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Found 11 results

  1. So basically: One picture is the student six in their sleepwear. The other picture is Gallus not being a part of Sandbar's birthday party. I don't normally ask for this, but I'd like to hear your guys's interpretations as to what's happening. (I already have some established ideas, but I'd like to hear from different perspectives.)
  2. Since the start of Season 2, Rainbow Dash traditionally has the worst episodes of the season and show at large. After a swarm of some great and excellent outings, Season 9 releases its first clunker. Smolder had one of her best outings of the season. Representing the student body who wanted the cheerleading to work, she put up with all of Dash's crap and gave her the calling-out she so rightfully deserved. After Dash gives an apology that didn't sound so contrite, she actually proved she meant it by helping her students practice. And if you look at the montage, you'll see how much effort Dash put into coaching them to be the best they can be and the students placing their trust back into her. Snips continues his capitalist streak, trying to sell as much as possible to buckball fans and goers. And he inadvertently made Dash see the errors of her ways. Celestia going all fanatical remains the episode's funniest moment. And the buckball scene as a whole (minus one moment, which I'll get to) holds up well enough. That's all the positives. The rest of this episode was just a colossal train wreck. There's one piece of dialogue, where after it all ends, that really spoils the mood. And attached with a snarky, conceited face and tone. So why is Twilight going all Trollight the worst moment of the season so far? It calls back memories of what the RM5 did in Mare Do Well and 28PL, the former one of the most infamous of the entire series. Rather than tell Dash upfront, they go behind their backs just to make her get it, and the tone attached to them is cruel and unbecoming of not only anyone who truly cares for a friend, but also the show. For those two, it took until being confronted by them at the very end with them actually telling her to her face. 28 Pranks Later has the worst atmosphere of the two, because rather than fix the problem, they exacerbated MDW's worst problems and made a worse version of that episode. Here, Dash learns her lesson well before the climax, and Twilight doesn't see the transformation taking place, but imagine if she didn’t. What if Twi told her at the end? Can you imagine just how dirtier that would feel to the audience? Just to teach Dash a contrived lesson, Twilight intentionally put the whole tournament at risk. Had Twilight decided not to make Dash the cheerleader coach beforehand, none of what happened would've existed. Dash would be at home teaching buckball and not feel demoted and deflated. She started a conflict that should never have existed in the first place. But what does making that snide, passive-aggressive line admission also mean? Twilight knew well in advance that Dash would not take this “demotion” very well, do less than minimum effort to help the students prepare for the halftime show, try to sneak away and get involved with it, potentially ruin all hope they have for it, and make them quit cheerleading practice. Like the Ponyvillagers in MDW, she used both Dash and her students as guinea pigs just to make Dash learn a lesson. This is one of her most out-of-character moments of the whole series, as it shows no trust with Dash and the student body. That final exchange is an admission of no confidence, yet the episode paints her in the right for pulling such a disgraceful stunt. Trollestia was the worst part of both Ticket Master and Bird in a Hoof, as she treated the Mane 6 (and for the latter, her sick phoenix) as a means to an end. Trollight adopting that same "quality" doesn't make it any better or more humorous. Because this episode's Mare Do Well 2.5, it's easy to see why many don't take it very well. Mare Do Well is factually terrible, and its infamy means it should've been put in the background and not to be reminded of again. This episode and the ending feel a lot like a multi-down and an admission by DHX of having continuous difficulties writing/editing her well. Those reactions also remind me of my own following Princess Spike's ending. After a mess of an episode and conflict, Spike was given a bouquet of Dragon Sneeze trees, restarting his allergies and forcing him to sneeze at the rebuilt statue. What made that moment so atrocious is how it solidifies a very sexist position within the show. Spike had been the show’s buttmonkey from the beginning, and several episodes either neglected him despite being an important part of Twi’s life (like not being at Twi’s birthday) or made him the butt of very unfunny slapstick (Owl’s Well, the Spikeabuse from Fall Weather Friends and Castle Mane-ia). Additionally to being the only non-pony of the Mane cast, he was the only male. Beating down the only male lead in a pro-feminist show is as misandrist and anti-feminist as it comes. Now, is Twilight’s line as bad as that atrocious, sorry excuse for a "joke"? Not even close. PS's "joke" made me wonder whether FIM jumped the shark, a dose of irony after Slice of Life subtly satirized it. Twilight's admission, as awful as it is, isn't nearly that low. To this day, I still don't regret my tirade over it. Thankfully, Spike had more than half a season, several more from that point forward to recover. From that day forward, he hasn’t had an episode close to this level of quality since. Unfortunately for Dash, we’re now in the last season, and if you look at the synopses of what’s to come, Also, Kaita Mpambara is one of the best new writers, so for him to write such a stinker is massively disappointing. However, just because Twilight intentionally placed Dash in an unfavorable position doesn't mean Dash is entitled to take her disappointment out on the students. With RD being the focus, we see how she feels and reacts to her surrounding. What we got here is Rainbow Dash's Honest Apple. In Honest Apple, Applejack wasn't initially sure she would be the right pony to judge on practicality, but after Apple Bloom (inexplicably) had trouble with her hat. So even though Applejack became Applejackass, it didn't start out that way. She went into this process without ill intentions. However, Rainbow Dash never got on the right foot with Ocellus, Smolder, Yona, or the two cheerleading valley mares (Shimmy Shake & Lighthoof). What was her reaction to Twi over its importance? …Nice support for your students, Ms. Cools-a-little. From the get-go, Rainbow Dash not only showed absolutely zero interest in teaching the students how to cheerlead, but made less-than-minimal effort. Let's go over her sins one by one, shall we? Shimmy Shake and Lighthoof were apparently students at the school. But Dash apparently doesn't recognize them very well and passively dissed their cheerleading routine by rolling her eyes at them. However, even if Shimmy and LH may not interest her, she could've been inspired by Ocellus's desire for respect, Smolder's subtle feminine curiosity, and Yona's eagerness to fuel her in helping all five practice. Instead, what does she do? Remain completely apathetic towards cheerleading as a whole, ignore Snips's (bit-centric) reminder that Twilight put her faith in her, and put her focus completely on the constructing buckball field over her own classroom. Their first practice in front of her was loaded with problems, including Yona's inability to not cause a classroom earthquake, Ocellus's timidity, and Smolder's poor smoke direction. But Dash pays no attention, her focus out at the window. She doesn't see one second of it. As far as she's concerned, as long as they just perform in front of her, it's all she and the buckball audience would give a shit about. As long as someone else with more passion than her can teach them, then she can watch ponies practice and build the field. Even though Snips's focus is bit-centric, he showed to be no fool these days. However, his vague wording of needing a coach so he can "make any bits" led her to her scheme, which was a disaster. … … Seriously, Dash? You really think everything will be A-OK? You think that they will rather have Snips, who's completely unqualified to teach or tutor in any form of athletics, over you? Yet, she uses that "come-up-with-something" idea to blindfold her students and try to sneak out, and would've succeeded had Yona not peaked. "Come up with something" isn't an excuse to be damn LAZY and do NOTHING under a cheap guise. After being suggested to "turn to her friends for help," she did just that and spent the rest of the first day of practice asking her friends. But she gets only the equipment. She literally is doing "what she needs" just to get stuff. No tips on how to work with them safely, arrange them properly so the practice and the dance routine improve, etc. In layman's terms: Lo and behold, they practice for the rest of the day and fuck everything up in the worst "comedy" routine of the season! What does Dash do? Completely ignore it and act like it never existed. When she turned around to see them all glum and upset, her only reaction was a disinterested "What?" Hmmmmmmmmmm… …now what does that remind me of? Oh, yeah, this little shit!! AJ's act of shaking all those feathers off Lily Lace's hat after uniquely stitching them one by one overnight is by far the cruelest act between the two episodes, but Dash's words were much worse. In HA, AJ stereotyped fashion at a boiling point (though her following words while much more composed doesn't help her at all) and at least gave it a chance. Here, Dash maintained a negative, narrow, stereotypical viewpoint of cheerleading before Twilight assigned her, maintained it throughout, and then remorselessly showed her disgust for it and those willing to perform and make it good in spite of her laziness! Even worse, despite being visibly upset, she still didn't see the big deal in how hurtful her actions were! *facehoof* Sweet Celestia! Look, I get it. Being assigned to a job you don't like sucks. No one likes it. But this isn't about you. It's them. THEY agreed to take part in the School of Friendship's cheer squad, because THEY were interested and knew Dash was the most athletic and best one to properly rally! Dash, you're a TEACHER. It's your job as a TEACHER to HELP THEM! It's one thing to be so oblivious towards their screwups. It's another to severely flanderize her ignorance, pretend they don't exist, act so disinterested when they badly mess up, directly insult them, and STILL don't care! I read one comment somewhere, and I can't find it, but that brony's right. Dash, why are you a teacher? This is the second time you were a selfish piece of shit. What you did with AJ on that boat is way, way worse than this, but that doesn't make your despicable, out-of-character actions here any better. If you truly needed help like you claimed, you coulda, I don't know, look in the library yourself and work with the students to hone their craft! Neighsay bashed the school in part because the teachers are professionally unqualified. Congratu-pony-lations for proving him right again! *AAAAAAAAAAAARGH!!* Ain't it odd that Dash suddenly bashed the idea of cheering? IIRC, she had no problem teaching someone how to cheer eight seasons ago! Sure, teaching someone how to cheer from in the stands is much more different than cheerleading, which is pre-planned and organized. That doesn't mean she can't use those lessons here, but that would've been a leeeeeeeetle too helpful for her students, wouldn't it? Needless to say, this episode sucks. Today, it's the worst of the season and yet another Dash-centric flop. However, despite bashing Dash's characterization and discontinuity, it's not close to the worst of the show or her worst appearance ever. Several episodes prior handled her way worse than this. May the Best Pet Win, Tanks for the Memories: Abusive to animals. The former by being cruel to those who want to be her pet and dismissive toward Tank. The latter for treating her company with Tank to be more important than keeping her alive. Sorry not sorry, Dash DOESN'T deserve pity over having to wait three months during the winter! Rainbow Falls: Gaining an ego and then actually thinking about abandoning the relay team representing her town in favor of the “cooler” Wonderbolts squad. Mare Do Well: No explanation required. 28 Pranks Later: Jumpstarted the MDW ripoff by scaring the daylights out of FS while knowing she hates being pranked, and then the whole town, including SCOOTALOO, decided to get her back. Newbie Dash: What supposed to be her milestone episode turned out to be the biggest torture porn of the entire show. Three years later, it remains FIM’s biggest black mark. Compete Crap Clause: Lusting to win Teacher of the Month, she and AJ focus more on winning than the Young Six’s safety, causing a Yona to nearly drown! Rather than learn their lesson, they act passive-aggressive toward each other and nearly became bite-a-cuda dinner!  When Rainbow Dash wised up, she was remorseful, apologized, and worked hard to help the students make the cheerleading become the go-to moment of the tournament. Despite her terrible behavior, she put in the effort to make up for it, a commendable act by her. Yeah, it’s the worst episode this season, but compared to almost the rest I listed, it’s not terrible. Lastly, it's understandable that some may feel DHX, particularly the crew from S6 onward, hates Rainbow Dash. But if they do, then we wouldn't have the following: Stranger Than Fan Fiction: OK, this episode isn't as good as what many say, but only due to Quibble suddenly acting like an idiot while in the jungle (thinking it's all a game). OTOH, Dash was fantastic as a fantastic foil. Top Bolt: A better climax could've really helped this episode. But Twi and Dash worked hard to help out Sky Stinger and Vapor Trail and were able to fix their friendships. Their portrayals were among the best of S6. Glideance: Dash’s Putting Your Hoof Down, and done right. Grannies Gone Wild: An episode that has no business being great, but it is. Initially wanting no part in it and trying to skip out, she immediately sees the error of her ways and works tirelessly to keep the Golden Mares safe. Despite all of the comedy at its expense, Berrow's episode reminds us to sympathize with her, not think she had it coming. She rightfully earned her way to the roller coaster. The End In Friend: NCC and Mare Do Well done right. Their argument was very believable and had every right to defend their own interests when the other didn't take theirs seriously. But they used their interests and strengths to realize how much they still mean to each other. The Washouts: An excellent sequel to Wonderbolts Academy, and Dash’s best episode. Like its predecessor, it balances her strengths and flaws very well, transitions between Dash's insecurity and worries for Scoot's safety flawlessly, and doesn't demonize her for any of it. Common Ground: An amazing followup of STFF with a personal touch, and Dash's best outing of the season. Tries her best to help Quibble learn buckball to bond with his stepdaughter, accidentally messes up, and steps back up to continue helping him until she found the right resolution. Most importantly, as disappointing as 246G is, this is Season 9's only folly. Many more episodes remain. If you wish, you can open the spoiler box beneath for brief commentary on the early-aired episodes: So, yeah, it's a bad episode, but not the worst, and whenever the show ends, she still has many good episodes.
  3. Note: Credits to We Are Borg, MarikAzemus, and @Truffles for this review. After Sweet and Smoky, I won't be surprised if Season 8 was planned as equally as the 9th. The way she teased her off-screen bro after his horrid molt shows her edge, yet still cares for him. Combine this with Spike's feud with Garble still hanging in the air, what perfect time to address it than an episode about dragon-breeding. This episode mingles three plots: figure out how to hatch the eggs, get Garble to show his more sensitive side, and end his feud with Spike. While Sweet & Smoky started by using the first two, it expanded once Spike discovered who Smolder's brother is. Sure, no in-show word said he's her older brother, but given the context of past episodes and how Smolder's younger, higher pitched, and originally a little less mature than him, yeah, she's younger. Throughout, Smolder's more "feminine" side becomes more and more open. While at the School of Friendship, she's more introverted in her likening for tea parties, but while around Garble, she's more self-secure in openly having tea parties with Garble and Spike, expressing her feelings, showing emotion beyond archetypal "masculinity," and not being afraid to go against the grain of dragon culture she grew up learning from. Even more, her friendship with Spike grew closer to more of a surrogate sister, as she's more open around Spike, defends his passions, and stands up for him. Unlike Spike from Dragon Quest, Smolder rejects the long-time "culture" of bullying others to show "toughness," because she learned ways to be strong beyond the shallow "being-with-older-groupies" type, but not her identity. Thanks to Ember and Twilight, she learned how there's more than one right way to be a dragon, and as Garble tries to hide his insecurities, she tries to open them up so he and Spike bond. Speaking of Spike, he's the main lead, and he shows off his growth as a character in subtle ways. Even though he and Garble have a rough history, he trusted Smolder's words. Early on, she referred to his bro as being like a squishy marshmallow on the inside. Taking her words into account, he works with her to get him to reveal his more sensitive side with a promise of not making fun of him. His trust with Smolder goes back to Molt Down (their first real onscreen conversation), Rockhoof (their fire-breathing competition), and Father Knows Beast (working with her to out Sludge). Despite being the subject of constant abuse by Garble, Spike sucks it up. Why? Firstly, to promise himself to being a dragon without going out of character. Secondly, because that's what Smolder wants. If he (understandably) decides to cook Garble's snout, who can blame him? One can take so much punishment before going over their limit. He openly embraces "Spikey-Wikey." Back in Dragon Quest's beginning, he rejected Rarity's nickname, thinking it made him look too cute in front of ponies. (And from my perspective, her nickname for him then was sooooo patronizing. ) From that point forward, whenever Rarity calls him that, it's endearing. Calling himself that to Garble calls back to that background evolution of acceptance for it. This episode had plenty of Spike abuse, specifically Act 2 when he and Smolder try to get Garble to crawl out of his shell. However, I don't have much of an issue with this for a key reason. His mistreatment of Spike, both past and present, was integral to the conflict. How did he react once finding out she and GarGar were siblings? Not so well. Notice Smolder's raise of the eyebrow in the first link, implying suspicions towards her brother. Soon after, she warned Garble after he tried to be a passive-aggressive douchebag in front of her. From the get-go, she establishes she won't tolerate anyone bullying her good friend. Thanks to chickening Clump (one of the three stereotypical bullies) out after accusing her of being "soft," Beyer-Johnson shows she means business. But that doesn't mean Garble can't give him the short end of the stick by accident or abuse him behind her back. Unlike examples from other episodes, the Spikeabuse isn't a joke (something @Truffles points out in his review; link to it near the bottom). We as an audience are supposed to sympathize for him and root for him to overcome it all and prove to be better than him. But no matter how much he tried, Garble’s mistreatment of him understandably discouraged him. Additionally, his disappointment led him to accidentally discovering that the ground underneath the nests was too cold, immediately leading S&S into a darker turn. The eggs shook not from fright, but from dragons freezing inside. Thanks to his discovery, Ember unleashes Clump, Fume, and "Billy" some deserved karma. Back to the A-plot, with Spike being bullied, Fluttershy (representing the motherly support, while Smolder's the "sister") delivered two of the episode's most rewarding moments. After showing control over Spike since returning to the Dragon Lands, it was only a matter of time before someone called them out for their bad behavior. Fluttershy's anger was raw and real; when she ordered them to quit throwing lava at him, she meant it. Like a good mother, she keeps him accountable. At no point does she scold him and then pretend it's all okay. When she found out he played bongo drums and wrote poetry with Smolder, she embraced his hobby, but was quick to point out his hypocrisy in multiple ways: scapegoating her for being "sneaky" when he was the one doing the sneaking and using his status as a bully to hypocritically pick on Spike. After Garble's flimsy excuse, she gave him this: Her riot act to him was some well-needed tough love. He treated Spike like crap for not being a "real dragon" in order to hide his insecurities, and Fluttershy gave him some pointers of what makes him a "real dragon," narrowed to this: not being afraid to be himself and being with those who'll really appreciate his creativity. Granted, S&S's reveal could've been handled better. Nowhere the episode foreshadows his love for poetry. Now, the atmosphere early in Act 1 (thanks, We Are Borg, for catching this) foreshadows the upcoming stakes and differences between pony and dragon cultures, and Smolder refers to him as a lovable guy who likes to be with those who appreciate talents like Spike's, but what would do better is a hint or two that isn't so vague so his reveal of being a beatnik poet can be connected more with the rest of the plot, such as being with someone who can exchange points in creativity. Additionally, the episode told a lot about Garble's sadness, which he hid through a bad temper and embarrassment. Showing sadness, scaling back a little bit of the abuse (i.e., second-guessing before doing it anyway), and collecting lava to cool it down and turn it into the cylinder would help round it more. Conversely, the episode does a really good job showing us what he does to make us understand him without telling us to forgive him, which MarikAzemus points out. If you want to forgive him, that's up to you. Yes, Garble being sensitive is a cliché in storytelling, but it's one for ringing true. However, while One Bad Apple explains Babs's history of being bullied to make us forgive her for bullying others, Fluttershy and Smolder call him out every time he gets caught. Neither the story nor them downplay the bad things Garble did, emphasized earlier by how Spike would rather help hatch the eggs than be around him. The fact that Garble himself fears being picked on is not an excuse for picking on Spike in return. The fact that he defied Smolder's warning from earlier more than justified her to angrily call him out for picking on him. Small for her, sure, but important on the whole. Why? Because she keeps her promise to both him and Spike and shows she's taking both her professors' classes to heart and Spike's wellbeing seriously. However, rather than get defensive, everyone had to go to the nesting grounds, as the eggs were shaking from the baby dragons from inside feeling too cold. They've been inside for days, but they're newborns, and they're dependent on warmth from the underneath lava to keep them warm as they hatch. Ember called upon "every dragon" (or if the episode was more specific, every dragon she could find) to hatch them, but the fire was too cool. There, as Garble's "friends" laugh at him so hard that their fire becomes hotter, Garble notices a break. See the fumes? The eggshells were heating up. But how to do it better? At that point, Garble takes advantage. Earlier, he worried about others making fun of him for his creativity. Here, if he can get them to laugh at him, they can shoot fire onto the eggs. Will they make fun of him for it? Of course, and he knows it! But he soon stopped caring about what they think and agreed to trade embarrassment for the baby dragons' health. After briefly wallowing, he takes her lessons to heart, starting with this. Like Rarity years ago, he calls him "Spikey-Wikey" sincerely. As he beats the drums and recites the poems, Spike supports him all the way, snapping his own claws to stay into the tune. The more he recited and banged the drums, the more confident he became. When he recited his first poem, he exchanged eye contact with Spike, knowing that he'll embrace his creativity and back him when needed. Afterwards, he said nothing for a good few seconds. As he banged his drums, he became one with the music and his writings. The lack of confidence from before dissipated. Ironically, the more they laughed at his poetry, the more confident he became. By laughing at him, they're falling into his trick, which helps the babies hatch. Pay attention to the last three poems: All of them have a double meaning. In addition to telling the eggs to break free from the eggs, he was also telling himself and everyone else he wasn't hiding his talents anymore. He was proud to write poems, be a poet, and show it off. If they mock him, so what? That's their problem, not his. His self-confidence rose exponentially, and he singlehandedly saved a generation of dragons from freezing to death. The fact that Dragon Lord Ember defended him instantly after they hatched proves to everyone that their talents matter and should be celebrated. She loves the Dragon Lands and her culture, but she has a history of being looked down for being smaller in stature (and thus "weaker" than other candidates three seasons ago), so them mocking him was personal. If they continued to bully others for not being "real" dragons, then those eggs don't hatch. Thanks to Garble and Ember's and Smolder's fervent defenses of him, the dragons learn an important lesson of how they can improve relations with each other. If there's one thing here to comment, though, the fact that Garble's three friends had a change of heart seconds after Ember announced a massive change in its culture makes their change of heart feel less like an organic want to learn and more of "follow the leader." That said, the others agreed after realizing what he accomplished, implicating they're sincere. And @Truffles points out a really interesting, subtle secondary message. By unknowingly "hogging" the lava from the lake, they accidentally changed the landscape and put the lives of baby dragons (that she promised to take care of) in serious jeopardy. They count on her to protect their children at all costs; Ember's rightfully upset at them and treated the situation with the urgency it deserves. They were lucky to prevent the problem from getting worse, but if they're not careful next time, they might not be. This episode has rough edges. There were areas that could've definitely been improved on, one of them making Billy, Fume, and Clump less half-dimensional. Yes, seeing them angrily called out was satisfying, but it's like eating a Mickie D's burger with fries: It's filling for now, but it won't fill you for long. The dialogue's serviceable. And Garble's reformation could've been more natural. However, compared to Complete Crap Clause, this was much better in comparison. Characters remained in character. Beyer-Johnson expands dragon lore more. Garble's bullying and excuses weren't tolerated. And by taking his lessons to heart, he saves hundreds of vulnerable baby dragons and evolves one crucial component of dragon culture. Spike's the lead, but he, Fluttershy, and Smolder share great moments, and Garble reforms, ending their series-long rivalry. Sweet and Smoky overcomes its flaws and is executed effectively, resulting in a good episode.
  4. Since the show introduced the Student Six and treated them as the main role for a whole season and some, I'm curious what you all think of them. If you like/dislike them, what do you like/dislike the most about them and why? What distinct qualities and roles do you think they have apart from the Mane Six? How the aspects above are depicted through the show? What do you think of the future of Student Six? No need to answer according to all of that, but those are just what I'm most curious about.
  5. Title: What Lies Beneath Release Dates: September 22, 2018 (official US Discovery Family airdate) Writer: Mike Vogel Synopsis: "The students at Twilight's School are cramming for a History of Magic in Equestria exam in the school library when they discover a part of the school that no pony else knows about. When they decide to do some exploring, they end up learning much more than they bargained for." I got the feeling we'll be getting some intense stuff here! Maybe some backstory for the Student 6 that even they don't know about! We shall see! Weeeeeeee shalllllllllllll seeeeeeeeee! Episode link:
  6. When the Tree of Harmony saved the Student 6 a student said "their glowing like the elements" that is incorrect they were glowing like the Mane 6 like the rainbow vision from season 4 were not the colors of a rainbow but the Mane 6's colors. Twilight is purple, Pinkie is pink, Rainbow dash is blue, Applejack is orange, Fluttershy is yellow, and Rarity is white. They weren't glowing the colors of the elements but the element bearers. Gallus was purple=Magic Silverstream was pink=Laughter Smolder was blue=Loyalty Yona was orange=Honesty Sandbar was yellow=Kindness Ocellus was white=Generosity
  7. Note: Credit to @Truffles, @Sparklefan1234, @PathfinderCS, and Silver-Quill for this review, which I C&P'd from here with extra edits. This review has been revised to include a little more content. Sludge may be the most hateable non-villain of the series, if not one of them with Svengallop, Garble, Zephyr, and Spoiled Rich. Garble's someone to just hate, but Sludge you love to hate. This slob knows how to con others with no remorse. He wants to lives the luxury life and make you work for it, all the while tugging the right strings to make you fall for his tricks and divide you from who you love at your most vulnerable state. While he freeloads, he's not a stereotype, as he always cleans up after himself and trades his laziness for his brains. Smart, calculating, and very manipulative, he catches himself, remains convincing, and uses Spike's want for biological parentage to bypass all doubts. Several clues indicate his scheming ways before he became more brazen: He stopped jogging on the treadmill to chug the fresh cider…with hilarious results. XD The Wonderbolts held him above them, but he won't fly until Dash lectures him. He doesn't admit to being his father until after he fully recovers (just as he's about to depart) and walks with Spike back inside. Just by his stops and gestures, he's making up his backstory as he goes along, including not answering other questions the RM5 asked, but his tale's canonically logical, and his tears sound real, adding a layer on uncertainty. Silver-Quill brings up this point. Look at the image below: In this shot, she's nearly as tall as Torch, a monster-sized dragon. In the next, she's nearly as tall as Sludge, who's much smaller than him: After his song, he cackles, cutting into Act 3. ^ The synopsis gives away a very important clue: "dad" and "real" are in skeptical quotes. Dismisses Spike after being asked if he wanted to do anything with his son and then casually accuses him of not being a "real" dragon, cutting deeply into his psyche. His name has negative connotations related to muck and sewage. Despite being clean, his personality perfectly fits his name. Because he's so conniving, I'm really glad he's not his father; if he was, he'd be a deadbeat. However, as excellent he is at crafting a façade, this leads to a few big problems I have with it, echoing from @Truffles's review, @Sparklefan1234's comment, and Discord conversations with @PathfinderCS. Spike's hurtful comeback to Twilight absolutely crushes her, but doesn't have the weight. From the beginning of Act 3, the RM6 were already suspicious of him thanks to his sleazy manipulation of Spike and major holes in his backstory previously. Unfortunately, they can't prove anything, and Spike grew so close to him that telling him the truth without being delicate risks fracturing his relationships with the ponies. They must give him the benefit of the doubt and hope he doesn't brainwash him further. Emotionally, the delivery of disappointment feels stilted, further hurting its importance. Spike doesn't truly figure out he was being used until after his conversation with Smolder, and their plan takes place off-screen. Afterwards, everything starts falling into place. Because he figured it out late and needs Smolder's off-screen advice for some closure, the pacing feels a little off. No one can blame Spike for being so disappointed with Sludge revealing to be a phony. After getting so acquainted with him, his reveal's a major slap to his face. Yet, just before it concludes, he starts getting over it and feels mostly satisfied with the only family he has. But as this and DQ demonstrate, wanting to know his family roots matters to him, and he thought he was so close to actually figuring out who his biological father is. Heck, he revealed his scroll of things to do with them and was so happy to do them. As a result, Father Knows Beast's ending feels really hollow and forced. Sludge's backstory, even with the holes, is plausible, and you can fill in the cracks with them. His sobs after telling them his story also feel real. The script and Allspark even built interesting and complex lore behind it with a very unique art style of its own, suggesting a degree of reality into his tale. At the time, he looked very sympathetic and acted like he wanted to reunite with his "lost son." So for FKB to use the Liar Revealed trope feels like a gigantic letdown, and Sludge's reveal alone is anticlimactic. Previous clues indicate he set Spike up, but one big unmentioned red flag is stating he searched everywhere for him. Why does it hurt the story? Because he never recognized Spike nor said his name until after he fully healed. It was only a matter of time before Smolder and Spike craft a plan to out himself for being the fraud that he is. I don't like to harp on predictability in FIM nowadays, because the journey determines the episode's success above the destination, but that blatant piece of foreshadowing really risks sucking the audience out of the story. It's no surprise why many, myself including, feel dismayed. By revealing to NOT being his dad, the episode reverts to the status quo. After all this time, Spike's past remains a mystery. So despite a competent, nicely written story with a nicely song, great comedy (i.e., Sludge chucking SG out of the castle as she bathed ) and one of the best non-villain antagonists of the series, the resolve feels hollow. More could be done to tighten the plot or not feel so isolated from the rest of the series. At the end, I still feel uncertain whether I like it or not. Even after I submitted my initial review in the discussion thread. Nevertheless, it's got some big positives. Spike is very good here. He really wants to do the right thing and tries so hard to impress his "father." Here, we see his vulnerable side and one other flaw rarely exploited that well: his naiveté. He became so devoted with reuniting with what he thought was his biological father that he overlooks when he becomes a sleazy slob. Despite telling Twilight off, her worry clearly was on the back of his mind, evident by expressing his confusion towards Smolder. (This is also the first episode to refer to Spike as an orphan.) The audience sees his personality, how it was shaped, and (despite accusing her of being a fake parent) sympathize with them. His commitment for Sludge was genuine, which made his disappointment feel more crushing. Twilight has one of her more mature secondary outings of the series. Throughout FKB, Twilight is more than Spike's friend, but mom, too (and he sees the others as his family). From thinking he let her down after he was quiet and turned away for so long (punctuated by a really funny pillow reveal XD) to hugging him after he admits to being orphaned. Spike's health and well-being matter to him and will do anything to make sure he's safe, even if it means probably upsetting him. When he revealed Sludge ditched him and wasn't his real dad, she consoled him immediately, equally upset with the results. These shots really show their love for each other: Unlike Sludge, Smolder represented authentic dragondom despite their rough reputation, and she was great at it. When Twilight had trouble instructing Spike how to do tricks, she's there to help, explained that their parents teach them to fly when they're ready, and Spike offers a thank-you pillow to her, who doesn't sleep with pillows. Also, she knew Sludge phonied everything and worked with Spike to out him, because he treated her as his servant instead of his son. When he fled, she comforted him. Sludge is a fantastic, competent, and clever antagonist. No need to repeat. This is Dragon Quest (S2's worst episode by far) done right. How so? Recall the sexist implications and xenophobic stereotyping of dragons by the Mane Six. In DQ, while the RM5 watched dragons, they mocked Spike for looking "feminine" and proudly claimed that he's unlike the "other dragons" because of it. This sexism and xenophobia crossed over to teenage dragons, who are are written to represent dragondom, with Spike disowning his identity until Gauntlet of Fire. These implications are nonexistent here, and Haber wisely dignified dragon culture. Sludge claims he teaches Spike how to be a "real" dragon, but in reality, Sludge is a false representation of dragondom, while Smolder is. Guess who's in the right here. DQ's lesson actively uses racism in a positive light and treats the dragons other than Spike himself as savages in comparison to ponies, creating imperialistic implications that ponies are inherently superior. Thankfully, FKB handles a similar moral much better, this time focused on family over individuality, but Spike neither forgets nor abandons his dragon identity or sees dragon culture as a bad thing. Suspicions aside, they supported Spike's dad and worked with Spike to fulfill his wishes. They were all really charitable throughout the second montage: Pinkie and Fluttershy vs. Spike and Sludge in buckball (Granny Smith the ref): Rarity & Dash mimicking HW Day so they trade presents: Spike & Sludge bake and eat cupcakes together. Accusations of xenophobia from the ponies to dragons in DQ by bronies are justified, courtesy of their racist and sexist language. In FKB, no one acted like that at all, including Twilight. As mentioned previously, everyone's focused solely on Sludge being a terrible person, not because they believe dragons are primitive. When TS expressed concern, Spike retaliated with false accusations, which he apologized for. In DQ, Fluttershy agreed to watch the dragon migration after Dash agonizingly watched the butterfly migration, but punted her chest and cowered away. Here, Fluttershy actively helps him heal and no longer outwardly fears larger dragons. Disappointment aside, is Father Knows Beast a good episode? I believe it is. Compared to the rest of its post-Matter streak, it's the weakest of the bunch, especially so after its excellent run from Road to Friendship to Sounds, but it's still competently written. Hopefully, it'll continue to hold up on its own and age better in the future, but right now, don't expect me to watch it again anytime soon.
  8. Note: Credit to @Ganondox and Loganberry for this review. Like using Chrysalis to explain past events to the Everfree trees, much of what Vogel uses to start What Lies Beneath is exposition to describe the Tree of Harmony, its history, and purposes. But rather than using a character babble it out, it's told in the context of a classroom lecture followed by studying for a surprise test, and it wasn't all explained immediately or through one mouth. When Twilight lectured, students either asked questions, didn't believe her, or became frustrated over not knowing pony history, organically informing the audience of its lore. Now, whereas HW Club gave the Young Six the boost they truly deserve, WLB expands them further. Each of the Young Six start having doubts over whether becoming friends with others is natural to their consciences, culture, and themselves. Cozy Glow nicely sets up the conflict by going deep into parts of the Young Six's psyche, exploiting areas of their culture and livelihoods that are really sensitive to them. Is it racist? Absolutely; she's stereotyping the creatures as inferior to ponykind, and given how dubious she's been this season, it's intentional. Unlike Neighsay (whose racism is mixed with bitterness), her manipulation is masked with sweet innocence and then changes the subject, as if she meant no harm. Yet, pay attention to the moment afterwards and their little argument that night in the library, started by Gallus after getting annoyed at Silverstream for tapping her claws on the table. Her superiority complex cut deeply in them. And it's at this moment where the episode turns into an improvement of two past episodes: the pilot and The Crystal Empire. To get this out of the way, I agree with both Loganberry and @Ganondox regarding the Tree of Harmony's tests for the Young Six. Not only were they really harsh, but also morally questionable. What if Gallus failed his test? Would he be trapped in the enclosing cavern forever? Would the Tree create another test? Or what about Yona's arachnophobia; will she become so scared of spiders that she'd rather kill them over acquainting them? Fear is reactionary and not always based on logic. (And the dialogue was also a little rough with plenty of repetitive dialogue.) So, why does the Tree get a pass when Celestia and Luna don't? The Tree is omnipotent and understands the characters' strengths, weaknesses, and virtues. After seeing a friendship-related problem, she ties it to being(s) who can successfully heal it. Sometimes it's one, two, or more, depending on who and what they all have in common. Of course, this is a little different, because she tests them to determine whether they can become friends with each other or not. Additionally, despite its strong powers and subsequent growth, it can't fix it alone. Faith is placed upon them, and it's up to them to use their knowledge and friendship capabilities to solve it. OTOH, Celestia and Luna already defeated King Sombra, who cursed the Crystal Empire into disappearance. But after one of their guards alert of their resurgence, what does Celly do? Write to Twilight and place thousands of lives on her shoulders! Conversely, the stakes here are nowhere nearly as severe. In addition to needlessly putting countless lives on the line, they assigned her and her friends to take part in Twilight's challenge, but Celestia warned her that she and only she can save the Empire, contradicting the assignment Celestia placed on her since the beginning of the series. If she goes against the test in any way, she risks failing. So once she's trapped and requests Spike to return the Crystal Heart to its altar, she's rightfully worried, hence her dismay after Sombra's defeat. And the episode also has the gall to emphasize passing the test as the most important plot point over protecting the empire from Sombra, which makes the sacrifice lesson she spewed really hypocritical and phony. WLB counteracts this. Firstly, the Tree can't mandate them to take her test; they choose to explore what was under the drain grate she popped open. When Gallus crossly questioned her tactics, she was precise in her reply. Secondly, from the start, she explicitly tested their meddle to make them prove whether friendship's in their nature or not. She has the wherewithal to know that, yes, they'll break free, but will also not leave until they found each other. Tightening their friendship was the purpose for her tests, and the moral excellently backs her up. And how does WLB improve the pilot, specifically Part 2? Vogel spends a great deal of time equally pacing and exploring each of their fears along with sensible ways to face and beat them. Gallus and Smolder beat theirs first, but WLB doesn't forget about them. Instead, when one of their friends is very vulnerable and doubts if they'll ever conquer their fears, they bond with them more and use their own experiences as an example of overcoming them. The bonding between Ocellus and Smolder has added weight, because changelings and dragons retain an awful reputation (dragons for their brutish nature and history of terrorizing pony villages, changelings for nearly overthrowing Equestrian royalty twice), and the same can be said with Silverstream's horrific belief that the Storm King will reconquer Mount Aris. One little thing that gets overlooked is what Smolder and Gallus say after they arrive at the cave entrance… …AND after reuniting with all but Sandbar: With every opportunity to leave the cave, they willingly risked being trapped to find the others. Twice. No matter the consequences, they were NOT leaving ANYONE behind! Their friends matter, period! When the Mane Six were tested in the Everfree Forest, each one was segmented. When one trial ended, another began, and they were all written in to prove they properly represented the Bearers of Harmony. Sure, individualizing them isn't a bad thing, but by splitting them all up into only a few minutes, none of them had time to develop or breathe. Each segment was crammed, and be being bound to the E/I rating, the stakes weren't heightened as much as they should or paced more evenly. By contrast, Vogel intertwined each and every one of them simultaneously. None of their tasks ended at once, but he neither rushed them through nor ended them abruptly. He gradually built up their fears, exploited them, and ended them properly. What do I mean? They conquered their fears at the right time of the story, used the right characters to help pass their tests, and only after Vogel exhausted development of those fears. No matter the tone, each of their fears are treated with equal validity: Smolder's fear of femininity overtaking her persona was by far the most lighthearted, but the episode didn't treat it as a joke and utilized it as an example of being able to change from who she once was to Ocellus, who recalled how they used to treat others back then. The Storm King was already destroyed, but Silverstream's fear of his return resulted in her cheerful, optimistic personality being replaced to debilitating fright to the point of crying. Gallus realized his "return" was a mirage, but that wasn't enough for her. So he used his fear of small spaces, helped her overcome her fear of his return, and she let it all out to him. How Yona faced her fear was the most different. Gallus's trick foreshadowed what was to come, but when spiders faced her, her strongman personality gave way to intense arachnophobia. When spiders got too close, she was justifiably upset. With no friend she knew around, she wished they were there so she could get out. But in a twist, the lead spider Spindle talked to her. What the spiders were doing was that they weren't trying to scare her. They wanted to help, Spindle leading by example. Language barrier aside, they shared something in common: befriending each other and reuniting her with the others. Recall the second quote box above. Sandbar's fear's more subdued, but nonetheless validated. From the beginning, he focused on returning to his friends so they, "Dash," and "Rarity" can go on this adventure. Every time he questions his teachers' logic, they manipulate him into removing doubt and forcing him to run in a massive loop. Soon, he has enough, questions them outright, and when they express disappointment in him for caring about his friends than them, he turns the tables on them. As he lectures them, his friends arrive and watch from behind, adding more weight into how much they mean to him. He may be the quietest and most straight-man-ish of the Young Six, but he also needs to grow; confronting his fear of disappointment head-on was a fantastic solution. Without the constrictive E/I rating and by rearranging the plot, Vogel legitimized the stakes without phoning them in, which makes us invested in their obstacles, friendships, and outcomes. This next paragraph deals with spoilers for the S8 finale and S9 leaks/speculation, so it's under the tag. Overall, What Lies Beneath is another really excellent episode within S8B's fantastic lineup.
  9. This post is a sequel to my post about Spike and Smolder being long-lost siblings: https://mlpforums.com/topic/175791-theory-on-smolder/ Remember when Smolder said she had a brother that she was glad to get rid of when he went through his molt phase? If Smolder was still around during that, then she has an older brother, and me, along with many others were thinking, what if Garble is Smolder's brother? And since I think Spike is Smolder's long-lost brother, that would extent that Garble would be Spike's brother too! DUN DUN DUN! :O I think this would work fantastic! Know why? Cause Spike and Garble have been arch-nemeses since Dragon Quest, and how would the two of them feel if they were actually siblings this whole time? Smolder would play as the neutral party in this regard to try to get them to get along, but Garble just won't accept a "pony dragon" as a brother! But then some kind of phenomena happens that would persuade Spike and Garble to finally get along! What kind of phenomena would that be? Well that's up to the writers to decide! This could be Garble's way of reforming (if he does)! Now I'm NOT asking you how likely would this be, I'm asking you what would you think about this scenario?
  10. This has SPOILERS from S08E11, just in case someone doesn't read or mind the tags and prefix, you've been warned. So, after watching 'Molt Down' I was really glad that Spike has finally grown wings, and after thinking about the whole molt thing I wondered: What caused Spike to be summoned by the Dragon Lord in 'Gauntlet of Fire'? - Spike hadn't gone through his molt yet. - No other wingless dragon was summoned. - Smolder was not there when she's clearly older than Spike. A hypothesis I've come up with is that the dragon migration from 'Dragon Quest' is a thing for winged dragons only, but since Spike never knew what being a dragon really was, his wonderings and curiosity led him to travel by foot and ended up with him being a part of the migration. That migration might be one of the dragon rituals that make any dragon "worthy" of the Dragon Lord's summoning and so, even though Spike didn't even have the body to really compete for the bloodstone scepter, he had been already proved worthy of the Dragon Lord's calling. So... What do you think about this? Do you have any other hypothesis about it? Why do you think Smolder was not summoned? (In universe explanation). What do you think about molts and their meaning in dragon society? I'll be glad to read your thoughts on this matter. Cheers.
  11. I apologize for the length of this audiovideo at 27:40mins, please take your time to listen, and I also apologize if I seem to have rambled and repeated myself at times. God Bless! Here I talk about how fans have felt after the S8 premeire, and why with these new 6 characters being introduced, that fans have nothing to worry about this season or into season 9, and why the season will be the only true season based on the school of friendship and the only season to soley feature these new 6 characters. Comments are Welcomed