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Found 851 results

  1. Note: Over the last few weeks, some content originally leaked (e.g., the Student Six's names) have been officially revealed, and chances are more will, too. But as always, please keep all leaked content not officially revealed yet — and/or if you're unsure if you're revealing too much — under the "spoiler" tag. (Hit the eye icon to trigger it and type within it.) Title: The Maud Couple Air Date (U.S./Disc. Family): March 31st at 11:30am Writer: Nick Confalone Summary: "Pinkie Pie's super-best-friend-sister bond is challenged when Maud gets a boyfriend that Pinkie can't stand." DailyMotion:
  2. HELLO EVERYPONY!!! as you may know the MLP:FiM gameloft app is now out for IOS!, dont know anything about android but it should be out for it as well... Videos now to enjoy this game to the max youl need friends to play with! *Brohoof? so add everypony in this list! to be added to the list add: villan97 gameloft live friends: Tips and Tricks Bugs: the game is buggy... im not listing every bug... Current Sales No current sales
  3. MidnightFire1222

    Midnight's Commission Shop (OPEN!)

    Welcome to my commission shop! Hey everyone, I'm MidnightFire1222, but most people just call me Midnight. I'm here today to offer my services to you as a digital artist, for a reasonable fee. I got into drawing when I was a teenager, but I've never seriously thought about selling it until maybe last year. Anyway, I'm sure you don't want to here about silly old me. What you want to hear about is what I can do. Prices With Examples A Few Guidelines to Remember I have a right to refuse a commission (I never have so far, so you probably don't ever need to worry about this). I have a job in the afternoon until night with hours that can potentially vary depending on the schedule, so I may not get your commission done right away, but I will always get it done. If you choose to commission me (and I must thank you if you do) I'll need either a description and/or a reference image. Reference picture(s) must be clear enough to give me an idea of what the character looks like If you can't find reference pictures then I need descriptive details If the character is a pony, I'll need to see clearly what their cutie mark looks like (if they have one) IMPORTANT NOTE: Reference pictures and/or detailed descriptions are not required. I can work with vague descriptions. Refs/details are just helpful. These will always be posted on my deviantart, Facebook, Tumblr mod blog, Twitter and possibly Instagram. If you what like to remain anonymous when I add credits, you'll have to tell me so. Please be kind to one another. I don't think I have to spell it out more than that. What I Will Draw Ponies and anything you might find in my examples below Mildly risqué content (up to PG-13 only) What I Won't Draw Excessive gore Nudity (NSFW) What You'll Need to Include Character name Clear reference image (can be more than one, especially if there's more than one character) Cutie mark if applicable What kind of background you want if you choose to have a background What you'd like your character(s) to be doing (unless you want to leave it up to me) Commission Slots 1) 2) 3) More examples of my art can be found on my deviantart If you have any questions regarding commissions, please read this by clicking here, or contact PathfinderCS. If you have any suggestions on what I could do to improve the way this post looks, feel free to tell me.
  4. Note: This is discussion for the S8 premiere, and as of late, some content originally leaked (e.g., the School Six's names) have been officially revealed. But as always, please keep all leaked content not officially revealed yet — and/or if you're unsure if you're revealing too much — under the "spoiler" tag. (Hit the eye icon to trigger it and type within it.) Title: School Daze, Parts 1 & 2 Air Date (U.S./Disc. Family): March 24th at 11:30am (Pt. 1) & 12 noon (Pt. 2) Writer(s): Michael Vogel & Nicole Dubuc Summaries: Part 1: "When the Friendship Map grows bigger to reflect the world beyond Equestria, the Mane 6 realizes they'll need a way to spread the message of friendship far and wide. Luckily, Twilight Sparkle knows just what to do -- open a School of Friendship!" Part 2: "When the School of Friendship is closed by Chancellor Neighsay of the Equine Educational Association, Twilight Sparkle must reunite her students, inspire her friends and buck the rules to stand up for what she knows is right for everycreature, pony or not." Of course remember to join us at the CMC Clubhouse on Equestria.tv! DailyMotion: Part 1: Part 2: Hey, Season 8, bring it on!
  5. ​Right now, there is a super awesome LEGO Ideas Fluttershy's Cottage gathering support! (If it gets 10,000 supports, it will become a real LEGO product.) I think it can get to 10k, if all of us MLP fans band together and support it! Here is a link to the project's page: https://ideas.lego.com/projects/155537 Here is the project's description: Based on the colorful television show, comes a LEGO set that allows you to build, and play, your favorite scenes from the ponies' adventures in Equestria. This is an idea that I believe would make an amazing LEGO set, with fun functions, cool characters, and bright colors. This particular project focuses on "Fluttershy's Cottage". As you see this project, please know that the only way that this is going to become a real set, is if it goes viral. Please consider Posting on websites and blogs, sharing on social media, and all other things to get the word out. Thanks! SET INCLUDES: 1. Accurate, Fluttershy's Cottage (including a detailed exterior and interior.) 2. 10 detailed characters, including: Rainbow Dash (The loyal one), Pinkie Pie (The fun one), Rarity (The generous one), Applejack (The honest one), Fluttershy (The kind one), Twilight Sparkle (The Princess of Friendship),Spike the dragon (Twilight's assistant), Applebloom (Applejack's sister), Sweetie Belle (Rarity's sister), and Scootaloo (Rainbow Dash's biggest fan) 3. Pinkie Pie's Party Cannon 4. Different household items (Pots, pans, etc..) 5. Angel the bunny (Fluttershy's pet bunny) 6. Possibility of more animals from the show (Bear, bat, birds, spider, etc.) 7. Possibility of the Mane 6's pets (Winona, Tank, Owlicious, Gummy, and Opalescence.) My Little Pony, Friendship is Magic, is a show that I believe would make an amazing LEGO set. With colorful settings, loveable characters, and incredibly accurate detail, this is a set that any LEGO fan will love! Remember that this is just a potential set, and not the actual product. (If this project makes it to 10k, LEGO will make a professional one.) Please support this project to help my dream come true! Please also invite your friends to support it too. (It only takes a few seconds to support!) Come on everypony, let's get this project to 10k! Thanks to all who has supported, and all who will support in the future. You're amazing! Best wishes to all, JediPippin ​ I'm sure every MLP fan would love to build their own Fluttershy's Cottage. Wouldn't you? Please support to make our dream a reality! Thanks for your help everypony! You're the best! ​
  6. Note #1: This is one of the episodes leaked a few weeks ago. If you watched the episode already, keep all discussion under the spoiler tag until after it finishes officially airing. (Hit the eye icon to trigger it and type within it.) DO NOT LINK OR POST THE LEAKED MATERIAL! Note #2: Over the last few months, some content originally leaked (e.g., the Student Six's names, episode titles, some summaries) have been officially revealed, and chances are more will, too. But as always, please keep all leaked content not officially revealed yet — and/or if you're unsure if you're revealing too much — under the "spoiler" tag. Title: The Parent Map Air Date (U.S./Disc. Family): May 5 at 11:30am Writer(s): Dave Rapp Summary: Neither Starlight nor Sunburst have visited their parents in a long time, but when both are called by the map to their hometown, they discover their parents are at the center of the friendship problem. Episode to be linked after it airs. CMC Clubhouse on Equestria.tv! SendVid: https://sendvid.com/gn6qb852
  7. Note #1: This is one of the episodes leaked a few weeks ago. If you watched the episode already, keep all discussion under the spoiler tag until after it finishes officially airing. (Hit the eye icon to trigger it and type within it.) DO NOT LINK OR POST THE LEAKED MATERIAL! Note #2: Over the last few months, some content originally leaked (e.g., the Student Six's names, episode titles, some summaries) have been officially revealed, and chances are more will, too. But as always, please keep all leaked content not officially revealed yet — and/or if you're unsure if you're revealing too much — under the "spoiler" tag. Title: Non-Compete Clause Air Date (U.S./Disc. Family): May 12 at 11:30am Writer: Kim Beyer-Johnson Summary: Zap2It: Applejack and Rainbow Dash take the friendship students on a teamwork learning field trip, and accidentally show the students the opposite of teamwork. Disc. Fam.: Applejack and Rainbow Dash take the friendship students on a teamwork learning field trip, and accidentally show the students how not to work together. Episode will be linked after it airs. CMC Clubhouse on Equestria.tv! SendVid.
  8. heavens-champion

    Character theme songs

    What songs do you think best suit the characters? For me: Twilight Sparkle- "Stand My Ground" by Within Temptation Rainbow Dash- "One Girl Revolution" by Superchick or "Danger Zone" from Top Gun Applejack- "Real Gone" by Sheryl Crow Pinkie Pie- "I Want Candy" by Bow Wow Wow Sunset Shimmer post-Equestria Girls- "Soak Up the Sun" by Sheryl Crow Princess Luna- "Moondance" by Nightwish Spike- "I'm Just a Kid" by Simple Plan Nightmare Moon- "Angel of Darkness" by Alex C., feat Yasmin K. or "Creeping in My Soul" by Cryoshell Discord (evil phase)- "When You're Evil" by Voltaire Queen Chrysalis- "Shapeshifter" by Gary Hughes feat. Irene Jansen King Sombra- "Dance with the Devil" by Breaking Benjamin Sunset Shimmer (evil phase)- "Evil Angel" by Breaking Benjamin Tirek- "Avarice" by Disturbed The Dazzlings (mainly Adagio Dazzle)- "The Siren" by Nightwish Starlight Glimmer (evil phase)- "Dangerous Mind" by Within Temptation Midnight Sparkle- "It's the Fear" by Within Temptation Grogar (if he appears in Friendship is Magic)- "Let You Down" by Three Days Grace
  9. After I failed Fake It 'Til You Make It, I decided to put all 28 failed episodes in order from worst F- minus to least worst F+. That list eventually expanded into a complete list of episodes I graded, from the best letter-plus episode to the worst letter-minus, . The statuses can be found here: A episodes, B episodes, C episodes, D episodes, and F episodes. With each list compiled, I'm taking every episode in the show and arranged it in order from the best to the worst. The list is always subject to change; episodes could be upgraded or downgraded at anytime. Unlike my statuses, S8 episodes are in bold underline; unannounced/leaked ones are under the tag. Once they're officially published, I will uncover them. To see every piece of FIM media I graded (and how I graded each episode for each season), click here. That gets updated during each season and possibly in between or during the offseason, if I changed one. And for readability purposes, I sectioned each list with "— — —" in between. Let's begin! The Perfect Pear: A+ The Best Night Ever: A+ Crusaders of the Lost Mark: A+ Amending Fences: A+ Shadow Play: A+ Sisterhooves Social: A+ The Cutie Map: A+ Parental Glideance: A+ The Break Up Break Down: A+ Party of One: A+ — — — Testing Testing 1, 2, 3: A Pinkie Pride: A Slice of Life: A Suited for Success: A Lesson Zero: A Sleepless in Ponyville: A The Times They Are A Changeling: A Flight to the Finish: A The Mean 6: A A Hearth's Warming Tail: A The Saddle Row Review: A Surf and/or Turf: A Marks and Recreation: A Grannies Gone Wild: A Cutie Re-Mark: A — — — Castle Sweet Castle: A- The Cutie Mark Chronicles: A- Once Upon a Zeppelin: A- Hurricane Fluttershy: A- The Fault in Our Cutie Marks: A- Discordant Harmony: A- Wonderbolts Academy: A- The Mane Attraction: A- Uncommon Bond: A- The Return of Harmony: A- Horse Play: A- For Whom the Sweetie Belle Toils: A- Gauntlet of Fire: A- Bloom & Gloom: A- Molt Down: A- It Isn't the Mane Thing About You: A- All Bottled Up: A- Winter Wrap Up: A- — — — A Flurry of Emotions: B+ Rarity Takes Manehattan: B+ Luna Eclipsed: B+ Scare Master: B+ Call of the Cutie: B+ Marks for Effort: B+ Magic Duel: B+ Pinkie Apple Pie: B+ Viva Las Pegasus: B+ The Parent Map: B+ To Change a Changeling: B+ On Your Marks: B+ — — — Apple Family Reunion: B Family Appreciation Day: B Green Isn't Your Color: B Hearth's Warming Eve: B Secret of My Excess: B The Crystalling: B Top Bolt: B The Last Roundup: B Inspiration Manifestation: B A Health of Information: B Fall Weather Friends: B Twilight Time: B Rarity Investigates!: B Dungeons & Discords: B Sonic Rainboom: B A Friend in Deed: B — — — Sweet and Elite: B- Triple Threat: B- School Daze: B- Applebuck Season: B- Read It and Weep: B- It's About Time: B- Castle Mane-ia: B- Celestial Advice: B- Canterlot Boutique: B- Stranger Than Fan Fiction: B- Hearthbreakers: B- Dragonshy: B- Swarm of the Century: B- Not Asking for Trouble: B- Twilight's Kingdom: B- Where the Apple Lies: B- — — — Forever Filly: C+ Campfire Tales: C+ The Maud Couple: C+ Rock Solid Friendship: C+ Maud Pie: C+ Made in Manehattan: C+ Too Many Pinkie Pies: C+ Make New Friends but Keep Discord: C+ Daring Done?: C+ The Gift of Maud Pie: C+ Three's a Crowd: C+ Baby Cakes: C+ — — — Power Ponies: C A Dog and Pony Show: C The Lost Treasure of Griffonstone: C Friendship Is Magic: C Leap of Faith: C Applejack's "Day" Off: C The One Where Pinkie Knows: C Look Before You Sleep: C The Cutie Pox: C Fluttershy Leans In: C — — — Buckball Season: C- Magical Mystery Cure: C- Princess Twilight Sparkle: C- Simple Ways: C- Stare Master: C- Party Pooped: C- Do Princesses Dream of Magic Sheep?: C- A Canterlot Wedding: C- Spice Up Your Life: C- The Super Speedy Cider Squeezy 6000: C- The Ticket Master: C- — — — A Royal Problem: D+ Over a Barrel: D+ Equestria Games: D+ Griffon the Brush Off: D+ Brotherhooves Social: D+ Tanks for the Memories: D+ The Hooffields and McColts: D+ Keep Calm and Flutter On: D+ — — — Filly Vanilli: D A Bird in the Hoof: D Hearts and Hooves Day: D Just for Sidekicks: D Every Little Thing She Does: D Bats!: D Secrets and Pies: D — — — Feeling Pinkie Keen: D- Spike at Your Service: D- Ponyville Confidential: D- Non-Compete Clause: D- MMMystery on the Friendship Express: D- It Ain't Easy Being Breezies: D- — — — Flutter Brutter: F+ Games Ponies Play: F+ Daring Don't: F+ The Crystal Empire: F+ — — — No Second Prances: F Honest Apple: F May the Best Pet Win!: F What About Discord?: F Fake It 'Til You Make It: F To Where and Back Again: F Hard to Say Anything: F The Cart Before the Ponies: F Trade Ya!: F Appleoosa's Most Wanted: F The Show Stoppers: F Putting Your Hoof Down: F Boast Busters: F P.P.O.V.: F The Mysterious Mare Do Well: F Owl's Well That Ends Well: F Princess Spike: F — — — 28 Pranks Later: F- Rainbow Falls: F- Dragon Quest: F- Bridle Gossip: F- Fame and Misfortune: F- Newbie Dash: F- One Bad Apple: F-
  10. Note: Over the last month-plus, some content originally leaked (e.g., the Student Six's names, episode titles, some summaries) have been officially revealed, and chances are more will, too. But as always, please keep all leaked content not officially revealed yet — and/or if you're unsure if you're revealing too much — under the "spoiler" tag. (Hit the eye icon to trigger it and type within it.) Title: Fake It 'Til You Make It Air Date (U.S./Disc. Family): April 7 at 11:30am Writer(s): Josh Hamilton Summary: "When Fluttershy is the only pony available to look after the Manehattan boutique while Rarity is away, she takes on a series of characters to cope with the intimidating clientele and learns that she was already the best pony for the job just by being herself." Remember to join us at the CMC Clubhouse on Equestria.tv! Episode will be linked after it airs. DM:
  11. Pixie Doodle

    Pixie Doodle's Art Thread

    I thought I should make a little thread where I can post sketches and finished doodles of my MLP fanart that I wouldn't normally post else where! I'll start this with one of my favourite minor characters, Trouble Shoes! I am open to critique! So feel free to leave some constructive criticism. Other Pieces
  12. Note: This review has been edited to add more content. Do you remember dreading the thought of a Spike episode? I do. For so long, Spike episode were usually among the worst of the series, much less the season. For the first five seasons, no matter the plot, episodes usually starring him were usually awful; anything better wasn't the norm. But since Princess Spike (his worst outing of the show), everything changed. His episodes became good. DHX wrote him with dignity. Since Newbie Dash, the Spikabuse vanished. Even today, the thought of not bashing a new Spike episode is completely refreshing. Molt Down is the first S8 episode to star Spike, and the show's biggest evolution from the status quo since Newbie Dash. How does it approach it? By describing how a child dragon goes through puberty. Like real life, puberty ain't fun, and several allegories hammer that point home. Itchy, painful stone scales: rashes and pimples. Volume shifts: deepening of the voice. Armpit smell: body odor and hair. Fire burps: dunno. A period, perhaps? Sleep disruptions: teens being more alert late in the day. (Thank @Jeric for that pointer and the accompanying research.) Haber's jokes are equally as funny as sympathizing for Spike. Yet, the jokes themselves have an extra layer of dimension, because they're not all the same type, the characters' reactions vary, and visual cues round the story. Other great jokes include: Zecora stuffing each of her ears with a cottonball after Spike suddenly shouted. The camera's wide shot, Spike's irritated voice, and the squashing/stretching of the pot he's in as he complains create a perfect recipe for a joke. It's wonderfully timed and really hilarious. Smolder smacking Spike a little too hard in the back, accidentally driving him in pain. Pinkie's sudden shouting and liking that foul odor. Her sly faces really sell the characterization, too. Twilight grumbling at the thought of Celestia never creaking out. That said, not all of them. Sometimes they got a little repetitive or cringeworthy, notably Rarity's shouts after a while and the grossout shot of Spike's stone scale. But for the most part, they did their job. That said, let's talk about Spike. Although he grew considerably since hatching from his egg years ago, from how Twilight acted, this is the very first time Spike molted. The stone scale is painful already, but having so many throbbing and itching is completely foreign to him. Puberty is a part of life the majority of us experience, and whatever he has to endure throughout the episode parallels ourselves in some way. The stages of puberty poor Spike suffered through echoes our own. Impressively, despite many chances for Haber to unleash the most cringeworthy puberty-related joke possible, he restrains himself just enough to create them at his expense without crossing the line into Spikabuse. How does he do that? I'm not sure, but many of the guesses include: What Spike had to go through isn't his fault. Every dragon goes through this stage, including Smolder's presumably-older bro. The molt effect that Spike suffered from is no less different than any other dragon when they grow up. When they treat it as normal, we do, too. Spike's friends and Twilight don't ignore him. When they noticed something is wrong with him, they're there to help. They care about Spike and want to work with him so he can get better. Smolder interacts with Spike. Back in S2, Spike grew rapidly due to inherent greed, opening up a big implication into how dragons grew. Is greed the cause? Could Spike control it, which was a main part for two future conflicts? How did other dragons grow when they didn't show signs of greed? Smolder's description of greed-induced growth as not normal for a dragon cleared up so many questions and brought forth more insight on dragon lore and dragon culture in her homeland. Smolder has an attitude, and her description of dragon culture's response to the molt effect increases Spike's anxiety for the unknown, increasing the conflict's stakes. But there's one thing to note, which the episode makes very clear — as scary as her description of dragon life during the molt is, she's not treated as a bad person, and Smolder isn't written to be antagonistic. The molt effect is a part of her life, so what she and others experienced is expected. For the most part, she's prepared for the challenges; theorize that others back home do, too. Spike, on the other hand, isn't. He's lived with Twilight his whole life and knows so little about dragon culture. The molt effect, especially the smell, is putrid, and he fears that Twilight and the others will reject him, forcing him to live on his own. He's not prepared to defend himself from predators that relish for that smell, especially the roc. Because Twilight asked him to retreat to an area that won't fry anyone in the school, Spike assumes even more that the more out of control his molt becomes, the less Twilight will want him around. Can't you blame him for being so scared of growing up and fighting to alter the molt? Of course not! For obvious reasons, Rarity and Twilight are usual partners for Spike in his episodes, but they're all really good here. (Credit goes to @Truffles and his reply for this bit.) What makes them stand out here is their immediate empathy for Spike. In the beginning, when Rarity sees Spike hide something under his eye, she becomes suspicious and worried. She walks around him to sneak a glance at what's under his claws, but never gets frustrated at any point. When he admits to being embarrassed by the stone scale, she assures him not to worry, but treats his embarrassment with the respect its deserves. She's the first to recommend getting some of Zecora's blemish cream, and did so again after Pewee accidentally pinched his scale. Twilight gets worried when Spike sleeps in all morning and also sympathizes with him for getting breakouts, just like her years ago and also recommends heading to Zecora. When he accidentally destroys her lecture, she doesn't criticize him or make him feel worse. Recommends to leave the castle for his own safety and everyone else's. Despite battling a sudden ear infection, Rarity never stops thinking about Spike and asks her for blemish cream to help him with his stone scales. When they bump into each other, she notices his worsening condition and took out the cream (only for the roc to snatch her). Right on cue, Twilight shows up and heads to Zecora's to get the cream. Unlike Cart Before the Jerks and Complete Crap Clause, neither of Spike's closest friends and relatives treat his condition as a lesser deal to themselves or belittle him for it. Both of them treated his condition, embarrassment, and pain as important, never stopped thinking about him, and wanted to help him in any way they can. Zecora's really well written in a nowadays-rare appearance. But rather than be treated as merely a vessel to deliver plot devices, she becomes deeply involved in both the A and B plots: Spike's puberty and Rarity's phoenix-related ear infection. Her interactions with the characters and their problems add depth to her character, occupation, and relationships with others. One big change for this season is the treatment of the Everfree Forest, historically a really dangerous place to roam. What was a common plot device for the Mane Six, Spike, and CMCs to face conflict in S1, its dangers and presence became mostly absent after Princess Twilight Sparkle. But for the third time this season, an Everfree creature threatened creaturekinds' safety. And the chase scene was really tense. Zecora, Spike, and Rarity were in great danger, and the score and sounds throughout hammered in the sudden perils they faced. In the leaked version, the chase's tone was more comedic, courtesy of Twilight's lasers sounding like video game beams. Here, the comedy was more toned down, an excellent change from the leaked product. YO! Do you smell what the roc is cookin'?! Little details refine the episode and shape up the episode's quality. Two really stick out: As the episode progresses, Spike's limbs darken in color, foreshadowing his eventual molt and where it'll start. During the break in the chase, when Spike's old skin starts to encase him, the background music becomes louder and completely stops when he's completely cocooned. For several seconds, we hear nothing except Twilight firing at the roc, increasing the tension and making us wonder what will happen to the poor dragon next. So, what happened after he molted? THANKS, JOSH HABER! After everything he went through in this episode, Spike molting and earning wings is an excellent payoff. I don't know if he grew a little or not, but when you're making a child dragon molt, sticking with the status quo would be a complete slap to the face to Spike and the audience. Something about him had to change. Interestingly, even though his new wings feel earned, Spike and his friends treat his accomplishment as merely a new milestone in his life as he grows into adulthood. Here, MD brings forth a really great moral: For Twilight to deliver this lesson to him shows us how much he means to her, their hug proving their tight bond. DHX, please, more of their family dynamic! If there was one little problem with the chase, it's what Silver Quill pointed out: Twilight's magic felt kinda weak. Yes, you could argue that she scaled it back because Rarity and Zecora were trapped within the roc's talons, but she needed Spike's assistance to rescue them from their fall, when Twilight magically corralled them all during the movie. Conversely, the theme of growing was subtly foreshadowed through Peewee's reintroduction. The now-adult phoenix still interacts with his parents, but a sharp eye will notice he has his own nest now, indicating either a family of his own or the preparation for one. Spike may've released him, but they still know each other very fondly, evident by their embrace. Peewee grew up; Spike will, too. Back in Season 5, I panned Spike being handed the bouquet of dragon sneeze flowers, the lowest moment of the season. Rather than capping off a broken episode with a rather sweet moment, DHX doubled down on his buttmonkey status. After all, isn't FIM supposedly a feminist show? Well, you don't empower women and girls by making your only male lead a punching bag for abusive comic relief. It's hypocritical and massively sexist, one of the biggest stains of the series. But after that, the direction for his character improved. No longer did his personality shift to demand the plot. His role wasn't confined to pure comic relief. His episodes no longer beat him down or abused him just to teach him a contrived lesson. Starting out with secondary roles in Amending Fences and Re-Mark, Season 6 expanded his role, including becoming close friends with Starlight, bonding dragonkind and ponykind by working with and befriending Ember, and sacrificing his celebrityhood to stand up for Thorax. Season 6 was Spike's best season. Albeit a diminished role in S7, he was really good in Triple Threat, Owl's Well done right. Coming into Molt Down, Spike was having a great year. Now he left his biggest mark in the show since Times. His wings demonstrate his evolution in not just his character, but also his role. It's unknown whether his wings will have a big impact on the season, or it's just cosmetic. But what happens in the future will wait. When I watched the leaked version, I liked it, but wasn't totally happy with it. Days before its official airing, however, I was unsure whether I was fair to it or not. Now, when comparing the leaked version with the final product, the leaked Molt's lack of polish and missing score completely affected the episode's overall quality. The final product is excellent, well edited, and really makes the audience feel like Spike earned his pair of wings. Molt Down's one of the best episodes of S8 so far and one of the best Spike episodes altogether. P.S.: And, yes, Molt Down's change of the status quo's superior to MMC's.
  13. One of my biggest peeves in reviewing is giving something a calculated score, because it's very difficult if not impossible to reduce the quality to such a mark. Plus, whenever many people see a score, they tend to not read the review at all and rely on the score/grade itself as proof for purchase. Nonetheless, if I were to grade the following based on the following items below, they would be the followings below the first rule. The grades are respective and separated to the following categories: Season 1 Season 2 Season 3 Season 4 Season 5 Season 6 Season 7 MLP: The Movie Season 8 (ongoing) Equestria Girls series, RR animated shorts, specials, and IDW comic/annual Main Comic Series* Micro-Series Friends Forever If you want to see my order of every FIM episode from best to worst (with grades), click here. Be warned: There are no reasons given for any of the grades, and they're all subject to change. Let's begin! Season 1: Friendship Is Magic: C The Ticket Master: C- Applebuck Season: B- Griffon the Brush Off: D+ Boast Busters: F Dragonshy: B- Look Before You Sleep: C Bridle Gossip: F- Swarm of the Century: B- Winter Wrap Up: A- Call of the Cutie: B+ Fall Weather Friends: B Suited for Success: A Feeling Pinkie Keen: D- Sonic Rainboom: B Stare Master: C- The Show Stoppers: F A Dog and Pony Show: C Green Isn't Your Color: B Over a Barrel: D+ A Bird in the Hoof: D The Cutie Mark Chronicles: A- Owl's Well that Ends Well: F Party of One: A+ The Best Night Ever: A+ ——— Season 2: The Return of Harmony: A- Lesson Zero: A Luna Eclipsed: B+ Sisterhooves Social: A+ The Cutie Pox: C May the Best Pet Win!: F The Mysterious Mare Do Well: F Sweet and Elite: B- Secret of My Excess: B Hearth's Warming Eve: B Family Appreciation Day: B Baby Cakes: C+ The Last Roundup: B The Last Roundup (edited): F The Super Speedy Cider Squeezy 6000: C- Read It and Weep: B- Hearts and Hooves Day: D A Friend in Deed: B Putting Your Hoof Down: F It's About Time: B- Dragon Quest: F- Hurricane Fluttershy: A- Ponyville Confidential: D- MMMystery on the Friendship Express: D- A Canterlot Wedding: C- ——— Season 3: The Crystal Empire: F+ Too Many Pinkie Pies: C+ One Bad Apple: F- Magic Duel: B+ Sleepless in Ponyville: A Wonderbolts Academy: A- Apple Family Reunion: B Spike at Your Service: D- Keep Calm and Flutter On: D+ Just for Sidekicks: D Games Ponies Play: F+ Magical Mystery Cure: C- ——— Season 4: Princess Twilight Sparkle: C- Castle Mane-ia: B- Daring Don't: F+ Flight to the Finish: A Power Ponies: C Bats!: D Rarity Takes Manehattan: B+ Pinkie Apple Pie: B+ Rainbow Falls: F- Three's a Crowd: C+ Pinkie Pride: A Simple Ways: C- Filli Vanilli: D Twilight Time: B It Ain't Easy Being Breezies: D- Somepony to Watch Over Me: F Maud Pie: C+ For Whom the Sweetie Belle Toils: A- Leap of Faith: C Testing Testing 1, 2, 3: A Trade Ya!: F Inspiration Manifestation: B Equestria Games: D+ Twilight's Kingdom: B- ——— Season 5: The Cutie Map: A+ Castle Sweet Castle: A- Bloom & Gloom: A- Tanks for the Memories: D+ Appleoosa's Most Wanted: F Make Friends but Keep Discord: C+ The Lost Treasure of Griffonstone: C Slice of Life: A Princess Spike: F Party Pooped: C- Amending Fences: A+ Do Princesses Dream of Magic Sheep?: C- Canterlot Boutique: B- Rarity Investigates!: B Made in Manehattan: C+ Brotherhooves Social: D+ Crusaders of the Lost Mark: A+ The One Where Pinkie Knows: C Hearthbreakers: B- Scare Master: B+ What About Discord: F The Hooffields and McColts: D+ The Mane Attraction: A- The Cutie Re-Mark: A ——— Season 6: The Crystalling: B The Gift of Maud Pie: C+ On Your Marks: B+ Gauntlet of Fire: A- No Second Prances: F Newbie Dash: F- A Hearth's Warming Tail: A The Saddle Row Review: A Applejack's "Day" Off: C Flutter Brutter: F+ Spice Up Your Life: C- Stranger Than Fan Fiction: B- The Cart Before the Ponies: F 28 Pranks Later: F- The Times They Are a Changeling: A Dungeons & Discords: B Buckball Season: C- The Fault in Our Cutie Marks: A- Viva Las Pegasus: B+ Every Little Thing She Does: D P.P.O.V. (Pony Point of View): F Where the Apple Lies: B- Top Bolt: B To Where and Back Again: F ——— Season 7: Celestial Advice: B- All Bottled Up: A- A Flurry of Emotions: B+ Rock Solid Friendship: C+ Fluttershy Leans In: C Forever Filly: C+ Parental Glideance: A+ Hard to Say Anything: F Honest Apple: F A Royal Problem: D+ Not Asking for Trouble: B- Discordant Harmony: A- The Perfect Pear: A+ Fame and Misfortune: F- Triple Threat: B- Campfire Tales: C+ To Change a Changeling: B+ Daring Done: C+ It Isn't the Mane Thing About You: A- A Health of Information: B Marks and Recreation: A Once Upon a Zeppelin: A- Secrets and Pies: D Uncommon Bond: A- Shadow Play: A+ ——— My Little Pony: The Movie: B ——— Season 8: School Daze: B- The Maud Couple: C+ Fake It 'Til You Make It: F Grannies Gone Wild: A Surf and/or Turf: A Horse Play: A- The Parent Map: B+ Non-Compete Clause: D- The Break Up Break Down: A+ Molt Down: A- Marks for Effort: B+ The Mean 6: A Equestria Girls: My Little Pony: Equestria Girls: F- The Fall of Sunset Shimmer: A- MLP Annual #1: C- My Little Pony: Equestria Girls — Rainbow Rocks: D Equestria Girls Holiday Special: F- My Little Pony: Equestria Girls — Friendship Games: F+ My Little Pony: Equestria Girls — Legend of Everfree: C- Dance Magic: C Movie Magic: C- Mirror Magic: D- Forgotten Friendship: C ——— Rainbow Rocks Shorts: Music to My Ears: A Guitar Centered: C Hamstocalypse Now: C Pinkie on the One: D+ Player Piano: C- A Case for the Bass: B- Shake Your Tail!: C- Perfect Day for Fun: D Life Is a Runway: A My Past Is Not Today: A Friendship Through the Ages: A Main Comic Series: (Individual issues and overall arc are graded separately.) The Return of Queen Chrysalis: B a. Part 1: B+ b. Part 2: C- c. Part 3: B d. Part 4: B Nightmare Rarity: F a. Part 1: D- b. Part 2: D c. Part 3: D- d. Part 4: F Zen and the Art of Gazebo Repair: B+ a. Part 1: B+ b. Part 2: A- Neigh Anything: B a. Part 1: B- b. Part 2: B My Little Pirate: Friendship Ahoy: D a. Part 1: C b. Part 2: D+ The Bookworm: C- a. Part 1: D b. Part 2: C Reflections: F a. Part 1: D+ b. Part 2: D- c. Part 3: F d. Part 4: F Manehattan Mysteries: A- a. Part 1: A- b. Part 2: A- The Good, the Bad, and the Ponies: F- a. Part 1: F- b. Part 2: F- Siege of The Crystal Empire: F- a. Part 1: D b. Part 2: F c. Part 3: F- d. Part 4: F- *The main comics have been so bad, until they clean up, I refuse to read them again. ——— Micro-Series: Twilight Sparkle: F+ Rainbow Dash: F- Rarity: B+ Fluttershy: F- Pinkie Pie: A Applejack: D+ Cutie Mark Crusaders: A- Princess Celestia: B- Spike: C- Princess Luna: C ——— Friends Forever: Pinkie Pie & Applejack: F Cutie Mark Crusaders & Discord: B Spike & Princess Celestia: C- Twilight Sparkle & Shining Armor: B Fluttershy & Zecora: A Rainbow Dash & Trixie: C+ Pinkie Pie & Princess Luna: A- Rarity & Applejack: D+ Rarity & Babs Seed: B Rainbow Dash & Soarin': A I wound up growing uninterested in reading Friends Forever, hence the short list.
  14. Berry-Bliss-Sundae

    General Is education free in equestria?

    I have had this question since I first saw '' the school for gifted unicorns '' ... I mean, in the series some schools have been seen (the ponyville school, Wonderbolt Academy, the flight school in cloudsdale) but ... these schools will be paid or free(paid by the government) to use for any pony that wants to attend? Obviously the school of unicorns is not free, just to enter you need to pass an admission test Maybe my question is a bit ignorant, but at least in my country public universities are considered "the best in the country" given their high academic level ... private universities usually you pay when you are not able to pass public universities (basically you pay for having a degree) or have a relatively easy career that, besides liking you this career, this career is not taught by the public university. Thanks to this '' lifestyle '' I do not know the educational system in other countries, but I do know that in countries like the United States and England schools, universities and... basically you pay for everything.
  15. Animation100

    Celebrity Bronies List

    Out of boredom, I'm attempting to work a Complete list of Celebrity Bronies, got as many as I could so far and just need some thoughts on it and what I can Improve and fix. https://docs.google.com/spreadsheets/d/1q2wK4TmX6gzUCwfMYxl5BfphXwOKfGG7kgHXFv_Oyxw/edit?usp=sharing
  16. To continue the pattern from S5, this is a review of S7 as a whole, with both tops and bottoms in respective categories. To view the rest: Season 5 Season 6, 1st Half Season 6 Season 7, 1st Half No apologies for C&P'ing content from my First Half overview (with some changes). Episodes Bottom-5: Fame & Misfortune Where do I start? a. The dialogue is atrocious. b. The RM6 published all of their lessons from S4, including the one from Daring Don't, revealing her identity. c. They publish their journal without testing their target audience via study group beforehand. d. Each of the fan representations they meet are quarter-dimensional, stereotypical caricatures. None of the characters who appear act like genuine people. e. The RM6 are abused everywhere they went. Ranged from not taken seriously (Pinkie) to objectified (TS) to trespassed (AJ) to boycotted (Rarity) to stalked/harassed (FS). The background characters are out-of-character assholes. f. Every "fan," including the Canterlot reporter, honestly believed the journal was a work of fiction, turning the background characters into straw men. g. "We're a Work in Progress" is the worst song of the show for manipulating the audience, excusing bad writing and behavior of the characters over the years, and glorifying their flaws (as if changing and evolving is a bad thing in the show and life). h. The background assholes don't learn their lesson, and the main moral disguises what they did as a setback. Even after they stop group-hugging, Rarity, AJ, and FS still have to settle major problems, and the harmful moral excuses the abuse they suffered. There's no care for continuity, characterization, or story whatsoever. It disregards their main demographics (children and guardians) to boost their own ego and attack the critics. No wonder why Larson disassociates from it and hates it himself. For anyone who wonders why I (enjoy) bash(ing) this episode, dogshit on the sidewalk doesn't deserve to be rewarded a participation trophy. Fame & Misfortune's the worst of S7 by far and the worst written episode of the series. If there were any minuscule saving positives, Starlight continued to show growth, and I gained much more appreciation for Stranger Than Fan Fiction and its nuances after watching F&M. Hard to Say Anything Two words: unadulterated shit. After about 7 to 8 minutes of meandering (but nothing genuinely wrong), the minute Feather Bangs Stereo Pop shows up, the episode flushes down the drain. Big Mac and the CMCs have their worst and second-worst characterizations in the show, respectively. Big Mac for following on the CMCs' hairbrained schemes to try to woo Sugar Belle, the CMCs for believing the fairy tales are how-to romance guidebooks. None of the jokes or twists work at any point — Stereo Pop's characterization is a blatantly dated Bieber parody, Stereo Pop's phallic cutie mark resembling an erect penis with testicles (hence why he covers it up in almost every shot), and the shallow song-off between Mac and Stereo Pop. Protip, DHX: Sexual harassment ain't funny, either. Big Mac's crush on Sugar is contrived as hell, too; not only for the blatant ending, but also by the fact that we don't actually see it develop; the entire crush plot is unrequited. You could've written this episode much more differently and make it better. Hell, Starlight would've been a fine secondary character. Instead, it's a generic, clichéd, by-the-numbers plot that DHX couldn't even write well. Hell, continuity stated in the episode (Big Mac warned the CMCs not to use love poison to force the romance through) was ignored to make it work. Honest Apple While the former was marred by a terrible middle and ending, this episode's marred by a terrible beginning and middle all the way to the climax. Rarity acted incompetent and out of character by putting her contest into action despite only two judges signing off on it with no possible backups beforehand in case someone had to cancel. Apple Bloom looked really dumb for not realizing her bow caused major problems (and is a contrived plot point to boot). But what really drags this episode down is a complete lack of understanding of what makes Applejack the Bearer of Honesty. Does she tell the truth? Absolutely. But she tells them while still caring about others' feelings! So, what does she do here? Turn into an egomaniac with no clue how to judge fashion properly and a lust to tear down their work. The worst moment, by far, is shaking the crossed-over-stitched feathers off Lily Lace's hat. An in-character AJ will NEVER pull this stupid stunt! The only way she was able to realize she was verbally abusive was when Strawberry Sunrise (upon introduction from Rarity) delivered her the same abuse in return. We're in season 7; AJ should NOT have to learn about how important tact is when being honest. The new characters in the episode? Unlikeable, stereotypical, generic, or all of the above. Hopefully, none of them return! Secrets & Pies This is a type of episode that would probably fit in S1, like Honest Apple. It makes no sense for Pinkie to behave the way she did towards Dash here. S&P is a stretched-thin ripoff of Party of One with worse characterization. Pinkie's characterization here is the worst of the season for completely falling for Dash's tricks over the years and her psychotic obsession for catching Dash in the act. Dash is out of character for dumping the pie down Tank's feeding tube twice (easily my least favorite scene and one of S7's worst moments). Dash is partially at fault for causing Pinkie's injury at the academy (that's what you get for crying "wolf!" all these years!). Like most episodes over the years, Dash is beat down to be taught a lesson, a cliché so worn thin and should be tossed in the trash. Unlike PoO, every joke is awful, whether it's repeated to the point of annoying (the "look at that" coverups with no proper variation) or disgusting (Dash trying to eat the dumpster pie, close ups of Pinkie's deranged and tired faces). A good moral — "Don't create a snowball of lies just to make a friend happy. It's more worth it telling the truth." — doesn't save this episode. A Royal Problem The saving grace in this episode: Starlight. No, her actions were wrong, but the episode built that up to the point where Starlight's nightmare was so soul-crushing that it could've damaged her psyche. More on that a little below. Celestia was great in Advice, for showing how human she is without devolving her character. Unfortunately, she and Luna are out of character here. Is it fine for them to bicker as sisters? Totally. But their bickering crossed the line into being personal attacks; each of them treated each other's important roles in Equestrian society as not just pointless, but wasteful, too. On top of that, they never understood that THEY were the friendship problem until Starlight told them directly to their faces, and even then, they were still too dumb to get it till later. (Seriously, Snips and Snails are smarter than them here!) So, when did they finally get it? When they witness Starlight's heartbreaking nightmare. Their lack of appreciation for one another makes no sense, since Luna's envy of her sister and lack of appreciation are why she turned into NMM in the first place. You'd think at their age, they'd figure something out. It's among their five worst appearances for each in the show. But the worst moment of the episode comes during the resolution when Celestia tells Starlight that she was right to swap their marks. Firstly, she performed her spell on them against their will. Just because they say it's okay doesn't make it okay. The princesses absolve her of her wrongdoing. That side would've been resolved had she asked first and the princesses not act like idiots. Secondly, when they say she did the right thing, Starlight's emotional pain during her terrible nightmare becomes an afterthought. That her self-infliction plot-wise and emotion-wise was pointless. Despite quality characterization from Starlight, background music, and animation hints, Celestia's and Luna's out of characterization, idiocy, and incompetence ruin the episode. Even though I have it fifth-worst in overall quality, it's currently my second-least-favorite episode of S7 behind Fame (and easily the most disappointing). Dishonorable mentions: Fluttershy Leans In, Daring Done? Top-7: The Perfect Pear Pear Butter and Bright Mac = best FIM couple and best-written parents of the show. Everything about this couple is the complete opposite of the likes of Flash/Twilight and Sugar Belle/Big Mac: The development of the romance is like someone who knows romance wrote these ponies. Their chemistry from foalhood to matrimony's completely organic and makes complete sense to the audience. They show how much they love each other during and after life. Every joke lands. Only the third episode to make me cry and did so on a few occasions. One of them when Big Mac asked Burnt Oak if they can return to hear more stories about their dad. More about that later. It has misplaced criticism about them leaving out how they passed as well as Granny avoiding the tree. This isn't that episode. TPP's about celebrating their lives, cherishing their pasts, and letting go of both lifelong pain and bitterness. Each note is hit as the episode progresses. Secondly, the entire Pear family disowned Buttercup for marrying an Apple, and they died early. The marriage site gives her too much pain to deal with. The ending provides the perfect closure for this episode. "You're in My Head Like a Catchy Song" = best S7 song. It's so simple in its acoustics, but, to echo RainShadow on YT, packs such an amazing emotional punch. One of three times this episode makes me cry, the other one being Grand Pear apologizing to Apple Bloom. Grand Pear = show's most tragic character. The night his daughter married and became an Apple is the last day he saw her alive. Unfortunately, he'll never apologize to her and has to live with an enormous mistake he'll never repair. The moment he broke down as he apologized to Apple Bloom captures the heartbreak he had to hold within for so long. And excellent voice acting by William Shatner (and Felicia Day for Buttercup). In my first half overview, I said this might be the best episode of the show when S7's over. I was wrong. It isn't simply the best episode of the show, but of MLP altogether. Shadow Play FIM's canon and timeline are constructed on the fly and operate season to season. When an episode many seasons later feels like everything beforehand was preplanned, that's a major compliment. Amending Fences handled it beautifully. Shadow Play executes it just as beautifully, but in another way. Previous episodes both during S7 and in the past hung little details about specific characters' pasts, including Star Swirl. Twilight finished his spellbook, because he couldn't figure out how important the magic of friendship truly was in Equestria. The era he predominantly lived in justifies that, and it's connected to his association with the rest of the Pillars, his venom towards Stygian after he stole their magical artifacts, and bitter shots at Twilight after bungling her spell to free them. This two-parter is nearly one hour shorter than the FIM Movie, but each line matters, is naturally spoken, and the cast is excellently balanced. Everyone here in SP matters and is treated with importance. Remove just one of the Pillar Six, Mane Eight, or Sunburst, and the whole story changes. Speaking of characters, Stygian is the best villain in the entire series. Not only is he a really good character. His backstory that resulted in him becoming the Pony of Shadows is fantastic. DHX could've just stuck with the intro animation — a great callback to the opening scene of the pilot — and leave us with the simple backstory. Instead, each scene builds up the PoS's birth and merger with Stygian more and more. His backstory mirrors Starlight's intentionally. Speaking of Starlight, this is her best appearance of the series. For the entire season, DHX took extra care of her appearances and characterization, making sure she's not only written very well, but also make her a part of Ponyville's society. Unlike S6, her appearances are much more frequent and vary in importance, whether she's the episode's central character in Uncommon Bond or near-background like FLI. Shadow Play's a culmination of what she learned since becoming Twilight's pupil to conclude season 5. Everyone's rush to condemn the Pony of Shadows through the Elements of Harmony echoes critiques some of us had for the EoH, which was a band-aid to force evil to assimilate to Equestria's society; Sunset's character reset exemplifies this flaw to a T. Instead, Starlight pursued the cause of the Pillar's division from Stygian to search for a real fix to the conflict. Like most of S7's second half, SP illustrates a conflict that doesn't put one side entirely in the right or wrong and explored this tension masterfully. It's FIM's best two-parter. Parental Glideance "Wow" perfectly describes this treasure. Easily the best episode by a debut (solo) writer in the series. Bow Hothoof and Windy Whistles = character-wise, two of the best canonical parents in the show. They play the embarrassing parent trope while still subverting the clichés, making them feel like they love Dash, and acting realistic. They're hyper, but so damn lovable. The jokes land perfectly. *gasp* The Wonderbolts are fucking LIKEABLE! Somepony call the Vatican! We witnessed a miracle! This episode also shows how to have a likeable character do a Putting Your Hoof Down rant correctly. There, Fluttershy calculatingly insulted both Pinkie and Rarity and then had the blame shifted to Iron Will that night. Here, Dash was at her limit's end, lost her cool, and immediately wanted to make things right. The criticism against the moral's execution is a flaw that doesn't even exist. Was Dash right to be upset at her parents? Yes. Some actions (despite having downplayed stakes) were reckless. Does she have the right to yell at them, slap Bow's hoof away, and implicate disownment of them because they embarrass her so much? No, she doesn't. She takes her supportive parents for granted, and Scootaloo would love to experience this feeling just once from her parents. The moral and execution were on the money. Marks & Recreation Is the cutie mark a pony's true life goal? What about their other passions? Will they be affected, too? Cutie marks are a part of Equestrian lore, but open up other questions, such as predestination, a choice of what they want to do for the rest of their life, their names associated with their mark, or living in a box. This underappreciated gem answers a few of these questions, streamlining its lore. a. Kettle Corn receives a cutie mark related to haiku poetry. @Batbrony highlighted VERY clever foreshadowing in his review: the circle she loves painting over and over is a zero in Japanese calligraphy, and a haiku is Japanese poetry. BTW, she was really good and cute in her curious, poetic, childlike ways. Her mark is unrelated to her name, one of the few in that regard. b. The CMCs are excellent in their roles, especially Sweetie Belle during her shouting match against Rumble. c. Rumble's blistering criticism and fears of a cutie mark trapping him in a box are believable. When he got no answer from Apple Bloom in regards to the last time she brewed potions with Zecora, he gained the leverage needed to retain his status as a blank flank. The song he led to rally the other fillies — "Blank Flanks Forever" — is solid and further developed the conflict. Thunderlane, now a Wonderbolt, is fantastic. His reason for sending Rumble to Cutie Mark Day Camp at Camp Friendship (calling back to Mane Attraction) makes sense: he wants Rumble to exit the box he himself created following his promotion to a Wonderbolt. The climax to resolve the conflict is both mature and tasteful. Yes, FIM could've simply made Rumble the complete bad guy and have the narrative shoot him down everywhere. Instead, the story used Thunderlane, he and the CMCs teaming up, and having Rumble witness and eventually decide to join the campers and TL at the campfire shows us that he can conquer his fear of losing his pastimes and hobbies. The moral — no one person is defined by a label — is fantastic. In all, a fascinating episode. Once Upon a Zeppelin Discordant Harmony Discord has his most likeable performance in the series. He was the spirit of chaos, but in many of his post-villain appearances, he was being a jerk for the sake of it. Here, he shows how much he cares for Fluttershy and wants to be seen as a valuable friend to her. Pinkie's advice's solid, but Discord's naivete with friendship made him take her too literally. Because he and 'Shy are close, it makes sense for him to feel really sensitive when ponies question it. Fluttershy continues to show off her growth from past seasons. Unlike Leans In, it does it better. She's not so timid anymore and really shows how much Discord means to her. Not in the way that Keep Calm implicated, but a genuine care for him. Like equals. When Discord became too normal and began to fade away, Fluttershy jumped into action to try to save him. More about her and the moral later. Out of every episode, this is the first to actually treat their friendship like one. Prior, the show tells us they're friends, but they don't behave like friends. Here, their friendship feels incredibly genuine, a long-time coming for this show. As a cherry on top, the moral is spectacular. More on that later in the overview. Uncommon Bond This great episode shows us how much Starlight grew prior to Shadow Play. This is an external conflict for Starlight: trying to catch up with Sunburst and figure out what they have in common so they can share memories and know each other better after being separated for so long. But when Starlight finds out Sunburst has smoother and better chemistry with Twilight, Trixie, and Maud over her, it's easy to see how discouraging and devastating it must be to her. As such, her rash decision to literally remake one of their childhood pastimes (including turning themselves into fillies) is believable, yet rightfully points out her idea as disturbing. At the same time, Sunburst, who was excellent here, isn't written to be a jerk, but instead got carried away and lost sight of his childhood friend. His interactions with her friends really fit into his character and, in some respects, can get really cute, too. Yes, he should've paid attention to Starlight's mood (she ain't very subtle about how she feels), but it was very clear he wasn't doing it to be mean. How they were able to find something in common fits them all. Instead of playing the board game, the life-size game brings a roleplaying element, alongside using each of their strengths to bond each other more. This episode and Starlight's conflict are very relatable to a lot of people, and everyone being in top form helps shape UB into being one of S7's best. Honorable mentions: It Isn't the Mane Thing About You, All Bottled Up. Note: From now on, F-graded episodes are divided into F+, F, and F-. S7 episode ranking: The Perfect Pear: A+ Shadow Play: A+ Parental Glideance: A+ Marks and Recreation: A Once Upon a Zeppelin: A- Discordant Harmony: A- Uncommon Bond: A- It Isn't the Mane Thing About You: A- All Bottled Up: A- A Flurry of Emotions: B+ To Change a Changeling: B+ A Health of Information: B Triple Threat: B- Celestial Advice: B- Not Asking for Trouble: B- Forever Filly: C+ Campfire Tales: C+ Rock Solid Friendship: C+ Daring Done?: C+ Fluttershy Leans In: C A Royal Problem: D+ Secrets and Pies: D Honest Apple: F Hard to Say Anything: F Fame and Misfortune: F- --- Top-13 episodes (in order, updated; A+ episodes in italics): The Perfect Pear The Best Night Ever Crusaders of the Lost Mark Amending Fences Shadow Play Sisterhooves Social The Cutie Map Parental Glideance Party of One Testing Testing 1, 2, 3 Pinkie Pride Slice of Life Suited for Success Honorable mentions: Lesson Zero, Sleepless in Ponyville, The Times They Are a Changeling. --- Bottom-13 episodes (in order, updated; F- episodes in italics): One Bad Apple Newbie Dash Fame and Misfortune Bridle Gossip Dragon Quest The Crystal Empire Rainbow Falls 28 Pranks Later Princess Spike Owl’s Well That Ends Well The Mysterious Mare Do Well P.P.O.V. Boast Busters Dishonorable Mentions: Putting Your Hoof Down, The Show Stoppers, Appleoosa’s Most Wanted. Morals: Bottom morals: 1. Fame & Misfortune: Your personality flaws are admirable and make up who you are. Like characters in a TV show, people in real life change, either through progression or regression. Everyone's personalities have a balance of their positives and negatives. Part of learning is figuring out how to improve and become better people. By championing and glorifying personality flaws, this moral's actively claiming that changing and improving to become better people is pointless. Consequently, they're preaching a really dangerous slippery slope. To put this into perspective: There's a gigantic difference between liking someone in spite of your flaws and liking someone because of your flaws. F&M preaches the latter. When connected into the show, it's very hypocritical. Why? Because it goes against one of show's core themes of becoming better. The Mane 8, the CMCs, Discord, and so on all have strengths to build upon and weaknesses to overcome. Character development is crucial to the show. Dash's self-absorbed ego, Fluttershy's phobia and timidity, Twilight losing composure so quickly are all well-known character flaws; even when the episode isn't done well, they work forward to improve. Secondly, what do Discord, Diamond Tiara, Gilda, and Starlight all have in common? They all had personalities and attitudes the show and protagonists didn't tolerate, and they had to improve so others could trust and like them (again). When they didn't, the episode rejected them, like Lightning Dust, Gilda in S1, and Wind Rider. This moral spits on their reformations and redemptions. You can read more about my panning of this moral in my status, some of which I C&P'd from. Fame & Misfortune: You can't change how they feel about you, but you can change how they affect you. In a vacuum, this isn't a bad moral. But given the context of the episode and offensive subtexts when paralleled to fans, the implications make this moral toxic. This moral is in response to how Ponyville and Canterlot directly harassed and bullied the RM6 to the point of altering their lives and devastating Twilight. The RM6 handwave all of it as just an obstacle in their friendship and mask it as criticism, thus telling us to tolerate the abuse. --- Top morals: Discordant Harmony: Your best friend may have nothing in common with you, but you're true friends because you care for each other. This is true for just about anyone. Many of us have at least one person we know who have nothing in common in personality, opinions, qualities, 'tude, and preference. Commonness doesn't determine true friendship, but by how much they love each other. Neither Discord nor Fluttershy share anything in common. Their personalities and tastes vastly differ, but they're still friends and show us that. More importantly, she's the one who took him in and trusted him. By delivering that moral, Fluttershy hones in past continuity and growth while not degrading her character. The Perfect Pear: Don't hold onto past anger and guilt of a mistake you can't fix forever. Celebrate their lives, and pursue new memories with their loved ones. I repeated this point ad nauseum since first watching it last June. People from all walks of life make mistakes they truly regret. While some correct their mistakes, not everyone does. Grand Pear is among the latter for disowning his late daughter on the last day he saw her alive. On the opposite end, Granny Smith grew so bitter of the Pear family for how they treated her that she didn't inform Grand Pear of their deaths until much later in life, adding to the grief and longtime feud and whitewashing Buttercup and Bright Mac's romance to her grandponies. Honorable mention: You have the obligation to your own time, even when you feel you must sacrifice it to make others happy ("Zeppelin"). New characters: Characters that appeared on screen prior to S7 (even when in the background) don't count. Even though Star Swirl and Meadowbrook were referenced in past seasons, they didn't make physical cameos until S7, so they're exempt. Bottom-5: Toola Roola & Coconut Cream: Both fillies are lumped into one as a result of one common role. For the first time all series, FIM used token characters in an episode. Their only purpose from a meta standpoint is to tell young girls, their primary demographic, that they matter…when the entire episode leading up to the ending lumped young girls/kids (as the fillies) with the rest of the abusive ponies (the adults). Token characters talk down to children by only telling them they matter on a surface level only. Stereo Pop. Fucking Stereo Pop! A blatant, dated parody of teenage Bieber and stereotypical boy bands. Without him, Hard would actually be able to go somewhere. And, no, that asspull at the end doesn't make him any better. Strawberry Sunrise: She is a straw mare. Her only purpose is to be an asshole just to make AJ understand how it feels to be in the designers' horseshoes. There's no personality beyond this point, and the episode treats her bullying as a good thing. This Canterlot reporter from F&M. He's there only to drive the vessel that the ponies who abused the RM6 see them as merely fictional beings in an autobiographical journal and attack the critics more. Dishonorable mention: Lily Lace (valley girl stereotype), Dandy Grandeur. --- Top-6: Buttercup & Bright Mac. 'Nuff said. Stygian: The best villain in the series. Basically a ponified Squib, he doesn't have the magical abilities the Pillars or any other unicorn have, compensating it with his intelligence. As Shadow Play builds up his backstory, he as a character enriches. Bow Hothoof & Windy Whistles: Eccentric, loud, yet also very dedicated to raising their daughter the best way possible. They're very endearing, relatable, and hilarious. Star Swirl the Bearded: After years of mystery, he and the other Pillars physically appear before the Mane 8. As a character, he's incredibly balanced. Wise, smart, understands magic like the back of his hoof, but also judgmental, difficult to convince, and bitter. When he gets mad at someone, you'll know it, and his putdowns of Twilight in Shadow Play, Part 2 exemplify that. He's a byproduct of the tumultuous era he lived in over a millennium ago. But when he admits he's wrong, he sets his ego aside. A marvelous character. Honorable mentions: Pharynx, Mistmane, Star Tracker. Mane 8: Bottom: Pinkie Pie. She's really good in some episodes this season, in particular Not Asking for Trouble and Daring Done? Unfortunately, her characterization took a collective turn for the worse. During Rock Solid Friendship, she pestered Maud and Starlight continually, contributing to Maud feeling she doesn't belong in Ponyville. In S&P, she fell for Dash's constant cover up and became obsessed with catching her in the act. Dishonorable mention: Rarity. --- Top: Starlight. Overall, she's the best written and most consistent. After a sloppy redemption arc, DHX takes more care to write her correctly. She's not as nervous and hesitant as before, has a sardonic edge, and isn't boring or unlikeable. She still has a ways to go, but the Starlight here transitions into a more-self-confident pony. Every episode she's in makes her feel like she belongs in both Twilight's circle and Ponyville altogether. Plus, she's given much proper use. Her role in Rock Solid's fantastic, and it's a nice touch how she worked with the RM7 to build Fluttershy's sanctuary. Uncommon Bond brings forth a personal side to Starlight, and she humanizes Shadow Play's conflict as the Devil's Advocate. Honorable mention: Twilight Sparkle. --- Full M8 rank (in order): Starlight Glimmer Twilight Sparkle Fluttershy Spike Rainbow Dash Applejack Rarity Pinkie Pie Moments: Bottom-3: Big Mac forcing an attempted kiss on a sleeping Sugar Belle. Ah, nuthin' like a scene that says, "Hey! As long as it's a comedy, sexually harassing girls is a-okay!" Anyone who thinks this… this… AND THIS… …is okay or funny is lying. Big Mac's trying to force a kiss on Sugar Belle, who had no idea he was there! If SB showed or said anything to suggest that she knew he was there and teased him, then this moment won't look as bad. As is, it has NO business anywhere, especially in an education-centric cartoon like this one! I predicted no other moment will be worse than this one months ago, and it remains such. The Canterlot reporter accuses the RM6 and their journal of being fictional. Rather than rewrite why, I'll C&P why from my review: … … … Where do I even start with this shit? F&M is FIM's third meta episode of the series. Only this time, the characters are portrayed as the showrunners' avatar, and those who are abusing the ReMane Seven represent the fans they're retorting. It's self-referential and doesn't hide it. When we as an audience criticize the Mane Eight, we don't usually do so because we hate the characters or expect the worst. We criticize because we know that this show is very good and has done great, yet can do better. As an audience, we relate to them in some way or another. It can be a mane pony, secondary, or background. Everyone has a preference of who they like and dislike. Nobody looks at a character exactly the same way. Guess what? That's okay. At the end of the day, we still love the characters as a whole and appreciate the show and staff for what they do. This "parody" is completely inaccurate in message, conflict, and theme. This exchange is the worst dialogue in the entire episode and causes the whole conflict to fall apart. They're characters, not real people. They exist only on screen, on paper, or within our own imaginations. It's the creators' job to flesh them out and make that character become high-quality and memorable. Neither the avatars nor antagonists are real. But in the universe, the characters ARE real and conquer major trials. Each time they wrote in the journal, they changed for the better, even after the episode sometimes doesn't work. Fluttershy after Breezies, Dash in Equestria Games following Rainbow Falls, Rarity after Simple Ways, etc. In canon, the characters aren't dictated by a writer's pencil or keyboard, because there, they don't exist. On the other hand, the antagonists see the autobiographical lessons as fiction and those who wrote them as fictional characters. Neither the antagonists nor protagonists are on equal conflict ground. The ponies questioning, bashing, stalking, and abusing the RM6 are treating them not as real people, but as either characters that we as readers want to replicate on paper and recreate or property that we can recycle. How the hell can the reporter — probably the one who released the 1.5/5-star rating, though that's just a guess — honestly believe the RM6 are fictional characters when he's talking to them directly? Once more, why do ponies from within their inner circles suddenly begin to see them as celebrities when they've known them for so long, anyway? This small exchange does nothing except tell the audience that all of these "antagonists" are straw men. Characters written to be proven wrong in order for the main characters to have the upper hand. What makes them so bad is that you're taking what could be valid points and eliminating them so the protagonists have the upper hand in everything they do. You're making what should be a complex conflict completely one-sided, thus telling parents that the episode — and show, if they watch it for the first time — is trying to emotionally manipulate children into viewing the plot through a black-and-white mentality. F&M uses real talking points from within the fandom, checks them off, and morphs them into abusive caricatures of fans rather than taking the good, bad, and recreating them into what fans as a whole truly are — people. In layman's terms, what could be a good lesson is morphed into a bad one. Straw characters helped ruin the Fluttershy Micro, Root of the Problem, Spice Up Your Life, AND here. NEVER use straw men to teach a lesson! The four Ponyville ponies stalk and harass Fluttershy. What makes this so painful to watch is two reasons: Fluttershy's history. She's a sensitive pegasus who not only battles a psychologically crippling phobia, and was also laughed at (Hurricane Fluttershy) and abused (PYHD). The ponies' reasons for harassing her: Why she keeps relearning the same lessons and one stallion whining about why he wasn't inserted into the journal. Are you KIDDING ME?! FUCK those four ponies! Dishonorable mentions: Vet reveals Tank swallowed a whole pie/Dash chucks pie down her chute in a panic. AJ destroys Lily Lace's hat. Pinkie's bkg. friends laugh at everything she says. Celly and Luna absolve Starlight for swapping their marks. Pinkie tells Dash to "eat up" with a deranged face. Celly and Luna fight. --- Top-4: Big Mac asks Burnt Oak if they can return to hear more stories of his dad someday. This tearjerker is full of great detail. Big Mac — a stallion of few words beyond his "eeyup" gag — being the one to ask makes knowing more about his parents feel more important. After he asks, Burnt Oak cries, indicating clearly how much he missed his close friend. Little touches in episodes like this one turns a great episode into an amazing one. Starlight cries after Star Swirl venomously disowns Stygian. Starlight reformed from her villainous days a few seasons ago, thanks to Twilight giving her the opportunity to change and follow a completely new path. While every Mane and Pillar wrote him off, Starlight sees Stygian as someone who should be given another chance, because she relates to him. Star Swirl casting a final judgment on him as someone unworthy to befriend cuts deeply into Starlight. If she was in Stygian's shoes, she'd likely share his fate. Buttercup sings to BM. Their relationship is real, and the emotional (but simple) song makes it more believable. Bow Hothoof admits to installing the music by himself. Firstly, best joke of the season. Secondly, narrows Dash's parents down perfectly. They devote their entire lives to their daughter and cherish her, period. It helped build up the fallout later on. Honorable mentions: Rumble jumps over the line that divides the CMC and blank flank camps. Grand Pear apologizes to Apple Bloom. Cadance offers motherly advice to Twilight following her meltdown. Fluttershy re-creates Discord's house. Granny Smith forgives Grand Pear and welcomes him to the family. What I want for Season 8: Continue the episode quality. Season 7 is the most consistent in its episode quality (with only 5 bad and average episodes each and 15 good ones), and this was with a lineup of mostly writers who didn't write for the show very long or debuted in S7. Nick Confalone, one of the best writers for S6, only wrote one episode in S7. Josh Hamilton wrote the best debut episode in the show, and Triple Play isn't that bad. The Fox Brothers's Discordant Harmony was a major beacon of great quality to help conclude the first half. While Lappin started off poorly with Honest Apple, To Change a Changeling and Uncommon Bond are great and excellent, respectively. Brittany Jo Flores debuted with Zeppelin, and it's a far more nuanced and clever episode than F&M. Haber, who returned in the second half, had the longest tenure. Haber to continue his magic touch. I don't know if it's a coincidence or not, but after Haber returned to the show, the quality of the episodes spiked collectively. A couple of bumps along the way, but overall, the episodes were at least good. To repeat from earlier, the stretch from Mane Thing to SP was the series' best run since S1-2 (easily its best finish since S1), and who knows whether S8 will continue this trend or not. Once he returned, the direction changed for the better, too. Almost every episode contained dozens of shades of grey. By doing so, the conflict provides an extra side to the story, increasing layers to make the experience more rounded than one-sided conflicts provide. Episodes like Health of Info, M&R, SP, or Zeppelin wouldn't succeed had they not follow this direction. Starlight continue her arc. Her redemption arc isn't done, but she's come so far in the past couple of seasons, S7 being a major step up after DHX follied in S6. Now she's more self-assured and helped save Stygian from returning to limbo. She's heading in the right direction, and I want to see her develop more, maybe interacting more with the others beyond TS and Spike. Once more, watch your unfortunate implications and stereotypes. This got better following F&M, but chances are they may fall in that trap someday. If you have anything you might want to see for S8, let me know in the comments. Verdict: Season 7 was a huge step up for FIM. After S6, I worried whether the show would slow down or not. But not only did S7 squash those fears. FIM has a lot more left in the tank. With so many good and great episodes, and with Nicole Dubuc and Haber together to edit after co-writing Shadow Play so well, it's heading in the right direction. It's my second-favorite and second-best season of the show, and I can't wait what S8 has in store. For those curious about my season order from best to worst: 5 > 7 > 2 > 1 > 4 > 3 > 6.
  17. Vintjack Greasymane

    MLP:FiM Complete intro

    I'll be straight on this one: Do you find the entire MLP:FiM intro melancholy? I kinda find it to be that way I know that it was meant for a show that teaches how great friendship is, and how friends are important in our lives, so I thought I found it to be like that because I had no friends...aaaand nope! I have friends, many friends! So, that's not the right answer...but maybe I've gone very close...maybe I find it sad because it makes me see many great personalities which can not be related to ANY of my friends'. They are all great pals, and I always have lots of fun spending time with them, but really, none of them actually reflects any personality showed in the series...but I wouldn't be sure about that either, because it may affect my thoughts partially, but in the end I like them the way they are. Also, I happened to find someone else in the YouTube comment section who didn't know why that theme made him cry...so I basically found another one in my same situation (yes, it made me cry, too). So, what could the reasons be? Do/did you find yourselves in the same situation? If so, how do/did you deal with it?
  18. Varrack

    Coloratura Fan Club

    Countess Coloratura, nicknamed Rara by Applejack, needs a fan club. Her voice (Lena Hall's voice) was pretty stunning in today's episode, and her multiple designs throughout makes her deserving of one for sure. Rules: -No spamming -No hating on the character -All posts and pics must be related to Coloratura/Rara -No inappropriate content -Be respectful, and don't claim to be her "biggest fan" as that will most likely not draw positive attention -All forum rules apply And here she is
  19. Good evening, everypony, and welcome back to another edition of "Batbrony Reviews"! Well, I have some catching up to do on a few very important reviews, and what better place to start than with the momentous "My Little Pony: The Movie" (2017). The first feature length film featuring the canon ponies of Generation 4 (not counting the previous first Equestria Girls film that had a limited theatrical run, though it is worth pointing out that those were not considered canon when first released, but rather only just confirmed as being in continuity as of the Season 7 finale), "My Little Pony: The Movie" is a testament to the remarkable run that G4 MLP:FiM has had as well as the sheer size of the fandom it has generated. It is undoubtedly by this point one of the most popular and profitable media franchises owned by Hasbro, and even though Transformers may be more profitable still (though their box office returns have been dwindling quite a bit as of late), MLP is undoubtedly one of the most, if not the most, critically acclaimed television or film media currently being produced by Hasbro. Thus, a film was inevitable, and many were actually surprised it took this long to put one out into theaters, but it finally happened, and thus, just before the conclusion of MLP:FiM's seventh season, well over 150 episodes into the show, we finally got a theatrical feature for MLP:FiM. Was the wait worth it? Well, let's find out, without further ado, this is "Batbrony Reviews: My Little Pony: The Movie." WARNING: This should go without saying, but there are indeed LOTS of spoilers below. If you haven't seen the movie yet, this is your last chance to turn back now if you don't want it spoiled. A short disclaimer before I begin. Unlike many of my reviews, which either focus on specific characters involved or dissect every intricate detail of an episode, this will be a far more general review, even compared to my season finale/season in review blogs. My reasoning? Simple: this movie is 99 minutes long, packed with more actual content than even any episodes ever have been (including two-parters), though that is not to say it necessarily has more depth than any MLP episode ever has. But the film, I believe, must be analyzed as its own property within the MLP:FiM universe, not necessarily how it relates that much to the continuity of the show itself since it's not required to watch the show to understand what's going on (at least, not entirely). It is a part of the show, it is a part of the show's universe, but it is still it's own story, and while there is some chance we may yet see characters or species even introduced in the movie end up in the show, the movie in the long run will only have so much of an impact on the show itself. Therefore, I'll break this review down into five simple categories: Story, Characters, Music, Animation, Themes. That should give a solid enough overview of every important aspect of the film without becoming overly long or tedious. With that out of the way, let's begin. Story The story follows a familiar pattern for longtime fans of the show (at least in its general structure), but in its set up serves as a solid format for introducing newcomers to the show, in a sense. The Mane 6 and everypony else in Equestria are putting on a Festival of Friendship at Canterlot, and Twilight, of course, is nervous as hell about making sure everything goes right. After her friends reassure her that everyone will come together and do their part, Tempest Shadow, the right hand mare of the Storm King, arrives with a large part of his fleet of airships and attacks Canterlot! Three of the princesses are magically imprisoned, Twilight escapes with her friends, and they go on a number of adventures to enlist the aid of the Hippogriffs, who turn out to be hiding away under their traditional homeland beneath the sea as Sea Ponies. While their plans do not go as hoped, they still manage to make some new friends and allies, and in the end, take down the Storm King, reform Tempest Shadow and many of his defeated forces (namely Grubber), and free the princesses, Canterlot, and the rest of Equestria from his tyrannical grip (not to mention everyone else he'd been terrorizing for some time). Lessons were learned, friendships were made or reaffirmed, and fun and adventure was had by all. The End. Let's get this out of the way right now. This is not the best story that MLP has ever had, and if you're expecting that, you're going to be disappointed. Long time fans, in my opinion, should not go into it expecting this or even wanting this. The nature of a film based on such a long running series as MLP:FiM is not to be the pinnacle of the series itself. That is a disservice to both the fans of the show and moviegoers who have never seen one minute of the show before. Instead, a movie based off of a cartoon show that has been running this long (though I suppose it should apply to any show that has been running this long, even if others may have to deal with fitting into their show's continuity more depending on the nature of the show itself) is to give an accurate representation of what the show itself is all about. What are the core themes, who are the main characters and what are they like, and what is the general nature of the show as a whole and how it is executed. An older example of this (which, appropriately enough, our beloved Lauren Faust was closely involved with, having written the screenplay) is "The Powerpuff Girls Movie" from 2002, directed by Faust's husband, Craig McCracken. McCracken, Faust, and their team set out to accomplish the same exact thing that MLP:FiM: The Movie does, give audiences a general idea of who the Powerpuff Girls are, what they do, and why the show as a whole is worth watching, and they did it splendidly. This movie does the same about as well as the former did, in two important respects: it is a general enough affair that most general audiences could at least find something positive out of it without complaining about not knowing the show's continuity, but at the same time it does not compromise itself inordinately for the sake of newcomers, to the detriment of long time fans of the show. This is unashamedly an MLP:FiM movie, and it embraces every element that the fans of the show love, and that the creators of the show KNOW the fans love. It simply presents all of these elements in film format, not for television, so the pacing is slowed down, there are some longer conversations, and at times a tad bit of redundancy since, let's be honest, this crew is not used to creating something this long, but never in a bad way. The beats and general progression of the film are fairly predictable, but again, this is not bothersome if you accept the movie for what it is, something that is more interested in executing itself with its own unique identity as opposed to its structure being original or unique. The core themes of the show, at the end of the day, remain at the film's core, tying everything together: the power of friendship, adventure, humor, perseverance in the face of insurmountable odds, fun, exciting, and exotic settings, both old and new, and the capacity for new friendships to either emerge from hardship, struggle, and even hatred and conflict, and for old friendships to survive true adversity and trials. These were all there, and since they were, even if it was hardly the most nuanced or complex story ever presented by MLP:FiM in any format, I was still completely satisfied by the experience for what it was, especially because it was so confident in what it was and sure of itself. Overall, this was exactly the story this movie needed to deliver. Characters Unlike the aforementioned Powerpuff Girls Movie, "My Little Pony: The Movie" actually opted to add a bevvy of new characters, many of whom we probably won't see in the show again (though I know there's more than a few I wouldn't mind seeing again). This was probably mostly to help fill more of the film's running time, and that's fine, because they never felt like that's all they were doing. Every new character served a purpose and was very enjoyable to watch in their own way for unique reasons. Capper was a delightful, suave con artist who went through a nice redemption arc, Captain Celaeno and the Sky Pirates were a lot of fun to watch and not nearly as awkward as they appeared they could have been in some of the trailers, fitting into the overall flow of the movie just fine, Queen Novo was fun when she showed up but sadly didn't feature more (and was also pretty believable as another one of this world's rulers along with Equestria's princesses given how ardent she was in looking out for her people), I cannot rave ENOUGH about Kristin Chenoweth's Princess Skystar, who was every bit as adorable as I thought she would be (not to mention the added bonus of getting some Chenoweth vocals in MLP: The Movie did not hurt one bit), Songbird Serenade, by far the least developed of the new characters, still served her purpose well enough with some smashing great vocals from her VA, Sia, Grubber was surprisingly quite funny and even though he was clearly there just to be a comedic foil, it never got irritating to me, and the Storm King, while not nearly as threatening in demeanor as Tirek, Discord (when he was still a villain), Queen Chrysalis, or even Nightmare Moon, was the perfect villain for this movie, and hats off to Liev Schreiber for genuinely having fun with his performance. The standout of the new characters was, of course, Emily Blunt's outstanding Tempest Shadow (a.k.a. Fizzlepop Berrytwist), who serves as the primary villain for most of the film before the Storm King shows up near the end and she completes her character arc of getting reformed. This character is undoubtedly where the movie's writing is at its strongest. Unfortunately some might draw lazy parallels between her and Starlight, but the fact of the matter is that, even though their backstories and redemption arcs have some broad similarities, the specifics are far more different and nuanced. Starlight didn't believe in cutie marks to begin with, but never expressed a desire to be a loner until her revenge plot against Twilight (even then, her working by herself was more circumstantial than anything else). She wanted to be a part of something special, hence why she started her "utopian" community in the first place; she wanted a place to belong to that she felt functioned as an ideal home and society should. Tempest, on the other hand, by the start of the film has completely turned her back on ponies in general, not just an aspect of pony biology or what it means for pony society. She's far more anger-driven than Starlight ever was, and her purpose is singular: she wants to feel like a real unicorn again. She's extremely self-conscious, even troubled, by the injuries she sustained as a foal at the claws of an Ursa Minor that disfigured her and, most notably, cleaved off most of her horn, and she is willing to do anything, even doom all the other ponies of Equestria - since in her mind, none of them were able to help her anyway all these years, so why should she care about them now when they never cared for her - to get it restored and feel whole again. It's quite a tragic backstory, a little more on the nose than Starlight's, but still relatable, especially for anyone who has disabilities or disfigurements of their own and has ever felt like an outcast or not whole because of it. She even was willing to turn to the Storm King for help just because she believed even he of all people actually would help her, and clearly even the slightest chance that anypony cared about her was what she wanted more than anything else; unfortunately, as it turned out, not only did the Storm King end up betraying, but he really couldn't have cared less, and that flippant attitude of his actually really made his betrayal of Tempest all the more hurtful. He didn't do it out of purposeful maliciousness, he just didn't give a shit to begin with, and for a pony like Tempest, so desperate for any measure of love or care, such a glib attitude about her problems had to hurt more than even deliberate hatred from him would have. Thankfully, through a combination of words and deeds, Twilight and her friends are able to show Tempest the light by the end of the movie, and she in turn turns her back on the Storm King and helps them all save the day, finally finding a place among her kind, even without her horn restored. Of all of the new characters who should make a return to the show, Tempest is by far the one I'd like to see the most, though I'd certainly love to see them all at some point again (aside from the Storm King of course, considering he kinda caught a case of "death-by-shattering-into-a-million-pieces-of-stone-itis"), including Grubber, the Sky Pirates, Capper, and most definitely Queen Novo, Princess Skystar, and the other Sea Ponies/Hippogriffs (one has to wonder now if they'll end up all becoming hippogriffs again now that the Storm King is no longer threatening their land). Every single one of their celebrity voice actors, from Emily Blunt, Liev Schreiber, Kristin Chenoweth, Michael Peña, Sia, Taye Diggs, Zoe Saldana, and Uzo Adaba, all did a smashing good job, did not sound in the slightest like they were phoning in their performances, and seemed to genuinely enjoy playing these roles, and I commend them all for that, especially Blunt, who probably had the hardest job of the bunch in having to play as serious and straight of a role as Tempest Shadow. Other children's television shows and movie adaptations, take notes, THIS is how you make great use of celebrity guest actors; you give them actually important, well-written characters to work with, not just sloppily put together and poorly thought out roles that solely exist to make room for the celebrities themselves (I'm looking at you Disney, wasting Kristin Chenoweth of all people in dreck as bad as Descendants, FOR SHAME!!!). As for the returning cast, most of them had strong showings and all of them were exactly in character as they should be. The two exceptions are Fluttershy and Applejack; while both of them had a few moments here and there, neither of them had too much time explicitly devoted to featuring them, especially Fluttershy, and that's a damn shame. It wasn't bad enough that I think the movie's creators did them wrong or anything, not at all, it just felt like when it came down to picking who they were gonna focus on, they took the easy route and chose the more flamboyant and energetic characters from the Mane 6 with the biggest fanbases to feature, so it's just disappointing that longtime fans didn't get to see Fluttershy and Applejack really shine in a feature length film and first time viewers didn't get to see what makes these two characters so very special. That said, they had enough moments that I was sated with what we got, and they probably still got more moments than Spike did (who oddly enough probably had fewer major moments than Grubber did, which is just weird, but he had his moments too nonetheless). After that, Rarity probably had the 4th most amount of screentime of any Mane 6 character, and while she didn't get her own solo song number like Pinkie Pie and Rarity did, she still sang a few times and did get a wonderful scene where she got to display her generosity to Capper, which started his path to reform in a quiet and very nicely handled way. She also got some of the biggest laughs of the movie, more so I would argue in her visual humor than in any of her lines; I mean don't get me wrong, Tabitha was as funny as ever, but the animators made full use of a character as flamboyant as her and gave her some wildly funny expressions and visual gags (my personal favorite being her checking her appearance in a mirror in the middle of falling to her doom, good Lord that was perfect ). Rainbow Dash had a very strong showing for the most part and got about as much screentime as I'd expect her to get in a movie like this, but thankfully it never felt like they were egregiously turning the movie into "The Rainbow Dash Show" just to sate or please her huge fanbase, and her shining moment in inspiring Captain Celaeno and the Sky Pirates felt perfect for her, so I can't fault the writers for giving her that. Intriguingly enough, not just Twilight but Pinkie Pie as well were the two most important members of the Mane 6 here, and while for one that's hardly surprising, for the other it is slightly more so, but I think I know why. Twilight featuring front and center for the Mane 6 isn't surprising at all, and I long ago accepted that she will always be the main character of this show (even if one could argue she was not the most important character in certain seasons like Season 7). For a movie, it makes perfect sense that the centerfold character should feature more than anyone else. What was somewhat annoying was that we went through very old Twilight problems in a large amount of this film, like her worrying too much about a special event going correctly, or her losing faith in the power of friendship and trying to do things the easy way instead. Despite the size of the threat, and it was a major threat, make no mistake, it still felt a little tired to go through these problems for Twilight between Season 7 and Season 8, and it kind of reinforces arguments that this movie should have come out sooner; if this had happened in canon anywhere from Season 3 to Season 5 I probably could have bought Twilight being this insecure about these things, but she hasn't been such a worry wart in quite a long time now. I believe it was mostly so that newer audiences could get an idea for what things Twilight tends to worry about, as well as simply because it gave the film some more conflict for the Mane 6 itself (not to mention it tied Twilight's arc somewhat into Tempest's as well), so for the most part its forgivable enough, but it definitely feels redundant at times. However, Pinkie Pie as the second most important member of the crew was not an issue at all. At first glance it seems fairly obvious that she'd be one of the top 3 most featured characters of the group considering she has a large following, is very recognizable, and is already the funniest pony out of the bunch, or at least the biggest source of comedy (as she easily is here). But interestingly enough she was NOT just comedic relief, and that's where her performance was truly outstanding. Pinkie Pie, while not stupid by any stretch of the imagination, has in my opinion the simplest and most basic belief in the power of the friendship between herself and all her friends. That's not to insult her understanding of it or anything, it's just not really nuanced or complex for her (not taking some of her past insecurities into account, of course); she knows it's a wonderful thing, she believes in it more easily than any of her other friends, and she never loses faith in it or what it can accomplish. Facing as big of a threat as they do, that faith is incredibly important, and Pinkie frequently keeps the group going and does her best to bolster spirits however she can without largely ever batting an eye, and this is best displayed in two scenes. First, she tries to get exactly what they need from the sea ponies simply by showing them that the ponies are worth caring about through the simplest of actions, showing that they themselves care about the sea ponies and are willing to give them their time, even as their home is threatened and in terrible danger, enjoying the simplest of activities with one another because the sea ponies could use it, having had it pretty rough for some time hiding away from the rest of the world. And the best part is that was all going to work, before Twilight tried stealing the sea ponies magical pearl behind their backs and got the group banished. Afterwards, her next most important scene happens when Pinkie finally angrily confronts Twilight about her losing her faith in their friendship and trying to do things the wrong way, and in that moment she is the perfect choice for expressing the entire group's feelings towards Twilight. It's a rough scene to watch, but it makes sense why she's so angry seeing her longtime friend completely turn her back on doing things the right way, the way they know will work even if it's not always easy. It's raw, it's powerful, and it's one of Pinkie's most mature scenes ever. So her serving as the heart of the group here worked just fine by me, especially when one considers that this is but one of their dozens of adventures that they've had by now, and that all of them have had different moments to shine in each and every one. Someone is always stepping up when the moment calls for it, and this time it just so happened to be Pinkie, who as far as I'm concerned had the best arc of them all, especially since Twilight's was a little more standard and predictable for her and this kind of movie. That said, on the whole I thought that all of the Mane 6 (and Spike) had as a group the movie they needed; like many of their earlier adventures, this was most definitely more ensemble performance of the group as a whole than any one character (besides Twilight and to some extent Pinkie) dominating most of the screen time, and seeing as for many people this would be their first exposure to the Mane 6, it makes perfect sense that this is how the movie's creators would want to portray them. The nuance and complexity we longtime fans know is there for all of them is for the show itself, while here, we got mostly the basics, but also enough information that it was clear there's a lot of history and complexity to these characters beneath the surface. I'm having a hard time imagining how it really could have been better for them, so as far as I'm concerned, this was exactly the showing we deserved from our favorite group of ponies. As for supporting characters and background ponies, believe it or not, they didn't have nearly as much to do as we usually have come to expect from them. I suppose the princesses getting into trouble was nothing new on their end, but even the background ponies didn't do much in their cameos aside from look miserable a lot once they'd been enslaved by the Storm King's forces. Overall this wasn't terribly surprising given that the movie had so many new characters to introduce (who had background characters themselves, including an adorable sea pony foal who had some incredibly cute cameos). HOWEVER, there was a big, big, BIG exception to that general rule, one that pleased me GREATLY! That's right, in a giant love letter to the fans, none other than the greatest background pony of them all, Derpy Hooves, quite intentionally took a figurative bullet for the team when she desperately shoved Twilight out of the way from a magically enchanted item that Tempest had thrown at her to turn her into stone, saving Twilight's life and pretty much saving the day in doing so. Sure she spent the rest of the movie encased in stone, but by the end of it she was released and back to normal, good as new! It's an awesome shoutout to the fandom and lovers of Derpy like myself, and of all the background ponies to get that kind of love, she deserved it more than anypony else. Music The music in this movie quite evidently channels the general sound and feel of more Broadway-esque Disney showtunes of the past, particularly the grandly staged numbers of the Disney Renaissance. That doesn't mean like it ever feels like Daniel Ingram straight up lifted any tunes from Disney, oh no, it's just clear what his inspiration was. On the contrary, the music is great as ever, and each piece (unlike more thematically consistent Disney pieces) feel very unique and like they could be in a different movie altogether, but here it works since they're usually staged in radically different settings. The biggest exception to this rule, of course, is Sia's number at the end, but even that works just fine for what it is, even if it sounds the least like a song we'd expect to hear in this show. We Got This Together - The first number is a fun and fairly standard Mane 6 ensemble. Nothing particularly notable about it aside from it having a very pleasant tune, and I never complain about all of the Mane 6 singing together (which happens in most song numbers in this film, but it is most deliberately centered on them here). In fact I actually think the most memorable thing about this song is that it really was one of the first points where the movie truly got to show off its animation. Sure we'd already seen how different it all looked for about 10 minutes by that point, but this gave us a fun tour around Canterlot for about three and a half minutes, and all with a fun song playing to go along with it. A fun, solid opening number to be sure. I'm The Friend You Need - THIS song is where the movie's soundtrack really began to shine. "We Got This Together" is a great number in its own right, but it also sounds very familiar for the show. "I'm The Friend You Need," however is a tango sung by a male character (male characters of note being rare as it is in the show, it's even rarer one getting to sing), a style we've really never gotten to hear on the show before, and goodness me is it deliciously fun. Taye Diggs's vocals especially sell the number, and its visuals are quite fun to boot, with the ponies unsettling settings delightfully contrasting their Equestrian-selves. Time To Be Awesome - "Time To Be Awesome," in my humble opinion, is actually Rainbow Dash's single best song ever. It's kind of the anti-"I'll Fly" of her song numbers - while that song, from "Tanks for the Memories," has a good tune, it's also about her not giving a buck about how her trying to keep winter from happening is going to buck everypony else over all so she can just spend more time with Tank. The message never sat right with me or many other Rainbow Dash fans, not because the show was trying to sell it as the right thing, but because by making it such an upbeat tune, they kinda made it sound like the Element of Loyalty quite literally stabbing everyone else in the back was a good thing. "Time To Be Awesome," on the other hand, is the polar opposite. It has Rainbow Dash channeling all of her best qualities to lift others up and remind them that if they're willing to do it, it's not so hard for anyone to be awesome. That's Rainbow's loyalty at its best, when it inspires other to be their best selves. It doesn't hurt that both Ashleigh Ball and Zoe Saldana absolutely kill it on their vocals, and the kickass Celtic/Gaelic instrumentals (at certain points, sometimes mixed in with a dash of pirate-tune instrumentals to give it a swashbuckling feel when some of the pirates sing their own verses, including one voiced by none other than Nicole Oliver) are quite awesome as well. By far one of the best original tunes in the movie, it's only slightly soured by the fact that Rainbow Dash completely bucks everypony over, including the sky pirates she just inspired, when she hilariously unnecessarily does a Sonic Rainboom at the end, drawing the attention of Tempest Shadow and her forces. But ah well, that's RD for ya, and we love her for it. One Small Thing - BY FAR my favorite song of the entire. This song is catchy as hell. Repeat after me. This. Bucking. Song. Is. Catchy. As. Hell. It is everything I would ever want musically out of an MLP movie number. Memorable lyrics, a bouncy and deliciously fun tune, fun instrumentals, and bucking operatic singer Shannon-Chan Kent as Pinkie Pie and MOTHERBUCKING GEM OF BROADWAY Kristin Chenoweth as Princess Skystar. Holy shit, that is a delicious duo of amazing singing voices that absolutely delivered 1000000%, seriously, my choral singing self was so pleased by this. The second I heard Kristin Chenoweth was gonna be in this movie I could not wait to hear her sing in MLP and knew very well that her song could easily end up being my favorite of the movie, and my instincts were bucking right. She and Shannon-Chan were gems together and the song itself is insanely fun. On top of that, as with "Time To Be Awesome," it was yet another Mane 6 member at their best, this time Pinkie Pie getting to show how much just showing ponies a fun time can mean so much to them. She helps an entire city of exiled hippogriffs come out of their shells and simply enjoy themselves without even asking for anything in return, and until Twilight was caught trying to steal the sea ponies magic pearl, it was going to actually turn the sea ponies/hippogriffs into their allies. The way Kristin Chenoweth sells her own vocals, you can simply feel how much everything that Pinkie is doing for them means to them. A song like this is MLP in its purest form and one of the biggest reasons I have always loved the show, and definitely ranks up their with some of Pinkie Pie's most legendary song numbers like "The Smile Song." This song is pure joy and I love it so much!!! Open Up Your Eyes - This is, objectively speaking, probably the best song in the movie in terms of what it does for the plot itself. "Open Up Your Eyes" is not just a villain song, but a song that tells a story. Tempest's story. In it we get her entire worldview laid bare, and it's rather heart wrenching once it is all laid bare before us. Tempest is simply a loner who, by and large doesn't put her faith or trust in pretty much anyone at all after feeling dejected for so much of her life as a result of her injuries and dangerous broken horn. She only trusts raw power and those with it who she believes might actually care enough to help her, or at least give her what she wants if she does enough for them first. What comes next for her after she fixes her horn, who knows? We never get that far, and it doesn't seem clear that Tempest knows either what she ultimately wants. First and foremost, she just wants to feel whole again, because she feels like that's the only way her life might mean anything again. It's tragic, utterly tragic, and the soft visuals when her backstory unfolds make it even more so. It looks like the memory of a child laid bare, something innocent that goes so terribly wrong because of one accidental moment that never should have happened and changed so much for her. So as far as villain songs in general go, it's very unique. It's not a villain just cackling out their plan in song, or how evil they are or how happy they are that they're about to win. It's Tempest just telling Twilight a story and telling her to stop believing that her idea of Equestria and friendship is right, that the world is just a cold, dark place that will crush you if you let it, and the only way to keep that from happening is to crush others first. Tempest isn't exactly happy about this, she just wholeheartedly believes it, and when we see that, we see just how tragic as a villain she is. It's probably the best villain song that MLP has ever had and easily blows "This Day Aria," out of the water, though again, I must emphasize that it is hardly a traditional villain song, and may not even entirely fit that category. Rainbow - Sia sings a Sia song in MLP. That's it. What else do you want me to say? I mean it's a good song, even if it is radically different from the rest of the movie's soundtrack. I think what I most appreciated about it was that it was slow, like the movie was exhaling. It could've taken an easy route and been faster and more upbeat, ya know, a kind of party dance tune like so many kids movies these days end with, but instead it went for something a bit more emotional and quiet, and I really liked that. It doesn't feel like the ponies are moving on from a frantic climax to a frantic party, but instead are just breathing easily, enjoying one another's company quietly after saving the day yet again, and that everything is going to be OK, even for Tempest. The single most disappointing thing about it really is simply that Sia's character was literally in this movie just to sing that song. I mean, she shows up to Canterlot, sings some kind of awkward pop-jail number for 10 seconds (seriously, that was a weird scene and I have no idea why she of all ponies gave Twilight a meaningful look when she got back to Canterlot given that they'd known each other for a total of five bucking seconds), and then sings this song at the end. Honestly I think it would have been better if she just straight up showed up at the end of the movie for the first time, like her travel was delayed or something. At least it would have felt more honest then as opposed to her showing up at the beginning of the film. But anyway, yeah, I liked this song a lot and had no trouble with it being at the end of the film. There's about seven other songs on the MLP: The Movie soundtrack, and I can't speak to all of them since I haven't heard all of them yet. Some of them are covers of older songs, like their "Thank You For Being A Friend" cover (which is deliciously hilarious in concept but also is actually quite lovely the way they did it), and some are original numbers, like Lukas Graham's "Off To See The World," which you may have heard in the MLP: The Movie trailer and credits (and as much as I hate to admit it, I actually quite like the song, despite hating Lukas Graham and his annoying, smug Danish ass himself - seriously, who has a shoutout to themselves in one of their own songs about how humble they're supposed to be in the face of fame, that's so bucking stupid and asinine?!?!). Overall, I'd say pretty much every soundtrack number from the movie itself is more than worth adding to your music library, and if you haven't done so, you really should, they're all quite excellent and perfect for this particular project, definitely some of Daniel Ingram's best work to date, especially given what he was asked to do in making music so different from MLP's normal fare. Animation The animation in "My Little Pony: The Movie" is radically different from the normal fare we're used to in the show. The show utilizes about as advanced of Adobe Flash animation as one could possibly hope to achieve with that technology, but even so it is still distinctly CARTOON animation meant for television. The movie, on the other hand, uses Toon Boom Harmony, which has been used by movies like "The Princess and the Frog" and television shows like "The Simpsons" (at least since the mid-2000s). According to art director Rebecca Dart, they wanted to keep to the look and feel of the television show, and the use of Toon Boom Harmony enabled them to add "simple yet impactful changes" to the designs for the big screen, such as depth and shadows for their eyes and ears, and the impression of heart-shaped indentations on the bottom of their hooves. Some CGI models are sprinkled here and there, especially for some of the larger ships or objects, and while they look a bit out of place they looked overall much better in the final product than they initially did in some of the early trailers. Overall, while this animation is hardly groundbreaking or revolutionary, the distinctive look for this movie is very appreciated and very much sets it apart from the show and other MLP productions as its own uniquely animated feature. It's so polished that you can't help but appreciate how much hard work the production crew put into bringing this movie to the big screen using a completely new animation style, and is one of the most apparent testaments as to how sincerely this production crew worked to make an actually, objectively good movie and not just a quick cash grab. Themes As I've said throughout this review, a movie based on a show as long-running as MLP:FiM has to try to encompass the most general, basic elements that have garnered the show as much of a fandom as it has built up through the years, and this applies to the themes of the movie as much as anything else. They're probably the simplest part of the movie if I'm being honest, with the most complex elements entering in Tempest's story. Just because they're simple, however, doesn't mean they're not delivered well. The biggest theme that sits square at the center of the movie is just a downright simple, steadfast faith in the power of friendship to overcome all sorts of troubles that life may throw your way. The Mane 6 don't just embody this in how they stick together throughout the film, but also in how everywhere they go, they affect someone else's lives with their friendship. From Capper being reformed from his con artist ways after being touched by Rarity's simple act of generosity in fixing up his clothes, the Sky Pirates loyally standing by the ponies after Rainbow Dash inspires them to take up their Sky Pirate mantle once more, Pinkie Pie giving the sea ponies a day of joy and revelry like they haven't had in quite some time, and Twilight herself going out of her way to save Tempest even after all Tempest had done to almost destroy Equestria and her friends and loved ones. Sure, this movie doesn't exactly create the wheel, but it is utterly confident in what its theme is, sticks to it, and executes it as proficiently as it could. That right there, that focused and very clear-cut theme that is repeatedly reinforced through the movie, is very much worth commending given that so many children's films these days seem incapable of even justifying the reason for their existence and seem downright as aimless as they are pointless. Concluding Thoughts This was the movie I wanted. I'm not saying everyone else has to think of the film exactly as I did, but for me, a guy who's been a brony since 2012, this was exactly the feature length, theatrical film version of MLP:FiM that I have wanted for years. It didn't try to do too much, but it also had a point and purpose for its existence. It wasn't revolutionary, but it was clearly ambitious and well-crafted all the same. It was mostly made for fans, but invited first-time viewers just enough that some might be willing to come back for seconds in the show itself if they paid attention closely enough. Most importantly, it accurately reflected and embraced everything we've come to love about the show itself through the years, but simply did so in a film format. At the end of the day, no matter how different it looks or sounds or how much longer it is or how many celeb voice actors it had, "My Little Pony: The Movie" is distinctly, unmistakably as much a part of that universe as anything from the show ever has been. No compromise, no watering it down, this was a pure, unadulterated MLP:FiM experience, a love letter to Generation 4 of My Little Pony and all of its fans, and a true testament to how wildly popular this show still is and how loyal its fans remain to both the show itself, but more importantly, its core themes and messages. As the old saying goes, if it ain't broke, don't fix it, and the creators of "My Little Pony: The Movie" clearly recognized that they didn't exactly have to change all that much in translating this television show to the big screen. I thank them for that, for embracing this show and all of its elements, and for giving us a truly memorable, fun, and downright thoroughly enjoyable cinematic experience!
  20. Season 5 is finally over! With a season containing so many great and memorable moments, it isn't hard to imagine why some of us may feel a little down with the lack of new episodes. But fear not! Season 6 is just around the corner, and I'm sure it'll be just as, if not more, grand as the last one. Feel free to use this thread to express your thoughts on the wait for new episodes, and to share any news regarding the new season.
  21. Das Story..... I think everyone has a story. I just don't think they meander and get side tracked that much...
  22. Good evening, everypony, and once again a very Merry Christmas to you all! I hope everypony has had a splendid holiday today and a wonderful time celebrating with anyone they can, be it family or friends! I've been meaning to do this for some time now, but I figured now's as good of a time as any considering the holiday season is all about spending time with those we love, and in turn getting to share that love with as many people as we can. While my beloved girlfriend and I have not gotten to celebrate the holiday yet, we will thankfully get to celebrate New Year's Eve together next weekend, and exchange some Christmas present with each other then. With her birthday being last month at the end of November, and our one year anniversary coming up this Valentine's Day, I wanted to get her a special little something as a way of continuously welcoming her in the brony fandom and pony family. While we're still in the middle of Season 1 of MLP, it's been a special part of our relationship from the get go; my darling was totally cool with the entire concept of the show when I shared with her that I liked it, and thinks that some of the fan art produced in it is incredible, plus she knows how important my pony people are to me at this point. She was even nice enough to go to the MLP Movie with me, which was simply a blast of a time together and something that was very special for the both of us to share in! So, for her birthday I commissioned my great friend Sapphfyr to design an OC for her just like he did for me a couple years ago in this cute little guy, Silver Lining. Working with her and getting input from her about her personality, they came up with an OC that is simply perfect for her! So without further ado, everypony, let me introduce you all to my girlfriend's very own pony OC, Topaz Blossom! Isn't she just the CUTEST!!! Topaz Blossom, as you can see, is a unicorn. We haven't exactly come up with just what for sure her profession is, but it's most likely something tailoring-related since my girlfriend works in dress and bridal gown store and most closely relates to Rarity (so yes @Jeric you can add her to your ranks of Rarity lovers ). The cutie mark is a very personal symbol for her; it's a symbol of the Christian Holy Trinity, but done up in the style of a Claddagh symbol/ring. My girlfriend has quite a bit of Irish heritage, and the symbol for her stands for both her faith and heritage, representing love, loyalty, and friendship. It felt most appropriate for her to utilize this as her cutie mark, and I couldn't agree more! Now that we've both got OCs too, Lord willing I'll be able to get some fan art of the two of our OCs together, which is something I've long hoped to do with any significant other. Any artists who wish to use these characters yourself, please contact me first, but I shouldn't have any issues for the most part (especially if someone just wants to make some cute are of the two of them together, I will certainly never say no to that! ). I probably won't be RPing with my OC (and likewise my girlfriend probably won't be RPing with her OC) any time soon, these two will be more reflective of where we are in real life than any kind of fanon we come up with them beyond personality traits and maybe some small backstory. But yeah, just wanted to introduce you all to her, hopefully sometime in the future I'll even get her to join the forums, even if she won't be super active. Oh, and before I go, I just have to share this gorgeous piece as well that my friend mirroredsea was too kind enough to put together for my girlfriend and I for her birthday as well! It would have been of our OCs but hers wasn't designed yet, and we both adore Pear Butter and Bright McIntosh, so asking him for a piece of those two felt right and I couldn't have been happier with how it turned out! Merry Christmas everypony, I hope you had a blessed holiday and that your final days of 2017 are wonderful as we prepare to ring in the New Year! That's all I've got for you everypony, until next time this is Batbrony signing off. I'm off!!! *cue dramatic exit*
  23. TwilightSparkleAndAJ

    its 2017 is the brony fandom dying?

    is the brony fandom dying if it is that will make me sad since i just recently got fully into the community i have liked the show since 2011 but i just got into the fandom recently pls make me feel better by saying something positive i just feel like i missed so much and it really hurts inside my heart pls i need guidance thanks
  24. Good afternoon, everypony, and welcome to MLP Forums and Poniverse's latest Community Guest Q&A! Please join me in welcoming Elley-Ray Hennessy, the voice of Mistmane and a couple of other minor characters in MLP:FiM this past season. In addition to her work on MLP:FiM, Ms. Hennessy has 79 total acting credits to her name garnered from over 30 years of voiceover, television, film, and theatre acting, including in shows like Goosebumps, Babar, and Redwall, and films such as It Takes Two and Phantom of the Megaplex. This marks the first time that MLP Forums and Poniverse have ever had an actual member of MLP:FiM's voice cast as a guest, and we could not be more excited to have her joining us! First things first, I must clarify how this Q&A will be unfolding, so PLEASE read this carefully. Ms. Hennessy will not be answering questions in the thread herself; instead, I and a few other staffers will be relaying questions to her and the answers she gives us in a Skype conversation to this thread. If you see that I have quoted you in this thread, it is because I am answering your questions with her replies via my own profile. Rest assured, Elley-Ray herself is coming up with any responses we post, and you should feel free to ask as many questions as you want as we always do in these Q&A events. So please, ask away, but just keep your eye out for me to be the one quoting you any time one of your questions is answered. Just a couple more things before we begin. Seeing as Ms. Hennesy is an actual employee of both DHX and Hasbro on account of her work with the show, we have to lay some ground rules similar to when we've hosted guests like Ward Jenkins. While you should feel free to ask whatever you want within reason, keep in mind that many questions, especially those that pertain to her work on the show, may be ones that Ms. Hennessy is unable to answer on account of confidentiality agreements with the studio and her employers. We want to have a great time with our first VA guest, not get her in any trouble with her employers or act like obnoxious or self-entitled hosts. If you'd like to learn more about her, you can visit her own website here, her IMDB page here, and her Twitter page here. That's all I've got for ya'll this afternoon, everypony, so without further, ask questions of Ms. Hennessy to your heart's content! I'll start with a fairly simple and basic question to get the ball rolling: Ms. Hennessy, you've had all sorts of acting roles in a variety of mediums throughout your career. What originally inspired you to become a voice actress?
  25. Good morning, everypony! I've got some exciting news for you all this morning and I'm sure you'll feel the same way once I've shared it. Fillies and gentlecolts, it is my distinct pleasure to announce that on Saturday, December 16th from 3 - 5 PM EST, none other than Elley-Ray Hennessy, the voice of Mistmane and a couple of other minor characters in MLP:FiM this past season, will be joining us as our next Q&A guest. In addition to her work on MLP:FiM, Ms. Hennessy has 79 total acting credits to her name garnered from over 30 years of voiceover, television, film, and theatre acting, including in shows like Goosebumps, Babar, and Redwall, and films such as It Takes Two and Phantom of the Megaplex. This marks the first time that MLP Forums and Poniverse have ever had an actual member of MLP:FiM's voice cast as a guest, and we could not be more excited to have her joining us! Now, seeing as she is an actual employee of both DHX and Hasbro on account of her work with the show, we have to lay some ground rules similar to when we've hosted guests like Ward Jenkins. While you should feel free to ask whatever you want within reason, keep in mind that many questions, especially those that pertain to her work on the show, may be ones that Ms. Hennessy is unable to answer on account of confidentiality agreements with the studio and her employers. We want to have a great time with our first VA guest, not get her in any trouble with her employers or act like obnoxious or self-entitled hosts. And trust me when I tell you this based on my interactions with her, Ms. Hennessy is very excited to join us as well and really loves the fandom! If you'd like to learn more about her, you can visit her own website here, her IMDB page here, and her Twitter page here. That's all I've got for ya'll this morning, everypony, and please, share this announcement anywhere you can! We would love to have as many visitors as possible to ask questions on the day of the Q&A, and be sure to prepare some of your own before you show up. Have a great Saturday, everypony, I'll see you in Poniverse Events for the Q&A in a couple of weeks!