharp Claws!" In all honesty, that thing is bucking terrifying The Changelings - Old Habits Die Hard Oddly enough, the changelings themselves were at the heart of the Pharynx issue, or rather why it wasn't resolving itself all that well. As we can see, the whole Hive by this point has been reformed by Thorax's efforts and is now attempting to build a society built on giving and sharing love with one another rather than taking it, and for the most part those efforts are going quite well. The changelings still have to take many baby steps, but they are definitely getting there. However, what seems to be taking FAR longer to change is an interesting tendency of the changelings we haven't really discussed, largely because we've never gotten to see all that much of it: group-think. What do I mean by that? Let me explain. Now, clearly the changelings under Queen Chrysalis were essentially her thralls; she would call them things like her children, and even though she had some level of affection for them, they had no choice over the direction of their lives. This seems to have gone on for as long as changelings have existed, which could be hundreds if not thousands of years, meaning in all of that time they got very much used to every single member of their society "agreeing" to follow every single one of Queen Chrysalis's orders about the direction of their society and what they should do for it. Under King Thorax, they now have free will, but they are clearly still getting used to it; this was very well evidenced in both the scene where Thorax shows off some of their new cultural activities, as well as the Feelings Forum scene, by a number of clear examples. (1) Thorax shows the changelings engaging in very simple, basic cultural activities, like theater, potluck, swing dancing, and arts and crafts; with all of these activities taking place in the same space, the scene almost felt like an adult version of daycare was on display. I do not say that condescendingly, it actually makes perfect sense in fact that the changelings would need to start with very basic cultural activities like that; they've probably never had any opportunities to do anything like that given that their entire existence has always been devoted to only fulfilling Queen Chrysalis's wishes or surviving from taking the love of others. (2) Building off of that, the Feelings Forum scene shows us a changeling explaining that she thinks she's supposed to be a green changeling since that's what she transformed into, but sometimes wants to be a blue or a purple changeling; given that she can easily change into these, she's tempted to, but since she was transformed into a green changeling, she thinks that might be living a lie and not who she really is. (3) In the same scene, another changeling shares how arts and crafts time helped him cope with his own personal insecurities. OK, that's bucking adorable All of these scenes show us ways in which the changelings are grappling with their emerging individuality as they struggle to embrace their newfound free will; new cultural activities give them opportunities to discover differences between themselves and become more comfortable with their identities as unique individuals. Yet at the same time, it's a struggle because not only were they once a society where every member followed the same exact direction and path, but they also largely looked the same in their base changeling form, and were used to impersonating others; now, they have both free will and unique appearances, and while they clearly want to find out who they are as individuals, they're also scared of doing so, and some still love the possibilities of being whatever they'd want to be with their changeling powers, even though they know that wouldn't necessarily be who they really are, and would feel like they're both lying to themselves and others. The biggest thing by far, however, making it harder for them to break their old habits and way of thinking is without a doubt the Pharynx problem. Pharynx is, to most of the changelings, just being a pain in the flank, and when they are all agreed that he's a problem, they fall into a bad habit of group-think. It's still hard for them to have disagreements with one another, so given that Pharynx is universally disliked by all in the Hive when the episode starts, it's easy to see how they'd so easily agree with one another that they just want him to go. It's the easiest course of action, and all of them seem to want it, so of course it makes the most sense to them all! The problem with this is that, in their earnest universal agreement with one another, none of the changelings besides Thorax consider what they'd lose in kicking out Pharynx. They're too caught up in agreeing with one another that he's got to go that they never ask themselves what he might have to offer to the Hive instead; he's the most different from the rest of them now, the new Thorax essentially. And where Thorax had no place in the old Hive before, Pharynx in their eyes has no place in the new Hive now. But the first time around, Thorax being away from his people clearly wasn't the right call; sure he needed to live with ponies in order to discover what sharing love is truly like, but ultimately he needed to go back to them in order to help save them. Likewise, Pharynx leaving his people wouldn't have been the right move either, but again, the changelings dangerous habit of wanting universal agreement and accord among themselves in directing their society almost led to this happening. Overall, we got a fascinating look at the state of changeling society in the midst of a massive societal and cultural overhaul which told us a lot about who they used to be, who they are now, and what they aspire to be, probably the most of a look we've ever gotten at changelings as a whole. Also, I can't lie, some of the background changelings were amazing. We got "splashed by Pharynx with paint" changeling, Feelings Forum moderator changeling, Feelings Forum identity crisis changeling, Feelings Forum arts and crafts changeling, but by far my favorite had to be "My soup is too hot" changeling! That guy CLEARLY has his priorities straight and knows exactly what folks are coming to the Feelings Forum for! Soup on, my man, soup on. Soup Changeling, the only changeling who got exactly what he wanted out of the Feelings Forum!!! Pharynx and King Thorax - A Tale of Two Bros As much of a douche as he was, this was hilarious So now we finally come to the crux of this episode, King Thorax and his older brother, Pharynx. These two by the end of this episode serve as an interesting converse to the Two Sisters, Celestia and Luna, in Equestria, especially given Pharynx's late episode transformation. Whereas with the latter, the elder sibling, Celestia, has always been more bureaucratically minded (not just in her duties, but much fanon speculates this is the case as well) while the younger sibling, Luna, has always been the more aggressive of the two (to the point that some fanon has speculated that she is the more involved of the two in Equestrian military affairs), Thorax as the younger sibling is the far more diplomatic of the two while Pharynx, the elder sibling, is far more aggressive and militaristic (which makes sense given that such aggressive behavior used to be the norm for the changelings). Another interesting development is that, as pointed out earlier, Thorax used to be the odd-man out among the changelings, while Pharynx was as in as one could be as head of patrol for the entire Hive; the changeling transformation and reformation, however, flipped this on its head. Pharynx, when the episode begins, is by this point universally reviled by the rest of the Hive, with the exception of his younger brother, but even Thorax doesn't know how to deal with him. This is where things get most interesting. Initially, when we heard the premise of this episode as well as saw the beginning, it seemed like the most likely route it would take would be in showing that Pharynx alone had to change. The idea that he might even be in open rebellion against Thorax was not off the table. However, it quickly became apparent that that was not the case. Pharynx did not initially capture Starlight and Trixie out of spite against Thorax, in fact, he didn't even know who they were; instead he brought them to Thorax, claiming they were trespassers and enemies of the Hive, but then begrudgingly accepted Thorax's vouching for them. This right away made clear a couple of things: (1) Pharynx recognizes Thorax's authority as head of the Hive, even if he doesn't agree with or understand the new direction he's taking the Hive, (2) who's in charge of the Hive mattered less to Pharynx than the state of the Hive itself. Now to be fair, I'm not letting Pharynx off the hook entirely. He was clearly a pain in the flank of most of the Hive, and for confusing reasons at times. He needlessly tears down or destroys some of the Hive's new decorations, constantly was butting heads with the other changelings and frightening them (even doing crazy shit like pouring black paint on a changeling to make her look more intimidating), and even seemed to miss sucking love from other ponies like they used to (he did not hide his disdain of ponies much at all, though that never really stopped him from working with Starlight or Trixie if he felt it was worth working with them). However, in his defense, most of this nostalgia seems to stem not from his enjoying being evil for the sake of being evil, but simply having a FIERCE protective streak in him, both for Thorax as well as the rest of the Hive; if he simply wanted to be evil for the sake of being evil, he'd probably have left already and joined Queen Chrysalis, wherever she's at. Instead, Thorax stayed loyal to the Hive, even if he hates what it's currently like and can't wrap his head around it because, like the other changelings, he's not used to the idea of a society where its members have different likes, interests, and ideas, including things they disagree on. Despite his stubbornly refusing to embrace things like a softer outlook on life and gentler activities like Thorax was promoting, Pharynx does actually love something; he loves the Hive, he loves the changelings in it, and he'd do anything to protect them. No joke, I ADORE Deer Bug Pony 2.0's design and coloring, the antlers especially tie the whole look together (@PathfinderCS agreed?)!!! Now, Pharynx is clearly a placeholder for ANY group of people (or an individual) who another, opposing group just wishes would go away, the idea being that life would be so much simpler if he/she/they were gone, rather than finding a way to work with them instead. More specifically, however, he is clearly a stand-in for a conservative individual; I do not say this, even as a moderate conservative myself, because of some victim complex or anything. Pharynx had his own issues to work out, certainly, especially in figuring out how he could still appreciate a place he very much still loved when it didn't look anything like he wanted it to and he felt he had no true place in it. But nonetheless, I have to very much commend DHX for making him so sympathetic in this instance, because while Pharynx was certainly acting like a jerk, the show was far more critical, it seemed, of the idea of kicking him out. The "progressive" changelings, if you will, for the most part thought the best solution would simply be kicking him out of the Hive, rather than finding a way to live with him and incorporate him into it, even if it was harder. The only reason Thorax even stood up for Pharynx wasn't because he was his brother, but because Pharynx showed him when they were younger that he did have his own ways of caring for others, even if he still had a gruff exterior. But it took Starlight and Trixie forcing a confrontation with the maulwurf to show the whole Hive how Pharynx still belonged; Thorax's initial plan to lure the maulwurf away from the Hive may have worked, but it might not have been a permanent solution. Pharynx, on the other hand, was the only changeling acting like he had any gonads left; now it makes sense that the changelings, now having to share love with one another, would initially try to avoid as much aggression as they could, but still, they clearly went too far and in their earnest embracing of their new lives, forgot that sometimes protecting yourselves requires force, not just peaceful solutions. Pharynx was far more a protector than an aggressor at his heart, even if he overcompensated for his new role as outsider in the Hive by putting on far too aggressive of an exterior. Some bronies have also pointed out that Pharynx isn't even just a stand-in for a lone conservative voice who feels like the world he has always known has, all too quickly, left him far behind, but also a stand in for military veterans. This is a very curious but accurate point, I believe. Pharynx, like many military veterans, feels that his efforts to protect the Hive are misunderstood and unappreciated by a soft public that doesn't understand why he has to do what he does. With how gentle the changelings have become by this point, he's clearly at a point in life where not only does his role in the Hive feel muddled, confused, ambiguous and uncertain, but downright pointless and thankless. This is probably at the core of most of his aggression, aside of course from his background as a servant of Chrysalis. He clearly needs to change and find a new place in this new changeling society, but he doesn't need to change as much as most of the changelings think he does. He can still have his gruff exterior and tough as nails persona, he just has to be willing to accept that the other changelings aren't like that now while still finding a way to work with them. In turn, the other changelings need to accept that Pharynx is the way he is to their benefit, that it's OK if he isn't as gentle or loving as the rest of them, that he can still love the Hive just like they do in his own way and even help them be better at protecting it too. At the heart of this episode is the complex message that difference is not a dirty word, even if that which is different from you may, on the surface, be a pain in the ass. When dealing with something or someone like that, you have one of two things you can do. You can either take the easy route with someone like that and just have nothing to do with them, ignore them, even cast them out from your life and society as much as you can; this is even easier if everyone else you know wants to do the same. But just because it's the easiest route doesn't mean it's the best route. In doing so, you keep both yourself and the person or group you loathe so much from discovering what you may have in common, that you both are, when you get down to it, both perfectly decent for the most part even if you look at things very differently, and that you both have valuable things to contribute to your society and each other, and can even make each other better when you find ways to work with and cooperate with one another. Taking the hard route and finding a way to do just that, live with, love, and appreciate someone who lives their life and views things completely differently than you do may be much more difficult, but it is also far more rewarding to you, the 'other' and society as a whole. I've made many friends myself, both in real life and on the forums, who have VERY different world views than I do, and while I may not share all of the same views with them, I know that deep down they're still good people who I am more than happy to know and be friends with, and that when we're friends with each other, we're both better for it. Pharynx AND the Hive both go through this transformation by the end of the episode, understanding that they both need each other and still love and appreciate each other, even if they don't always get each other. Not always getting someone else is OK as long as you don't let it blind you to whether or not they are a good person. This subtle and complex message is why I highly appreciate what this episode did, and why it is yet again another amazing addition to an already amazing season of MLP. Don't think there's really much else I can cover, so that's all I've got for ya today everypony! Until next time everypony, this is Batbrony signing off. I'm off!!! *cue dramatic exit*
  13. Anonymous Old User Who Has Left

    Pony wearing a hijab?

    So I've been thinking lately about how MLP reaches out to a very wide audience (Indonesia and Malaysia made up the bulk of Hasbro's net revenue in the last two years from the MLP franchise), and wondered: If a pony wore a hijab (headscarf) on the show, either as a main character for an episode or just a background character (like Derpy), how would the fandom and the world react? Would they be fine with such a cultural or religious reference? We've already seen two characters from Saddle Arabia, and both wore traditional Arab bedouin apparel. In Saudi Arabia and throughout desert countries, many women wear the hijab along with their traditional garments, so it makes somewhat sense. Besides, we've been promised more locations and adventure for seasons 7 and 8. No mean or racism comments please, my finger's hovering over the "report user" button you know...
  14. Note: Credit goes to @ChB, @King Clark, @AlexanderThrond, @Jeric, WaterPulse, and Razgriz for this review. FIM (and by extension, bronydom) is close to seven years old. Over the years, the characters grew into lovable role models and inspirations. Each has their own reasons for watching, loving, and sticking with the show. Through thick and thin, FIM's overcome turbulent times, yet succeeded. How long it'll last is to be determined. By extension, the brony fandom grew, underwent a whole bunch of drama, and grew some more. While Slice of Life was a love letter to the fanbase, Fame and Misfortune takes their own frustrations and responds in a really lazy, broken way. It's the Rainbow Falls of Season 7. Strengths: Glimhorse = Awesomehorse! All season, Starlight's been the best-written Mane character. In every episode she's been in, her roles make sense. She continues to grow into her own and is more and more one of the Mane cast. Even when the episode isn't as good as it should be, she's usually the best part. This episode is her best post-reformed appearance. Everything about her role fits perfectly. While the RM6 wrote in the journal, she was absent and had no knowledge about it. So the journal is new to her, and she can look at what's going on with a fresh mind. Simultaneously, she's treated like an actual, genuine part of the gang, not an ancillary member that the writers can plug in when the episode calls for it. Her best moments occur in two places: At the restaurant after Rarity ran away wailing after two patrons denigrated her behind her back. She took Rarity's reaction and what they said about her really hard. The chilling part is her bitter tone as she replied to Twilight: Combine that with her nasty glare, it's perhaps the angriest the audience has seen her. As Twilight went off to Sweet Apple Acres with AJ, she stayed behind. Her mannerisms and worried expressions show how much Rarity means to her and doesn't want her to get hurt. Moments like these implicate to the audience how much she values her as a friend. When I first began writing this review, I read a comment offsite accusing her of acting like a Deus Ex Machina, a criticism that makes no sense at all. If she's like one here, then she wouldn't be established until the climax or resolution and pops open an idea that wasn't established at any point in the series. Starlight was an important secondary character since the opener and had a major impact in all four acts. Just before she temporarily departed in Act 3, she told the ReMane 6 (and by extension, us) that she'll be back with something important. Coconut Cream & Toola Roola. These two fillies, based on their G3/G3.5 depictions under the same names, are good characters. What makes them strong is, yes, they argue petulantly, but they argue like children. When Twilight stops them, she shows them an important moral to learn from and decide to try. Even with the little screentime, they grow in each successive appearance. Whether they'll appear or not anytime soon I don't know. Personally, I hope they do. This may depend on the VAs (who are kids) themselves. Strong melody. The melody for We're a Work in Progress is really good. It's positive, uplifting, and inspirational. All the qualities that help hone the welcoming backdrop and make FIM's world so endearing. Weaknesses: Handwaved continuity. There are at least four continuity errors, two of them major. Like my RF review, instead of a brief summary, here's a fuller list: They learned that lesson from Return of Harmony. The season 2 premiere. The journal didn't debut until season four. Unless they stated to add them in later (which they didn't directly), it should be only S4 lessons, not a mesh of all four together. The fact that everyone suddenly wanted to know about what they learned. Once they published it, they became popular and unpopular. Why does this not make sense from a continuity perspective? Ever since they defeated Nightmare Moon, Ponyville and Canterlot revered them as celebrities. Sure, other episodes within the earlier seasons had this type of occurrence before, ala 'Shy from Green Isn't Your Color. But Green is from season one, when the characters and world still grew. At the time, it was mostly Canterlot, Ponyville, and the Everfree Forest, So the writers could get away with that. Nowadays, the Forest has no more plot utilization, and the world has expanded beyond not just Ponyville and Canterlot, but Equestria altogether. In RoH, Celestia rewarded their victory with a celebration and stained-glass window. They saved The Crystal Empire from Sombra. Twilight became a princess. After defeating Tirek and saving all of Equestria, they and Spike became responsible for spreading the Magic of Friendship across the world. You get the point. If this was a early-season episode (seasons one through two), then their sudden popularity would be believable. This is season seven. They're international celebrities. If they were interested in the journal and lessons, they would've done so long ago. Particularly the ponies from Ponyville. More about this later. The CMCs' sudden popularity makes no sense, either. They dipped into popularity contests twice (Confidential, Twilight Time). In Flight to the Finish, they were awarded the spot representing Ponyville for the opening ceremony. After Lost Mark, they became permanent celebrities and are sought for advice whenever they wonder where to either find their Mark or reconnect with it. Hell, they remark about their history of success during Forever Filly: So, why would they suddenly become really popular again now? And why would they conveniently skip over Twilight Time's lesson, which SB wrote in that same journal? In the Equestrian world, Daring Do is nothing but a figment of A.K. Yearling's and the Daring fandom's imagination. The RM6 know she's real, yet they respect Daring's/A.K.'s boundaries. She wants nothing but to be remembered as a quality children's storybook series. The entire Daring Do con is commemorated specifically for Daring the character, her world, and overall cast. The ending of both Don't and Stranger imply they (both the ReMane Six and Quibble) keep her identity and privacy a secret. But the RM6 out her in their journal. Not one of the seven, especially Dash nor Twilight, pause for one second to reconsider the consequences of unsolicitedly revealing Daring's secret identity — how big it'll be in the Daring fandom after reading something that should never have been revealed. They just go, "Screw common sense!! We'll publish it, anyway!" The continuity error's even worse when Dash directly references Don't after SG magically published several clean, refurbished copies. Dialogue, you disappoint me. A good chunk of the story's believability lowers considerably when the dialogue is often forced, and that's what happens here. Even though the RM7 and CMCs act in character and the two new fillies are portrayed like kids, sometimes the lines are mechanical, turning fully-dimensional and relatable characters into robots. It happened in many episodes prior, including Rainbow Falls, Trade Ya, Newbie Dash, and Buckball Season. Same thing here. Starlight, Toola, and Coconut spoke the most natural here. The most annoying points come after they remind the audience of the lessons they learned and, in particular, after Rarity ran off: Thanks, Twilight, for reminding us everything we all just saw seconds before. And loud enough so the snobby couple a few feet away could hear (yet didn't react due to plot contrivance). It gets worse when the ponies exposit, and there's a lot of it here. What's the golden principle in entertainment? Show, don't tell. In "children's" entertainment, even more crucial. By expositing so much, much of the seriousness and humor are sucked out, leaving behind an arid story. The tone will be mentioned later. But a repeated flaw in this show (and episode in general) isn't: A Whole Cruel World. The entire setting is really, really cruel. One or two days ago, the Mane Eight were among Equestria's biggest celebrities. Once they published the journals, they became pariahs. A group of leaders that (in the townsfolk's POV) deserve nothing except abuse. Wherever the script went, the RM6 felt miserable. And the more Twilight witnessed their pain, the more and more pain she felt, too. And how did all of Ponyville (or Canterlot) react? Selfishly. Rarity (the diner): Two background ponies talked shit behind her back. Neither of them clearly understand anything what the journals were supposed to say and went off on nothing except baseless assumptions. After she ran away, they feel oh so proud of themselves and pretend like it's no big deal. Not even Starlight's scolding through their thick heads worked. It's really unclear what they're supposed to portray. Is it supposed to be a jab at people for criticizing the writing within the episodes, missing the point in an episode, or hating Rarity's character? Any of the above, all, or none? Whatever the case is, it fails for five reasons. The lack of clarity already explained. The "stuck-up rich bitch" stereotype is enforced. Rarity underwent major trials that completely transformed her as a character. We as an audience saw that ride…but all they read is the result. To echo @Jeric in a chat with me, both RTM and Simple Ways showed her at really low lows. When all they read is how shitty you behaved, then they may have an awful impression of you regardless of outcome. Daisy, a well-known background pony from season one with a sweet (yet overly-dramatic) personality, bashed Rarity. For her to act like a snob is very out of character of her! The newspaper. Observe the 1.5/5 score in the shot linked above. The pony who read it really disliked it, and the couple's dissing only piled everything on. That one shot further muddles the point. Pinkie: It's one thing if they're tourists meeting Pinkie for the first time and wanting to get acquainted with her. All five — Carrot Top, Cherry Berry, Sassaflash, Berry Punch, and Coco Crusoe — are long-established background ponies dating back to season one. We've seen them help each other out so everyone's lives improve. They were seen at one point or another during The Smile Song; all but Coco and Sassaflash not only have very dedicated fanbases, but also actively followed, smiled, sang, and danced with her. Pinkie's presence was more than enough to make them all happy. Glad you said this, Pinkie, 'cause that doesn't make this scene okay! In fact, it makes it worse. Them knowing her for years and suddenly laugh AT her like complete jackasses does nothing but implicate that their happiness before and after Pinkie brightened their days is a façade. In fact, hold that quote. Dash: Bratty pegasi continue to pressure Dash and refuse to leave her alone. It's one thing if they truly were eager to hear more about her stories and adventures. It's another to rip out Twilight's lessons gleefully, pretend Twilight isn't even there, and act all smug about it. Dash wasn't happy with how poorly they treated her friend, but was forced to put up with it, since her "fanclub" is too stubborn to listen. Fluttershy: Several big problems: Like every other pony before them, all four adults are assholes. Or to be accurate, worse than just assholes. They're abusive, gang up on Fluttershy, and then put up a shoddy, lazy excuse just to be awful people. "Entitled to know"? "Why can't I be in the book"?! ARE YOU FUCKING SERIOUS?! There's NO excuse to gang up on her, period! One of the ponies here is Lemon Chiffon, who debuted in Mare Do Well. Previously, she had two hearts as her cutie mark. Here, a half-full glass of water mark along with a snooty, "masculine-sounding" voice. She resembles a lot like Lily Peet, a MTF brony "pundit" with a history of bashing bronies. I don't know or care if she laughed from that or not. If it's intentional, that's a line you never cross. Why? When you parody specific fans, it comes off as tacky at best and self-indulgent at worst. It tells the audience you have a very hostile opinion on not only specific members of your audience, but also the people you're trying to reach out to. Personally, if I'm parodied like this, I'd be really offended, because I'm treated like a caricature rather than a real person. If it's unintentional, then while the line ain't crossed, her attitude, voice, and mark are supposed to mock the "entitled fan" stereotype when FS stands up to them, three qualities Chiffon can't control. Sometimes intent doesn't equate result, yet the possible transphobic implications remain. This "gang" resembles PYHD's market scene, one of the worst of the series. Unlike the former, all of them debuted previously. These four characters and their so-called "personalities" are designed for this episode only. Good chance some or all of them will either never make an important appearance again or (hopefully) change to a more likeable personality. @AlexanderThrond brought up a great point in his review, and I'll expand on that. Fluttershy is used as a vessel to respond to the "criticism" (read: abuse in the episode's context) of their struggle to develop her, completely contradicting their intentions several seasons ago. From Luna Eclipsed until right around Rainbow Falls, her character stagnated, and her shyness was often reduced to comic relief. It looks even worse following an episode where she learns a very valuable lesson. When you flanderize a character like her after she underwent significant development in season one, you reduce her from three-dimensional to one-dimensional. Any long-time brony understands how this valid criticism of her didn't come out of thin air. During season four, DHX attempted to write better stories surrounding her, even when they aren't quite up to snuff: Bats!, Breezies, and Filli Vanilli. The following season, that criticism blossomed, and the flanderized Fluttershy has been absent ever since. The one episode showing Scaredyshy in S5 wasn't written as a daft joke: It expands a pointless scene from LE and explains why she hated Nightmare Night so much: She hates being pranked, and NMN without the pranks isn't fun. Without reading the valid criticisms, understanding them, and putting forth solid effort to fix this flaw, the Fluttershy we see today won't exist. Season five was great for her. Seasons six and seven are her best to date. It conveniently ignores It Ain't Easy Being Breezies. She had to assert herself through a very difficult action that she hated to make: kick out the breezies so they can continue their journey home. In her journal entry, she marks down how she had to learn that tough message. It's her very last journal entry that we witnessed, and it'd make sense if it were her last one in the journal, too. Not one time is it referenced, and it's ignored in order to continue using that journal as a forced plot device to dissuade. To handwave one of the most important episodes and subsequent lessons in her entire saga just to drive a point home makes the meta reference and payoff very deceitful. Rarity (boutique): The context behind the jump scare pile onto the torture. But why would Lemon Hearts (one of Twilight's friends from Canterlot) even be a part of the anti-Rarity hate mob in the first place? She'd know how much Rarity (and the rest of her friends back in Ponyville) mean to her, and she'd respect that. If she got upset, chances are she'd write or talk to Twilight. Applejack: No, they didn't bash her, pretend she didn't exist, laugh at her, or gang up on her. These are huge AJ fans. They're still assholes. Every single one of them show up at Sweet Apple Acres unannounced, immediately declare themselves to be part of her family without any consent, and force them to accommodate them, whether they like it or not. Big Mac, AJ, AB, and Granny not only moped as they slaved away for trespassers, but were actively distressed. Obviously, they want nothing to do with them, yet can't do anything about it since they're so outnumbered by this mob. All of them are terrible, but since she's my favorite character, the FS scene is my least-favorite. Oh, and Twilight? She's her own section. "Comedy." What this show does well often is the comedy. The jokes, timing, and corresponding tone can really make an episode funny. But when the jokes make no sense, forget it. The jokes suck for varying reasons, ranging from missing the point to the story's tone to hypocrisy of the meta "humor." The biggest offenses are the following (in airing order): Fluttershy writing her journal entry minuscule and nervously using the excuse of leaving room for others. This joke is very vague. Is it to reference her Timidshy past, or something? The mashed, rotten apple used to indicate AJ's lesson. Why the hell would she even smash an apple in there to begin with? She may not be the tidiest pony, but c'mon, man. Lemon Chiffon's voice and attitude so the audience can laugh at the "entitled fan" stereotype from all four who brigaded FS. This jump scare: By far the worst joke in the episode and second-worst grossout face of the season to this: If it's a jump scare, it's supposed to be a surprise. Rarity has a history of exaggerated faces, and both Twilight's and Starlight's distress/grimaces clue the audience that they'll hate what they'll see from her. Credit to @ChB for pointing this out. It takes up a good amount of the frame, and is drawn in exaggerated detail. The slowly-dripping mascara and level of intricacy for her mouth are no accident. It's done to be disgusting. The context surrounding it. The couple bashing her behind her back, reading the bad review in the newspaper as they dissed her, and Canterlot boycotting her in front of her boutique took a toll. Of the six who were tortured, Rarity had it the most devastated reaction. The entire scene with AJ is supposed to be a meta reference to her lack of popularity in the fandom and how little she appears in merch compared to the others. Unfortunately, what's supposed to be a gold mine for excellent meta jokes (including parodying the short end of the stick she received by the showrunners since Mane Attraction) is turned into a major missed opportunity. Just about every character who invaded SAA is established as far back as S1, including Cherry Berry (again) and Dinky Doo. This scene reinforces one of the episode's fatal flaws: the sudden treatment of the RM6 as celebrities. Context is key. If this was the first or early joke in order and rewritten a bit to make it seem like it's tens and eventually hundreds of happy tourists from abroad flocking in line at the entrance to meet her, then it's possible to make it work. Instead, every pony other than a specific few leading up to this scene live in town and trespass because of plot convenience. These ponies reinforce that context. AJ's statement of not liking the newfound popularity understates the chaos from SAA and their insufferable behavior. That line (and who it represents) is an imbecilic straw man. People complained about Twilight in season 4, because her characterization was boring, and rising her into princesshood put her on a much higher pedestal compared to the rest. Turning her into a princess means she takes part in ruling the kingdom and making sure none of her actions hurt Equestria. The Twilight of old appeared in Castle Mane-ia, yet what made her so lovable and her status played hooky until Twilight Time. Later episodes, Twilight's castle forming a round table (thus equalizing the Mane Six and Spike), and season five since rectified that, and the criticism has since dwindled considerably. So, how many jokes were successful? Two. Pinkie's party favors popping out of the journal once Dash opened her journal page. Twilight's face becoming flat as a pancake after AJ accidentally smashed her into the wall. Her exaggerated scowl and glare made it funny. Best joke of F&M. *closes "Twilight"* Even though this is an ensemble episode, Twilight receives the most focus. Each time she witnesses a caricature of fans attack/stalk her friends or is completely ignored herself, Twilight's confidence gets beaten down more and more. Like the others, she's tortured by the townsponies just to create a payoff (whether it's the punchline to a joke or otherwise), but the torture pornography helps ruin it, among other things. "Among other things" being the littler details. Recall how I called the dialogue a flaw: There's more to this problem generally. On two specific instances, the dialogue helped ruin the story. Here, Twilight both affirms and doubles down on an absolute viewpoint of what the journal and results should be: If you don't take the friendship lessons to heart, you're not to be listened to, even if you enjoy it. There's no homogenous way to enjoy a product. If there are ponies out there who enjoy the journal, but isn't fully invested in absorbing the lesson, so what? There's no one right way to enjoy it. I'll return to this point soon. … … … Where do I even start with this shit? F&M is FIM's third meta episode of the series. Only this time, the characters are portrayed as the showrunners' avatar, and those who are abusing the ReMane Seven represent the fans they're retorting. It's self-referential and doesn't hide it. When we as an audience criticize the Mane Eight, we don't usually do so because we hate the characters or expect the worst. We criticize because we know that this show is very good and has done great, yet can do better. As an audience, we relate to them in some way or another. It can be a mane pony, secondary, or background. Everyone has a preference of who they like and dislike. Nobody looks at a character exactly the same way. Guess what? That's okay. At the end of the day, we still love the characters as a whole and appreciate the show and staff for what they do. This "parody" is completely inaccurate in message, conflict, and theme. This exchange is the worst dialogue in the entire episode and causes the whole conflict to fall apart. They're characters, not real people. They exist only on screen, on paper, or within our own imaginations. It's the creators' job to flesh them out and make that character become high-quality and memorable. Neither the avatars nor antagonists are real. But in the universe, the characters ARE real and conquer major trials. Each time they wrote in the journal, they changed for the better, even after the episode sometimes doesn't work. Fluttershy after Breezies, Dash in Equestria Games following Rainbow Falls, Rarity after Simple Ways, etc. In canon, the characters aren't dictated by a writer's pencil or keyboard, because there, they don't exist. On the other hand, the antagonists see the autobiographical lessons as fiction and those who wrote them as fictional characters. Neither the antagonists nor protagonists are on equal conflict ground. The ponies questioning, bashing, stalking, and abusing the RM6 are treating them not as real people, but as either characters that we as readers want to replicate on paper and recreate or property that we can recycle. How the hell can the reporter — probably the one who released the 1.5/5-star rating, though that's just a guess — honestly believe the RM6 are fictional characters when he's talking to them directly? Once more, why do ponies from within their inner circles suddenly begin to see them as celebrities when they've known them for so long, anyway? This small exchange does nothing except tell the audience that all of these "antagonists" are straw men. Characters written to be proven wrong in order for the main characters to have the upper hand. What makes them so bad is that you're taking what could be valid points and eliminating them so the protagonists have the upper hand in everything they do. You're making what should be a complex conflict completely one-sided, thus telling parents that the episode — and show, if they watch it for the first time — is trying to emotionally manipulate children into viewing the plot through a black-and-white mentality. F&M uses real talking points from within the fandom, checks them off, and morphs them into abusive caricatures of fans rather than taking the good, bad, and recreating them into what fans as a whole truly are — people. In layman's terms, what could be a good lesson is morphed into a bad one. Straw characters helped ruin the Fluttershy Micro, Root of the Problem, Spice Up Your Life, AND here. NEVER use straw men to teach a lesson! Good melody, poor lyrics. While the musical melody for Work in Progress is good, the lyrics make the song the worst of the season. (Yes, worse than the duel between Big Mac and Stereo Pop.) The song (and by extension, the "we're not flawless" moral) is a loaded statement. Everyone knows the characters are flawed and how important the combination of both strengths and weaknesses makes the characters appealing, relatable, and memorable. Sometimes, the characters make really terrible mistakes, but what makes them work or not is whether these mistakes make sense or not. Sometimes the showrunners make sloppy, careless, or lazy mistakes, and people criticize the execution of the characters and story, because they love the show and know the writers can do much better, hope they learn from their mistakes, and hope these mistakes don't happen again. The "It's flawed" excuse is as stupid as "It's a kids' show." Flawed characters don't make up for poor characterization, worldbuilding, or writing overall. When you're a moral-driven cartoon with huge focus on likeable characters like this one, your reasons for characters (especially ones designed to be role models to children) to act like jerks must make sense. "In character" and "flawed" don't justify bad behavior. Think through your implications! Time and time again, the show has a history of not thinking through the unfortunate implications. Sometimes they're small and don't affect the story so drastically. Other times, they completely affect the entire story and moral. See DQ, Mare Do Well, OBA, and Hard to Say Anything. Here, the implications (in story and out, small and big) are abundant. The RM6 out Daring Do as real, invading her privacy. Pinkie's laughed at by ponies who's known her since at least season one, implying that their appreciation for her and friendships together are lies. The implications surrounding Lemon Chiffon. The fact that ponies from Canterlot and Ponyville suddenly become enamored at the idea of the RM6 publishing the journals. I wrote it earlier, and I repeat it. Place this episode in season one, adjust the story to remove the implications, and write better jokes, this is passable. Why? Because we still haven't fully acquainted with the Mane Six and Ponyville. But have Ponyville and Canterlot act like they never knew them from the beginning in a season-seven episode? A time when where they're celebrities and help spread the Magic of Friendship abroad? Nonsense! Do they genuinely care about the ReMane Six, or was their appreciation for them prior to F&M a waste of time? This moment, when White Lightning walks away, hurt by Lemon's insults of FS: This is supposed to represent how sometimes very vocal negativity can drive a wedge in discussion and may make people fear to express themselves. It becomes even worse when the person is brigaded by many like-minded negative people, creating a very toxic atmosphere. Toxicity goes both ways. "Toxic positivity" is as true as "toxic negativity." As far as the scene itself's concerned, the characters' fans and haters both attempted to trespass on Twilight's property, and it's assumed WL's part of that crowd. It's very difficult for me to pity her when she behaves as poorly as everyone else. The moral is really clunky. It's supposed to be about how despite a whole bunch of people trashing the work, as long as some enjoy it, the effort's worth it. But there's a difference in what you're trying to say and what you're saying. After the song and friendship speech, both sides resumed their bickering and feuding. The lesson paints all of the abuse as merely an obstacle of their next friendship quest. However, this isn't merely an obstacle. These fan clubs and haters are willingly or accidentally ruining their livelihoods. Rarity's boutiques remain boycotted; AJ still can't figure out how to eject her freeloading fanclub; Dash will still be nagged by brats in the sky; haters will still stalk and verbally abuse Fluttershy; and old friends will continue to treat Pinkie like an automatic laugh track. Only Twilight can deal with her problems post-credits. What happened here is not okay and shouldn't be handwaved for the sake of a cheap gag. Coconut Cream and Toola Roola are (apparently) a metaphor of the show's assumed primary demographic: young girls. Because of how self-referential Fame is, how those two fillies are the only ones not the ReMane Seven who are sympathetic, and how they're the only ones who actually the lessons to heart, it sends an unintended message that little girls who take the morals to heart are the only people who matter. What makes this toxic? Let's go back to Twilight's quote from before: Parallel this to the brony fandom and FIM. Would anyone want to take the lessons to heart if they're not entertained first and foremost? FIM's educational entertainment, the emphasis intentional. Everyone wants to be entertained when watching the show. But answering the question as this is a generalization. Critically think why you like the show. Why are you entertained when watching it? What entertains you about it? For some, it's easy, not so much for others. Bronydom is a fanbase of millions. Like human fingerprints, each reason why each brony — yes, little boys and girls count as bronies, too — watch the show and what they value most in the show is very individual. Could be the stories they tell for one, the colorful cast another. One may like the Mane Eight equally, some more than others, or have a dislike of at least one of them completely to the point where they can't stand 'em. For others, could be varying degrees of heart, humor, storytelling, and so forth. For another, how both kids and adults alike can watch it without shame. Hell, the morals of friendship they teach may be the primary reason a few watch it. How much they personally emphasize depends on their preference. Earlier this season, A Flurry of Emotions hinted this moral in the background; whether it's intentional or not doesn't matter. Spearhead creates abstract pieces of art with intent of witnessing other ponies' reactions and emotional experiences once they see them. He understands how each one reminds Cadance and SA of Flurry Heart and dearly missing her and that someone else will react really differently. He's explicitly open with this fact. No one watches the show the same way, either. To echo, Twilight and the entire premise affirm that if the ponies don't learn the friendship lessons and grow from them, then whether you like the journal or not, you're not worthy of being listened to. The moral in itself implicates this by using two fillies as tokens. Combine that thought to bronydom, and it implicates that you're only a fan if you take the friendship lessons and morals to heart; if you don't, you don't qualify for a fan. I doubt that's supposed to be that way. But from how the story's themes were presented and what the characters believed, it makes sense why many take it that way. Because that ideal, accidental or vice-versa, is dishonest in every facet. Some may love aspects of the journal, some may hate it. Others may have equal or less sharp reactions. You can control the content you put in, but not how they feel when they view it. How you, the ones who publish it, respond to it is up to you. Likewise, to repeat from before, no one will react to any FIM episode, comic, short, or EQG film/special the same. No professional material (episode, movie, comic, short, etc.) is free from questioning. Do they miss the point sometimes? Absolutely. All of us have done that, myself including. But when the characters behave out of character, you paint an uplifting and likeable world as cynical and mean-spirited for the sake of the story, and/or teach dishonest and hurtful messages, then criticizing and bashing the story's integrity is fair game. For that matter, and this is a message to everyone reading this review, people regardless of age are entitled to like and love the show how they see fit. People are entitled to dislike and even hate episodes. People are entitled to criticize episodes if they suck. People are entitled to take NO lessons to heart! Does any of this make them lesser of a fan than others? If your answer is yes, exit the page now. Aside from the mane characters, CMCs, and the other two fillies, everyone is a quarter-dimensional, abusive caricature of specific groups of fans. Each set Twilight encounters includes the entitled fan, collector, hate mob, brat, and freeloader. Swap lines within their groups, and their personalities are exactly the same regardless of who's speaking. There's no redeeming quality in anyone here. But what makes this really sad? a. Both kids and adults combined represent these stereotypes, including ALL adult fans. The fact that all of them are false representations of who fans are regardless of age talks down to not only adults who watch the show, but also little kids. The episode paints a broad brush on every antagonist by turning them all into one-note bullies. Every adult (both the lovers and haters) acting so petulant hurts the episode's themes, messages, and reinforces awful geek-centric stereotypes. On their own, the stereotypes are bad enough; it's even worse when using them to try to teach a moral to children. b. F&M doesn't isolate the criticism from the abuse and reacts very defensively to valid (and dated) talking points. Fans (including big Fluttershy fans, like myself) criticized her, because we know they can write her better. (We're seeing this now with AJ and her flanderization.) Ironically, the past three seasons are among her best of the series, thanks to the criticism. Even though he wasn't in the episode, Spike wouldn't have his best season last year had the fanbase not hammer them for their poor treatment of him for so long. c. As written before, these caricatures are straw men. d. Recall the quote: It applies to everyone, not only Pinkie. Most of the characters have been present since the pilot, a large chunk (i.e, Lyra, Bon Bon, Daisy, Lemon Hearts, Twinkleshine, Rose, Amethyst Star) with canonical characterizations prior. The background characters became beloved from their antics, spawning ideas, theories, and other creative forms of imagination. When characters do something with the mane characters, like help, sing, or dance, they tell us how much these ponies care for one another. Slice of Life works in so many ways, one of which is how much they care for each other and see others as part of Ponyville's soul. They actively helped Matilda and Cranky prepare an impromptu wedding and fussed little. The moral and animation presentation make it feel like they accomplished something. So, what do they accomplish here? Becoming ungrateful bastards. That's not what the show stands for. It's so out of character of the show's welcoming atmosphere and progressive morale. Rebuttals to some/common/eventual defenses for this episode. When all we see is everyone from Ponyville or Canterlot behave like assholes, you're telling us to assume that everyone from both towns behaves like this. The same logic applies to bronydom. When 99% of all the audience sees is badly-behaved fans, you paint an impression that this is not only the norm within the brony fandom, but that almost everyone who's a brony is some kind of "manchild." You're guilting people by association. If you're trying to suggest that it's only a portion, either SHOW a portion or clearly dictate that that these jerkasses, while very loud, don't represent the whole. Don't use real talking points. Consolidate the assholes to a spare few, while making the characters recognize throughout that kids and adults — not just two kids — do care about the journal and their well-being. Two episodes apply your defense much better than Fame: Spike's Search from G1. Stranger Than FF. Yes, Quibble can be an elitist and sometimes a bit of a jerk. But he's also a fan of Daring Do like the rest in the con, and the ep never lets you forget it. Just a fan of the first three books. It's very clear to the audience that he was only one bad apple within that entire con, yet the episode treats him as a genuinely good person who just got caught up. On top of that, he learns his lesson at the end. This entire episode is very laid back in tone, so the writers are able to get away with cartoony shenanigans, the satire, and a bunch of the humor. The Daring Do con is a satire of fandom conventions and their quirky charm. It shows us how dedicated many Do fans are, but the con is written in a way so the audience knows it's in good fun. We as people see ourselves in that con, but its accuracy and good-nature comedy make it funny. We laugh at ourselves by simultaneously laughing with the writers. BTW, thanks to Fame, I respect and appreciate Stranger now. Though I stand by on Quibble being OOC in the second half, I was wrong to call him a stereotype, and I was really unfair towards the episode the entire time. Self-deprecation comes primarily not at the audience's expense, but at their own. We're not laughing at ourselves, but at the situation the comedians are in. Rodney Dangerfield was amazing at it: He always never took himself seriously, knew that the audience and he were going to have a great time together, and was just an all-around good guy. You know who was great at making the audience laugh at themself? A hint: he just passed away. Don Rickles. He could deliver any type of insult at you. There was no line he couldn't cross. So why was he funny? Again, Rickles never took himself seriously. The lighthearted tone in his routines loosens the atmosphere and makes the audience more receptive to the jokes. Rickles knew how to insult you without getting personal. He put in the effort to make you laugh through his performance. If they laughed, then he succeeded. He roasted everyone and made them laugh so hard that they couldn't breathe. Despite his act on stage, he was an excellent person behind the scenes. The stories people tell about him show how good he was as a person. When he has that good of a reputation, the audience knows his insult routine is all in good fun. Some of his best roasts were to people he respected or were close friends with, like Sinatra and Reagan. In short, guilt-trip someone who's insulted to laugh at themself, the joke is neither good nor funny. It failed. To double-down and accuse them of being part of the problem is hypocritical. Like "SJW," "fanbrat," "fanboy/girl," and "alt-left," this pejorative jumped the shark. In fact, I hated it ever since I heard it. Why? Because it mocks people just for being able to feel. You're directly trolling people for sharing an emotional response. You mandate that people should act like robots or live in some kind of hive mind. Humanity doesn't work that way. Diversity helps shape up our world. You can't control people's emotions. Ironically, calling people "snowflakes" or "sensitive" is hypocritical, too, 'cause you're emotionally reacting to their emotion. "But why do you love Cutie Map, when it's one of the most cynical settings of the show?" Glad you asked, my imaginary questionnaire. This setting is completely confined into that town only, and both its presentation and Mane Six's reactions make it clear that what they see around them is not normal. Everyone's happiness is completely controlled. Starlight continually brainwashes Our Town's inhabitants into sticking to her ways, or else. Starlight was a ruthless, calculated control freak. Not to mention she was the villain. Something folks like her should do. If she wasn't so evil, then it won't make any sense. It was also very well written. DHX very carefully planned everything about that episode from beginning to end, and the Mane Six figured out how to solve a life-threatening friendship problem very cleverly. In short, TCM's about celebrating diversity and free will, not the opposite. It's cynicism done right. Congratulations for answering your own question. There's no place to treat real people and groups of real people like stereotypes in any show, especially one with intent to educate to children. The fact that we teach kids that (ageist) stereotypes are A-OK in entertainment makes me take it very seriously. This show is way better than this pandering schlock. The better the show, the more it respects kids. And, yes, kids DO care about lore/worldbuilding. If they don't, then why is magical thinking so important in children's development, and why do psychologists and high-quality children's educational shows (i.e., Arthur, Mister Rogers', Sesame Street, Shining Time Station, Magic School Bus, Dragon Tales) value it so much? In a June 2017 interview from The Hollywood Reporter, Hasbro CEO Brian Goldner admitted that boys make up 30% of FIM's TV audience, and they no longer allegedly aim toys to a specific gender. Observe the recent trend of FIM being marketed to boys AND girls over the past year-plus. With Let Toys Be Toys campaigning for the desegregation of toys, Audi's Spanish branch publishing a car commercial satirizing gender roles, and companies like Target, Toys R Us, and TJ Maxx (for clothes) de-sexing aisles, this trend is only (hopefully) continuing. Focus that back to MLP. Zacherle founded the franchise as a unisex toyline, and MLP & Friends was for all ages regardless of gender. Faust and crew published FIM as an all-ages, gender-neutral show, too, and it's been that way since. The family-friendly approach and refusal to apply gender and age barriers onto their stories and world are two background reasons why the fandom became so enormous and boisterous. The point? "It's for kids" is a stupid excuse. Being for children shouldn't affect the quality of your product. To use it regardless of circumstance talks down to kids and treats them like idiots. Apply this to "it's for little girls," as well. Labeling FIM as for (little) girls shoves gender roles upon our children, segregates genders into categories, applies different standards of quality to girls when it should be universal, and treats girls as tokens to excuse misogyny and misandry. Being a "good girls' show" shouldn't matter. Be a good show, period. It's odd how no one has come forward to claim credit for the aired product. Larson repeatedly disassociated himself from this episode, both in ToonKritic's podcast and on Twitter. Big Jim was unaware, too: I don't know what happened behind the scenes, but given the visual and audio evidence, the theory of it being a lighthearted poke either originally or after submission to Hasbro deserves the benefit of the doubt. However, for the aired product, it's ridiculous to claim it's lighthearted when Ponyville and Canterlot treat them like crap and the characters become emotionally distressed and scared as a result. Unlike Best Night Ever, Slice of Life, and Stranger, the meta conflict and character reactions are supposed to be taken seriously. The tone and mood are played straight; both sides treat the matter as a really big deal. Laughing and grimacing at the stereotypes don't a satire make. That's why The Good, The Bad, and The Ponies isn't a parody (despite its intentions), and the same applies here. Razgriz made an excellent point last month when criticizing Fame, and I echo my reply on Discord to here with changes: You can't have a show without an audience. People watch and follow the show out of interest, admiration, and so on. They don't watch to get called out. It's a bad move to taunt any portion of the fanbase, because it can come across as an attack on the people you're not attacking. "Lighthearted fun" or "a portion" makes no difference. If you're going to respond to any group of fans, you BETTER know what you're doing. Rickles knew what he was doing when roasting people. Whoever ghostwrote this script didn't. If you have that thought, erase it. There's no excuse for anyone to abuse the showrunners, and I never condone it. I'm on record of being against it, sometimes replying to users angrily when they do. No matter how angry we get at episodes from time to time, these showrunners, animators, and editors are people. They earn as much respect as everyone else here. The criticism, even the harsh ones, are aimed at the product. If I criticize the company or showrunners, it's for their lack of effort if applicable because I know they do better, releasing something with stereotypes or harmful morals (since kids are impressionable), or their behavior if they cross a line (which I've done to no one but IDW's Ted Anderson for his sexism). But I don't get personal; that's a no-no under any circumstance. At the end of the day, DHX is an entity full of people like you and I. That "argument" is the most obvious self-fulfilling prophecy I've heard within fandom in quite some time. One thing the show does very well is it creates and enforces a very uplifting, inviting atmosphere. The pastel colors, likeable mane characters, likeable background ponies, idealistic solutions to friendship, and proactive approach to solving friendship problems tell the audience this isn't supposed to be that type of world where "realistic" doesn't translate into stereotypical cynicism. This was one of the themes when the show started, and it's shown by how Ponyville and Pinkie actively welcomed Twilight in the Golden Oak Library. Sometimes even when the episodes don't do as well, it stays true to its tone. Think about this. When were the episodes at their best? When it shoots up. Hurricane FS, Winter Wrap Up, Perfect Pear, Lost Frickin' Mark! Even when it doesn't do as well as it should, like A Friend in Deed, it still capitalizes on that welcoming, confident setting. OTOH, what are some of the biggest flaws in Mare Do Well, PYHD, Ponyville Confidential, Bats!, Filli Vanilli, 28PL, Newbie Dash, and Owl's Well? The mean-spirited tone. Everything about it is not only completely cynical, but also done in a way that completely beats down on the mane character and makes it act like the entire world is out to get them. When the setting dials up the mean-spirited tone, it makes the world they're living in very unpleasant to watch. Do so with an idealistic, uplifting world like FIM's, then it's done for no other reason than to serve the plot. If you're gonna present something mean, make it feel organic. Each time the series turned up this level of contrived cynicism, the quality of the atmosphere and overall story degrades. You're piling on cruelty again and again just because. Fame, to repeat it, has that same flaw. Ironically, it's similar to one of season 2's worst, which Larson wrote and took credit for: (Link to poster.) Replace the gossiping theme and CMCs with fandom and the ReMane Six, respectively, and you get the same episode. Remove the fandom allegories; all you have left is a town deciding to suddenly declare the ReMane Six famous and treat them like dirt just because they can. So, here's a question, and think about it long and hard. If Fame and Misfortune didn't include fandom allegories, would you grin viciously at this episode? Would you act like white supremacists following Trump's election victory and publish the vitriol in the first place? For a good chunk of you, chances are it's gonna be "no." That alone means Fame is a failure. This "bravery" is cowardice and a self-centered desire to air your dirty laundry as well as support the idea that kids should embrace lazy shortcuts of entertainment. Excusing this lowbrow shit is bad enough. To do so through this doesn't make this episode any better. In fact, you only make it worse. One final note. A few self-contained scenes completely contradict continuity…but I held out one more: the whole premise itself. There's no care in backstory, worldbuilding, and contextual logic in any way, shape, or form. Echoing WaterPulse offsite, it feels like the one(s) who ghostwrote it didn't give a damn about the Equestrian world or threw it all away just to drive home a point. If the story doesn't care about the rich, ever-growing world, why should your audience? Conclusion: Wow. Just…wow. Now, to give Fame some credit, it has a lot of potential. The material to create an excellent satire is there. We as a fandom have its strengths and flaws. A good, effective satire can allow the fandom to actually poke fun at itself: acknowledge the problems, yet do it that makes it funny and not anger-inducing. Stranger pulls it off rather effectively, particularly within that con and treatment of Quibble as a nice albeit stubborn guy. And apparently, this was supposed to be lighthearted, too. So, what the hell happened? Where's that traditional love and care for the audience? How did the show (which aired The Perfect Pear one episode prior) manage to publish an episode that was so wrapped up in trying to send a message to its audience that it forgot to write a story, much less a good one? Larson makes it known that plenty of it was ghostwritten during development, and the fact that nobody claimed responsibility for it is troublesome. That doesn't mean DHX doesn't deserve the benefit of the doubt. Far from it. They're a reputable company, and the people within care about their craft and the quality they publish. I feel very sorry for Larson. Even though many of his ideas weren't his, laws require him to be credited for it. This episode as is feels out of character of him. Out of everyone who worked for the show, he's closest to the fandom. He may've screwed up on one satire, but that was due to story oversights, not spite. Additionally, in every episode he writes, he focuses a lot on sticking to the continuity and not contradict it; neither episode that keeps it in mind (this and MMC) were his fault. I originally skipped this one, because I believed it was going to be bad. After watching it the first go around (and then skimmed through a second time), it blew me away. Was it as bad as I thought? No. It's twenty times worse. Fundamentally, it's broken. It doesn't understand what a parody is supposed to be; it tries to parody obnoxious fans, yet the characters play everything so straight that it's treated as a serious plot instead of a satire. Continuity is ignored for the sake of the story, both in sections and throughout. Jokes are rammed in without focus on having them make sense. The premise used the idea that the ReMane Six would finally be recognized as a result of their journal, even though their celebrityhood dates back to the pilot in Ponyville and Canterlot and expanded following MMC. Fanatics are painted with a broad brush by having everyone sans two fillies portrayed as abusive caricatures. Yet, by combining valid criticism with the abuse, reducing existing characters into less-than-flat caricatures and ageist stereotypes of fans, and painting the antagonists as seeing the RM6 as only fictional characters, the antagonists become straw men, damaging the story and morals. The beginning is stupid, and it only worsens with each passing minute. Starlight's appearance, her best since reformation, is wasted here. Fame & Misfortune panders to the lowest common denominator. Lazy, dishonest, and intellectually offensive. This garbage exists as is to check off common talking points within the fandom, whether it makes canonical sense or not. Whoever decided to warp the script into a callous attitude should be ashamed of themself. It overtakes 28 Pranks Later as the most mean-spirited take of Equestria in the entire show and is fundamentally worse than Rainbow Falls and EQG1. Unlike Fame, those two tried to tell a story. Add the unfortunate implications (the ageism, enforcement of tired geek-based stereotypes, and treatment of Coconut and Toola as tokens), it's even worse. It's both my most hated and (so far) worst episode of season seven. At the start of the review, my bottom-13 was like this: One Bad Apple Bridle Gossip Newbie Dash Dragon Quest The Crystal Empire Rainbow Falls 28 Pranks Later Princess Spike P.P.O.V. The Mysterious Mare Do Well Owl’s Well That Ends Well The Show Stoppers Putting Your Hoof Down Now, after talking about another awful episode (Newbie Dash) with King Clark, it's now this: One Bad Apple Newbie Dash Fame and Misfortune Bridle Gossip Dragon Quest The Crystal Empire Rainbow Falls 28 Pranks Later Princess Spike P.P.O.V. The Mysterious Mare Do Well Owl’s Well That Ends Well The Show Stoppers
  15. A few days ago, I watched one of Mr. Enter's older videos: a countdown of his ten worst FIM episodes of the series (only the first three seasons counted). At the time, Dragon Quest was his second-worst, only behind Putting Your Hoof Down. The one thing that caught my attention when summarizing DQ's issues is how he called an episode from G1 better than this. After a quick Wiki search, I found Spike's Search, a 1987 episode from MLP & Friends, containing the following summary: Hmm…similar to DQ, ain't it? For those who are curious, here's a link to the episode: Let's quickly get a few of Search's flaws out of the way. At the time, all animation was hand-drawn, so you'll see shortcuts. A chunk of this animation is more dated than a classic Scooby Doo episode. The lip-syncing is horrible. Many times, the characters were saying one thing, yet their lips say something else. The B-Plot — Weston the Eagle looking for his parents — was dropped until the resolution. The song…not good, either. Both lyrically and vocally. The dragons are stereotypical bullies. Fortunately, this story isn't a dud, and plenty of the faults come from the standards at the time. The background is really good, and Spike is very sympathetic with a noble goal. If I tell you more, I won't be able to explain why Spike's Search is better than DQ. How better? Well, let's get crackin'! The trigger. Every story has to set the conflict somehow, and this is no exception. Two adjectives apply to DQ: sexism, xenophobia. The entire episode is prevalent in this nature, including the opening act. Spike's desire to know about his origins and family comes from their infamous conversation within the ditch: Dash laughs at (and insults) Spike for his pink apron (along with his so-called "feminine" action of baking cookies), and this: This is just one part, but it ruins the story as a whole. Spike's friends declaring how not acting like other dragons makes him better than the rest of the population. In story context, let's put it this way: Not convinced? Apply it to real life: Not funny now, is it? The xenophobia comes from the ponies mocking dragons as a whole for their supposedly brutish, tough, ugly-looking, and aggressive nature while not understanding at all who dragons as a race truly are physically, emotionally, and psychologically. For all the audience knows, they're knocking them through perception, not fact. The one thing all six are aware of about them is their migration patterns. In Spike's Search, that conversation doesn't exist. As the group played volleyball, Spike sneezes, accidentally shooting fire in the process and frightening all the ponies. Spike repeatedly apologizes, and both Megan and brother Danny continually reassure him that it wasn't his fault. Though, the fact that he nearly hurt ponies triggered his guilt, and sneezing fire multiple times afterwards doesn't help. While Spike's friends from DQ peer-pressured him into joining the dragon migration, Spike from G1 pressured himself to find his family. His quest to find his parents stems from the belief that they'll better raise him, control his accidental fire-breathing, understand manners, and so forth. In short, he feels like he belongs better with other dragons. The stereotypical bully. Both Dragon Quest and Spike's Search use the stereotypical bully. It's a big flaw in both episodes. But if you ask me which stereotypical bully is better, it's from Search. Why? DQ attaches both age-old teenage boy and teenage bully stereotypes along with the bully archetype itself. All of their mannerisms are simplified human beliefs of masculinity: overly aggressive, greedy, vocal, the "traditional" teenage boy voice, a lust for intimidation, macho, and selfish. Design-wise, each dragon is supposed to represent what a dragon looks like in their teenage phase. With each scene, the episode shames Spike for being a dragon (and to parallel it, a boy IRL for traits completely unlike a "normal" boy). Spike's Search doesn't do that. He's originally happy to take part in the group of adult dragons, but is taken aback by their rudeness, greed, and selfishness. When two dragons insulted him for his size, the older king dragon dissented and crafted colorful language to try to make him prove to the group that he belongs in their gang. Rather than initially trying to physically bully him into joining or else, the king dragon emotionally lures him via mind games. Most importantly, the metaphors of dragons = boys and ponies = girls don't exist. Not only aren't the labels of masculinity and femininity visually depicted, but the dragons don't attempt to classify ponies as female-oriented, either. Instead, the dragons use Spike's naiveté to bring them into Dream Valley to further manipulate him. The climax. Search's climax is infinitely better. DQ: Dash, Twilight, and Rarity challenge the dragons to a fight, and Spike disassociates himself from his race, literal fighting words to the dragons. So, what do they do? Run away. *sigh* Talk about a major anticlimax. Spike's Search: Spike's friends assemble a party to lure them into a trap. Their weapon of choice: rushing water that temporarily douses their fire-breathing. If they're going to bully people throughout the town and their close friend, there'll be consequences. Since they use fire, words, and size as weapons, Spike's friends using their strengths against them creates a satisfying comeuppance. The moral. This is what seals it. So, what makes this very different from DQ? How it's set up. To reiterate, Spike wants to be a grown-up dragon and initiated his quest on an accident. Dragon life isn't automatically declared to be inherently inferior to pony life at any point. Hell, the group supported him throughout, and both he and Danny walked together to find some. Additionally, it emphasizes that this is only a cluster of dragons, not an actual representation of dragons as a whole. It doesn't metaphorically differentiate boys from girls. With it absent, the sexism implications don't exist. When Spike begins to believe that the dragon life is about bullying other people, Danny quickly interrupts him and reminds him that those dragons aren't the only ones out there. There are different kinds of ponies and dragons. Rather than affirm a generalization to both him and us, he tells Spike he only ran into some bad luck. This type of moral applies as much today and can be done really well if you know what you're doing and tell a decent story in the process. Conclusion: Friendship Is Magic is a great show, but it screws up royally here and there. Dragon Quest stands as season 2's worst due to sexist stereotyping, racism implications, and botching the moral of how no one group is a monolith by generalizing a select few as the whole. Is FIM better than G1? Yes. But sometimes it can take a lesson or two from its predecessors. Albeit with worse animation, Spike's Search does DQ's same plot nearly twenty-five years prior better.
  16. Good evening, everypony! Well, after a splendid bit of competition in our latest contest in which we saw a grand total of 11 stories submitted for it, it gives me great pleasure to announce the winners of the Poniverse Summerpalooza 3.0: Family Is Magic Contest! All of the entries were enjoyable to read, and I want to personally thank each and every author for taking the time to write and enter your submissions. We hope that many of our members and other bronies throughout the fandom have enjoyed them as well as much as we did, and if you haven't read any of them yet, folks, I would highly recommend you to check them out here, they are well worth your time. Now that that's out of the way, let's begin. Without further ado, here are the winners of the Poniverse Summerpalooza 3.0: Family Is Magic Contest!!! Winners First Place: Thankfulness and High Society by CategoricalGrant Out of all the entries we received in this contest, none handled the "Family Is Magic" theme of it better than CaterogicalGrant's outstanding Thankfulness and High Society. This one shot, clocking in at just over 5,000 words, actually felt like a story which, aside from a few adult elements and jokes, could easily feature in the show itself. The story revolves around Rarity who, while attending what is presumably Equestria's most prestigious designer awards show (as a nominee herself, at that), has to struggle with her family's presence and their inability to behave with the proper decorum around the high fashion and Canterlot crowds. The handling of her parents, Hondo Flanks and Cookie Crumbles, is especially delightful and, for characters who have only ever truly featured in one scene of the show, feels spot on for their characters, but every member of Rarity's family, including Rarity herself, is great here. On top of that, the pacing is also fantastic, featuring far more scenes than one would think would feature in a fic this short, none of which are underdeveloped or overstay their welcome. Finally, in addition to the multitude of scenes, there are a multitude of fan favorite supporting characters from the show as well, again, surprising for a fic this short, but all of the characters themselves make delightful appearances that do not take away or distract from the main narrative. Overall, this is a fic that is beautifully organized, has a wonderful story, lesson, and characterization, and is well worth a read from anyone who has the time. Congratulations, CaterogicalGrant, on the well-deserved win! Second Place: My Wings Will Keep You Safe by Brony250 Our second place entry comes from Brony250, an author that, if you've been on Fimfiction for long, you are probably familiar with to some extent. Brony250 has been writing on the site for a long time, but surprisingly, this is his first ever one shot. Well, thankfully, I'm pleased to say that for his first ever one shot, Brony250 has given us a delightful read. The fic features Apple Bloom hunkering down at Twilight's library (back in Season 4, so Twilight is a princess by now but still is living in Golden Oaks Library) in the middle of a ferocious storm. Unlike our winning entry, there's not much of a moral lesson at play here; instead, it's a very slice-of-life story in every sense of the word. That's certainly not a bad thing, but do not go into this fic expecting it to build up to a clear cut climax. It's more like a nice, quiet chapter in both Twilight and Apple Bloom's lives where they share in a nice moment with each other, where Twilight spends the night looking out as best as she can for the frightened young filly. The most endearing aspects of this fic are Twilight's interactions with Apple Bloom, as well as the ways in which we see how special Twilight's relationship with the Apples, the first family to welcome her to Ponyville at all, is to her and them. You'll definitely come away from this fic wishing to see a story like it in the show itself, so I would definitely recommend you check it out if you can. Third Place: The Patter of Rain by NavelColt Third place goes to NavelColt's quiet, relaxing fic The Patter of Rain, featuring a pair of OC changelings along with everyone's favorite changeling monarch (or as I like to call him, King Deer Bug Pony) King Thorax. As with our second place winner, this fic also takes place in the middle of a storm, although whereas that fic has a certain level of tension given Apple Bloom's consistent terror at the raging storm outside, this fic will make you want to curl up by a fire with a cup of coffee and hot cocoa, even if it isn't raining outside. The one word that especially comes to mind with this fic for me is serenity, it is a very serene, calm, relaxed fic. We get a little insight into some of the tensions that some changelings may feel about their abrupt transformations and reformations, but also a fun, cute look at what Thorax could be like as leader of the changelings: that being a very cuddly, calm, loving, serene parental-like figure. While not much overall happens in terms of the story itself, this fic will put you in a very relaxed mood, and is well worth a look. Honorable Mentions While all of our other entries deserve commendation, two in particular, while not in the top three, deserve special praise as well. First, Chicanery by Silver Letter may well have been our most unique entry out of all of them, at least in terms of its story. It tells a story which, believe it or not, involves time travel, land disputes, and, of all things, has an open-ended, ambiguous ending at that. All of this is very deliberate, and in less qualified hands this story wouldn't work, but Silver Letter is a highly talented writer, and as a result what we've gotten instead is a very fascinating fic. Second, Symphony in Green by ThunderGust, one of the only fics entered into our contest to feature, instead of a main show character or an original character, a background character! This delightful little read features Lyra Heartstrings just hanging out with her grandparents on her birthday; if that sounds like a very simple slice-of-life premise, trust me, it is. But simple slice-of-life is great when it's executed well, and this is most definitely executed well. It's basically just a day in the life of somepony celebrating their birthday, but hey, birthday celebrations are tons of fun, and what we have here is very fun and heartwarming indeed! Check it out if you get the chance. Well, that's about it for this contest everypony! Once again, a very big thank you to everyone who participated, and to anyone looking for a good read, I'd highly recommend you check some of these stories out! Till next time everypony, this is Batbrony signing off. I'm off! *cue dramatic exit*
  17. "And then... the brash, hotheaded, boastful pegasus Prism Sprint painted ALL of the Peach family's peaches as a prank along with the earth pony who eats too much sugar, Blue Brownie, costing the Peach family an incalculable amount of loss in time, labor, and product! OOOOOOOOOOOOOO!!!" "Why does this story sound familiar when I've never heard it before?" "Just think about it, sugar cube, I'm sure it'll come to ya eventually." Good afternoon everypony, and welcome back to another edition of "Batbrony Reviews"!! Me oh my, this show has seriously got to stop throwing so much amazing at us, for real! I have not seen track records of flat-out great episodes in this show, this consistently, since Season 2 (in my estimation, at least). We got a break last week with an episode that was very much just good, not great, but the show returned to giving us more great episodes again this week in the delightful "Campfire Tales"! This one's gonna be a pretty easy episode to review as I can simply go sequentially through the episode itself, so without further ado, let's dive right in. This is "Campfire Tales." Alright, so this episode set out to do not one, but two things, and given that it had writers who've never written for the show before (Barry Safchik and Michael Platt, respectively), that was no easy feat. However, unlike with Becky Wangberg's atrocious debut in "Hard to Say Anything," these two clearly did their homework, and the result was a great episode. So, just what exactly did the episode aim to do? First, it needed to act as solid continuity to Season 3's amazing "Sleepless in Ponyville," which we all of course remember most for being the first episode in which Rainbow Dash decided to start acting as a surrogate older sister to Scootaloo, but was also just as enjoyable for the camping subplot in which Applejack, Rarity, Rainbow Dash, Apple Bloom, Sweetie Belle, and Scootaloo all go on a camping trip together. Now, for the most part the episode handled the continuity great; it's one minor flaw was that the dialogue at the beginning suggested that this was their first annual camping trip since the last one, suggesting only a year had passed in the show since Season 3, and I refuse to believe that given everything that has happened. But that's easy enough to ignore, so I don't need to gripe about it too much. The other thing that the episode set out to do was add some very cool canon of its own to the MLP:FiM universe canon, while still juggling it's primary plot in the present, and in this the episode splendidly succeeded as well, introducing us to characters recently introduced to the MLP comics themselves in the still ongoing "Legends of Magic" series! Let's take a closer look at just how the episode succeeds in both of these respects. So to start things off we get an absolutely delightful opening scene setting up the camping trip itself, establishing that this is now an annual tradition of these three pairs of sisters. We see that Applejack is, as always, the grounded center of this group of six ponies (no surprise given that she's been trying to be a family matriarch since a young age due to the untimely death of her parents, especially for Apple Bloom, and she has the most experience being a dependable sibling of any of the older ponies here, so she can run a show like this no sweat); Rarity for her part has become considerably more practical for a trip like this, though delightfully still brings her own unique touch to it, just in a more reasonable manner; and Rainbow Dash for her part is mostly focused on using this time to hang out with Scootaloo, which makes sense considering (1) she's very busy as a Wonderbolt these days, so probably doesn't have much time to regularly hang out with Scoots, and (2) she has the most reason to do as much bonding with her surrogate sister as she can, seeing as she's been treating her like family for the least amount of time of all three older siblings and thus has the most developing of her relationship to do with Scoots. As for the CMC, Apple Bloom and Sweetie Belle seemed pretty chill in their activities, but Scootaloo's own behavior further emphasizes my point that she and Rainbow Dash's bonding is especially important to each other on this trip. While the other two pairs of sisters clearly see this as one of many things they do together, Scootaloo and Rainbow both clearly see this as an event that will always be special to them seeing as it was the foundational event of their "sisterhood." On top of that, Scootaloo also clearly is far more nervous in nature now than Apple Bloom or Sweetie Belle are; her nightmares on their previous trip clearly left a bad impression on her, and this was, for me, one of my favorite bits of continuity. In a lesser show, she'd be over these fears by now as if they didn't happen, but here the writers had fun with the idea of Scootaloo instead kinda not doing too well in nature, which added variety to the group as a whole. Some people can camp no sweat like the Apples, others do it while still needing as many comforts from home as possible, like Rarity and Sweetie (though Sweetie would probably do better without them than Rarity would), and others are either bad at survival skills, like Rainbow (given that she almost ate poisonous berries before Scootaloo told her what they were) or just do not do well in nature at all and find it to be an unsettling place they don't ever get used to, like Scootaloo. But anyway, moving on, the trip is off to a lovely start... that is until of course it's interrupted by a fresh spawn of hell in this show's canon, FLY-DERS!!!! Yes, Fly-ders, little bastards that are apparently flies crossed with spiders and all the more terrifying for it. These bastards from the Luna Bay area way up in Northwest Equestria will bite you, web you (apparently they're even carnivorous considering AJ, who seemed to know the most about them, was doing everything in her power to stay away from them), and web up all your shit too just because they can! In other words, they are the Equestrian equivalent of the hyena: NATURE'S ASSHOLE!!!!!! So after the swarms of fly-ders appear, the group is forced to flee into a nearby cave, and the older ponies (after Rainbow quite hilariously and recklessly fetches their campfire from the fly-der swarms) decide to raise their younger sisters spirits and pass the time (hoping the fly-ders will soon leave) telling them all campfire stories, namely stories about their favorite Equestrian legends. Applejack starts off with the legend of Rockhoof, a legendary earth pony whose sheer determination in the face of impossible odds magically unlocked his strength as he saved his village from certain destruction! The story itself was delightful, especially in seeing the Norse-type culture that Rockhoof belonged to, but the real highlight for me was in how Applejack told it. Unlock the other two pairs of sisters, this was a story that Apple Bloom had already heard many times (further highlighting how naturally close those two are as sisters, and delightfully conveyed in how excited Apple Bloom got at certain parts of the story, even squeeing in anticipation, which was too adorable). The backgrounds were especially impressive to me; while Rarity's story probably had the most artistically beautiful backgrounds, and Rainbow's even had the biggest, this somehow felt bigger, even though it was technically a more confined story than Rainbow's was. I think it has to do with how the volcano so nicely contrasted the blue sky; normally an erupting volcano would be surrounded by a sky full of ash and fire in a scene like this, but here you had this massive volcano overlooking this tiny pony village, but contrasted wonderfully by a picturesque blue sky. The lava effects as well, although hardly the first time we've seen them, were very cool, and Rockhoof was quite an awesome character. Since we know that the Season 7 finale is going to tie into the Legends of Magic somehow, I cannot wait to see more of this guy in the finale when it comes around! Aside from being an earth pony, Rockhoof didn't tie too explicitly into the Apple Family like the other two stories tie into their respective characters, but I was OK that; it's easy enough to believe this is a favorite story among earth ponies in general, so Applejack probably heard it from her parents too when she was younger, plus of course I could easily see a character like Rockhoof overcoming his smaller size to do the impossible inspiring younger earth ponies like Applejack used to be before she could do greater feats of strength. Huh, I wonder what he's screaming at... Oh... yeah, that makes sense The next interlude leads into my favorite segment of the entire episode, Rarity's story. Things are set up nicely when Sweetie Belle expresses boredom at their current plight. Rarity in turn starts to do something I wish we saw in the show more often, use her generous nature and eye for aesthetic beauty to the benefit of others in creative ways most would never think of doing. First she shows Sweetie Belle that there's more to the cave they're in than meets the eye, showing how flecks of gold dot its wall (further emphasizing her eye for spotting gems and precious minerals as well), and even uses their campfire to create beautiful shadow puppets (and a pretty humorous throwback to ballerina Twilight as well). I love now knowing that Rarity can both do this, as well as the fact that she clearly used the shadow puppets to help tell her story. While it's possible that Twilight told Rarity about what she did, for some reason I find it more likely (and amusing) that Starlight told Rarity when they were both talking about how OCD Twilight can be sometimes Then she proceeds to tell the best story of the lot, about a unicorn by the name of Mistmane. Mistmane lived in a corner of Equestria where some type of ancient Japanese-inspired culture was prevalent, and the scenery we got to see there was too amazing to describe! So many colors, beautiful buildings, backgrounds, and clothing we've never seen in the show before, and even unicorns with curved horns, something that has only appeared, to date, in either the MLP comics or fan art! As for Mistmane herself, she was a beautiful unicorn and powerful sorceress who was forced to defeat her best friend Sable Spirit, now the empress of their region, who, after trying to magically make herself more beautiful, only made herself more ugly instead, and in her rage chose to have all of her subjects spend their days doing nothing but beautify her palace. Mistmane easily defeats Sable, but then does an even greater act of heroism; saddened by the state of her home, and simply wanting to bring back hope to her people, Mistmane puts all of her magic into restoring both her home and Sable, at the cost of her own beautiful features. While it doesn't fix everything her people have lost, their hope is restored, as is the Sable's perspective upon being shocked by how generous and selfless Mistmane was for the sake of others. Sable resolves to reflect Mistmane's generosity as best she can for the rest of her days, and the land is restored as ponies return to leading their old, happy lives. Mistmane herself spends the rest of her days wandering the countryside, assisting ponies with her magic wherever she can, and spreading beauty along the way as she does; even if there's nothing she can do or nothing for her to do to help someone, the least she can do is make their day a little brighter with something beautiful. What makes this story the highlight of the episode is not only the fact that it's a beautiful story in its own right about generosity, the value of true aesthetic beauty when used appropriately, and self-sacrifice for the good of others and how that is the highest beauty of all, but also the fact that it gives us so much insight into Rarity's own philosophy about both aesthetic beauty and generosity, and how they tie together for her so naturally. This didn't sound so much like a story she would have grown up with like Applejack did, on the contrary, this felt more like something she would have come across when she was growing older, possibly during her college days (so to speak); the story was far more refined and developed than Applejack or Rainbow Dash's were, and it clearly held dear personal meaning to Rarity. She very deliberately saw herself, or at least a pony whose example she wants to follow, in Mistmane, though unlike Rainbow she did not flat out state it either. For her, in this moment, it was most meaningful sharing something so personal and beautiful with her friends and her beloved sister, further illustrating how, even in telling this story, Rarity's generous nature was on display, and also went hoof in hoof with her love of spreading beauty to others as well. Hands down the best segment of this episode for me, it just might also be Rarity's highlight moment of Season 7 thus far, making "Campfire Tales," oddly enough, Rarity's best appearance in Season 7 to date, which is incredibly odd given that she was not the primary focus of the episode itself. I cannot even begin to imagine how complicated and technically difficult some of the animation and backgrounds were in this story... I mean... JUST LOOK AT ALL OF THIS!!! Easily some of the best, complex, and most beautiful animation we've seen in all of Season 7, or the entire show for that matter, so far! Finally, after Rainbow causes a cave in when the fly-ders (little bastards that they are) start advancing on the group again, Scootaloo has a near panic attack, and Rainbow decides it's her turn to tell a story. Uh, Rainbow, I think ya got something on your... ya know what, nevermind, I'm sure you'll notice eventually The best part about the set up for this one (as well as the story itself) is that Rainbow is clearly telling this to calm Scootaloo down. It fits Rainbow's demeanor and personality that she is protective to her surrogate sister, and doing something like this is about as much of a softy as she typically gets. She may have acted a bit gruff at times, acting as though she were annoyed at Scootaloo's panic, but really you could tell she was just trying to put on a brave face for her as she reassured her everything was going to be OK. The story itself wasn't particularly remarkable (especially after Rarity's), but Flash Magnus is easily the best Flash on this show (suck it, Flash Sentry), and it did feature some pretty awesome flying scenes as well as some of the best dragon action of the show (including with, presumably, Ember's father, the former Dragon Lord Torch). I did find it super cool on a personal level that the commander of the pegasi in the Royal Legion was called Commander Ironhoof; I say this because I have a minor character featured in Equestrian history in my own fic-universe in my fic "Batmare Begins" whose name was Eisenhuf, that is, German for Ironhoof! Total coincidence of course, but it was pretty cool seeing the show runners decide that's a badass name for a pony just like I did some time ago. Other than that, the story featured some cool action and a cool new Equestrian hero (I'm going to presume it took place before the Sisters arrived since the pegasi seemed to be in old Pegasopolis armor), but a fairly standard lesson about one's loyalty bringing out your most heroic side. This felt more like a story Rainbow would have learned in school than from her parents, but instantly latched onto when she first heard it; being totally awesome as a result of your loyalty to your companions and friends is something she clearly prizes, so it's unsurprising this was one of her favorite stories. OK, that is admittedly bucking awesome... ...but holy shit, that's adorable!!! After the close of Rainbow's story, (and a failed attempt from Applejack to clear the cave in, but to her credit, she did come close; let's say she had her very own "Captain America almost lifts Mjolnir" moment and almost channeled some Pie-family magic into her strength) the sisters decide to go through the back of the cave, and follow an underground river. Their spirits have all been bolstered at this point by the stories, both young and old, and the river, fortuitously enough, leads to Winsome Falls, their destination for the camping trip. The younger sisters, emboldened by the stories they've just been told, are determined to salvage the trip here, and the older sisters are happy to oblige, glad to see their younger counterparts happy. The episode closes on a happy note, and all is well. Woah! Check out the return of wet-mane Rarity (bonus points for a lil' wet-mane AJ too ... oh don't look at me like that, YOU KNOW YOU WERE THINKING IT TOO!!! ) If this episode has any lesson at all (besides those contained in the stories themselves) it's in the power of older siblings to impact their younger siblings lives for the better in the low moments. Older siblings, especially when their siblings are genuinely smaller than them, can do things they can't, but more importantly are figures they look up to. This doesn't mean the things older siblings do always have to be big, rather, small acts are often some of the most important that their siblings will remember years later. The little ways they went out of their way for them when they didn't have to. As an older sibling myself, I loved getting to see these sides of Applejack, Rarity, and Rainbow Dash once more, always do whenever it happens, and so I found myself very, very appreciative for everything this episode did. It's another great episode of Season 7, and me, I got no complaints on my end about that. Until next time, everypony, this is Batbrony signing off. I'm off!!! *cue dramatic exit*
  18. Good evening everypony, and welcome back to another edition of "Batbrony Reviews"! Wooh, goodness gracious me was this episode a breath of fresh air! Now, do not get me wrong, this whole season has been incredibly exceptional, but sometimes you need a break from the incredible. What exactly do I mean? Well... to be blunt, the last five episodes have ranged from very exceptional (in "Not Asking for Trouble" and "Discordant Harmony") to divisive for very good reason (in "Fame and Misfortune") to among the most amazing showings that MLP has ever had to offer (in "A Royal Problem" and "The Perfect Pear", my new personal favorite in the entire show). I don't think we've had stretches of awesome this consistent in a season since Season 2, and I kind of forgot how exhausting that can be sometimes. Make no mistake, I have adored every minute of Season 7 (with the exception of the unfathomable awful that was "Hard to Say Anything"), but the show can't be amazing every week, and sometimes we just need a break with a really solid, flat out good episode that is very Slice of Life in nature. Although it features two very unusual main characters we've rarely seen on the show, I fully believe that "Triple Threat" is exactly that, a solid Slice of Life offering that was just, all around, good. That's it, just good, and it's fine being just that. This shouldn't be a terribly long review at all, so without further ado, let's dive right in. This is "Triple Threat"! WOOOOOOOOOOOO, SUPERHERO LANDING!!! So, curiously enough, this was our first Spike-centric episode of the season. How does it hold up as far as Spike episodes go? Eh, alright. I've seen Spike written far worse in the past, but some of his character here did feel a touch OOC, even if the reasons for his behavior were understandable. Spike had a ton of responsibilities to juggle here, starting with (1) welcoming Ember to Ponyville, (2) welcoming Thorax to Ponyville after he realized he'd invited him there on the same day, and (3) solving a friendship problem that arose in the middle of their visits. Between playing ambassador to two visiting leaders of their respective people as well as solving a friendship problem which was unknown to him, Spike certainly had plenty to juggle. My beef with how he was written, though, was that about halfway through the episode, when he learned he had a friendship problem to solve, he seemed to (1) not consider at all that it might have something to do with Ember and Thorax and (2) forget altogether that the visiting monarchs should probably take precedence over the friendship problem. Granted, I get what he was doing: from the start of the episode he was trying to keep everything organized in a manner he'd learned from Twilight, by keeping plenty of lists, but that all went to shit when Thorax showed up and sent Spike into a panic. He probably figured he'd have all the time in the world to GIVE to Ember and Thorax once he solved the friendship problem. The problem is that he kept going out of his way to avoid Ember and Thorax in the course of trying to solve really simple "friendship" problems that were really just little disputes or spats, which seemed a bit off for Spike, even a really panicky one. Dude's been around long enough to know how to properly prioritize what is and isn't most important to address. The episode redeemed how it treated Spike a tad in my eyes at the end when it turned out that not only was he the one who created the friendship problem in the first place (which I thought was really clever), but the one who needed to learn a lesson as well (though I have no idea why that means he was the one who was glowing, and not Ember or Thorax considering they were the ones who solved the problem), but still, he was a bit frustrating at times. That said, the state of panic he was in the whole time was pretty hilarious (especially his "you've gotta be shitting me!" face when the friendship map summoned him), and Starlight's own schadenfreude-like amusement directed toward Spike at one point very much summed up the amusement I myself got from how everything was working out for him. Hardly the worst Spike episode ever, but not exactly a great or even good one, at least not for Spike. The best part of the episode has got to be, hands down, Ember and Thorax (arguably the true main characters of the episode as well). This was Thorax's first truly regular appearance, if we're being honest, since his debut episode; he was a largely supporting player in the Season 6 finale (mostly there because the plot demanded it, even if he was perfectly fine), and he barely had anything to do at all in the Season 7 opener. Here, he had an actual problem that needed resolving (which may even come up again later in the season if the episode title of Episode 17, "To Change a Changeling," is anything to go by), and even better it was tied to his role as leader of the new, reformed changeling pack (as an aside, I do find it a bit odd that they're not calling it a changeling hive anymore, but rather a pack, but whatever, doesn't bug me too much). Awwwwww yeah, cute deer bug pony loves da fire, he loves it so, so much! Ember too, in her first appearance since her debut, was just as pleasing to see. Like Thorax, she had a leadership problem that needed resolving as well, tied into her own people, the dragons. There were two things that worked especially well with these two. One was that they brought back the most endearing qualities the two characters had last time: Thorax was the same old adorable softie/deer bug pony he's always been, happy to share in as much love as he possibly can, and Ember was once again the most tsundere character the show's ever had, and on top of that she also had a ton of hilarious and adorable cultural misunderstandings going on with the ponies (the best being her eating Twilight's dining room - literally - and destroying Derpy's poor muffin in a misguided attempt to display friendship, both of which were just the best of a ton of hilarious cultural missteps in her interactions with the ponies). OK seriously, they could not make this deer bug pony more adorable if they tried! Though I do have to ask... how long, exactly, is his bucking neck??? The other was that these two worked out their own issues themselves, or rather, with each other! Yeah, in a bucking awesome turn from the show's usual formula of having either (1) the Mane 6, (2) Spike, (3) the CMC, or (4) Starlight Glimmer solve some kind of friendship problem, two supporting characters solved their own problems simply by talking and interacting with each other. In fact, they were both quite well suited for helping the other; Ember knew that Thorax needed simply to be taught how to be a more assertive leader and what he needed to learn to do so, while Thorax knew how to teach Ember to be more open about her feelings with others. Hell, they probably bonded quite easily since they were both leaders; they wanted Spike's help first and foremost, but frankly, it makes sense that that might be a bit much for the little guy. As much as he's gone through, he's still a baby dragon, and while his heart may be in the right place, I wouldn't say he's a leader, at least not yet. Frankly, Ember and Thorax were just better suited for teaching the other what they needed to learn, and when they finally did, they had a great dynamic together. I loved that once they realized what misunderstandings had just happened that they both started acting like the adults in the room, like everypony else was acting ridiculous (frankly, their being kept apart can't just be put on Spike considering Twilight and Starlight thought it was the best move too). Overall, loved these two here, and would honestly love to see more of them going forward. D'awwwwww, deer bug pony just can't get comfortable! Ember literally eating Twilight's castle is far cuter than it has any right to be... Besides these two main elements, the rest of Ponyville (as should be the case in any good slice of life episode in this show) was pretty much a character in and of itself, including in Twilight and Starlight (although they were supporting characters, they barely contributed to the resolution at all, so really most of what they did was initiate plot direction and gags throughout the episode). For their parts, Twilight and Starlight were pretty hilarious as they haplessly tried to keep Ember and Thorax apart (though while I understood why Ember was more interested in seeing Spike than those two since they're both dragons, I was a bit confused why Thorax wanted to see Spike more - he may be closer friends with Spike than the others, but friendship isn't an issue with him and I would think he'd know he should take his issue to another leader, not Spike of all ponies or dragons). Their funniest bit was easily when Ember bluntly pointed out how similar they look and even behave, a joke which both felt like it was poking fun at the "all you (blanks) look the same" line applied in a number of racial jokes as well as a tad meta even, considering many fans have drawn parallels between Twilight and Starlight, and they are quite undeniable considering they are teacher and student after all. The background ponies had a ton of bits in the episode, possibly their most this season; Lyra and Bon Bon got into an argument that Spike helped resolve, there were cute and funny bits with Ponyville residents all over the place as part of the celebrations for Ember's arrival (I loved that they were all very receptive of both Ember and Thorax, though they were understandably terrified of some of Ember's more aggressive displays, intentional or accidental), some background ponies argued over a chair for some reason (WAY more aggressively than they needed to), and of course, poor Derpy's muffin meeting its untimely demise against a wall on account of Ember... rather than of course meeting its demise, as it should have, in Derpy's belly. And overall it was just a lot of fun seeing two characters like Ember and Thorax just a bit out of their element in a town like Ponyville, but the rest of the town still going about its business as usual; frankly, a dragon lord and a changeling pack leader are probably hardly the strangest things these ponies have seen by this point. "You ponies all look the same." DAT'S RACIST, EMBER!!! All in all, like I said, this was just a good episode. It wasn't great, it wasn't bad, it was good. The lesson that Spike should have just told Ember and Thorax about each other right away, rather than simply assumed they wouldn't get along, is a VERY standard lesson (made only clever in the sense that Spike was the one who had to learn the lesson, rather than teach anything), though it did set up a delightful joke about how ponies are always just telling each other what friendship lessons they've learned (once again, another fun bit of meta humor). But as I said before, I'm perfectly OK with this episode just being good. I don't need every episode to blow my socks off, otherwise they wouldn't be special to begin with. And hell, I don't even need most episodes to be very exceptional, or at least so bad or divisive that everybody is talking about them. GOOD episodes, just solidly good, are the bread and butter of this show, and we need bread and butter for sustenance as much as we need the delightful decadence that are treats like "The Perfect Pear." The fact that this show's "good" is far more delightful than the average of most other animated shows of a similar nature is a credit to the high level of quality we've come to expect from MLP by this point. So yeah, overall, I very much enjoyed this episode for what it was, and that it didn't pretend in the slightest to be anything that it wasn't, and rather embraced being exactly what it was: a GOOD episode of MLP. That's all I've got for ya this week, everypony, until next time this is Batbrony signing off. I'm off!!! *cue dramatic exit* That "I just watched a good episode of MLP" feeling...
  19. Well then... that was... odd. Certainly not bad, and I don't even find myself disagreeing with the lesson of this episode, but it was quite odd to watch to say the least. I honestly don't think we've ever had an episode as blatantly meta as "Fame and Misfortune," and it leaves me in a strange place when it comes to reviewing it. But I'm gonna try my best, since it's still an episode of MLP, and like I said, not a bad one, even if I don't know completely how I feel about it. Without further ado, let's begin, this is Batbrony Reviews "Fame and Misfortune." I won't lie, that is undeniably one of the most adorable faces Twilight's made in some time So let's not beat around the bush and get straight to the point: this episode is a biting critique of both the worst behavior displayed by nerdy fandoms in general, and specifically the brony fandom in particular. What happens? Twilight Sparkle rediscovers her old friendship journal she and her friends put together, and decides to distribute it all across Equestria in the hopes that ponies will take the lessons to heart. This plan seemingly backfires, however, when suddenly the Mane 6 are being treated like celebrities, and as a result being hounded and harangued in the absolutely worst ways that celebrities are. Worst of all, none of the ponies harassing them seem to have taken any of the lessons to heart and are more interested in far more trivial, superficial matters. The friends are almost overwhelmed by all of this insanity, but take comfort in each other at the end, as well as the fact that some ponies (namely G4 Toola Roola and her friend Coconut Cream) show them that they have taken their lessons to heart and haven't missed the point of the journal, even if many others have. That's as simple a summary as I can give, and it's really not that complex of an episode overall. It's still an odd one, and I certainly have my criticisms despite appreciating the lesson. Let's start with my criticisms before we touch on the positives, just to get them out of the way. For starters, this episode has a single-sided depiction of celebrity-hood, and a negative one at that. I don't think the bad things they show happening to the Mane 6 as celebrities are necessarily inaccurate, not at all, being a celebrity is an exhausting, 24/7 endeavor I am sure and fans can be super weird, if not downright uncomfortable at times. But they don't show the fact that being a celebrity comes with its own set of perks as well, and not just superficial ones; while MLP creators and artists may, in the grand Hollywood hierarchy, only be minor celebrities for the most part, they still have access to a lot of opportunities that their fans do not for the most part. Plus, come on, they get to make an awesome show about magical ponies; hard work as that may be, I'd still say it's pretty awesome. Point being that being a celebrity of any level isn't JUST the nightmare that the show depicted here, there's more to it than that. I will admit, though, that I appreciate that they took our longstanding critique that the Mane 6 were never treated like celebrities by the rest of Equestria despite saving it so many times; after this episode, I'm perfectly OK if they aren't ever again seeing as ponies treated them so bizarrely. I far prefer getting to see them lead their lives as normally as possible when they can. My second critique is that I wasn't particularly fond of seeing mainstay background ponies treating the Mane 6 like assholes. The new characters I didn't care about, and while I understand that they couldn't just make new character models and were most likely just recycling characters for convenience's sake, it was still not particularly pleasant seeing background characters we've come to love act OOC and like total jerks. Granted, like much in this episode, it will probably be forgotten entirely going forward, so I'm pretty forgiving of it overall with that in mind, but still, I wasn't all that fond of it at times (except of course when Pinkie had that hilarious line, "YOU'VE KNOWN ME FOR YEARS!!!!!!" That was golden and I cannot hate that line at all). I will admit, though, that I did enjoy seeing them criticize the "Best Pony" fad, or at least how some people treat it; it's alright if you have a favorite character for your own personal reasons (I should know considering Derpy is mine), BUT having a favorite character doesn't mean that they are superior to the others for EVERYBODY just by virtue of being your favorite, or that you need to prove their "superiority." Just be content with why you like them more than the others, while also accepting that the Mane 6 simply wouldn't be as special as they are if even one of their members weren't a part of their group. The episode definitely did a good job at hammering that point home towards the end, and I applaud them for addressing that particular niche in the fandom. The third critique I have isn't much of a critique, more like just an expression of how I personally feel about the episode. The target of this episode is the fringe elements of the fandom, namely fans who turn their liking of the show into an unhealthy thing for both themselves and others in a variety of ways. The biggest critique I have of how this is shown is that I believe it is especially targeted at the con-going crowd, ya know, bronies who regularly attend pony cons and get the most chances to be around the show's creators. There's nothing wrong with that either, but in my case, it means that the lesson didn't actually resonate with me all that much. Why? Not because it's a bad lesson, but because I'm not a part of that crowd. In my entire life, I've been to a grand total of one convention, last year's BronyCon. It was a great time where I got to meet a bunch of cool bronies and creators, both from the show and in the fandom, and yes, I also got exposed to in those few days some of the more uncomfortable sides of the fandom, i.e., fans who take certain things about the show too seriously, fans who don't have good self-awareness and can make others uncomfortable because of their behavior, fans who feel entitled to certain treatment just by virtue of loving the show, fans who think they prove their "status" in the fandom by owning the most merchandise that they can, etc. These were all there to be sure, and yet, that's the only time I've gotten to see it. Now any fan can certainly be exposed to the ugly side of the fandom online as well, but it's far different in person, when you get to see hundreds if not thousands of bronies gathered together. I myself have only gotten to see that once, and many bronies can't even say that, so really, I think for folks like myself who are not a part of the regular con-going crowd, this episode isn't going to resonate as much with us. That's OK, all episodes have varying levels of effect on people depending on what they can personally take from it; I know that many bronies didn't feel that "The Perfect Pear" resonated with them as much as it did with others, and in many of those cases, they're bronies who've never had a romantic relationship or a really deep one, so it's understandable that they may not get why that episode resonated so strongly with others who have been in love with another. But the reason I do still list it as a critique is because the target audience of this episode is so narrow; con-going bronies either have the good fortune of living very close to where a big con is regularly held, or they have the resources to get to multiple cons each year. Ultimately, that's a small segment of the fandom, even if it is an important segment. An episode like "The Perfect Pear" by contrast could easily resonate with anyone who's ever been in love, or just wants to understand the deeper effects of a pure love in general, meaning it has a far more universal audience, to the point that I believe that even people who don't watch MLP could get a lot out of it. Replace that tree with a body pillow, and you've got an eerily accurate scene one could easily encounter at one of our cons So, even if this episode doesn't resonate with me very strongly, why do I still think it's a good episode? Because it still has a good lesson, even if it's a very meta one that probably won't ever be brought up again. For me, this was 22 minutes of the show's creators venting about the hardest aspects of dealing with this fandom, and I'm OK with that. This is a weird fandom by nature, and in general that's usually alright, but at its worst it means that the show's creators are often confronted by dozens of fans with silly critiques, demanding and entitled behavior, or just take their love of the show to uncomfortable levels. Worst of all, they forget what the point of this show is to begin with, teaching good lessons to others and helping them be better for learning those lessons. Overall, my biggest takeaway from this episode for the fandom is that, if you have the opportunity to express your love for the show in public, especially to its creators, don't do it in a way that isn't good for anyone. Don't harass them, don't act snobbish or entitled around them, don't act as though they are there (at a con or such) for you. Being a fan and getting to share in your love of the show with a creator means doing just that, sharing, showing how much you appreciate the work they've done, and the stories and characters they've created. I'm not saying you can't be critical of the show, I've done just that up above after all. But it's one thing to be critical of certain things in an episode of the show. It's another thing entirely to take certain flaws as a personal affront, or to act like a jackass about certain problems. In the grand scheme of things, a bad episode in this show, even one as horrendous as "Hard to Say Anything," isn't going to be the end of the world; it'll just be a bad episode and, while you can be upset about that, you shouldn't let it affect you or others too much. As the song in this episode goes (which sounded a bit too epic to be warranted for this episode, but I won't complain since it was still a super lovely song all the same), "We're not flawless, we're a work in progress." This doesn't just apply to the characters, it applies to the show itself. The creators are always trying to see how they can improve upon the already great stuff they've made, what new things they could add to make it even more special. When episodes like "The Perfect Pear" happen, we see the greatest fruits of their labors and ambitions, proof that they truly are trying to push the boundaries of what they can accomplish in this show. But that doesn't mean there will never be buck ups or mishandled episodes either, and while we don't have to like those episodes, we shouldn't blow them out of proportion either. Being a good fan means trying to use your love of something to share in celebrating it with its creator, and offering helpful critiques and advice when you can. It doesn't mean inconveniencing creators or even making life harder for them; if that's going on as a result of your behavior, then you're doing something wrong as a fan. Do you have to like this episode? I don't think so, no. I don't think anyone should be personally offended by it, but if it didn't resonate with you very strongly like in my own case, that's alright. And hey, if you loved it and had a blast at its meta nature, that's great, keep on loving it. This episode is already creating very split opinions on it in the fandom, it seems, and I'm neither surprised nor do I think that's a bad thing, necessarily (just don't make the creators lives a living hell for making it, folks, OK?). So what's my advice for all of us to take away from this episode? Simple: love the show, critique it where it's warranted but in a reasonable manner, and show your love to the show's creators in a healthy, positive, uplifting, and grounded manner that leaves both you and them feeling better. Don't be a jackass, don't act like the creators "owe" you anything, and don't forget what this show is all about in the first place. Learning some good lessons about life, taking those lessons to heart, and practicing them in your own lives as best as you can for the good of others and yourself. If we do that, then we're proving that the show creators' efforts have all been worth it. That's all I've got for ya this week, everypony, until next time this is Batbrony signing off. I'm off!!! *cue dramatic exit* Now if you'll excuse me, I'm off to watch "The Perfect Pear" again... DON'T JUDGE ME, YOU KNOW YOU DO IT TOO!!!
  20. Good morning, everypony! Batbrony here with a friendly reminder that Poniverse's Summerpalooza 3.0 Contest's deadline is in a week! After midnight on Sunday, August 13 (so, to clarify, 12:01 AM on Monday, August 14) no new entries will be accepted (unless due to time constraints or scheduling conflicts, contestants arrange something with me beforehand so they can submit their entries, at most, 1-2 days after the contest deadline). For all of you participating, remember, the the central theme of the contest is "Family Is Magic"! To learn more about the contest's rules, stipulations, and prizes, click here to get to the original contest thread. We hope to see plenty of contest submissions in the coming week, and best of luck to all of you who are participating!
  21. Good morning, everypony, and welcome back from the U.S. mid-season hiatus of MLP Season 7 to another edition of "Batbrony Reviews"! Well, we had a double heaping of some truly exceptional MLP goodness yesterday (well, rather I should say we had a heaping of great goodness followed by a mountain of "HOLY BUCK THAT WAS THE MOST AMAZING INCREDIBLE SHIT I'VE EVER SEEN!!!" but, eh, details, details), so let's not waste anymore time and dive right into the first new episode of the day (and first new Discord episode of Season 7, I should add). Without further ado, this is "Discordant Harmony." So as far as Discord episodes go, I actually have to say this one was oddly... simple for him. Now, I don't say that simply because of how it was executed alone or how he behaved, no no, I'm saying that the actual conflict around which the entire episode revolved was oddly simple. Don't get me wrong, there were some complex character developments at play, especially in the third act, but what was technically the central conflict around which everything revolved? A tea party. Yeah, Discord decides he wants to host Fluttershy, his best friend, for a tea party at his place for once because they always hold them at her house instead. I have to admit, I'd be hard pressed to think of a Discord episode that has had a more straightforward conflict than that. Of course we all know that since this is Discord we're talking about, nothing about what happened in the episode's execution was truly "simple," but I think most of you know what I mean. So Discord wants to host Fluttershy for a tea party, and really (given how the episode concluded) if he'd just stuck with doing everything he did to start off, everything would have gone smoothly. The first act is largely Discord just bamfing around town gathering supplies for the tea party, and that alone amused me quite a bit, just the fact that he was doing it at all; think about it, Discord has shown multiple times that he can manifest whatever he wants to out of thin air, so he most definitely DID NOT need to shop for those supplies. My working theory is that either (1) he wanted to actually buy the supplies to add a personal touch to his tea party with Fluttershy, ya know, act like she mattered enough to him to go out and get those things rather than just pop them into existence, or (2) he was bored and just wanted to buck with some ponies. Anyways, he gets some supplies and of course adds his own chaotic touch to them, until of course he's met by Pinkie Pie. Apparently her name is Jasmine Leaf... can we seriously, PLEASE get more of her? If only for her adorable mane and accent alone!!! This is where things take a turn. Pinkie offers admittedly good advice that as long as Discord makes Fluttershy feel comfortable, she'll have a fun time. Unfortunately Discord of course interprets this as meaning that she'll never enjoy herself at his place given how, well, absolutely bonkers it is, so he goes about tidying it up as only he can... with six of him, of course. By the time he's done, he's so normal that he's pretty much Mister Rogers (no really, I'm 99% certain that's exactly what they were referencing with his "normal" look), and, well, his place is as... not-Discord as it could possibly be. As boring as normal Discord may have been, I will forever be grateful for this delicious reference This leads to exactly what you'd expect... that's right, Discord almost fades from existence. Yeah, in a curiously dark turn in the third act, Discord quite literally almost ceases to exist (which, now that I think about it, if that had happened I'm pretty sure that Fluttershy would have been stranded in his realm as well, leading to all kinds of uncomfortable questions about what her fate might have been in that event). Heck, he can't even really do anything about it himself once he becomes too normal, so it's all up to Fluttershy (who was already weirded out by his out of character behavior) to literally bring the chaos back into his life. This whole bit is easily the best scene of the episode and illustrates a lot about how both characters have grown as a result of their unusual friendship with one another. So of course Fluttershy succeeds, the day is saved, Discord more or less gets his groove back, and they get to have the tea party at Discord's that they both always wanted. Now, at first glance this episode seems utterly predictable. I mean, what it boils down to is "Friend A misunderstood Friend B and thought they wanted Friend A to behave one way, when Friend B already loved them for who they were and wanted Friend A to act their normal self." That is a very, very, VERY recycled plot formula in television for all ages, appearing in shows ranging from animated cartoons to sitcoms aimed at family or adult audiences. So yeah, anyone who does believe that, in many ways, this episode is predictable, they're not wrong. It is, and yet I still found it to be quite exceptional. Why? Execution. Really, that's about it, the episode was just executed incredibly well. John de Lancie was phenomenal as usual as Discord (I particularly appreciated some of his subtle touches here, such as the fact that his "Discord 2.0" a.k.a. "Discord with glasses" had an ever-so-slightly lower, more mature and serious sounding voice than Discord himself did) and brought the laughs as we've come to expect by now from this character. His chores about town and tidying up his place were probably his two funniest scenes, and I especially enjoyed seeing Discord screwing around with ponies besides Fluttershy and the Mane 6. Frankly, it was hilarious how nonplussed most of the other ponies dealing with him seemed at this point. I mean on the one hand some of them seemed curiously unaware of what his chaos magic can do (odd considering he more or less lives in Ponyville and has been screwing with that city for years), but on the other hand they definitely didn't treat him like a threat either, more like an annoyance. His party supplies and the alterations he gave to them as well were also quite a hoot, particularly the singing Ginseng tea bags and the sapient pinata (also, "Pinatas hate bats" is easily the best line of this entire episode ). Not sure if best beehive or worst beehive ever. Hmmm... best beehive. The other part of it that made it really exceptional in execution was Fluttershy herself, particularly in the third act. Now, it may seem predictable, even Mary Sue-ish, that Fluttershy would just want Discord to be himself, but the way they delivered it was actually quite smart and clever. You actually got the sense that, if this were Season 1, Fluttershy maybe would have preferred a perfectly normal tea party, but this is Season 7 Fluttershy who's been friends with the Lord of Chaos for years, she is much less rigid in her own wants and needs. Her explanation that not only would she expect Discord (in fact, she seemed to look forward to it even) to host an incredibly crazy, chaos-filled tea party at his own home, but that she'd come to truly appreciate their differences as they'd grown in their friendship, was one of the smartest pieces of Fluttershy writing we've had in some time. It showed that she's really not as predictable as we might think she is sometimes, and that even if she herself may seem like the most mild of characters, that doesn't mean she wants or expects everyone else in her life to be like that. What she showed us is, just like with all of her other friends, while she's completely comfortable with who she is and how she lives her life, she enjoys the variety and spice that they bring to her life as well, including Discord in all of his chaotic ways. Plus I won't lie, Fluttershy trying to (and somehow succeeding in) channeling her "inner-chaos" in order to save Discord was not only touching, but hilarious cute as well. Oh Fluttershy, you so crazy Overall, this was a solid start to the second half of Season 7, and really, I think it would be getting much more attention than it has if it weren't for the episode that came directly after it. Unfortunately for "Discordant Harmony," it had the bad luck of preceding what may possibly be the most important episode of MLP ever. But we'll find out more about that in my next review. Tune in next time (which should be today) for a very, very special edition of "Batbrony Reviews."
  22. Batbrony

    Season 3 Review Thread

    With Season 3 coming to a close tomorrow, I thought it'd be nice to have a thread where we could share all of our reviews, opinions, and thoughts about the whole of Season 3. So go ahead everypony and post your Season 3 reviews in the comments below; what were your favorite episodes, which characters did you think had the best season and development, what were your favorite and least favorite things about Season 3, etc.? Whatever thoughts you have about the season in general, just share them below! Also, if you'd prefer to simply provide links to your own reviews in your own personal blogs instead, go right ahead! It's been a great season everypony, and I've had a wonderful time going through my first ever live season of MLP with each and every one of you on these forums! I look forward to a fun off season with all ya'll, along with plenty of great discussions, debates, speculation, and lots of new fan content to look forward to while we pass the months together waiting for what should hopefully prove to be a fantastic fourth season. Brony on, everypony, brony on! Edit: Well, here it is everypony, my incredibly long review of Season 3! This turned out to be a lot longer than I thought it would be, but it was well worth the time it took to write; if you decide to check it out, I hope ya'll enjoy it!
  23. To continue the pattern from last year, a review of the first half of season seven, with both tops and bottoms in respective categories. To view the rest: Season 5 Season 6, 1st Half Season 6 Discordant Harmony and Perfect Pear are featured in this overview without spoiler tags hiding the comments. So if you haven't seen either and want to read it, be warned. Episodes Bottom-3: Hard to Say Anything Two words: unadulterated shit. After about 7 to 8 minutes of meandering (but nothing genuinely wrong), the minute Feather Bangs Stereo Pop shows up, the episode flushes down the drain. Big Mac and the CMCs have their worst (and maybe second-worst) characterization in the show (respectively). Big Mac for following on the CMCs' hairbrained schemes to try to woo Sugar Belle, the CMCs for actually believing that the fairy tales are how-to guidebooks. None of the jokes or twists work at any point — Stereo Pop's characterization is a blatantly dated Bieber parody, Stereo Pop's cutie mark resembling an erect penis, he shallow song-off between Mac and Stereo Pop. Protip, DHX: Sexual harassment ain't funny, either. Big Mac's crush on Sugar is contrived as hell, too; not only for the blatant ending, but also by the fact that we don't actually see it develop; the entire crush plot is unrequited. You could've written this episode much more differently and make it better. Hell, Starlight would've been a fine secondary character. Instead, it's a generic, clichéd, by-the-number plot that DHX couldn't even write well. Hell, continuity stated in the episode was ignored to make it work. Honest Apple While the former was marred by a terrible middle and ending, this episode's marred by a terrible beginning and middle all the way to the climax. Rarity acted incompetent and out of character by putting her contest into action despite only two judges signing off on it with no possible backups beforehand in case someone had to cancel. Apple Bloom looked really dumb for not realizing that her bow would cause major problems (and is a contrived plot point to boot). But what really drags this episode down is a complete lack of understanding of what makes Applejack the Bearer of Honesty. Does she tell the truth? Absolutely. But tells them while still caring about others' feelings! So, what does she do here? Turn into a complete control freak with no clue how to judge fashion properly and a lust to tear down their work. The worst moment, by far, is shaking the crossed-over-stitched feathers off Lily Lace's hat. An in-character AJ will NEVER pull this stupid stunt! The only way she was able to realize she was verbally abusive was when Strawberry Sunrise (upon introduction from Rarity) received the same abuse in return. We're in season 7; AJ should NOT have to learn about how important tact is when being honest. The new characters in the episode? Including Inky Rose, they're all unlikeable, stereotypes, generic, or all of the above. Hopefully, none of them return! A Royal Problem The saving grace in this episode: Starlight. No, her actions were wrong, but the episode built that up to the point where Starlight's nightmare was so soul-crushing that it could've damaged her psyche. More on that a little below. Celestia was great in Advice; there, she shows how human she is without devolving her character. The same can't be said here. She and Luna are out of character here. Is it fine for them to bicker as sisters? Totally. But their bickering crossed the line into being personal attacks; each of them treated each other's important roles in Equestrian society as not just pointless, but wasteful, too. On top of that, they never understood that THEY were the friendship problem until Starlight told them directly to their faces, and even then, they were still too dumb to get it till later. (Seriously, Snips and Snails are smarter than them here!) When did they finally get it? When they witness Starlight's heartbreaking nightmare. Their lack of appreciation for one another makes no sense, since Luna feeling jealous of her sister and lack of appreciation are why she turned into NMM in the first place. You'd think at their age, they'd figure something out. It's among their five worst appearances for each in the show. But the worst moment of the episode comes during the resolution when Celestia tells Starlight that she was right to swap their marks. Firstly, she performed her spell on them against their will. Just because they say it's okay doesn't make it okay. The princess absolve her of her wrongdoing. That side would've been resolved had she asked first and the princesses not act like idiots. Secondly, when they say she did the right thing, Starlight's emotional pain during her terrible nightmare becomes an afterthought. That her self-infliction plot-wise and emotion-wise was pointless. Despite quality characterization from Starlight, background music, and animation hints, Celestia's and Luna's out of characterization, idiocy, and incompetence completely kill the episode. Dishonorable mention: Fluttershy Leans In. --- Top-3: The Perfect Pear Best episode of the season, and possibly the entire show. Any possible flaws in this episode are complete nitpicks. Pear Butter and Bright Mac = best FIM couple and best-written parents of the show. Everything about this couple is the complete opposite of the likes of Flash/Twilight and Sugar Belle/Big Mac: The development of the romance is like someone who knows romance wrote these ponies. Their chemistry from foalhood to matrimony's completely organic and makes complete sense to the audience. They show how much they love each other during and after life. Every joke lands. Only the third episode to make me cry and did so on a few occasions. One of them when Big Mac asked Burnt Oak if they can return to hear more stories about their dad. More about that later. It has some misplaced criticism about them leaving out how they passed as well as Granny avoiding the tree. This isn't that episode. TPP's about celebrating their lives, cherishing their pasts, and letting go. Each note is hit as the episode progresses. Secondly, the entire Pear family disowned Pear Butter for marrying an Apple, and they died early. The marriage site gives her too much pain to deal with. The ending is the perfect closure to this episode. "You're in My Head Like a Catchy Song" = best S7 song, and will likely be that way once it ends. Grand Pear = show's most tragic character. The night his daughter married and became an Apple is all but the last day he saw her alive. Unfortunately, he'll never apologize to her. And excellent voice acting by William Shatner (and Felicia Day for Pear Butter). Parental Glideance Wow. That's the word to describe this treasure. Easily the best episode by a debut writer in the series. Bow Hothoof and Windy Whistles = character-wise, two of the best canonical parents in the show. They play the ebarrassing parent trope while still subverting the clichés, making them feel like they love Dash, and acting realistic. They're hyper, but so damn lovable. The jokes land perfectly. *gasp* The Wonderbolts are fucking LIKEABLE! Somepony call the Vatican! We witnessed a miracle! This episode also shows how to have a likeable character do a Putting Your Hoof Down rant correctly. There, Fluttershy calculatingly insulted both Pinkie and Rarity and then had the blame shifted to Iron Will that night. Here, Dash was at her limit's end, lost her cool, and immediately wanted to make things right. The criticism against the moral's execution is a flaw that doesn't even exist. Was Dash right to be upset at her parents? Yes. Some actions (despite having downplayed stakes) were reckless. Does she have the right to yell at them, slap Bow's hoof away, and implicate disownment of them because they embarrass her so much? No, she doesn't. She takes her supportive parents for granted, and Scootaloo would love to experience this feeling just once. Less BSing this hot air, the better. Discordant Harmony This is much tamer compared to the other two, but that doesn't make it not good. This is an all-around solid episode. Discord has his most likeable performance in the series. He was the spirit of chaos, but in many of his post-villain appearances, he was being a jerk for the sake of it. Here, he shows how much he cares for Fluttershy and wants to be seen as a valuable friend to her. Pinkie's advice's solid, but Discord's naivete with friendship made him take her too literally. Because he and 'Shy are close, it makes sense for him to feel really sensitive when ponies question it. Fluttershy continues to show off her growth from past seasons. Unlike Leans In, it does it better. She's not so timid anymore and really shows how much Discord means to her. Not in the way that Keep Calm implicated, but a genuine care for him. Like equals. When Discord became too normal and began to fade away, Fluttershy jumped into action to try to save him. More about her and the moral later. Out of every episode, this is the first to actually treat their friendship like one. Prior, the show tells us they're friends, but they don't behave like friends. Here, their friendship feels incredibly genuine, a long-time coming for this show. Honorable mention: All Bottled Up S7 episode ranking (so far): The Perfect Pear: A+ Parental Glideance: A+ Discordant Harmony: A- All Bottled Up: B+ A Flurry of Emotions: B+ Celestial Advice: B- Not Asking for Trouble: B- Forever Filly: C+ Rock Solid Friendship: C+ Fluttershy Leans In: C A Royal Problem: D+ Honest Apple: F Hard to Say Anything: F --- Top-13 episodes (in order, updated): The Perfect Pear The Best Night Ever Crusaders of the Lost Mark Amending Fences Sisterhooves Social Parental Glideance The Cutie Map Party of One Testing Testing 1, 2, 3 Pinkie Pride Suited for Success Lesson Zero Sleepless in Ponyville Honorable mentions: The Times They Are a Changeling, Flight to the Finish, A Hearth's Warming Tail. -- Bottom-13 episodes (in order, updated): One Bad Apple Bridle Gossip Newbie Dash Dragon Quest The Crystal Empire Rainbow Falls 28 Pranks Later Princess Spike P.P.O.V. The Mysterious Mare Do Well Owl’s Well That Ends Well The Show Stoppers Putting Your Hoof Down Dishonorable Mentions: Boast Busters, Appleoosa’s Most Wanted, Trade Ya! So far, none of S7's worst come close to qualifying for the Bottom-15. Good. Moral Bottom moral: N/A: The purpose of this section is to post the worst moral, period. Execution doesn't matter. So far, none of the morals are objectively bad, even if their execution sometimes isn't great. --- Top moral: Discordant Harmony: Your best friend may have nothing in common with you, but you're still true friends because you care for each other. This is true to just about anyone. Many of us have at least one person we know who have nothing in common in personality, opinions, qualities, 'tude, and preference. Commonness doesn't determine true friendship, but by how much they love each other. Neither Discord nor Fluttershy share anything in common. Their personalities and tastes vastly differ, but they're still friends and show us that. More importantly, she's the one who took him in and trusted him. By delivering that moral, Fluttershy hones in past continuity and growth while not degrading her character. Honorable mention: Don't hold onto past anger and guilt forever. Celebrate their lives, and pursue new memories with their loved ones (The Perfect Pear). New Characters: Characters that appeared either in the background or as cameos in prior seasons don't count. Bottom character: Stereo Pop. Fucking Stereo Pop! A blatant, dated parody of teenage Bieber and stereotypical boy bands. Without him, Hard would actually be able to go somewhere. And, no, that asspull at the end doesn't deserve the false praise. Dishonorable mentions: Strawberry Sunrise (unlikeable asshole), Lily Lace (valley girl stereotype). --- Top character: Buttercup & Bright Mac. 'Nuff said. Honorable mention: Windy Whistles & Bow Hothoof. Mane 8 (includes Spike and Starlight) Bottom M8 character: Applejack. She's the only one of the Mane Eight to have her characterization be so bastardized. Not understanding fashion? Fine. Crossing the line of honesty into smugly bring cruel and being proud of it? NOT okay! Honest Apple crosses PPOV and Somepony for her worst appearance and episode, respectively. (Thankfully, she did much better in Pear.) Dishonorable mention: Rarity. --- Top M8 character: Starlight. Overall, she's the best written and most consistent. After a sloppy redemption arc, DHX seems to be taking a lot more care in writing her correctly. She's not as nervous and hesitant as before, has a sardonic edge, and isn't boring or unlikeable. She still has a ways to go, but the Starlight here has transitioned into a more-self-confident pony. Plus, she's given much proper use. Last season, she was treated as someone who could be plugged in for the sake of it. This season, she feels a lot like a character who belongs in Ponyville. Her role in Rock Solid's fantastic, and it's a nice touch how she worked with the RM7 to build Fluttershy's sanctuary. Honorable mention: Rainbow Dash. --- Full M8 rank (in order): Starlight Glimmer Rainbow Dash Spike Twilight Sparkle Fluttershy Pinkie Pie Rarity Applejack Moment: Bottom-2 moments: Big Mac forcing an attempted kiss on a sleeping Sugar Belle. Ah, nuthin' like a scene that says, "Hey! As long as it's a comedy, sexually harassing girls is a-okay!" Anyone who thinks this… this… AND THIS… …is okay or funny is lying. Big Mac's trying to force a kiss on Sugar Belle, who had no idea he was there! If SB showed or said anything to suggest that she knew he was there and teased him, then this moment won't look as bad. As is, it has NO business anywhere, especially in an education-centric cartoon like this one! I doubt there will be a moment worse than this one for the rest of the season. Celestia tells Starlight how swapping their talents was the right decision. Already explained why it's such a wreck earlier. Dishonorable mentions: AJ destroys Lily Lace's hat; Celly and Luna fight. --- Top-2 moments: Big Mac asks Burnt Oak if he could return in the future to hear more stories about his dad. This tearjerker is full of great detail. Big Mac being the one to ask breaks away from his "eeyup" gag and makes knowing more about his parents feel more important. After he asks, Burnt Oak cries, indicating clearly how much he missed his close friend. Little touches in episodes like this one turns a great episode into an amazing one. Amazing direction! Bow Hothoof admits to installing the music by himself. Firstly, best joke of the season. Secondly, narrows Dash's parents down perfectly. They devote their entire lives to their daughter and cherish her, period. It helped build up the fallout later on. Honorable mention: Pear sings to Mac. What I want for Season 7, second half: Clean up Rarity's characterization. Dash is better; AJ on the right track. Until PG, every episode felt like lost potential. I can't exactly put my finger on it, but it felt like there could've been more polish on the scripts, even the good ones. It seemed like they didn't edit them as well as hoped for. Afterwards, they've been better, but hopefully, that lost potential feel can be put to rest. Continue Starlight's development. So far, the difference in episode quality is staggering. The best episodes of Season 6 weren't THAT good, while the worst were REALLY awful. This season's the opposite: Even when they're horrible, they're not so awful that they qualify for the worst of the series. Hard was closest, and it ain't that close. Remember, this is a team full of new writers. If you want proof how important an editor is to the show, this is it; Josh Haber knew how to write Spike, but was a really poor editor. Credit goes to The Sister Writers for keeping them all in check and pushing forth new ideas while making them work. Hopefully, nothing bottom-10 level will come. And watch out for your unfortunate implications! From my S5 review: In layman's terms, less of Lily Lace, Stereo Pop, Inky Rose, and Star Streak. More of Burnt Oak or Windy Whistles. From my S6 review: May nor happen this season, but y'never know. Verdict: While S6's the worst, S7's one of the best. After a slow start, it's picked up. Some episodes are more flawed than others, but other than three, none of them get near the bad territory. If the worst the rest of the way is as average as FLI or as bad as A Royal Problem, fine. But if there are many great episodes the rest of the way, even better. The first half has better characterization, better plots, better execution, and better quality control. Currently, it's above Season 1 in third place. Hopefully, the second half will do just as well.
  24. heavens-champion

    the reason for the mini-hiatus?

    Do you think the reason for the Mini-Hiatus for Season 7 is due to poor planning?
  25. Good evening everypony, and welcome back to yet another edition of "Batbrony Reviews"! Tonight I'll be looking at the three recent EQG "shorts" (only in the sense that rather than feature length films they were simply episode-length affairs) "Dance Magic," "Movie Magic," and "Mirror Magic." These will all be included in one review since, unlike my normal fare, the reviews for all three of these should be considerably shorter. Without further ado, let's dive in, this is "Equestria Girls: 'Dance Magic,' 'Movie Magic,' and 'Mirror Magic'."!!! "Dance Magic" The first one of these was easily my least favorite, despite some WILDLY entertaining bits to it. "Dance Magic" was like if you took the first EQG movie and condensed all of its problems and positives into a 22 minute episode; wildly entertaining and fun in some moments, but mind numbingly stupid in others. The plus side is that Rarity actually got featured here, and as far as her performance goes, she was spot on. Tabitha could do this role in her sleep at this point and any "Rarity moments" were pretty much perfect; Human Rarity crying on a fainting couch in her room, eating ice cream when she was sad and making sad-nomming noises, just getting WONDERFULLY over-the-top whenever she got in a mood, I loved all of that start to finish. Rebecca Shoichet got to sing at one point as Sunset and, even though I couldn't have cared less about the song itself (and neither did Daniel Ingram from the way it sounded, seriously, sounded like he churned that thing out in an afternoon, if that), hearing Rebecca sing in her normal singing voice is ALWAYS a joy, I mean, just wowwwwwwww her voice is gorgeous. It was cool that they were continuing on from "Legend of the Everfree" by having the girls raise money for Camp Everfree to fix it up, I really did like that detail. Besides that and the fact that the voice cast in general is always a joy to listen to, I didn't really dig much else. For starters, for the first half, Rarity was... kind of stupid. Like, take her naivety in "Rarity Takes Manehattan" (a FAR superior showing compared to this, and behavior which is far more forgivable in the context of that episode) and amplify it times ten. I mean, she goes and straight up blurts what she plans on doing for this music video contest to girls who she not only knows WILL be competing against them, but have been... well, for lack of a better way of putting it, kind of bitchy in the past (while I'm on the subject of the Crystal Prep girls, WHERE THE BUCK WAS THE RAINBOW DASH/LIGHTNING DUST CANTERLOT PREP DOPPLEGANGER??? There were supposed to be five of them but there were only four, where the buck did she disappear off to, seriously???). I have no idea why she thought that was a good idea for one moment. To be fair she fesses up that it was her fault later on, so she at least realizes her error, but that doesn't excuse how stupid it was. In the second half, it was the rest of the girls who were kind of idiotic. They kept throwing out ridiculously stupid ideas for the music video, and I get that they were just trying to lighten the mood, EXCEPT this was not just money they were trying to win just for themselves, THIS was money they were trying to raise for bucking Camp Everfree, SO TAKE THIS SERIOUSLY GIRLS, especially after you blew all the money you'd already raised on costumes for the music video! Not to mention that the girls decided for some reason that they NEEDED to use their Equestria-horse anthro powers (whatever)... for the music video. I will never like those anthro designs, but I am at a point where I can accept the girls using those powers when they need to, but this???? This hardly seems like a situation that calls for those powers at all. The ending was also ridiculously telegraphed; it's not like MLP isn't oftentimes somewhat predictable in where episodes are going, but usually the execution of it isn't. You can often see where an episode will end up, but not usually how it will. Here, the second I heard stuff like that the prize was TWICE as much as they needed for Camp Everfree, and that the Crystal Prep girls were trying to raise money for their school dance (which, I'm sorry, I don't really care about that "plight," their gym can't be all that bad when Crystal Prep is a super exclusive private school, so I can't imagine it'd be an awful place to have a dance, even if it wasn't a yacht), I knew that the two groups were going to join forces to earn the prize and split it 50/50, and lo and behold whaddya know, THAT'S WHAT HAPPENED! So yeah, like I said, this was the first EQG movie condensed into a 22 minute episode in terms of quality. Entertaining in certain spots, but very mehhhhh overall because it didn't really feel like something that the DHX crew cared about making, it felt like something they might have assigned to new hires or even interns just to do or as a first time project. I'm not trying to be overly critical, it's just not particularly good, and if that's what an EQG show would ever look like... yeah, sorry, I'll pass on that. "Movie Magic" "Movie Magic" was better than "Dance Magic," but oddly more forgettable, probably because there was as little to love as there was to hate in it. The best way I can describe it is that it was essentially an MLP episode meets Scooby Doo, no joke, I'm not even kidding. The Humane 7 "gang" basically has to solve a mystery of some sort (not a particularly good one, again, like "Dance Magic" the ending was terribly telegraphed), which mostly Sci-Twi and Rainbow tackle. I'll be honest, I'm not a fan of "movie-studio" episodes in kids show, or when cartoons depict movie productions, they just feel a little... too close to the showmakers' actual culture, like, you know they're a part of this culture so they're going to be super tongue in cheek about a lot of stuff. That kind of happened here, with the usual cliches like a drama queen actress being bitchy for a lot of the episode, a jealous assistant/relative of the director, and all types of "whacky" sights on set. Seen it before, never been a big fan of it before, and not really a fan of it here. I will admit that I kind of liked the director since he didn't come off as a jerk, just a nice guy who genuinely was really stressed out and had a lot on his hands to juggle (his tearing apart his niece at the end after she got caught was pretty satisfying too). Same with when it first got brought up in "Dance Magic," I am REALLY not a fan of Daring Do and A.K. Yearling pretty much existing in the exact same way in the human MLP world as they do in Equestria, that just seems... forced. Like, I can accept a lot of the parallels between the two worlds, but that is REALLY starting to stretch it, as is the idea that Rainbow Dash is the super fan of her here as well. Having there be human counterparts is one thing, but making them virtually identical in how they behave AND what has happened to them in critical ways, that's another. Granted, even that didn't bother me as much as the Power Ponies bit. In a bid just to put them in some superhero costumes (a very lazy excuse for doing so if you ask me) the girls stumble onto a superhero movie set and it turns out to be for... Power Ponies. Like, no joke, the director says POWER PONIES!!! WHY??? Why are they called that in this world??? There's absolutely nothing about them that looks or screams ponies in this world! I know that a lot of the pony puns have carried over from Equestria to this world, but the Power Ponies one makes no bucking sense. So ya wanna know why it exists? Because the writers didn't want to come up with a new name because they cared more about just getting the girls into the costumes to begin with to make them look more interesting. The final scene where the girls got to be in the film was pretty entertaining, but overall, while this was technically better than "Dance Magic," it was, like I said, something I'll barely be able to remember going forward. "Mirror Magic" OK... wow. Just... wow. In all the right ways, I am VERY happy to say! The bad news is that "Mirror Magic" is clearly the only one of these three that DHX gave a shit about or that any bronies should give a shit about. The good news is that DHX gave a shit about it in ALL the right ways! If "Dance Magic" is the episode equivalent of the first EQG film, then "Mirror Magic" is the episode equivalent of "Rainbow Rocks." It's the only one REALLY worthy your time and has anything any of us have ever actually loved about the EQG movies. Let's list them, shall we? 1. Sunset Shimmer is the focus of "Mirror Magic," not any of the other Humane 7. The Humane 7 (including Sci-Twi) may be human versions of our beloved Equestrian characters, but they are NOT the same characters as them and never have been. The worst consequence of this is that we've never had the same connection to them as we do the pony versions, so they've never really served well as THE main characters of any EQG property. Every time they're in the spotlight in a major way they feel like cardboard cutouts of their Equestrian counterparts, caricatures of them. The less focus on that, the better. Sunset Shimmer, on the other hand, has always been the most interesting character in any EQG property, bar none, and I am always happy to see anything EQG focused on her first and foremost. It's a big reason that "Rainbow Rocks" is the best EQG movie to date, and as big of a reason that "Mirror Magic" is far and away the best of these episodes. As a result of Sunset Shimmer being the focus, the rest of the Humane 7 fill the roles they're best suited for in EQG; supplemental supporting roles, and they're GREAT when they're like that! They're not distracting, they still have some fun lines (Pinkie Pie was particularly good here), and they do just enough to help out overall without it feeling forced. This is EQG in its wheelhouse and I have no idea why this is still hard for them to do. I know they probably don't want to ALWAYS be focused on Sunset, but I'm sorry, she still remains the only actually interesting original character to this property with the only really interesting ideas to explore, ESPECIALLY because of her Equestrian origins. Without the Equestrian ties (which none of the other girls have), all you're left with is a bunch of human knockoffs of our ponies, and that's no fun! If this were an actual "Ed, Edd, n' Eddy" reference, that'd be pretty bucking awesome Me every time Sunset Shimmer is the focus of EQG 2. Sunset Shimmer meets Starlight Glimmer. I REPEAT, SUNSET SHIMMER MEETS STARLIGHT GLIMMER AND IT IS PURE JOY AND OH MY GOSH HOW HAS THE WORLD NOT IMPLODED FROM THIS MUCH AWESOME?!?!?! Every brony when this happened Wow, let me tell you, everything with these two was bucking perfection. Sunset going back to Equestria was the true highlight of all of this, and I had not realized just how much I missed seeing her in pony form (especially since this is the first time we ever got to see her as a pony as a good character and not a villain). Dear Lord did they take advantage of giving her "cross-dimensional" jet lag after being in the human world for so long. Her standing on two pony legs (adorably), not remembering how to pick things up with her hooves and forgetting to use her magic until she remembered she had a horn, THAT was funny and kind of tragic on some levels. She is increasingly getting out of touch with her Equestrian roots, and it made me even fear where her story is going. I'm calling it right now, I think that the ultimate way they're going to ensure that magic doesn't keep leaking from Equestria into the human world is to cut off all ties to it (you just have to believe that Twilight's 24/7 portal is causing all kinds of magical imbalance shit leading to that), which will mean that at that point, Sunset has to decide between staying in the human world or going back to Equestria, and I have to believe she'd stay in the human world. It'd be a tragic but fulfilling way for her to discover and fulfill her destiny, and I'd love it as much as I'd hate it on a sad level (mostly because we wouldn't get more pony Sunset, but also because she'd never get to come back to her home, unless of course they went with the whole "this is her true home now" angle, though she still seems to often miss Equestria and want at times to go back, so who knows what'll happen). Anyways, besides that, her and Starlight hitting it off was adorable, Starlight coming back with her (behind Twilight's back no less) was even more adorable and hilarious, and the two essentially becoming "reformed-villains" besties was THE GREATEST!!! I could keep going on and on, but seriously, just watch it for yourself, if you need any more convincing that this was amazing then you probably haven't seen enough of either of these characters to begin with. 3. ACTUAL MAGIC SHIT GOING ON THAT I GAVE A SHIT ABOUT! OK, this magic mirror wasn't that interesting (although the idea of them being stuck in the mirror in that mirror limbo or disappearing into nothingness once it was destroyed was pretty creepy) but it was at LEAST some Equestrian stuff! I didn't give two shits about their "problems" in the first two episodes because they were ALL human-world problems, no Equestrian stuff whatsoever. This was at least an interesting issue at hoof with actual Equestrian roots. Sure the villain wasn't that good (although I will say that Juniper Montage was AT LEAST a better villain than bucking Principal Cinch from "Friendship Games," and her reform was handled pretty well), but the mirror itself was pretty creepy overall. I can take the villain only so seriously when shit like THIS happens! 4. A solid conclusion overall, with Starlight Glimmer doing a pretty bang up job convincing Juniper to give friendship and forgiveness a chance (with an especially fun and amusing joke from Pinkie Pie about just how many of their friends are reformed villains who've been forgiven). Pfffftttt, and this is why I bite my ice cream It's pretty easy to see that this was the only one of these three episodes TRULY worth anyone's time, though the other two are worth seeing if only to get some context for this one as well as to see how much better "Mirror Magic" is than the other two. I came away from this for the first time since "Rainbow Rocks" genuinely happy to actually accept EQG stuff as canon in the greater MLP universe. Playing around with how you could connect the two worlds, giving as much of the spotlight to Sunset Shimmer and her story as you can, getting characters like Starlight involved, THIS is everything I want to see and more in EQG! I wish they wouldn't run from stuff like this in other EQG stuff, but as long as there is even a promise of more spotlight being put on Sunset Shimmer, bring on more EQG, I say!!! Other than that, not too much else to say. That's all I've got for you, everypony, until next time this is Batbrony signing off! I'm off!!! *cue dramatic exit*