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Found 847 results

  1. Hub Welcome to the Applejack fan club! Applejack is the hard working sister of the Apple family. She works with her big brother Big Macintosh on the farm Sweet Apple Achres. She loves helping other ponies and will often work to the bone to please a friend. She like physical activity and has won countless times at rodeos. She is the element of Honesty. Kyronea's analysis on Applejack Rules of this thread -No spamming post to become biggest fans -This is a children’s show, and believe it or not there are younger people who go on these forums, please limit content to suggestive only. For example you may post a picture of two ponies kissing, but they cannot be doing anything inappropriate, or showing things inappropriate. -Do not post a picture of Applejack in the Rainbow Dash forum, because Applejack belongs in the Applejack forum. -Do not hate on another fan club, for example posting in the Fluttershy forum "Twilight is better!" -I have the ability to decide whether you are doing something inappropriate or not, if I deem you are doing something unnecessary and I ask you to stop, please stop. Common Sense my little ponies. -All of MLP Forums rules still apply. This is the Applejack thread, please only post her. If you have recomendations for another pony club, go to the hub (linked at the top of the screen). Trophy Case
  2. Rocco

    Apples...

    I don't normally vector in the eyes from a style perspective, but this face requires it. This picture was requested by @Lucky Bolt and honestly, i love them for requesting it! I never get requests that are actually do able.
  3. Hello everypony, I was surprised to see that nopony else made any shipping threads, so I decided to make the fan fiction shipping, AppleDash! Please keep this thread PG, no R34. Other then that, feel free to post anything you want about AppleDash. Like fan art, fan fiction links, etc.
  4. What do you think the most common pitfalls that writers fall into when writing an episode about the characters (mostly the Mane Six)? These are what I think.
  5. HUB Welcome everypony to MLP Forum's own Mane Six fan club! Source I'm aware that all of the Mane Six ponies have their own individual clubs, but this is the place for fans of all of the ponies as a group to hang out! Everyone is welcome to join in on posting Mane Six artwork, fan videos, music, comics, avatars, banners, and any other creative media that you wish to share. It can be your own work, or just something you found on the internet. There will also be occasional discussions pertaining to the Mane Six, as well as polls from time to time. These are completely optional, so feel free to discuss whatever you'd like to, as long as it's relevant to the club. - No, you don't have to love every one of the Mane Six ponies to join the club, but I do hope you at least like all of them to some extent. This is for positive discussions, so no hatred for any members of the group please. This is simply a place to come in and appreciate the main cast. - No fighting over who is best pony. Be respectful. Yes, we all have a personal favorite, and you can talk about your favorite all you want, but no arguing over which character is better please. If anyone has any questions, comments, concerns, suggestions, or ideas, please speak up. I would really like for this club to be successful, so I am all ears. Let's get the ball rolling with a pic:
  6. Howdy y'all! Me and Dash here are up for answerin' some questions- Sup guys! Ask me anything you like! Ahem. Ask us anythin you like. Right Sugarcube? What was that? .... Seriously Dash? Oh shut up, you love me anyway. *sighs* Yeah, I do. Heh, told ya. Yea well ANYWAYS y'all just go ahead and ask me and Dash whatever questions y'all have a hankerin' for, just please keep em somewhat SFW, ya hear?
  7. Note #1: This is one of the episodes leaked a few weeks ago. If you watched the episode already, keep all discussion under the spoiler tag until after it finishes officially airing. (Hit the eye icon to trigger it and type within it.) DO NOT LINK OR POST THE LEAKED MATERIAL! Note #2: Over the last few months, some content originally leaked (e.g., the Student Six's names, episode titles, some summaries) have been officially revealed, and chances are more will, too. But as always, please keep all leaked content not officially revealed yet — and/or if you're unsure if you're revealing too much — under the "spoiler" tag. Title: Non-Compete Clause Air Date (U.S./Disc. Family): May 12 at 11:30am Writer: Kim Beyer-Johnson Summary: Zap2It: Applejack and Rainbow Dash take the friendship students on a teamwork learning field trip, and accidentally show the students the opposite of teamwork. Disc. Fam.: Applejack and Rainbow Dash take the friendship students on a teamwork learning field trip, and accidentally show the students how not to work together. Episode will be linked after it airs. CMC Clubhouse on Equestria.tv! SendVid.
  8. Title says it all folks. Just post a cuter picture of our favorite Apple horse than the one above you. I'll start....
  9. Inspired by the recent episode Going to Seed, I’ve summarized a history of the Ponyville branch of the Apple family. I know that the writers did not have this planned out before it happened. But the way I’ve put it all together, it actually plays out like the life of a real person and family, precisely because of how messy it is. Several of the characters have a lot of dirt on them, which is unnoticed unless you collect all of the information we know about the characters, and then make connections. I’ve refrained from pointing out where this is conjecture, as opposed to details mentioned in the show, in order to increase its readability. Obviously, I’ve made several things up where there are holes. If you bother to read the whole thing, tell me what you think! As narrated by Granny Smith at the end of the episode Family Appreciation Day, the Smiths were travelling seed sales ponies. Mr. and Mrs. Smith had three children. The first two were stallions, and the third was Granny Smith. The Smiths went to market in Canterlot, and a chance meeting with the Princess gained them the plot of land that would become Sweet Apples Acres. Celestia was impressed by something in them. Perhaps she was looking far ahead into the future, and preparing for the return of her sister, and this is why she gave them the land on the edge of the Everfree Forest. In this recounting of their origins, Granny portrays herself as older than she really was at the time. A photograph shown in Apple Family Reunion depicts her as a younger filly. Granny Smith was not her given name, since the Smiths had no relation to the Apples. The dual grandmother-apple pun in the name Granny Smith only came after she became a grandmother. The Smiths planted fruit trees, with the eventual hope of selling them for profit. On the side they planted crops for sustenance. But being alone in the wilderness, a bad year would force them to leave or starve. On one such occasion, Granny Smith entered the Everfree Forest in search of food and discovered the zap apples. She and her father planted the seeds of these fruits, which inexplicably grew into full size trees immediately. Zap apple product was a hit, and gained some notoriety for the Smith family farm. For the first few years, there was no town of Ponyville, and the Smiths sold zap apple products to Canterlot ponies who would buy them, including Stinkin Rich, while waiting for their natural fruit trees to grow. The Smiths had planted a variety of crops: Apple trees, Pear trees, even carrots. But their specialty was in sales, not keeping orchards. Field hands were hired to apply their expertise and cultivate the fruits. These were none other than the Apple and Pear families. Among the Pear family who moved to the farm was Grand Pear, and among the Apples was Granny Smith’s future husband. The land had been granted to the Smiths alone by Celestia, but the Apples and the Pears entered into tenancy with the Smiths upon moving to Ponyville in order to participate in the fruit business. This arrangement persisted for some time, and in the meanwhile, the town of Ponyville was founded as the Smiths’ success grew on the market. Granny Smith loved one of the workers from the Apple family. The wedding followed soon after. Present from out of town at the first Apple Family Reunion were Apple Strudel, Auntie Applesauce, and Apple Rose. In fact, the “first Apple Family Reunion” was no such thing at all. The first reunion was, more properly, the occasion of the “union” of the Apples and Smiths: the wedding of Granny Smith and her husband. Applesauce was his aunt, a young sister of one of his parents, and Apple Rose and Apple Strudel were his cousins, the children of one of his parents’ siblings. (There are other Apples that are more distantly related; it was a large family). He and his immediate family are not pictured in the Barn photo, but that photograph does not picture everyone who was present, such as Granny’s brothers. In the subsequent generation, the Apple Family Reunion was held regularly “every 100 moons,” a length of time that seems to be variable. Ponies of the Pear, Apple, and Smith family at times left the farm to settle in the town. Granny Smith became a champion high diver in her spare time. Once Granny married into the Apple family, some lines were blurred, and the Pear family resented the kinship of their Apple colleagues and the landlord. At first, the rivalry remained healthy. After several years, Grand Pear had his daughter, Pear Butter, and Granny Smith had Bright Macintosh, her only child. The father of Granny died shortly after his first grandson was born. The Smith property and the apple orchards were given to Granny and her husband. But the pear orchards were donated to the Pear family, in return for their years of service. Still, the Pears were irritated about the privileges and prestige the Apples insisted on in the town. The mayorship was previously held by Mr. Smith while he lived. But after his death, and until the election of the New Young Mayor Mare, the mayorship succession was closely controlled by the Apple family. Further, the Apple family assumed the social influence in the town that Mr. Smith had by right of being the founder. The Pears resented the transfer of power from the Smith patriarch to the Apple family. Grand Pear pointed out that Granny’s marriage was the only reason the Apples were favored over the Pears, and so after the death of Mr. Smith, the figurehead of Ponyville, the business rivalry between farms escalated into a feud. The Pears contested the privileges that the Apples claimed for themselves as Smith kin. Grand Pear made public and slanderous comments about Granny Smith’s marriage being a conspiracy in order for the Apples to expand. Through the marriage, the Apples were taking advantage of the prestige of the Smith name in the long-term, and Granny was taking advantage of the Apple success in the short-term, to maintain matriarchy as long as she lived. Of course, the Apples defended the integrity of Granny’s marriage while Granny defended them as well, and the feud began. But Bright Mac and Pear Butter were fond of each other from a young age, even as the feud of their parents was an obstacle. In the episode The Perfect Pear, a stallion that has similar hair to Bright Mac and a mare that has similar hair to Pear Butter are shown growling at one another from either side of a fence. Assuming these are the spouses of Granny Smith and Grand Pear, they died early, because they are never present again, and their children never make reference to their absence. With the death of her husband, and with no remaining Smiths working on the farm besides herself, Granny integrated herself fully into Apple family tradition. This solidified the link between the Smith prestige and the Apples, to the extent that the two families are considered one and the same, and the Apples are often given credit for founding Ponyville. Mayor Mare, who was a contemporary of Bright Mac and Pear Butter, was elected by popular vote after a particularly bad Apple-backed candidate was forced out of office. Since Ms. Mare was a friend, the Apples approved of her, and she had competence to boot. Eventually Grand Pear did what he believed was the right choice to end the feud: concede, and move away. The clandestine wedding of Bright and Butter was crashed by Granny and Grand Pear. Granny welcomed Pear Butter “Buttercup” into the family, but Grand Pear disowned them, and left with the remaining Pears for Vanhoover. The Apples chopped some of the pear orchards down for lumber, and abandoned others. Granny greatly loved Buttercup. Granny’s marriage had also been the source of tension, and short, and since she had only been able to have one child, she looked forward to being able to help raise her grandchildren. In short, the reckless and ill-advised marriage of her son was the best thing that could have happened for her. She also “won” the feud this way. With Mayor Mare, leadership and sensible policies, rather than family machinations, ushered the town into a new era. There was discussion about whether to hire Canterlot unicorn sorcerers to accomplish Winter Wrap Up more efficiently. The consensus, pressed by the Apples and the mayor, was to continue using the manual labor. The mayor questioned the financial benefit of hiring skilled unicorns, and the Apples appealed to tradition. Big Macintosh was born to his parents Buttercup and Bright Mac, much to the delight of Granny Smith. At this time, she cleverly took on the name Granny Smith, integrating herself further in the Apple lore, while retaining her Smith heritage. Relatively soon, Applejack was born. The Apple Family Reunion had been held semi-consistently for the past two generations at Sweet Apple Acres. Family life at the farm was idyllic, and then Apple Bloom was born. Applejack’s imagination of her “Apple Chord” alter ego begins here. She learned how to play a guitar as a young filly, and the arc of the character’s rise and is a reflection of Applejack’s desire to escape during her late childhood, and her rebelliousness in adolescence, while the arc of Apple Chord’s fall and retirement is a reflection of Applejack’s settling down into the honest family pony that she is now. The mythos is entirely a creation of Applejack’s imagination, but through various trials in her life she added to or altered the story of her alter ego. The story does closely incorporate the themes of Applejack’s early adolescence, but there is not a one to one correlation between Apple Chord’s life and Applejack’s. It should also be mentioned that musical talent runs in the family; Big Mac is a skilled bass, and even Apple Bloom has shown the ability to carry a tune. Some ten years after Applejack’s birth, Apple Bloom was born. Meanwhile, Filthy Rich proposed to Spoiled Milk. An event occurred at the farm that the Apples call the Confluence, during which all of the fields give a high yield of apples. Applejack set traps for a mythical creature, but fell into her own trap and was unable to help harvest apples. This event became traumatic in hindsight for Applejack, because its memory is associated with subsequent tragedy. Shortly after the Confluence, on the occasion of Apple Bloom’s birth, the couple made plans to visit the Pears in Vanhoover, and then return to Ponyville with Grand Pear as their guest. Grand Pear consented because he was ready to put the feud aside for his daughter and grandchildren. Only Granny Smith knew the true purpose of this trip; Big Mac and Applejack never knew that their mother was from a feuding family, or that their grandfather still lived. The plan was to reconcile, and then explain everything in time. However, disaster struck, and the two died on the journey. Apple Bloom survived unharmed, and was returned to the Apples with the news. Grand Pear was devastated as well. He partly blamed himself for moving away. The whole town paid their respects and offered their continued support for the founding family of Ponyville, but Grand Pear did not attend the funeral in person. He would later deeply regret this. He kept tabs on Ponyville through old friends and connections, and he recognized that this would have been the best time to put the feud aside and reconcile with his Apple kin. He sent his regards, but out of shame he did not come to Ponyville for the funeral. In memory of his father, Big Macintosh took to wearing the yoke he had used with him during the harvest. Big Mac experienced a growth spurt. He began expressing his opinions loudly to cope with his loss. But Applejack was affected the most. She decided to run away from the farm entirely, against the will of her grandmother and brother. Granny gave her a photograph of some relatives but didn’t expect her to make it all the way to the Manehattan. When Applejack tells this story today, she doesn’t mention its connection to her parents’ death out of shame. Applejack stayed briefly with the Orange family, but found herself homesick for Apple family cooking. Admitting her selfish mistake when seeing a rainbow in the sky pointing home, she returned home to her family on the farm and received her cutie mark. This could have been the end of the Apple family in Ponyville, if Applejack had not returned. She spent a few days at a summer camp and met Coloratura, ‘Ra-Ra.’ Then she returned to work on the farm, and regained her reputation for hard work. This is all within weeks of the birth of Apple Bloom. Applejack experienced a growth spurt like her brother, and with it came vainglory. With her father deceased, she assumed that she deserved to take up his mantle and take over the farm. Without the permission of her grandmother, she made a deal with Filthy Rich. Mr. Rich was a good pony, and he was willing to give her a good deal, especially in light of the recent events. But when Applejack tried to renege, his generosity and patience was tested. Ultimately Applejack concocted the lie that Granny Smith was ill and in the hospital. Rich dismissed his anger at Applejack’s failing to honor their agreement, and visited the hospital immediately, but Applejack admitted that it all was a lie. Filthy Rich and Spoiled Milk got married and became pregnant with Diamond Tiara, who would be born a year after Apple Bloom. The town was willing to forgive Applejack, because of the recentness of the death of her parents. From that point on, she gained her reputation for being both hard working, and honest. The town of Ponyville could look back and recognize that the Apple family nearly fell apart several times within a few short months. The deaths, and then Applejack running away, and lastly, the trend toward delinquency of Applejack and Big Macintosh. Big Mac afterward resolved to speak less, and listen more. Following this, something resembling a normal family life continued until the arrival of Twilight Sparkle. The Apples continued to host reunions at the farm. They did not talk about their parents. Apple Bloom grew up taking her parents’ perishing as a normal thing. When Twilight Sparkle arrived, some of Applejack’s family traveled to the farm to witness the Rising of the Sun and help set up. Applejack later described this as a family reunion, but the occasion was not the regular reunion, but the Summer Sun Celebration. When Applejack later reminisces on the most recent reunion, she is not taking about this event. Significant for the Apple family after this was Applejack’s becoming the Element of Honesty, the near loss of the farm to Flim and Flam, Apple Bloom creating the Cutie Mark Crusaders, and Big Mac’s relationship with Sugar Belle. The Flim Flam brothers are Apples of some kind, but they have no connections with the Ponyville branch. Any cousins of the Apple siblings are second cousins at the closest. During the third year after the return of Princess Luna, Grand Pear came back to Ponyville. He was moved when he saw Apple Bloom, making sure she remembered his name, and he gave her a sample of his product for free, so that she would set in motion their reconciliation. Grand Pear did not have the courage to approach the Apples himself. As he expected, his arrival and identity became known to the Apple siblings. Grand Pear deescalated the feud with a simple apology, and he now lives in the town.
  10. Note: Expanded my original thoughts. Credit also goes to @AlexanderThrond, @Odyssey, and @OptimisticNeighsayer for it. With a world as magical and fantastical as Equestria, any form of mystical being is possible. They may sound like fairytales (or "pony's tales," as what Spike once said about the Mare in the Moon). Not too often does the show do the opposite: establish the legend of a mystical jokester no one witnessed and make both ponies and viewers wonder if he doesn't exist. Considering the amount of lore in the series (both in the TV series and comics), it's an undertaking for the show to give this concept any benefit of the doubt. That was partially Applejack's role, as her stubbornness and eye for logic initially play a role in downplaying and explaining other ways for phenomenons to work beyond a "just-because" shortcut. Additionally, Applejack's stubbornness usually lasts all the way through the climax. The Mane Attraction is the lone time to use it as a strength rather than a flaw. Just like the lore, Rapp reigns her flaw in. Instead of making her impose her stubbornness on everyone else, she's stuck with a dilemma: promise Granny and Big Mac to help round up every apple in Sweet Apple Acres and not try to hurt Apple Bloom's feelings. More on this later. Building up this dilemma in the first half was its biggest weakness, and there are a few reasons why. The first half is loaded with exposition. The rest of the Mane 8 were written off early, automatically turning it Apple-focused. But using a one-line shortcut cheapens the direction. Even the lore of the confluence (the time where every apple is ripe simultaneously) doesn't hold much weight, as it's attached to the clunky "moon" length of time and explained very early on. Additionally, the episode repetitiously reminds the viewer how catching the Sass Squatch-like trickster*; once is fine, thank you. *The AJ Micro revolved around a "Sass Squatch," a mystical creature that changed apples into squashes, and Applejack was stubborn as Boulder to try to capture him alone for most of the issue. Until the end of the flashback, it was really slow and bland, with surface jokes that aren't all that funny. Usually, they were related to either Goldie's "crazy-cat-lady" shenanigans or Big Mac's exhaustion, and nothing more beyond that. One of the only ones to work that well was Goldie's cats distracting her to steal her pancakes. Although it was a problem for the whole episode, the dialogue in the first half was quite repetitive. I don't need to specifically hear "Great Seedlin'" all the time. Throughout most of her time as a foal and filly, Applejack learned of his legend and the reward for catching it, so he spent good time every confluence to set up traps rather than buck the apple trees. However, she forgot where one of the traps were and was stuck in a deep hole for most of the day. She felt so upset for it that she felt like she let herself and her family down over trying to chase a mystical creature that may not even exist. Therefore, as what @OptimisticNeighsayer wrote, she established a "sour grapes" approach to the fairytale, eschewed the Great Seedling as nothing more than fairytale, and focused primarily on working the farm. It established why she can be so work-driven (nicely pointed by Alexander Thrond, his post linked further down), shown in past episodes like Applebuck Season and AJ's "Day" Off. So why is this, by far, the worst moment of the first half? Because of this: Goldie and Granny don't treat her mistake as a big deal, even though it is to her, evident by her tone and glum expressions. Combine that with Goldie's smugness, Granny's decision to explain right there why AJ became cynical in the first place, and their disagreement from earlier, it unfortunately implicates that Granny told AB the story as a "gotcha!" to put AJ in her place. AB tries to soften the blow by staying by her older sister and refusing to join her grandma and relative (and Goldie shaking her hoof after they accidentally ran too close was a little bit of accidental karma), but neither of them were held accountable for not taking AJ's hurt seriously, making the overall tone of the moment and flashback really mean-spirited. To borrow from @Odyssey, if it wasn't shown in AJ's point of view or have her bitterness dominate the mood, then perhaps the scene would feel more whimsical, and the tone's direction wouldn't be so convoluted. Thankfully, the rest of the episode picks up from there, focusing on Apple Bloom and AJ's bond. Whereas Sweetie Belle and Scootaloo had bonding episodes with their older sisters (both biological and surrogate) previously, AB never had that, as episodes where she shares a focus are more on herself (and for Brotherhoves Social, her relationship with Big Mac). The one time where there was some kind of bonding episode between her and AJ was Somepony to Watch Over Me, and that's an AJ-focused episode and AJ's worst appearance of the first five seasons. Recall AJ's dilemma that I mentioned earlier, and I'm going to expand from @AlexanderThrond post with my own thoughts. Yes, she wants to help everyone else, but catchin' him mattered to AB. That's why she was gentle when talking to her about it and tried to add uncertainty to the legend. More importantly, AJ didn't want her own trauma to similarly affect her. In short, to softly ask that question of the Great Seedlin' being real or not was a warning without trying to intrude. But she was also willing to help her and make her happy however possible, which is why they agreed to compromise on Day 2: If they work together to harvest the trees, they'll set up the traps later. Rather than make AJ so stubborn to the point of blindness like her Micro, the episode eases her stubbornness and allows her to be open-minded to his existence being possible. This moment and AJ's flashback tie a little bow on the first half and commence the second half's direction, giving them the bonding episode they sorely needed. Two moments, though, really stand out. Their montage was really heartwarming. Rather than let Granny and Goldie get the best of her, she helped AB prepare the traps, using both her own memories back in the day to place them in the best spots and ability to build to build them faster and effectively. Skeptical at first, she progressively showed to having a lot of fun setting them all up. Pay attention to the change of facial expression from this to this to this. When she said she had fun, she meant it; the facial expressions and length of time they put in to building those traps back her up. You can tell she was starting to evolve from an ol' prune to a shiny plum. This was the first confluence since she was a filly, and by helping AB, she reminded herself of the good fun she had then. Yes, she still has responsibilities, but quality time with her young sis healed painful wounds and let her loosen up in life. While Big Mac struggles to clean the orchard on time, AJ and AB are having fun off-screen, and after discovering an empty orchard, they'll accept any help possible to solve it, including listening to one of Goldie's Great Seedling tales. After some advice on how to improve their chances of catching him, they have one of their best heart-to-heart moments of the series. Now, even though they don't know Big Mac unintentionally disguised himself as the mythical deer, the episode makes his identity way too obvious. From the opening shot, the camera spies on him being exhausted at the table and accidentally falling asleep on the breakfast table. Over the next eighteen minutes or so, his expression and behavior deteriorate, such as sleeping on the floor, not observing his surroundings, sagging and drying eyes, not cleaning up the apples right away to knock the apples down easier, sleepwalking, and so on. However, despite the mystery behind the Seedling, that wasn't the point. Its focus was on Applejack eventually letting her hair down to reminisce and enjoy being a kid with a sister who was too young to participate last time. The hunt was merely the plot device to bring them together. So is it the worst episode of the season so far? Yes. But compared to the previous first halves, is this way better than Boast Busters, AJ's "Day" Off, Fake It, and The Cutie Pox? One hundred percent. Overcoming first-half hiccups, Going to Seed's the AJ Micro done better and a fine overall addition to the series.
  11. Sometimes you just not look forward to an episode. Whether it’s the synopsis, unimpressive preview, or whatever, something didn’t click. Personally, I looked forward to it, although I understand why some didn’t. It had the makings to being the worst episode of the season at this point. Fortunately, it’s not. In fact, it’s a sneaky great one. For one, there’s a whole lot of really good comedy. Like every other episode this season, there’s a huge array of facial expressions, and they sell the jokes really well. My favorites are: Rarity looking very cross after Yona burped munched Brussel sprout on her muzzle. Gallus and Smolder teasing each other, the latter including a wink. Rarity’s smiles, such as asking Yona what she wanted at the Boutique and pronouncing sophisticatedly. Silverstream’s sass as she gobbled potato chips first and a really nervous grin the next. Yona romantically blinking at Sandbar, triggering giggles from her friends. And there’s also all of Yona’s antics as she tried to “fit right in.” When she tried the first time, she caused either a little commotion or chaos, ala damaging Rainbow’s classroom by accident. Then after she succeeded, she pretended to be Rarity in hilarious fashion, all the way down to her accent, dress choice, and mannerisms. Observe the title. It references the 90’s cult hit, She’s All That, which in turn was inspired by Oscar-winning musical My Fair Lady. I'm not familiar with the former (never watched it), but I am with the latter, and you can find similar tropes used for My Fair Lady in at least three other Disney films: Aladdin, Pocahontas 2 (the one best compared to All Yak), and Mulan. As such, there’s no denying how cliché this type of story is, and this episode’s formula (despite a wide variety of emotion carrying it, and I put not much focus on total clichés nowadays) may be a little too on the nose with it and could do more by straying away. But there’s no denying the emotion that drives this episode. Yona, being the least ladylike of the Young 6, is justified to be uncertain of Twilight's Amity Ball. The Amity Ball trophy's taken from Ponyville's annual Fetlock Fête, a dancing competition with an award going to the winner, and the poster features two ponies, no other creature. Additionally, pay attention to the language: To be fair to the teachers, it's not wrong for them to teach non-ponies Ponyville traditions. Twilight also changed the name so non-ponies can feel more invited. But there are problems. Today, Ponyville remains a homogeneous society, and the School's next door to Twilight's castle. She's supposed to teach a more inclusive Magic of Friendship, yet so far hasn't taught traditions from other cultures. Despite their efforts, it shouldn't surprise anyone why the unfortunate implication pressured Yona to assume she'd have to be a pony to qualify for the Pony Pal trophy. The event also showed how those same implications impacted the rest of the Young Six. Observe their faces. Ocellus's is blank. Smolder rolled her eyes. Gallus looked cross, implying he felt tokenized by ponykind. While everypony and Spike danced, they sat out and played cards. Outside of expression, Gallus expressed his concern, too. Prior, when ponies went to a faraway land to teach the Magic of Friendship, they risk very imperialistic implications, suggesting that those creatures are inferior. Two episodes that fell into this trap were Dragon Quest (stereotyping dragondom thanks to misogynistic teens) and Lost Treasure (treating friendship as the go-to method to fix a desolate, corrupt country). Thankfully, they've been more cautious lately, but this type of episode opened itself up to it. So how did they bypass those implications? Instead of coming to her and telling her she had to change, Yona came to them. She understandably assumed that she had to change into a completely different character. Therefore, by seeing all those dresses, she also assumed that she had to dress like a pony in order to "fit right in" with the rest. That little, innocent accident produced further doubt and fear into Best Yak's childlike psyche. But at no point does the episode look down on her or see her as stupid. Throughout, it listened to those fears and let airing her doubts whenever without interruption. When she tried to persuade Rarity to design the right dress for her, Rarity reluctantly agreed. When she struggled, everyone — and by extension, the episode — encouraged her to improve. On the other end, when her friends saw how she was speaking and behaving, their first impressions were worry. They wondered what was going on with her, and all giggling aside, they were concerned the entire time. Sandbar, who asked her out, was also getting increasingly worried after she nearly spilled punch all over her dress. Rarity's reluctance plays another key. Why does Yona's visit take her aback? Because she doesn't expect anyone to dress. Yes, the Fetlock Fête's a more formal tradition, but the Amity Ball isn't, and Twilight didn't announce dresses as a requirement. Thanks to peer pressure, Yona thought she had to. Rather than say no, Rarity agreed to her demand. After all, she's her client, and objecting may only worsen things. One little line subtly adds to this doubt: Rarity suggested she stand out for Sandbar. Yona corrected her. Instead of thrusting her beliefs onto her, she listened and, despite being opposite her morale, obliged. Everyone else actively wanted to help her improve. At first, Yona struggled mightily. The Pony Catillion chart really confused her, 'cause all of the colors and hooves overlapped each other, and Yona (hilariously) smashed up Dash's classroom when trying to learn the Pony Prance. Meanwhile, Pinkie's quick organization of the ingredients comes second nature to her, but Yona was overwhelmed. Seeing how she needed help, they started from scratch, modified their instructions, and slowly worked upward as Yona improved. Another big improvement here in comparison to other episodes is how they remained in character the whole time. Nopony looked down upon her the entire time. Instead of forcing her to agree, Yona came to them for help, and they worked the best they could to her demand. Did they get flustered, insult her, or treat her or her culture as inferior? Nope. They genuinely believed they were helping her accomplish what she wanted. Come the end of the montage, everything was according to plan. Unfortunately, they had no idea that, despite the best of intentions, they unknowingly perpetuated the same imperialistic "out-of-pony" stereotypes. What they intended was to help Yona impress Sandbar, have fun, and win Best Pony Pal. But their coaching accidentally suppressed Yona, who was beginning to treat her own identity as a yak as a weakness and took their lessons as means to become more self-conscious. This line further implicates this: Pay attention to the last two words. "Well spoken" is a microaggression. It may "sound" nice on the surface (and sometimes not intended to be offensive at all), but when a Caucasian calls an African-American "well-spoken," they say he's better not talking like "other" blacks, a.k.a., anyone who speaks Ebonics. Regardless of intent, it's racist and not a compliment whatsoever. In FS's POV, she's complimenting her, and Yona accepts it without a second thought. Albeit very on the nose, Fluttershy's supposedly innocuous line further backs up the episode's anti-assimilation theme and, along with the rest of the coaching, made her really vulnerable to shame and distressed if she messes up. And boy, did she mess up. Surprise surprise, Yona became very ashamed and depressed, hiding in the Palace of Solace. Recall what the Tree told them four episodes ago: Within the Everfree Forest's castle ruins, this treehouse provides a safe space for anyone who needed it. After the biggest humiliation of her life, Yona needed to air her despair, and this was the best place. Her song to begin Act 3 ranks up there with The Pony I Wanna Be, Moondancer's rant, Sunset losing her memories, and Grand Pear's apology as one of the most heartbreaking moments of the entire series. However, what happened during the lowest moment of her entire life resulted in one of Pony's most heartwarming moments. Sandbar's a fine addition to the Young Six, but he's the most mellow, so he doesn't have plenty of oomph. Thankfully, he more than makes up for that by listening to her, treating her as an equal, and showing that he won't trade anything away that made her the way she was. His unconditional support for her and empathy cheered her up and reignited her self-confidence, demonstrating what helped make this show so successful: not only teaching us the Magic of Friendship, but proving it. Just to balance the perspectives more, I would've liked to see Sandbar sit inside the Palace just after the intro. That way, we get to see his insecurities a little more. But this is a nitpick, so carry on! Let's go back to Fluttershy's "well-spoken" line. Again, it's supposed to mean well, but has unintended consequences, staying true to the episode's critique of assimilation. The RM6 had absolutely no intention of leaving any non-pony out, but someday, someone was going to take these unfortunate implications to heart. Being the most emotional and vulnerable of the Y6, Yona was the perfect vessel. Even though they believed they did the right thing by trying to teach her the Fetlock Fête's traditions, they inadvertently cleansed her psychologically and culturally. They wanted nothing more than to make her happy, but not by taking away what made her so special. Apologizing to her and reassuring they love her for who she is is the right call. As for the sporadic critique of Yona and Sandbar winning the Pony Pal trophy, think about this. Once more, as Yona suffered the deepest humiliation of her life, Sandbar offered his ears, patience, and a proverbial shoulder for comfort. His actions embody the School of Friendship's values; they more than deserved that award. In addition, cleaning up meant they had plenty of time to rethink the Amity Ball's purpose. Why did they change the award's name and dress one of the pony statues up as a yak? To symbolize how friendship crosses boundaries and cultures. Thanks to their own mistakes, they can improve the Amity Ball to include everyone much better. Look at how everyone joined in her Yakyakistan Stomp. They show how much she means to them. For the ponies, this will be a lesson in working with non-ponies to make the School of Friendship and its activities feel more welcoming. Given the show's flaw of ponies sometimes acting as the savior to non-ponies, it's a long-time coming for the show to not only address this problem, but flip it to make the ponies learn this lesson. Also, if you believe this episode's moral is "be yourself" and a near-copycat of past episodes, such as Common Ground, you're overlooking the nuances. Common Ground's are to not use bitterness to isolate someone from being part of a family and to not pretend you have to follow a passion to bond with someone. The primary lesson from She's All Yak is not to feel like you have to erase your own identity to belong. They're not the same. Pony's on a hot streak. Since Matter of Principals, they haven't released one mediocre or bad episode, and aside from a rare fine one, they're all good to really good. So far, every season 9 episode is really good at least, and this is the fourth great one in a row. I'm unsure how well it'll age over time, but today, all I need to say is that She's All Yak is sneakily great and could (hopefully) land near the top of S9's best episodes
  12. So, the most recent episode pretty much confirmed 100% that AJ's parents are dead: So here's the million dollar question that has been asked a million times before: How do you think they died?
  13. Welcome to the Rarijack Fan Club! Rules: -Forum rules apply. -Keep pictures SFW. They can be light suggestive and must follow site policy -Put url-ed pics and larger pics in spoilers to reduce page loading lag -Keep things Rarijack here -Do not bash your fellow Rarijackers, Pony Fans, or fandoms -Have fun
  14. Soarin x Applejack...one of the most underrated but downright adorable ships out there. The cowgirl and the Wonderbolt. Let's show this ship the much needed love it deserves! 💙
  15. Note: Credit to @CloudMistDragon, @Justin_Case001, Kaperon TSB, and Applegeek for this review. Today Sparkle's Seven is Season 9's greatest episode. Everything fell into place and was written so, so well. But writing just this much only really undercuts the mastery of its storytelling and humor. Rather than doing simply a breakdown of the episode in a strength/weakness structure or a long essay, I'll break down specific points, ala my Movie review and Zeppelin analysis. Setting the Tone. Within the first minute, Haber and Dubuc establish the episode's whimsical tone, beginning with this little whammy. Spike's so excited to receive Shining Armor's letter that he burst in Twilight's office, accidentally spooked Starlight enough to cause her to drop a stack of papers on the floor, and unroll his scroll with extreme glee. All punctuated by a very happy trumpet score in the background. Ten seconds in, the audience begins to have a quick impression of what its tone, atmosphere, and overall direction could be: casual, fun, and possibly exciting. The crown may be a toy, but Spike's face and Twilight's subsequently surprised reaction reveal how important it is to them: It establishes a friendly sibling rivalry between her and older bro Shining Armor, which the montage shows they had a huge amount of fun to earn it. That toy crown's nostalgic, a will to be impressive during the week, and improve if you miss it. Being a bro himself, Spike's excited to see SA revive it, even if for one more time. Before the open ends, Sparkle's Seven alerts us of the stakes: Whoever wins the crown this time officially wins Sibling Supreme. Forever. It effectively delivers on the episode's direction and tone without wasting one precious millisecond. Speaking of tone… Twilight: "For…ev…errrr…" What do Best Night Ever, Lesson Zero, Pinkie Pride, Slice of Life, Saddle Row Review, and Break Down each have in common? They're filled to the brim with comedy and among the best episodes in part of or because of it. Sparkle's Seven ups the ante hundredfold. Everywhere it goes, it's ripe with humor. To go over a few early examples: Starlight's last, quizzical line. Celestia's beat after Princess Luna takes a verbal shot at her (along with a small stare at her as SA gloated). This face… Suddenly, I'm hungry for pudding… Princess Luna whinnying like a horse. Recall his fans giving that poor robin having trouble flying near the Royal Sisters's castle? Here's the next scene! Eeyup! Same robin, dazed from crash-landing, walking near the castle instead! Going a little dark there, eh, story?! Pinkie cutting off Rarity and Dash's film noir scene (a very clever callback to Rarity Investigates!) and breaking the fourth wall during the cartoony space scene. Her small whine sells it quite well. Spike imagining himself as a spy teaming up with Fluttershy to steal his crown. From the start, Sparkle's Seven doesn't let up on any comedic opportunities. If they find a spot, they were going for it, be they succeed or fail. Varying the humor — rather than relying on one type — by equally including sound effects, the score, little Easter Eggs caught on repeated rewatches, different camera/animation techniques, and dialogue catches the audience by surprise, a crucial ingredient to good-quality comedy, and increases its replayability. The cartoony medium also helped accentuate their faces, going extreme without becoming uncanny. One will be covered in more detail right now. The Many Faces of Equestria! Despite the boatload of comedic variety, their faces drive most of it. Haber, Dubuc, and the animators successfully take advantage of the animation medium and exaggerate them without becoming gross, uncanny, or out of place. The only question: When's the right time? Thanks to its absurd tone, whenever they surprise us. Act 1's full of them, but some of my favorites occur during the second. Here are just a few. Earlier, AJ claimed to possess an alter ego named Apple Chord and would use it to distract the Canterlot guards while the others snooped inside. But after telling her story, Dash realized she wasn't telling the truth, leading to this awkward mouth. Does a face like THAT tell you she wants to be Apple Chord? Nope! Onstage, one uncomfy dudette forces herself to live a lie long enough for her friends to get inside. This one is sequential: Twilight and Shining Armor's exchange outside the castle. Suspected she was up to something, he questioned her. How did she respond? By sniffing a nearby flower with a cunning grin. Shining scooted away, peeking as she innocently waved to him. What makes this so interesting? Because it adds to the friendly yet passionate rivalry between them. Silly, yet serious in showing a tight, competitive relationship. Twilight realizing Rarity's scheme fell apart. If that doesn't accurately describe her sinking loss of hope… Poor Twilie. Yeah way! Uh huh! But my favorite moment, until the end, is the Dash and Rarity scene. Realizing in shock that the café was closed during the afternoon catalyzed their moment to spy on the episode's first truly suspicious event: Luna replacing two Canterlot guards with Zephyr Breeze. At first, one might wonder why she'd hire someone like him to take part, but then you become reminded of SA's words from earlier: ponies guard every door, so it makes sense for ponies to replace them while they're out to lunch. That said, it's Zephyr we're talking about here…! But we'll talk about that later. The true gift of this scene is how they react to him. Including, well, how shall I say it? Uh…eeyep? Oh, eeyup! When I first watched Sparkle's Seven, I laughed. The second time around, I nearly fell to the floor from laughing so hard. Sneaky sneaky, DHX! XD Ironically, they also made Zephyr, one of the worst characters of the series, actually pleasant to watch. Sure, he's still a diva, but he's much more self-confident now (clever subtlety). His ego's no longer patronizing; only Dash finds him annoying. Why does the way they present him matter here? Ashleigh Ball wanted Rainbow Dash to interact more with Ryan Beil (Zeph's VA). They showed great chemistry in FB, and Dash helped get his life back on track. SS's the first Pony ep we see him in since then, so the question is will his development stay or not? Sparkle's Seven answers that question with nuance. Oh, and do I need to post a couple of more faces? I'm the Youngest One(s) Like past episodes such as HW Club, Best Night Ever, Lost Mark, and TT123, the third act really elevates it. The first pivotal moment occurs just following the commercial break, when Spike tells Fluttershy he sometimes feels forgotten and uses their rivalry to back up his point. Immediately, two innocent moments from the cold open impact the story: baby Spike drawing gold stars below their chart and his wish to take part in it right after Twi's flashback. But there's more than that, as well. For most of the series, Spike's family presence with Twilight's more like an afterthought. In Season 1, Spike's primary occupation was assisting her in her studies. At one point, Twi wanted to wake Spike up from his sleep and request him to retrieve her quill, implicating he's a slave. Thanks to the ending, Princess Spike sent misandric messages in a pro-feminist show. Have we come a long way since then? Yes. But his arc felt incomplete, and episodes like Zeppelin (Iron Will believed Spike wasn't family enough to reward him a ticket!) and Father Knows Beast only created more Q's than A's. Long-time continuity backs up his doubts. FS, recalling her strained sibling relationship with Zephyr, understands his feelings. Twilight — so determined to win the Hard-Won Helm — accidentally ignores Spike's "little brothers" line minutes later. Thanks for proving his point, everypony. Fortunately, this scene was an extra cog to one of two big reveals in the climax: Under everyone's noses, Spike stole the crown, shocking everyone. But he wasn't alone. AIN'T THAT TWIST SO…GLOOO—RIOUS?! So how does this make any sense? Recall the first bit of foreshadowing mentioned a few paragraphs ago. Celestia and Luna share very strong differences of opinions of Shining Armor's security. Celly really liked it, but Luna was unsure and, as stated in Act 1, wanted to test it with her, but she chose to summon Twilight instead. Everyone was so caught up that they overlooked its fatal flaw: They're so focused on outside threats they overlook inside ones. Spike quickly realized it, and observing how Luna and Celly couldn't stop nonverbal arguments with each other, he concocted an inside plan with Luna to prove it to everyone. And boy, did they take serious advantage! Knowing his vanity would distract him from doing his job, Luna replaced two experienced guards with Zephyr for the afternoon shift. Spike tore Pinkie's hot-air balloon with his claws, not only further sabotaging Rarity's plan, but also providing enough of a distraction for AJ to steal a Royal Guard medal (which Rarity later used). Luna keeping Celestia and SA out of the Throne Room long enough for Spike and Fluttershy to explore the catacombs, escape, and invade. At one point, they got lost, and Dash pulled down every wall sconce to try to escape, so he mapped out the catacombs and noted all the traps and secret passageways. Spike's wits are essential to his character. Sparkle's Seven explores 'em in a completely new way: strong forethought. He not only rightfully predicted Rarity's plan will fail, but also Twilight's and SA's. All they needed to do was play it out, let SA catch Twi off-guard, and then *snaps fingers* capitalize. He won the Hard-Won Helm of the Sibling Supreme fair and square. Kudos to both SA and Twilight for acknowledging them as their little bro all along. But give credit to Luna, too. From a storytelling perspective, her little disagreement with Celestia fueled the spy parody that Tabitha St. Germain suggested. Her tiny shots and glares at her sister foreshadowed the climax and smoothly tied into both Twilight's rivalry and Spike's plight. Celestia's decision to ignore her justified her reasons to behave sourly made sense and gave her a solid alibi to help corrupt their flawed security system. By one-upping her older sister, she won well-earned bragging rights herself. The Miscellaneous Typically great episodes offer more than simply the story. Little details, smaller jokes, and intentional subtexts increase layers and replay value, giving viewers a reason to rewatch it either now or in the future. Beyond the dazed bird example… This whole episode is a parody of spy film, mostly inspired Ocean's 11, a classic film remade twice. According to Applegeek, Kaperon TSB, and @Justin_Case001, there are several references to not only Ocean's 11, but other spy and action films at large. Rarity's "unexpected" speech parodies George Clooney's "The house always wins" speech from the 2001 remake. Credit to Justin Case for finding this. DHX recreated this classic Ocean's 11 poster. After Shining tells his sis of all the security measure, Twilight uses mathematics to figure out how to break through, parodying a moment from the blackjack scene during The Hangover. Credit to Kaperon for discovering that. Luna stroking the goose satires the Bond-villain-strokes-the-cat cliché, and like Applegeek himself, I have a good hunch the goose (with his pink, skin-toned feathers) is supposed to resemble Dr. Evil's sphinx from Austin Powers (another Bond parody). This episode is also one subtle, yet gigantic, parody of itself, a great catch by @CloudMistDragon. FIM doesn't shy away from admitting how predictable their stories are sometimes. Whether your enjoyment of the product is determined by that is up to you. (Nowadays I rarely ding it for this, as the journey factors more.) Shining Armor accurately predicts her whole plan, is prepared for any other unpredictable folly by them, expects them to put their plan into action, and lures them into the Throne Room until the last minute. This self-deprecation is easily the smartest showcase of Shining's experience with security and wits. Simultaneously, it winks at those in the fandom who use the "predictability" card through Rarity's and Twilight's plans without being condescending. Was her plan unpredictable, yet in character of everyone? 100%. But Plan B had many major problems, notably inexperience and lack of cooperation. OTOH, Twilight's plan, while predictable, was well thought-out and highly tailored to their talents, cleverly commentating how a well-crafted, predictable story is more valuable than an unpredictable one. Ironically, this allegory subtly foreshadowed the unpredictable plot twist. Nice swerve, DHX. Very clever use of time is shown through the flashback. Back then, the family's Hard-Won Helm was shiny and new. Today, it's cracked, dented, and busted. Listen very carefully when Spike dons it; there's a small ruffling sound to further indicate its worn-out condition. Methinks SA enjoyed it a little too much, eh? During her heated argument with RD, Rarity stopped briefly to say "hi" to Spike and continued her diatribe, stopping after completely realizing who's there. (BTW, I haven't watched any of the Ocean's 11 films, Hangover series, or Mission: Impossible series. So I had to get the references from elsewhere. Nevertheless, ain't that tantamount to its high quality: not fully getting the references, yet finding it all funny, nonetheless?) Conclusion. So much describes this new classic. The characters are perfectly in character, including Zephyr (who's actually funny). Every joke lands perfectly, and is sometimes funnier on rewatches, with my favorite being Dash begrudgingly dressing in style. It got serious at times, rounding its story without becoming melodramatic and maintaining its lightheartedness. Several stories are simultaneously intertwined flawlessly, including its satire of spy films, itself, and allegory. On top of it all, its moral on listening to your loved ones and making sure they don't feel left out is executed so well. How awesome it really is to see Spike treated with so much dignity once again. Regardless of all of Season 6's well-earned criticism, Spike's writing was top-notch. Thank Haber for partially why. Whenever he's the editor or writer, this small dragon gets the respect he deserves. Thanks to Weseluck, Sparkle's Seven addresses a series-long concern related to his family and provides a solid alibi to craft a devious deed to win the game. If it doesn't prove how far he's come since Princess Spike, I don't know what will. He gets Spike, period. But don't leave Dubuc hanging, either. She co-wrote the ingenious Shadow Play with him. Sparkle's Seven continues to show how well they work as a team, and the former's inspirations clue us all. Its top-notch dialogue, successfully multi-layered stories, and brilliant executions from top on down are all found here. And finally, thank you to all the voice actors who stayed with this show for so long. You all dedicated so much of your time to building FIM's success, and your voices are iconic to the very same characters. It's so fitting to have the 200th episode dedicated to you, and watching it was a huge honor. Thank you, all, for contributing to this all-time great and show that commenced western animation's renaissance.
  16. Howdy, everypony! Just noticed that my friends had their "ask" threads up, and ah was feelin mighty left out, so here we are! Ah may not be as popular to ya'll as my friends are, but ah'll try my best to give an honest answer to whatever ya ask, as soon as I can find time for it-apples don't buck themselves! So ask away, everypony!
  17. Speculation on What Season 9 (The Last Season?) of My Little Pony: Friendship Is Magic Will Be Like: Speculations based on leaked information! Spoilers ahead. Anyway, those are just my speculations on what could happen/occur come Season 9 (should it be the last season of FIM). But what do you think, do you agree with my speculations? What are yours? Let me and everyone else know. 😊 God Bless and Take Care. Speculation on What Season 9.docx
  18. Commission for someone on Deviant Art. These 5 panels are for a post-Equestria-Girls set of scenes. Sunset Shimmer is spending some time with the Humane-5 off-camera, learning from them how to be a friend.
  19. In other words, could certain questions finally get answed , and certain theroies be put to rest. Well, with any kind of closuer on a franchise, the finale always seems to (at most times) open the doors to allow the writers to get a lot of stuff out of their system for themselves and for at most, the fans. But will the final season of MLP : FIM do that as well? Here I talk about what could be finally addressed, if that is the case. Now one of the first things that they (the writers) could finally address, is the whole Spike x Rarity situation. What I mean is, that if the writers choose to do so (IMO I believe they will), this will finally be addressed, and the outcome will be one that is a positive one, and yet be one that not a lot of the brony/pegasister community will agree on. And what the outcome will be, Spike and Rarity together. You may ask "How?" Well, it's quite simple, if you look at the fact, that they've been teasing this since Eps. 1, and throughout the show's run, they've had several episodes centered around Spike, that have also involved Rarity in some major/minor capacity, and with it being the final season of the show, like I mentioned at the beginning at the start, it opens the door for this to take place. And the reason being is, unless the series finale somehow ties into G5 and G5 becomes a soft Retcon/Reboot of FIM, then (IMO) this Spike x Rarity Deal will finally become a reality. 2. A Sugar Belle and Big Mac wedding will most likely happen. The reason being is the fact that this could be looked at as a 3 chapter deal, with the first happening in S7 , and So it only makes sense to tie this trifecta up with a 3rd and final chapter happening in the final season, which would culminate with a wedding between Sugar and BIg. Heck, for emotional sake, have the spirts of AJ, AppleBloom and Big Mac's parents appear to show their love and support, and thus have the kids and Sugar Belle seem as well. 3. Finally Addressing Celestria and Luna's orgins. Yes, before the show comes to a close, this has to be addressed, especially after giving them some moments to shine, first in the Premiere of S6 and most recently, not once but twice in S7, and This is something that finally needs to be addressed and I believe (IMO) that the writing staff of FIM will finally do so in the final season. Espiecally with the fact, that if you go back to the S6 Premiere, they both said, "That the birth of an Alicorn, is something Equestria has never seen", and that it was "Even beyond their understanding." Yeah, when they both said those things, that was enough of red flag, and more of a legit reasoning to wanna know about their orgins. 4. Starlight Glimmer becoming an Alicorn? Yes, indeed, this is most likely the direction they are heading, and if S9 is it for the show, definitely expect the writing staff to go this route. And, why?, you may ask. Because it seems that's what they building towards with her. (at least in my IMO), and would make sense that they writing staff make this a reality. 5. Sunset Shimmer Returns! , and the recent "Mirror Magic" EQG special, she has never returned to Equestria on the "Friendship is Magic" side of things. So with the final season, I truly believe and hope, (like many do) that this will be the season that it finally happens. And all honesty, I feel the writing staff knows that as well and will make it happen. 6. I believe that a G1 character has to be brought in, with a G4/FIM update, and that character should Majesty. And if you want a reason why, well if you watch MLP-Silver Quill's and ILOVEKPALOT's Video they did on Villains in MLP, than you pretty much get your answer there, as to why she should be brought in. Basically make her a character, that believes she's doing the right thing, but in fact is not. Or as Silver Quill put it, make her a rogue element that believes that all villainy, even those that have been redeemed, should be disposed of. Than the writers can build towards something between her and Twilight, and at same time, they could acknowledge a history between Celestria, Luna and Majesty as well, and that could really build the tension between her and Twilight. But that's what I (IMO) feel the writers will/would do in the final season, should it be more freelanced. What are your thoughts? God Bless!
  20. Are there any moments in the show or episodes involving your favorite pony that dissapointed you or just made you go seriously WTF? For me it is Somepony To Watch Over Me because of how insanely out of character Applejack was in that episode. We know Applejack can in some circumstances be overprotective but that side was exaggerated way more than was justified without even the slightest semblance of a proper buildup to make any of it believable. I haven't had an episode piss me off this much since Magical Mystery Cure though to be fair this episode thankfully isn't as craptastic as that one.
  21. Note #1: This is one of the episodes leaked a few weeks ago (audio only). If you listened to the episode already, keep all discussion under the spoiler tag until after it finishes officially airing. (Hit the eye icon to trigger it and type within it.) DO NOT LINK OR POST THE LEAKED MATERIAL! Note #2: Over the last month-plus, some content originally leaked (e.g., the Student Six's names, episode titles, some summaries) have been officially revealed, and chances are more will, too. But as always, please keep all leaked content not officially revealed yet — and/or if you're unsure if you're revealing too much — under the "spoiler" tag. Title: Grannies Gone Wild Air Date (U.S./Disc. Family): April 14 at 11:30am Writer(s): G. M. Berrow Summary: "Granny Smith and her friends head to Las Pegasus. Rainbow Dash tags along as a chaperone so she can ride the best rollercoaster ever before it closes." DM:
  22. Title: Campfire TalesAir Date: August 26, 2017Written By: Barry Safchik and Michael PlattSynopsis: When their sister camping trip is ruined by Fly-ders, Applejack, Rarity, and Rainbow Dash tell Sweetie Belle, Apple Bloom, and Scootaloo the stories of their favorite legends; inspired by the tales, the girls make the most out of their new situation. Episode Promo Sooooo, long ago I used to do these episode threads. I had a fondness for doing these occasional 'Dad Jokey' type images, usually poking fun at speculation, the characters, pop culture or the MLPF community. So I figured, why not?
  23. WIP A Perfect Pair - Gone but not forgotten I'm including both of these characters together since they are indeed the perfect pair. I'm a hopeless romantic who was lucky enough to live a great romance and this couple is hooves down the greatest depiction of romantic love in FiM. This is as close to a holy grail OTP that the show can ever hope to achieve. Their story is as epic as the anticipation of finally seeing them depicted as characters, fully realized. The writers did not disappoint when crafting their love story. Many of us have waited years for this moment. I hope this topic will stand as a way to showcase them as a couple and also individually. A thread to remember them by in a sense. "A moment in our lives, a lifetime in our hearts."
  24. Note: Although the U.S. won't air it till June 3, Canada's Treehouse TV will air this Sunday morning. Be prepared for spoilers! Title: Honest Apple Air Date (Canada/Treehouse TV): May 14, 2017 Air Date (U.S./Discovery Family): June 3, 2017 Writer: Kevin Lappin Summary: "When Rarity asks Applejack to be a judge in a fashion show, Applejack learns that an opinion, however honest, can still be hurtful." This episode will continue the trend from Treehouse TV starting last Sunday with Fluttershy Leans In: Two episodes will air per week, one on Saturday, one on Sunday (and could air the finale early in the summer), while Discovery Family will air one per week. More than likely due to the Movie coming out in October. Each episode airs sometime between 11 and 11:30am EST, but its timing isn't completely consistent. When someone uploads the episodes on YT and DailyMotion, I'll link them to you here. A poll will be published after it airs. Poll's up! Canadian Airing Streams (links courtesy of EQD): Otaku Brawler (the one I watched Leans In) Brony Network Lemonwalnut DailyMotion: YT: coming soon.
  25. Title: The Cart Before The Ponies Air Date: August 6, 2016 Written by: Ed Valentine Synopsis: The Cutie Mark Crusaders are excited for the chance to race in the annual Applewood Derby until their teammates Rarity, Applejack and Rainbow Dash take over the competition. Of course remember to join us at the CMC Clubhouse on Equestria.tv!