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Tacodidra

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  1. Tacodidra

    Looney Tunes
    The discontinuation of the Looney Tunes and Merrie Melodies series in 1969 obviously didn't mean the characters just vanished. The earlier cartoons would be aired on various compilation TV shows continuing what "The Bugs Bunny Show" had started, such as "The Merrie Melodies Show", "The Sylvester and Tweety Show", "The Daffy Duck Show", "The Daffy-Speedy Show", "The Sylvester & Tweety, Daffy & Speedy Show", "The Bugs Bunny/Looney Tunes Comedy Hour" and "The Bugs Bunny & Tweety Show". Some of these even had new animation created for the opening titles and occasional bumpers.
    A proper revival with new Looney Tunes content wasn't far away either. 1972 saw the release of the first TV special featuring the characters. Many of these specials were made, often outsourced to other studios until WB reopened their animation studio. 30 to 60 minutes long, there were several that consisted of all new content, but most of them consisted of newly made bridging sequences between old cartoons. These specials often featured the work of many earlier WB cartoon artists. For example, Chuck Jones returned after a decade away, his first new work having been the Road Runner segments for the children's series "The Electric Company", followed by various specials.
    Later in the same decade, the Looney Tunes characters also started appearing in theatrical features, again with some of the old crew involved. However, like most of the TV specials, these consisted of old cartoons with some new animation between them to form a more or less concise story.
    In the 80s, we would finally see the Looney Tunes return to their original format: theatrical short films. While never produced on a full schedule like they were from the 30s to the 60s, many short-lived revivals have been seen in the last few decades.
    Of course there's a lot more material featuring the characters, such as various TV series, animated/live-action features and commercials but covering all of it would be practically impossible, so I've decided to focus on what I consider Looney Tunes in its essence: theatrical shorts, as well as works involving the original WB artists.

    TV specials
    Daffy Duck & Porky Pig Meet the Groovie Goolies (1972)
    Directed by Hal Sutherland
    The Groovie Goolies, a group of movie monsters (Frankenstein, Dracula, Wolfman, Mummy and Hagatha), are watching Daffy Duck's TV show about his new movie "King Arthur and His Knights of the Round Table", featuring various Looney Tunes characters. This soon gets interrupted by the Phantom of the Flickers who plans to destroy every film Daffy has made. The Goolies go to Daffy's studio to prevent him from doing so, and wackiness ensues. Filmation (for whom this was the only Looney Tunes work) was known for the cheapness of their productions, and it certainly shows in the animation here. The Looney Tunes' scenes are by far the best here despite some of the jokes feeling too drawn out, as the Goolies are annoying more often than funny and the villain isn't very interesting. The whole thing is too long to keep the viewer interested, some of the voices are played in the wrong pitch (Daffy sounds like a chipmunk), an annoying laugh track is heard after almost every line... The only big positive is having a large cast of Looney Tunes here: most of the big stars apart from Bugs show up here, with Petunia Pig's animated return after over three decades of absence being a surprise! There's also a deranged and surreal scene where the Goolies turn into live-action actors, which has to be seen to be believed. All in all, not really the glorious return the Looney Tunes deserved.
    5

    Carnival of the Animals (1976)
    Directed by Chuck Jones
    Animated Musical Sequences Directed by Herbert Klynn
    Live Action Direction: Gerry Woolery
    This special was produced by Chuck Jones Enterprises. Duo pianists Bugs and Daffy perform Camille Saint-Saëns' "Carnival of the Animals", accompanied by an orchestra conducted by Michael Tilson Thomas. Between the movements, they recite humorous poems about the featured animals, with Bugs being much more popular with the audience. More an interesting special than a particularly funny one (though there is the usual Bugs and Daffy rivalry with their arguments about the composer's name and the amusingly corny poems by Ogden Nash), this combines animation with live footage of the orchestra performing, while the segments about the animals are shown in more stylized animation. Showcasing Jones' sophisticated approach, it's definitely a unique experience in the Looney Tunes filmography. The animation shows his style well and is enjoyable despite some occasional flaws (one short scene has Bugs speaking with Daffy's voice).
    8

    Bugs Bunny's Easter Special (1977)
    Supervising Director: Friz Freleng
    Directed by Robert McKimson & Gerry Chiniquy
    Classic Cartoons Directed by Friz Freleng, Chuck Jones & Robert McKimson
    Also known as "Bugs Bunny's Easter Funnies". The Easter Bunny is sick, and Granny is looking for a replacement. Bugs is obviously her first choice, but he's busy due to a movie he's filming. Sylvester, Pepé Le Pew, Foghorn Leghorn and Yosemite Sam are all in the running (we see some of their best performances), while Daffy keeps misunderstanding the role required... To save on costs, most of the later TV specials would feature old cartoons in addition to some new footage (produced by DePatie-Freleng Enterprises in this case), this being the first such one. The cartoons picked, while not shown in full, are some of the best in the Looney Tunes library. The new animation isn't quite as impressive visually, but the story is an entertaining one. We even hear the memorable song "Mister Easter Rabbit", originally written for a Bugs Bunny Golden Record in the 50s! A nice introduction for these old/new specials!
    9
    Bugs Bunny in Space (1977)
    Directed by Chuck Jones & Friz Freleng
    This special features three space-themed cartoons starring Bugs and Marvin ("Mad as a Mars Hare", "The Hasty Hare" and "Hare-way to the Stars") with clips from "Duck Dodgers in the 24½th Century" shown in between. Inspired by the success of Star Wars, this special was obviously a rushed one, featuring no new content apart from a credits scroll obviously inspired by said movie. The included cartoons are great, but the lack of new content is disappointing – fortunately this wouldn't be the last space-themed special...
    7
    Bugs Bunny's Howl-oween Special (1977)
    Directed by David Detiege
    Classic Cartoons Directed by Friz Freleng, Chuck Jones, Abe Levitow, Robert McKimson & Maurice Noble
    Daffy's nephew and Bugs Bunny both meet Witch Hazel while trick-or-treating. Daffy also goes to meet the witch (with Speedy Gonzales temporarily filling in for her), while Tweety and Bugs both experience the effects of the Hyde formula and Sylvester is scared in a house enchanted by Witch Hazel's spell. A combination of spooky cartoons – all the Witch Hazel cartoons are featured, as are a couple of Jekyll and Hyde-themed shorts and two of the Porky and Sylvester cartoons. While the story and new animation aren't quite as appealing as in "Bugs Bunny's Easter Special", the result works surprisingly well, with the help of occasional redubbed dialogue. The fact that the original cartoons were so great helps a lot, but I feel they did a good job in any case.
    8
    A Connecticut Rabbit in King Arthur's Court (1978)
    Directed by Chuck Jones
    Also known as "Bugs Bunny in King Arthur's Court". In this wacky take on Mark Twain, Bugs tries to dig his way to Georgia for a peanut festival, but ends up in Camelot instead. He's captured by dragon hunter Elmer of Fudde who mistakes him for a dragon and takes him to King Arthur's (Daffy) court. The clever rabbit saves himself from being burned at the stake thanks to a solar eclipse, but his troubles don't end there... Jones always did well with medieval themes, and this one is no exception – fun cartoon antics, amusing dialogue and entertaining gags. Despite the characters' unusual roles, they are all perfectly themselves. There are some unnecessary parts (Porky, or "Porkè of Pigge", stuttering his way through a newspaper), but it's still a very good special on the whole... and it's great to see one with all new footage for a change!
    9
    How Bugs Bunny Won the West (1978)
    Directed by Hal Geer
    Animation Director: Jim Davis
    Classic Cartoons Directed by Friz Freleng, Chuck Jones & Robert McKimson
    In live-action, special guest star Denver Pyle tells us about his favorite Western hero, Bugs Bunny. With his narration, we see Bugs and Daffy's Western exploits, with them finding gold and dealing with various outlaws (Nasty Canasta, Yosemite Sam and Blacque Jacque Shellacque). An interesting special in that most of the new footage is live-action rather than animation. Denver Pyle is a fitting narrator/host for the special and the live-action scenes are generally appealing. What little new animation we get is less effective, but the thematic combination of cartoons works rather nicely.
    8
    Bugs Bunny's Valentine (1979)
    Directed by Jim Davis
    Classic Cartoons Directed by Friz Freleng, Chuck Jones & Bob McKimson
    Also known as "Bugs Bunny's Cupid Capers". Cupid, who resembles Elmer Fudd, is going around making lonely hearts find love. Bugs questions the need for Cupid and thinks he's just a meddler, while Cupid tries to prove his worth by helping Pepé Le Pew, Miss Prissy, Granny and even Daffy Duck find love, with Bugs showing he can do it too. A nice special – there's more new animated footage than in some of the earlier ones, and the chosen cartoons, sharing the love theme, are rather imaginative picks. Elmer (or more accurately, a lookalike) as Cupid is a callback to the classic "The Stupid Cupid" (as are the heart-shaped transitions between scenes) and works nicely here too.
    8.5
    The Bugs Bunny Mother's Day Special (1979)
    Directed by Jim Davis
    Classic Cartoons Directed by Art Davis, Friz Freleng & Robert McKimson
    Bugs meets Granny who's selling violets for Mother's Day. After he says mothers are the most important people in the world, a stork shows up and says they're important too, as they deliver the babies. We see Daffy fighting an alligator for an egg, Foghorn becoming the mother of an ostrich, Bugs being delivered to a mother kangaroo... While entertaining, this isn't my favorite of the specials – while it's nice to see some rare characters like the drunken stork (who plays a part to the point it feels more like "The Bugs Bunny Stork Special"), the cartoon selection is a bit weaker than usual. While there are some classics here like "Stork Naked", we also get slightly lesser entries like "Quackodile Tears" and "Mother Was a Rooster". Good but not essential viewing.
    7.5
    Bugs Bunny's Thanksgiving Diet (1979)
    Directed by David Detiege
    Classic Cartoons Directed by Friz Freleng, Chuck Jones & Robert McKimson
    Diet doctor Bugs gives eating advice to Porky, Millicent and Sylvester, all of whom have different kinds of eating problems, for Thanksgiving. He uses Yosemite Sam, Wile E. Coyote (Forlornus miserablus) and Taz as examples of unhealthy eaters. One of the best of these specials! Millicent's return is a surprising one, and the new bridging sequences are fun and linked well with the classic footage (which is also well chosen). There are some nice little jokes thrown in, like the Dow Jones and Dow Freleng indices on Bugs' wall! The ending in particular is a surprisingly daring one!
    9

    The following three specials consisted entirely of new footage, featuring three separate stories with wrap-around segments between them. As these stories would later also be broadcast as separate segments with distinctive titles, I'm also giving them their own ratings in addition to that of the whole special.

    Bugs Bunny's Looney Christmas Tales (1979)
    "Bugs Bunny" Sequences Directed by Friz Freleng
    "Road-Runner" Sequence Directed by Chuck Jones
    Sequence Directors: Tony Benedict, David Detiege, Bill Perez & Art Vitello
    Three all new shorts produced by DePatie-Freleng and Chuck Jones Enterprises, with bridging sequences featuring Bugs leading a looney choir of carolers.
    "Bugs Bunny's Christmas Carol": Cratchit (Porky Pig) gets fired by Scrooge (Yosemite Sam) on Christmas Day. Scrooge also forecloses the mortgage on the family's house, forcing them to move out. Bugs decides to teach Scrooge a lesson by dressing as a ghost. A charming version of the classic story with a large cast of Looney Tunes characters and some appropriate comedy. 9
    "Freeze Frame": After reading that road runners hate snow, Wile E. Coyote (Grotesques Appetitus) tries a snow-cloud seeder. After that fails, he leads the Road Runner (Semper Food-Ellus) to a colder area, leading to a chase on snow and ice. A nice twist on the classic chase formula with the wintery setting and fitting gags. 9
    "Fright Before Christmas": The Tasmanian Devil escapes from a plane and ends up in Santa's clothes and riding his sleigh! "Santa" then comes to visit Bugs while his nephew Clyde is over, leading to a lot of chaos. Not as strong as the first two shorts, but still an entertaining one, and it's good to see Taz finally return! 8
    A nice special combining the typical Looney Tunes comedy with a Christmas theme. Worth a watch, especially for the return of many characters that hadn't appeared much lately.
    9
    Daffy Duck's Easter Show (1980)
    Directed by Friz Freleng
    Sequence Directors: Tony Benedict, Gerry Chiniquy, Art Davis & David Detiege
    This special produced by DePatie-Freleng is also known as "Daffy Duck's Easter Egg-citement". Daffy tries to host an Easter special, but between the cartoons, he constantly gets bothered by an animator "Duck Amuck" style.
    "The Yolks on You": The hens are to lay eggs in various colors for Easter, with Prissy responsible for the turquoise eggs. After she accidentally lays a golden egg, she throws it away, but Daffy and Sylvester find it and start fighting for it. The typical cartoon chase, a bit reminiscent of "Quackodile Tears". Not a must-see but amusing in any case. 8
    "The Chocolate Chase": Daffy guards a chocolate bunny factory, so the poor little mice are unable to get any for Easter. Speedy Gonzales comes to the rescue, outwitting the duck. A return of the infamous character pairing! This is fairly ordinary as far as Speedy cartoons go, just with a little Easter flavor and a more likable portrayal of Daffy. 7.5
    "Daffy Flies North": The ducks are flying north and Daffy is struggling to stay in formation. He tries other ways to get there, including hitchhiking and riding a horse, with little success. The early parts where Daffy tries different methods are more entertaining than the various scenes with the laughing horse – a character DePatie-Freleng liked to use a lot in their Pink Panther cartoons, for example. 7.5
    Enjoyable, but it doesn't live up to the quality of the Christmas special. The bridging segments with Daffy fighting the paintbrush were actually better than most of the actual shorts here. I guess those were the parts where Freleng had the most involvement, as the standalone versions of the shorts are credited to the "sequence directors" instead!
    7.5
    Bugs Bunny's Bustin' Out All Over (1980)
    Directed by Chuck Jones
    Co-director: Phil Monroe
    Produced by Chuck Jones Enterprises. It's springtime, and Bugs celebrates the wonders of the season.
    "Portrait of the Artist as a Young Bunny": A flashback to when Bugs and Elmer were kids. School's out and the young hunter is chasing the little rabbit with his popgun. Clever puns and other adorable wackiness make this a memorable short – a nice companion to "The Old Grey Hare", which had the two as babies. 9.5
    "Spaced Out Bunny": Marvin manages to lure Bugs with a carrot, taking him to Mars to be a friend to Hugo. But Bugs convinces Hugo to cuddle a "robot" instead... The return of the Abominable Snowman! Not as good as his first appearance, as the pacing is a bit slow at times, but fun in any case. 8
    "Soup or Sonic": Wile E. Coyote (Nemesis ridiculii) tries to catch the Road Runner (Ultra-sonicus ad infinitum) with the help of rockets (a running gag), pole vaulting and a giant fly paper among other things. A very enjoyable Road Runner cartoon! There are a lot of nice little gags (such as the Road Runner's trademark sound getting a Latin name of its own), but the obvious highlight is the unique ending! 10
    My favorite of the three specials consisting of all new shorts. Plenty of the typical WB cartoon charm, and while the shorts' (well, two of them) large amount of dialogue might be divisive, I think it's very well-written and fitting for the characters.
    9.5
    The Bugs Bunny Mystery Special (1980)
    Directed by Gerry Chiniquy
    Classic Cartoons Directed by Friz Freleng & Chuck Jones
    In this special hosted by Porky, Bugs gets mistaken for a bank robber, "the Tall Dark Stranger", and is arrested by agent Fudd. He manages to escape from prison, but with the likes of Yosemite Sam and Wile E. Coyote after him, he has to find the real culprit. With an entertaining story and comedic new sequences linked well with the old footage and great portrayals of the characters, this is one of my favorites of these specials! As a slight criticism, the mystery aspect is missing in some of the featured cartoons – "All a Bir-r-r-d" being featured Sylvester and Tweety cartoon instead of "The Last Hungry Cat" is a weird choice, for one. In any case, they're still good shorts, making this a fun watch!
    9
    Daffy Duck's Thanks-for-Giving Special (1980)
    Directed by Chuck Jones
    Co-Director: Phil Monroe
    Classic Cartoons Directed by Chuck Jones & Friz Freleng
    Produced by Chuck Jones Enterprises. Frustrated with how bad Thanksgiving is for birds (including ducks), Daffy comes up with the idea to make it Thanks-for-Giving Day instead – a day when everyone thanks him for all the joy he has given them! His boss J.L. wants a Thanksgiving special and isn't interested in Daffy's pitch of "Duck Dodgers and the Return of the 24½th Century". Daffy tries to convince J.L. to change his mind by reminding him of all the great movies he has given the studio. Not really much to do with Thanksgiving here, but the special is a fun one with the variation on "The Scarlet Pumpernickel" (surprisingly, the story itself isn't featured here, just Daffy pitching ideas). Mel Blanc's voice performance is charming always, and the obvious highlight is the only appearance of the full Duck Dodgers sequel (the only proper way to watch it). The other cartoons featured are mostly ones we've seen in these specials before (especially "Robin Hood Daffy" has been used a lot), though "His Bitter Half" is a more surprising choice.
    8.5
    Bugs Bunny: All American Hero (1981)
    Directed by Friz Freleng
    Co-director: David Detiege
    Classic Cartoons Directed by Friz Freleng & Gerry Chiniquy
    Bugs' nephew Clyde has an American history test today. Bugs helps him by telling him about various historical events and the part rabbits have played in them. He covers the US becoming independent, the Civil War, World War I and elections. Essentially an extended version of "Yankee Doodle Bugs" with new footage and other cartoons included. While it may not have as much new animation as some of the other specials did, this is among my favorites – the cartoon selection is a strong one (with less seen shorts like "The Rebel Without Claws" and "Dumb Patrol"), but most significantly, they all fit the theme of the special perfectly, which hasn't necessarily always been the case! The new footage is also appealing, no doubt thanks to Freleng's hands-on involvement and the contributions of various original WB crew members.
    9.5
    Bugs Bunny's Mad World of Television (1982)
    Directed by David Detiege
    Classic Cartoons Directed by Friz Freleng, Chuck Jones & Robert McKimson
    The QTTV network fires its president after a week. They decide to hire someone who understands entertainment: Bugs Bunny! He gives feedback on the network's shows (including "Dragnest" starring Sergeant Tweety and a game show hosted by Daffy Duck). Yosemite Sam tries to become a star, and Bugs hires him as vice-president. But Sam has plans to take over as president... The TV theme connects the cartoons relatively well, though there are some occasional flaws, like "The Ducksters" obviously being about a radio game show rather than one on TV. Content reuse reaches a new level when this TV special uses "This Is a Life?", a short that already featured clips of earlier cartoons! An entertaining special, but not one of my favorites.
    7.5
    Looney Tunes 50th Anniversary (1986)
    Directed by Gary Weis
    Original Animation Directed by Chuck Jones
    Classic Cartoons Directed by Tex Avery, Bob Clampett, Friz Freleng, Chuck Jones, Robert McKimson & Frank Tashlin
    In this live-action special produced by Broadway Video, the Museum of Modern Art honors Bugs Bunny and two of the people behind his cartoons, Chuck Jones and Friz Freleng. We hear them and Mel Blanc telling about the various characters' origins. Many celebrities also share their experiences of the Looney Tunes characters. A mixed bag, really. The classic cartoon clips are quite representative and even show some earlier cartoons than usual, including Porky's debut "I Haven't Got a Hat" and even a few black and white shorts. What little new animation there is of Bugs and Daffy looks nice and has their typical character chemistry. It's always interesting to hear from the creators, especially when we see Jones drawing the characters and Blanc doing Bugs' voice. But the segments with celebrities pretending to know the characters for real and recounting past events involving them are the weak point of the special and a lot of time is spent on those. I don't really find most of those parts funny – if celebrities were to be included, I would have preferred to hear about their real-life experiences watching the cartoons! More Mel Blanc would have been great too.
    7
    Bugs vs. Daffy: Battle of the Music Video Stars (1988)
    Directed by Greg Ford & Terry Lennon
    Bugs and Daffy run their own TV stations, WABBIT and K-PUT respectively, both broadcasting music videos (i.e. musical clips from classic WB cartoons) – Daffy mostly focuses on his own performances, while Bugs shows songs with a variety of themes. The two compete in Nielsen ratings, with WABBIT constantly outperforming K-PUT. A fun take on the popularity of music videos and MTV at the time! The selection of cartoons is more diverse than we've seen in any previous specials or movies. Pre-1948 cartoon clips are included alongside later ones: we see clips from some of the A.A.P. library (thanks to them being in the public domain) as well as black and white cartoons, ranging from Porky classics to Bosko and even obscurities like "Those Were Wonderful Days" and "Shake Your Powder Puff"! The new story is also a very entertaining one with the typical Bugs and Daffy rivalry and including some stealthy references. Some of the linework in the new animation is a bit blurry, but that's just a slight complaint in an otherwise great special. Also nostalgic for me, since this was not just the first Looney Tunes special I saw but also my introduction to many of the earlier shorts excerpted here.
    9.5
    Bugs Bunny's Wild World of Sports (1989)
    Directed by Greg Ford & Terry Lennon
    Classic Cartoons Directed by Friz Freleng, Chuck Jones & Bob McKimson
    In the Arthur Q. Bryan Pavillion, the Sportsman of the Year will be chosen. Through classic cartoon footage, we see the many nominees taking part in various sports such as swimming and diving, badminton and wrestling. Daffy is annoyed, predicting Bugs will win as always. Sports were always a common theme in the classic WB cartoons, and this special takes good advantage of that. The featured cartoons include classics like "High Diving Hare" as well as less remembered shorts like "Sport Chumpions" (as in the previous Ford/Lennon special, some pre-1948 material is featured too). The result is an appealing one with the old and new footage linked well and amusing moments like the announcement of the winner! The reference to Elmer's original voice actor is a nice touch. This was the last WB cartoon ever to feature newly recorded dialogue by Mel Blanc, who died months after its premiere. His last Looney Tunes performance still contained the usual charm!
    8.5
    Happy Birthday Bugs: 50 Looney Years (1990)
    Directed by Gary Smith
    "Wheel of Fortune" Segment Directed by Dick Carson
    "Entertainment Tonight" Segment Directed by Ron DeMoraes
    "Geraldo" Segment Directed by Marlene Phillips
    "Donahue" Segment Directed by Bryan Russo
    Classic Cartoons Directed by Tex Avery, Bob Clampett, Friz Freleng, Chuck Jones & Robert McKimson
    Additional Classic Cartoon Directors: Arthur Davis, Ben Hardaway, Abe Levitow & Frank Tashlin
    Original Warner Bros. Animation Directed by Greg Ford, Terry Lennon & Darrell Van Citters
    "50 Years of Bugs Bunny in 3½ Minutes" Directed by Chuck Workman
    In this live-action special produced with Smith-Hemion, various celebrities send their birthday wishes to Bugs Bunny. To Daffy's dismay, many TV shows also cover Bugs and his career. The broadcast occasionally gets disrupted by Daffy's fans, protesting his treatment. Among other things, we also see a sneak peek of the yet-to-be-released "Box-Office Bunny", a tribute to the late Mel Blanc and a 3½-minute music video edited from various Bugs classics. Very much in the style of the 1986 anniversary special with the celebrity guests and cartoon clips (this even reuses the Freleng, Jones and Blanc interviews from that one)... but I find this special to be a vastly superior version! The celebrity appearances are funnier thanks to their at times over-the-top performances, the animated parts (both new and redubbed ones from "Bugs vs. Daffy") utilize the Bugs and Daffy rivalry better, and there are even some emotional moments in the Blanc tribute. This was the first long-form appearance for his successor Jeff Bergman, who does a good job, though matching Blanc is impossible. I don't think this kind of special could have been done much better!
    9.5
    Bugs Bunny's Overtures to Disaster (1991)
    Directed by Greg Ford & Terry Lennon
    William Tell Overture Sequence Directed by Daniel Haskett
    Classic Cartoons Directed by Chuck Jones, Friz Freleng & Abe Levitow
    Bugs, Daffy, Porky and Elmer all perform in a concert of classical music. The audience includes the Three Bears, Yosemite Sam, Granny and Mr. Meek among others. The performers and audience get distracted by various things (to Daffy's amusement), including a fly and Sylvester's attempts to show off. The second music-focused special is another entertaining one: the characters' antics are fun, and the cartoon selection is flawless with classics like "What's Opera, Doc?" and the less seen "Baton Bunny". Out of Bergman's voice performances, I particularly like Elmer – the best one since Arthur Q. Bryan. The William Tell Overture sequence with Daffy and Porky is the wildest part of the special, and probably the most remembered too, as it was later cut down into a standalone short...
    9
    Bugs Bunny's Creature Features (1992)
    Directed by Greg Ford & Terry Lennon
    Bugs hosts a compilation of horror cartoons starring himself and Daffy. This special consists of the first three shorts by Ford and Lennon: "Invasion of the Bunny Snatchers", "The Duxorcist" and "The Night of the Living Duck". All of these three are great, among the best Looney Tunes productions made after the classic era. There's little new bridging footage – despite being well made, Bugs' hosting segments are very short and not particularly memorable. Indeed, the highlight here is the debut of "Invasion of the Bunny Snatchers", a true shining moment among all the Looney Tunes revivals. This would be the last of the specials to actually be aired on TV.
    9
    Bugs Bunny's Lunar Tunes (1993)
    Directed by Nancy Beiman
    Classic Cartoons Directed by Friz Freleng, Chuck Jones, Robert McKimson, Abe Levitow & Maurice Noble
    Marvin the Martian finally gets his case heard in the Intergalactic Court of Last Resort. He's going to blow up the Earth and tries to justify it with the ways Earthlings have committed crimes against the universe with pollution and negative portrayals of Martians in the media. Bugs has been selected to defend the Earth. He has to convince the alien jury that Marvin is the one to blame before the Earth is destroyed, and he only has 23 minutes to do so! A brilliant special. The classic cartoons excerpted here (the ones featuring Marvin) are among WB's best. But there's more new animation than usual, and the plot is an excellent one, with many amusing gags including meta jokes, enjoyable character chemistry, great use of classic footage (including some live-action stock material)... It was the last WB cartoon with the involvement of Greg Ford, who co-wrote and produced it. Also the first Looney Tunes production by a female director! For some reason, this special was released on VHS instead of being aired on TV. I doubt this was due to its quality, as it's a very strong one – I'd go as far as to say this is my favorite of the bunch.
    10

    Movies
    Bugs Bunny: Superstar (1975)
    Directed by Larry Jackson
    The first compilation movie was not by Warner Bros., but a Hare-Raising Films production distributed by United Artists (who owned the A.A.P. cartoon library)! Through Orson Welles' narration, interviews with directors Bob Clampett, Tex Avery and Friz Freleng, and a lot of production artwork, archival footage and classic cartoons, we go through the history of the Warner Bros. cartoon studios and their characters. While this film (particularly some of the sequences with Clampett, who appears the most here) has been criticized for some inaccuracies, it still provides an entertaining overview of the history of the Looney Tunes. The cartoon selections (from the pre-1948 color library) are all excellent picks, showcasing the WB cartoons at their best. Most of the main directors from this era (the interviewees, as well as Jones and McKimson) are represented, as are the most important characters, with the cartoons ranging from obvious choices ("A Wild Hare") to less seen gems ("I Taw a Putty Tat"). A slight criticism: they're all from the 40s – it would have been nice to have at least one 30s entry included (such as Porky's debut in "I Haven't Got a Hat"). But even with its slight flaws, this is a great look at the series and its background.
    9.5

    The Great American Chase (1979)
    Directed by Chuck Jones
    "Bugs at Home" Co-director: Phil Monroe
    The first animated compilation feature, better known by its later title of "The Bugs Bunny/Road-Runner Movie". We visit Bugs at home. He tells us about how the chase was invented. He also explains how he has many fathers, presenting the films of one of these (Chuck Jones). We see Bugs and Daffy meeting various villains, such as Marvin (the) Martian, Elmer Fudd and Wile E. Coyote, Pepé Le Pew trying to find love, Bugs' exploits at opera and a compilation of Road Runner gags. While the focus is on Jones' cartoons, largely those from the 50s, I think this is a great showcase of the Looney Tunes at their best, with many of Jones' greatest masterpieces featured here either in complete or abridged form. The new introductory segments with Bugs are also entertaining, with some informative material (such as the reference to most of the directors and writers in the sequence about Bugs' fathers) mixed in with the comedy. This is also where Marvin, now one of the most popular characters in the franchise, got his official name. I feel this would be a great introduction to the WB cartoons for someone not familiar with them!
    10
    Friz Freleng's Looney Looney Looney Bugs Movie (1981)
    Directed by Friz Freleng
    Sequence Directors: David Detiege, Phil Monroe & Gerry Chiniquy
    The previous movie having focused on Jones' cartoons, it's now Freleng's turn! After a presentation of the Oscar-winning "Knighty Knight Bugs", a three-act feature showcases Friz's best.
    Act I "Satan's Waitin'": Sam dies after a failed attempt to marry Granny and take her money. The devil gives him another chance if he catches someone to take his place... namely Bugs Bunny.
    Act II "The Unmentionables": As agent Elegant Mess, Bugs gets the task of arresting the dangerous gangster Rocky and his gang. However, Rocky keeps getting released due to various loopholes, kidnapping Daffy and Tweety along the way.
    Act III "The Oswald Awards": As creators are the ones who get Oscars, five-time Oscar and two-time Emmy winner Freleng has come up with an awards show to honor cartoon characters: the Oswalds! Various characters are there, including nominees Big Bad Wolf, Sylvester and Tweety, and Bugs himself. Daffy is annoyed at not being honored.
    An excellent compilation feature! While the new animation isn't visually quite at the level of the old cartoons, the sequences are charming in any case, connecting the classics (which include both very famous shorts like "Birds Anonymous" and underrated ones like "The Unmentionables"). The Oswald awards part is definitely my favorite, including great appearances from many familiar faces (including some used by other directors). Act I is also a positive surprise – while it's very similar to the lackluster "Devil's Feud Cake", this one works better, including having a better design for the devil. And despite the Freleng focus, this feels slightly less like a "self-tribute" than Jones' film did, which is a positive. Another highlight among these films.
    10
    Bugs Bunny's 3rd Movie: 1001 Rabbit Tales (1982)
    Sequence Directors: David Detiege, Art Davis & Bill Perez
    Classic Cartoons Directed by Friz Freleng, Robert McKimson & Chuck Jones
    Bugs and Daffy are salesmen for Rambling House Publishing Inc. Whoever sells more books gets a grand prize, with Bugs set to sell them in Pismo Beach and Daffy in Thermopolis. But as the cold sets in, Daffy tries to fly south, while Bugs ends up in the jungle and then the desert where Sultan Yosemite Sam forces him to tell stories for his son Prince Abadaba. Another solid compilation, though I don't think it quite matches the first couple in quality. Thanks to its plot, this film manages to take advantage of the large number of fairytale parodies in the WB cartoons – most of the featured shorts are in that vein. These are very well chosen for the most part, though the inclusion of a cut-up version of "Ali Baba Bunny" feels a little unnecessary (a more intact version had already been used in "The Great American Chase"). The new animation and story are strong enough, with the bratty Abadaba an appropriately annoying character Bugs is forced to spend time with. The Bugs and Daffy rivalry (and the duck's role in general) proves to play a surprisingly small part in the film, though I guess we've had enough of that in previous cartoons. And one thing I really liked: decades later, the late Arthur Q. Bryan finally gets a credit for voicing Elmer Fudd.
    8.5
    Daffy Duck's Movie: Fantastic Island (1983)
    Directed by Friz Freleng
    Co-director: Phil Monroe
    Sequence Directors: Phil Monroe, David Detiege & Friz Freleng
    Classic Cartoons Directed by Friz Freleng, Chuck Jones & Robert McKimson
    Daffy and Speedy are stuck on a desert island with nothing to eat but coconuts. But once pirate captain Seaweed Sam's ship is sunk by Bugs, Daffy ends up in possession of Sam's treasure map. This gives him control of a wishing well, and he of course decides to earn money by selling pennies (for 500 dollars!) for other characters to have their wishes granted. Sam and his mate Taz try to find out who took the map and get it back. While not as strong as the first couple of movies, it's one I've always enjoyed and another very nostalgic one, as it was one of the first Looney Tunes productions I remember seeing as a kid. The storyline is a fun one, and the featured cartoons are of course absolute classics. Even the Daffy and Speedy pairing works better than in most earlier films, as the two are portrayed as friends (of sorts) instead of the duck chasing the mouse for whatever reason. There are some weak parts, like the weird way "Stupor Duck" is linked to the rest of the movie (Daffy suddenly returns to the island in his non-super form a couple of times with no explanation), but for the most part, it's an enjoyable compilation.
    9
    Daffy Duck's Quackbusters (1988)
    Directed by Greg Ford & Terry Lennon
    Classic Cartoons Directed by Chuck Jones, Friz Freleng & Robert McKimson
    Classic Cartoons Co-directed by Maurice Noble
    Preceded by a showing of the new short "The Night of the Living Duck". Failed salesman Daffy makes ailing millionaire J.P. Cubish laugh and inherits his fortune. But as a condition, Daffy must start a business that serves the public, and every time he shows the wrong attitude, he loses some of the money. Daffy becomes a paranormalist, vowing to get rid of ghosts (including that of Cubish!), and hires Bugs and Porky to work with him. A compilation of horror-themed cartoons, with "Daffy Dilly" and "The Duxorcist" being the foundations of its story. While this kind of compilation was done before in "Bugs Bunny's Howl-oween Special", this one's a lot better – the story is the most entertaining in these films, the cartoons all fit thematically, and the animation is excellent, replicating the style of the classics. Ford and Lennon's Looney Tunes revivals have been among my favorites, and with this, they gave the characters their best compilation feature film. At a level the Looney Tunes productions may not have reached since then, an absolute standout.
    10

    Shorts
    It was inevitable that the Looney Tunes would return to their original format of theatrical short cartoons someday, especially with shorter new stories having already been made for some of the TV specials. Some of these enjoyed wide theatrical releases, while others got a limited release or were only aired on TV or released on video in the end.


    Duck Dodgers and the Return of the 24½th Century (1980)
    Directed by Chuck Jones
    What better way to reintroduce theatrical shorts than with the return of one of Daffy's most famous roles, handled by most of the same crew! Duck Dodgers and the Eager Young Space Cadet must solve a terrible crisis by getting the rack-and-pinion molecule, the only substance that can be used to polish yo-yos. They crash into a rack-and-pinion meteor and end up meeting Marvin the Martian who's planning to blow up the Earth! The first Duck Dodgers short was an all-time classic, so matching it was going to be quite a task even for Jones. While this didn't quite happen, the short is an entertaining one with appealing character portrayals and wordplay. Gossamer returns, finally getting his familiar name! With its troubled production, it could have been a lot worse... This was the last collaboration of Jones and Michael Maltese, credited as co-writers, but Jones rejected most of Maltese's original storyboard. The short was planned to be released alongside the movie "The Empire Strikes Back" but eventually only got a limited theatrical release. The final version of the short had a couple of scenes cut out, while the original full version would only be shown on "Daffy Duck's Thanks-for-Giving Special". The shortened version barely makes sense with all the edits (Dodgers doesn't realize what Marvin is going to do, and even ending is taken out). The long version is definitely the one to go for.
    8.5

    The new theatrical shorts program would get its proper start in 1987, with Greg Ford and Terry Lennon as the series' new directors and writers. They also revived the TV specials and briefly movies with the characters.


    The Duxorcist (1987)
    Directed by Greg Ford & Terry Lennon
    Paranormalist Daffy Duck gets a customer – an attractive female duck. Daffy's attempts to romance her don't go as expected, as she's possessed, with Daffy having to exorcise her. An excellent comeback, very much in the spirit of the classics! Great gags, plenty of puns and appealing artwork (with the involvement of some of the classic Looney Tunes crew) make this a memorable one. Daffy is portrayed well, combining the wacky duck of the early days and McKimson's salesman Daffy instead of using the later angrier version. Like the other Ford/Lennon cartoons, this reuses music and vocal effects from older cartoons, adding to the atmosphere. For a slight criticism, Mel Blanc's Daffy voice isn't sped up as usual – something that happened very often in these late productions. But even in spite of this slight flaw, it's a strong success, which would inspire a full feature film the following year!
    10
    The Night of the Living Duck (1988)
    Directed by Greg Ford & Terry Lennon
    Daffy is reading comic books. While looking for issue 177 of "Hideous Tales" (featuring Smodzilla!), he gets knocked out. He dreams he's a nightclub singer and comedian, performing for an audience of monsters. Continuing the horror theme from Ford and Lennon's debut short, it's another appealing one. Great animation, Daffy's portrayal is charming, and the monsters are fun... but the obvious highlight is Daffy's performance of the jazzy tune "Monsters Lead Such Interesting Lives" – surprise guest Mel Tormé provides a great vocal, and of course the title is a reference to the classic "Hair-Raising Hare". Also the last short to feature Mel Blanc, who will be missed tremendously.
    9
    Box-Office Bunny (1991)
    Directed by Darrell Van Citters
    A movie theater is built over Bugs' rabbit hole. After he pops out of his hole to see what's going on, usher Elmer notices he has snuck in without a ticket. Daffy is also trying to see the film without one, and a wild chase involving the trio ensues. Some nice Bugs tricks in this well-animated short. Not an all-time classic (being less than five minutes long doesn't help), but definitely an enjoyable one, with the ending being a particular highlight.
    8
    Invasion of the Bunny Snatchers (1992)
    Directed by Greg Ford & Terry Lennon
    On what seems like an ordinary day, except for Bugs being late for work and some strange carrots showing up, Bugs deals with Elmer, Sam and Daffy as usual. But the following day, Bugs' three rivals don't act like their usual selves... An absolute classic among these revivals! An unusually long WB cartoon (more than 11 minutes) where the first half is classic Bugs and the second half is very creative! We see some hilarious intentionally bad animation, clever references and gags and some great fourth wall breaking. A strong candidate for the best Looney Tunes short since the classic era. This was produced for the TV special "Bugs Bunny's Creature Features", but with theatrical showings in mind (which didn't materialize in the end). A very funny and imaginative take on the classics.
    10

    Chuck Jones Film Productions would create several shorts, with the involvement of various Looney Tunes legends, including of course Jones himself, art director Maurice Noble, and Stan Freberg as both voice actor and writer. The first and most successful of these shorts featured the Road Runner and Wile E. Coyote:


    Chariots of Fur (1994)
    Directed by Chuck Jones
    The Road Runner (Boulevardius-burnupius) is once again being chased by Wile E. Coyote (Dogius ignoramii). The coyote uses creative contraptions like a giant mouse trap, a cactus costume and lightning bolts. There are more signs than usual and various sound effects, otherwise it's very much in the spirit of the classics, with the imaginative gags and expressive animation (this time with the involvement of pseudonymous Disney animators). A late masterpiece by the legendary director!
    10
    Carrotblanca (1995)
    Directed by Douglas McCarthy
    Assistant Director: Spike Brandt
    General Pandemonium (Yosemite Sam) is looking for a stolen important document, which Tweety hands over to Bugs. Sylvester is the suspect, and his girlfriend Kitty (Penelope Pussycat) asks Bugs to help... A Casablanca parody with a large cast of Looney Tunes characters. Even without seeing the original movie, it's an entertaining one, with the characters very much being their usual selves despite playing specific roles (the one exception maybe being Tweety with his Peter Lorre impersonation). It's also unusually romantic for a WB cartoon, and Penelope has her most significant appearance with a speaking role. Good execution of an increasingly rare concept.
    8.5
    Another Froggy Evening (1995)
    Directed by Chuck Jones
    Another cartoon by Chuck Jones Film Productions. 300,000 years ago, a caveman discovers a box with Michigan J. Frog inside. He sees an opportunity to get rich, but the frog refuses to perform for anyone else but him. The story repeats itself in various settings and eras, such as ancient Rome and the United States in 1776. The famous singing frog from "One Froggy Evening" was finally brought back four decades later – the fact that he was used as the mascot for the then-new WB network may have played a part... How well does the cartoon work? It's definitely no match for its predecessor, especially with a strange ending with a cameo appearance that feels quite forced. But at the same time, with "One Froggy Evening" being one of my favorite WB cartoons (even a strong candidate for number one!), even a rehash has an appeal of its own, and there are some nice gags and new songs that fit the storyline just as well as the originals did.  Jeff McCarthy does a good job replacing Bill Roberts as the voice of the frog (which he would also perform for various WB network idents), and the animation is also good. Not something I'd ever pick over the original, but you can get away with this just once!
    8.5
    Superior Duck (1996)
    Directed by Chuck Jones
    In this Superman parody produced by Chuck Jones Film Productions, Daffy is the superhero Superior Duck. But the narrator keeps getting his introduction wrong, with a lot of chaos and cameo appearances ensuing. Not one of Jones' all-time classics, but an amusing short for what it is. Plenty of puns, funny cameo appearances, good animation... and some nice callbacks to classic WB cartoons, particularly Duck Dodgers (Daffy's superhero costume is also notably similar to Dodgers' outfit). A divisive cartoon from what I've read – there's admittedly not much of a story here, but I enjoyed all the randomness!
    8
    Marvin the Martian in the 3rd Dimension (1996)
    Directed by Douglas McCarthy (uncredited)
    Duck Dodgers is acting out a scene where he's planning to blow up Mars. Marvin finds out about this, mistaking it for a real plan, and sends K-9 to capture the Earthling. But a lot of wackiness ensues, as Dodgers thinks he's getting to star in a movie. Shown in Warner Bros. Movie World amusement parks, this short featured the series' first use of 3D in more than four decades. The version I watched is in 2D, but I imagine the effects were rather impressive in some scenes! The character animation is in cel-shaded CGI (the first time this was done in a Looney Tunes production), which looks decent but doesn't quite match the quality of the other recent shorts. Storywise, we get the usual antics over the extended 13-minute duration – a fun one that I bet was quite a hit in its original 3D version!
    8
    Pullet Surprise (1997)
    Directed by Darrell Van Citters
    Produced by Chuck Jones Film Productions. After his failed attempts to catch a rabbit, Pete Puma is back, this time chasing chickens! Foghorn decides to trick him, convincing him that he's doing it wrong and showing him what he should do to catch one. A surprise return for another one-shot character, and in a new character pairing! Both characters are amusing here, but I especially like Pete's portrayal, with Stan Freberg returning to give him the same lovably dopey voice. They're the best part of the short – the gags are solid but not spectacular. A rather average Foghorn cartoon apart from the surprise co-star.
    8
    (Blooper) Bunny! (1997)
    Directed by Greg Ford & Terry Lennon
    A one-minute short featuring Bugs, Daffy, Elmer and Sam, celebrating Bugs' 51½st birthday. But after this, we see the making of with the characters trying to film the short with various mishaps and disagreements along the way. Made in 1991, but only released six years later on TV. Maybe it was too critical of some of the characters' portrayals: the first minute portrays them all as friends, happy throughout, but the later parts show the real versions who don't really get along that well! A great concept for a short, and it's done brilliantly too. The "bloopers" are obviously the highlight here, featuring some of the edgiest versions of the characters we've seen. What I really appreciate about the Ford and Lennon shorts is that they did new things with the characters while still making them feel like their original selves, which is definitely the case here.
    10
    From Hare to Eternity (1997)
    Directed by Chuck Jones
    Produced by Chuck Jones Film Productions. Buccaneer Sam sails on the H.M.S. Friz Freleng and finds a treasure on an island... But in addition to the treasure chest, he finds Bugs Bunny who proves to be an obstacle to his plans. Dedicated to Friz Freleng who died in 1995 – nice to see one of the WB legends pay tribute to another. As such, we have a rare case of Jones using Yosemite Sam, one of Freleng's most famous creations. This is clearly inspired by some of the early Bugs and Sam cartoons, especially "Buccaneer Bunny" (including Sam's costume being similar to that film). There are some good gags, including a "One Froggy Evening" reference, but at the same time, I feel some of it drags on a bit, including several scenes with the characters singing. This was the last WB cartoon ever directed by Jones, though he would keep contributing as a producer and writer until his death in 2002. This is not a highlight in his career, but definitely a watchable short.
    7.5
    Father of the Bird (1997)
    Directed by Stephen A. Fossati
    Produced by Chuck Jones Film Productions. Sylvester finds a sparrow's egg and decides to eat it. But then it hatches and the little bird (Cornbread) thinks Sylvester is his mother! The cat is unable to eat his "son" or leave him behind, so he ends up having to keep him safe from danger. There's a little of the usual slapstick here (including a Wile E. Coyote-esque anvil gag), but first and foremost, it's a sweet cartoon! It reminds me of "A Mouse Divided", similarly exploring an unusual fatherly side of Sylvester. A very likable short with a fun ending! This was the last Looney Tunes short with the involvement of producer Jones, though he would create one more project for WB, released on their website: the 2001 Flash cartoon series "Timber Wolf" on which he would serve as producer, writer and storyboard artist.
    9

    Little Go Beep (2000)
    Directed by Spike Brandt
    Cage E. Coyote tells his baby son Wile E. (Poor schnookius) that it's time for him to learn to hunt like every coyote does. And he's not to say a word until he manages to catch the Road Runner (Morselus babyfatius tastius)! The two babies' chase sees the coyote use the likes of a badger trap, a Stretch Hamstring action figure and a water rocket powered tricycle. Essentially the Road Runner equivalent of the classic "The Old Grey Hare". Despite the characters being babies (the Road Runner still uses training wheels!), we get the typical chase action and cartoon violence. The coyote's silence (except when he's chasing Bugs Bunny) is finally explained. Nice little touches like fourth wall breaks, a portrait of Cage E. with Chuck Jones... The last gag is particularly priceless. This was to be the first cartoon in a planned series of "Baby Looney Tunes" theatrical shorts with the characters being portrayed as babies but otherwise following the style of the classic Looney Tunes. The concept would instead be retooled as a run-of-the-mill preschool TV series. Shame, since this short was such a brilliant use of the original concept!
    10

    The writer of the film "Looney Tunes: Back in Action", Larry Doyle, produced six shorts to be shown alongside WB family movies, but after the film's commercial failure, this didn't happen. The first one ended up being shown in Walmart stores and was later released on the Back in Action DVD, while the others would only be available on the DVD's Australian release for years. The cartoons were inbetweened at Rough Draft Studios in South Korea, making them the first Looney Tunes shorts to be animated outside the United States. They had various production issues, including reportedly having some crude content edited out right before their release. There were also many additional shorts planned that were never finished.


    Whizzard of Ow (2003)
    Directed by Bret Haaland
    The Road Runner (Geococcyx californianus) is being chased by Wile E. Coyote (Canis latrans) when the ACME Book of Magic falls on the coyote. After this, he tries everything from a flying broom to turning himself giant and a bomb painted to look like a crystal ball. The gags are good and very fitting for the Road Runner series, with the magic theme adding some novelty. But the short isn't without its flaws. The opening sequence with two dueling wizards feels very much out of place, and the animation is decent but more TV quality than something you'd expect to see in theaters. And the use of real Latin names for the duo is very unimaginative, even if it arguably adds an educational element to the short! An enjoyable effort in any case.
    8.5
    Museum Scream (2004)
    Directed by Dan Povenmire
    At a children's museum, Granny shows a group of kids various exhibits, including a nearly extinct tweety bird. A hungry Sylvester sees this and tries to catch the bird while the museum is closed for the night, but he ends up getting hurt repeatedly. There are some good (and violent) gags, and I enjoyed seeing Tweety play a more active part in foiling Sylvester's plans. On the other hand, the visuals leave a lot to be desired – I don't know why the difference from the last short is so dramatic, but the drawings in a few scenes are some of the ugliest seen in WB cartoons.
    7
    Hare and Loathing in Las Vegas (2004)
    Directed by Bill Kopp & Peter Shin
    Bonaparte Sam builds his casino over Bugs' rabbit hole. The rabbit decides to try some gambling, winning a lot of money and angering Sam who tries to shoot him. Out of the Doyle shorts, this is the one that feels the most like a classic Looney Tune. Good gags in the style of "Barbary-Coast Bunny" and "Bonanza Bunny", entertaining portrayals of the characters, solid animation... The background styling is my only complaint here, as they're a bit garish at times, but in general, this is a standout in one of the series' lowest-rated eras.
    9
    Attack of the Drones (2004)
    Directed by Rich Moore
    Duck Dodgers comes up with a plan to defeat a group of space monsters: he creates 100 robotic clones of himself. This succeeds, but the clones start causing chaos all over, forcing Dodgers to come up with a plan to get rid of them. A more action-packed cartoon than the others in this bunch, with some CGI effects thrown in. This approach works well for Duck Dodgers, making this quite a fun one, though it predictably doesn't reach the level of his earlier cartoons.
    7.5
    Cock-A-Doodle-Duel (2004)
    Directed by Peter Shin
    A genetically engineered rooster shows up in the barnyard, charming all the hens and annoying Foghorn. The old rooster challenges the newcomer to a fight, but the new one seems to be better at everything. Some funny gags here, even if it gets a bit cringy at times... The visuals are the main flaw here, almost as crude as "Museum Scream" was. A different kind of Looney Tune, for sure.
    7.5
    My Generation G... G... Gap (2004)
    Directed by Dan Povenmire
    Porky takes his teenage daughter Peta to a rock concert. But he soon finds out that the performance is inappropriate for kids and tries to get in to prevent her from seeing it. Another modernized and slightly strange take on the Looney Tunes! Porky as a father is something we haven't seen many times before, though it does suit his character. Decently fun, even if it doesn't really feel like a WB cartoon at times. It gets better as it goes on, with Porky's stutter being utilized for a surprising musical gag.
    7
    Daffy Duck for President (2004)
    Directed by Spike Brandt & Tony Cervone
    Daffy is running for president and plans to outlaw rabbits. But Bugs explains to him that the President can't make laws. All of Daffy's attempts to pass anti-rabbit laws fail. An unusual short in that it's mostly informative, though with some humorous touches, of course. It works well for what it is, with some appealing Bugs and Daffy chemistry and nice designs. Based on a 1997 book by Chuck Jones – he planned to produce a cartoon version himself, but it was eventually only made after his death. The short, partially animated by Yearim Productions, only got a DVD release in the end (on Looney Tunes Golden Collection: Volume Two, fittingly released on Election Day).
    8
    Porky and Daffy in the William Tell Overture (2006)
    Directed by Daniel Haskett
    Associate Directors: Terry Lennon & Doug Compton
    Porky and Daffy give a wacky performance of the Rossini classic. Porky is very popular with the audience, so Daffy tries to get rid of him to get the plaudits himself. Another video-only release, cut down from the earlier "Bugs Bunny's Overtures to Disaster" for the Looney Tunes Golden Collection Volume Four DVD, with a little new animation added at the end. It's a fun clip, for sure, but I think it worked a lot better in its original context. The later animation doesn't match that from the original special in quality despite adding an amusing conclusion to the short.
    8

    The following batch of shorts would be released alongside various WB family films. These were the first shorts with the Looney Tunes characters to be fully CG-animated (courtesy of Reel FX Studios). They were released in 3D, though the versions I've seen were in 2D.


    Coyote Falls (2010)
    Directed by Matthew O'Callaghan
    Wile E. Coyote uses a bungee cord in his attempts to catch the Road Runner. But once again, they all go wrong in comedic ways. Other than being shorter than usual (just three minutes) and CGI, this is a typical Road Runner short in spirit. The animation is good despite my preference for traditional animation. The Larriva-esque basing of all the gags on one theme works well, though I'd have liked to see this run a little longer!
    8
    Fur of Flying (2010)
    Directed by Matthew O'Callaghan
    Wile E. Coyote builds a propeller helmet, using it to chase the Road Runner. But he ends up getting missiles after him... I think this works better than "Coyote Falls" – the animation feels a little more lively, with surprisingly cartoony moments for CGI animation. Again, I think making this a bit longer would have been a great idea, but thanks to more extended gags, it doesn't feel as overly short as its predecessor did.
    8.5
    Rabid Rider (2010)
    Directed by Matthew O'Callaghan
    Wile E. Coyote uses an electric scooter in his attempts to catch the Road Runner. But things again go badly for him. Another entertaining short based on a specific theme. I especially enjoyed the camera angles here.
    8
    I Tawt I Taw a Puddy Tat (2011)
    Directed by Matthew O'Callaghan
    Sylvester tries to catch Tweety without waking up Granny, with the cat and the bird singing a song during the chase. Based on the Capitol Records hit song from 1951, the use of old vocals (accompanied by a new orchestral backing) allows us to hear Mel Blanc's voice again! The result is a fun one, essentially a music video to the song. Solid CGI, the usual Sylvester and Tweety action, June Foray returning as Granny... The audio mix is one thing that could have been improved on – the sound effects, while typical cartoon stuff, detract from the song and cause occasional jumps in volume, and sometimes the vocal track's age compared to the instrumental shows. In any case, this is something I'd gladly see for the various entertaining songs recorded about the characters, and we would get one more...
    8.5
    Daffy's Rhapsody (2012)
    Directed by Matthew O'Callaghan
    On stage, Daffy performs a rendition of Liszt's "Hungarian Rhapsody No. 2" while Elmer tries to shoot him. Based on another Capitol Looney Tunes record by Mel Blanc – "Daffy Duck's Rhapsody" is my absolute favorite of them with its lovable wackiness! The animated adaptation isn't perfect – there are times when I think traditional animation would have worked a lot better, and we again get the extra sound effects that are distracting and sometimes ruin the flow a little. But all in all, it's still a fun effort with the wackiest Daffy portrayal in ages, even if its appeal is largely down to the original recording used here.
    8
    Flash in the Pain (2014)
    Directed by Matthew O'Callaghan
    Wile E. Coyote gets a molecular transporter and tries to catch the Road Runner with its help. But his attempt to blow up the bird has chaotic consequences... The last of the CGI shorts is definitely the best one! Another new, futuristic idea for the series, strong gags and a surprise cameo as a particular highlight! An enjoyable combination of old and new.
    9

    Curse of the Monkeybird (2018)
    Directed by Pete Browngardt
    Daffy and Porky go looking for the lost temple of the Monkeybird to find a treasure. But they must beware of the Monkeybird curse. A first short made for the "Looney Tunes Cartoons" streaming series, this was the only one planned for a theatrical release. Very enjoyable with the lively animation, fast pacing and wackiness – the Clampett influence is obvious. The characters are portrayed appealingly, with the Daffy and Porky chemistry working well. Definitely among the most successful Looney Tunes revivals!
    10

    We can say the Looney Tunes are still going strong despite the original series having ended more than five decades ago. The classics will never be forgotten and revivals of some kind will continue to be made – maybe we'll even see more theatrical shorts someday!
     

  2. Tacodidra

    Looney Tunes
    And here's another year of WB cartoons – one of the studio's most acclaimed seasons! The release schedule, however, keeps shrinking, as this is the last year to have more than 30 cartoons in the two main series.

    Pizzicato Pussycat
    Directed by I. Freleng
    A bespectacled mouse is a very talented pianist, having stolen the Jones family's toy piano and sheet music. When the family cat catches the mouse, they make a deal – the mouse will be spared as long as he'll play the piano for the cat. After the family sees the cat "playing", he becomes a sensation. But how long will the ruse last? An underrated one-shot. Freleng has always been great at musical cartoons, and this one is a standout with the jazzy soundtrack and fun plot. The characters are likable, especially the cute mouse, and even the ending is a surprisingly satisfying one. Deserving of a lot more attention!
    10
    Feather Dusted
    Directed by Robert McKimson
    While Prissy is at a hen party, Foghorn decides to show her son Egghead Jr. some entertaining games, but the boy prefers reading books. Egghead Jr. again wins all the games with his unusual solutions. "Little Boy Boo" was a great cartoon, and this one is very similar in plot – and like the first one, it's a very well made short! Egghead Jr.'s logic is amusing, making for some clever gags, and Foghorn gets several good lines in. The formula of these cartoons is working extremely well so far!
    10
    Pests for Guests
    Directed by I. Freleng
    The Goofy Gophers find a great place for storing their nuts: a chest. Elmer Fudd takes it home, with the gophers inside. Once he notices the little rodents, he tries to get rid of them. An interesting pairing of characters. The gophers are again the stars – they manage to make any cartoon they're in fun. Otherwise this is a fairly ordinary cartoon for the time, but definitely an enjoyable one with some good gags.
    8.5
    Beanstalk Bunny
    Directed by Charles M. Jones
    In this parody of Jack and the Beanstalk, Daffy trades a cow for three beans. After he throws them away, a beanstalk grows. Daffy climbs up to find gold, with Bugs deciding to join him, but the two get captured by the giant (Elmer Fudd). Another funny fairytale with all three characters portrayed well, including a lot of entertaining fourth wall breaking. Also a very nice-looking cartoon with amusing expressions for the characters.
    9
    All Fowled Up
    Directed by Robert McKimson
    Foghorn Leghorn decides to exercise in order to build his muscles for fighting the Barnyard Dawg. The duo's eternal rivalry gets interrupted by Henery Hawk, again looking for a chicken. As far as Foghorn cartoons go, I think this is among the less remarkable of the series – it's definitely an enjoyable six minutes, but it doesn't really have as many standout moments as some of the earlier cartoons in the series (Foghorn's line about keeping his feathers numbered and Henery's chicken obsession are the main things that stuck in my mind). Maybe the formula had started to wear out, as it would take several years for Henery to show up again.
    8
    Stork Naked
    Directed by I. Freleng
    The stork, again drunk from celebrating with all the happy parents, tries to deliver an egg to Daffy and Daphne Duck. But Daffy doesn't want a baby, so he's prepared to defend his house from the stork. Of all the drunken stork cartoons so far, this is my favorite. Daffy is good in his role, the stork is even more amusing (Mel Blanc's drunken voice might be one of the funniest he did), and Daphne, while in a fairly small role, is definitely the most likable of Daffy's various wives and girlfriends. The usual WB cartoon slapstick done really well, with an appropriate ending.
    10
    Lighthouse Mouse
    Directed by Robert McKimson
    A sleepless mouse unplugs the lights in a lighthouse, and its owner makes Sylvester catch the mouse to prevent that from happening again. While the light is out, an Australian ship crashes into the island and Hippety Hopper's crate falls out of it. The "giant mouse" keeps causing trouble for the cat. McKimson again experiments with the old Hippety Hopper formula, introducing a new setting and characters despite the whole giant mouse schtick still being there. It's a great effort, with the new characters being funny ones, especially the owner's annoying parrot Polly who keeps repeating whatever the others say, though the owner himself is memorable too with his distinctly Scottish accent. This all, along with the entertaining gags (involving Sylvester both trying to stop the mouse and plug the lights in again), makes it one of the more memorable cartoons featuring the kangaroo.
    9.5
    Sahara Hare
    Directed by I. Freleng
    Bugs digs his way to what he thinks is Miami Beach for his vacation, but he ends up in the Sahara Desert instead. There he gets chased by Riff Raff Sam who is angry at him for trespassing in his desert. A great Bugs and Sam entry with some nice gags and an entertaining cast of characters (including Sam's camel who doesn't obey his commands – this gag and Sam's reactions would be reused later with other creatures). The biggest surprise is probably the ending, another fun one!
    9.5

    Sandy Claws
    Directed by I. Freleng
    Granny goes to the beach, taking Tweety along with her. Sylvester is nearby, trying to catch some fish until he notices the bird. After a tide, Tweety's cage is surrounded by water, and the cat tries to catch him to no avail. This short got the studio an Oscar nomination (for 1954), but it lost to UPA's "When Magoo Flew". It's definitely a good cartoon, though I feel Sylvester and Tweety have had even better ones. The beach theme adds some novelty, with many water-related gags. Granny and Sylvester both get some fun lines and are the strongest characters here, with Tweety having some cute moments too.
    9
    The Hole Idea
    Directed by Robert McKimson
    Professor Calvin Q. Calculus creates his greatest invention yet: the portable hole. There are many great uses for it, but a thief soon steals it, using it for more nefarious purposes... As the studio's brief closure had caused a shortage of animators, McKimson not only directed but animated the short all by himself (a one-off in the studio's history)! And the result is impressive – an unusual but entertaining story, with stylized animation that hadn't been seen many times in the WB cartoons. The ending in particular is a clever and surprising one!
    9.5
    Ready.. Set.. Zoom!
    Directed by Charles M. Jones
    The Road Runner (Speedipus Rex) gets chased by Wile E. Coyote (Famishus-Famishus). For his attempts, the coyote uses ACME glue, a 10,000 pound weight and a female road runner costume among other things. Another strong entry in the series with expressive animation and the funny consequences of the coyote's attempts. My favorite gag is the one with the road runner costume – Jones and his crew saved the best for the last.
    9
    Hare Brush
    Directed by I. Freleng
    Elmer J. Fudd, millionaire and president of a huge corporation, has started thinking he's a rabbit. He's taken to a mental hospital, but he lures Bugs to take his place by offering him carrots. With bunny Elmer now running free, Bugs is given a capsule meant for Elmer to realize who he is. Consequently, Bugs now thinks he's Elmer and goes hunting rabbits! A hilarious reversal of the usual Bugs cartoon with excellent gags. Freleng had toyed with this idea earlier in "The Hare-Brained Hypnotist", but this short takes it to a new level and is even funnier. The characters are all great, the dialogue is brilliant – a clever idea done right, one of Bugs' absolute best!
    10
    Past Perfumance
    Directed by Charles M. Jones
    A French movie studio has found all the animals required for the new film, except for a skunk that has had its stench removed. The casting director decides to paint a female cat to look like one. But soon after that, Pepé Le Pew shows up to ask for autographs and everyone runs away from the real skunk. When he sees the fake skunk, it's love at first sight, to the cat's dismay. The movie theme makes this stand out from the other entries in the series and makes for some fun scenes. I actually found the other characters' reactions to the skunk funnier than the usual skunk and cat chase. But those scenes are also entertaining enough, especially with the clever ending.
    9
    Tweety's Circus
    Directed by I. Freleng
    Sylvester sees a circus and goes to see all the acts. He notices Tweety and starts chasing him. But the cat ends up having run-ins with various animals, especially a lion he had heckled earlier. This is another really strong Tweety cartoon. The gags are great, I especially like the ones involving the lion. Sylvester's performance of the song "Me-Ow" is a memorable one, even though (or maybe because) the cat isn't the best singer, and he is funny, with his own thoughtless actions proving to be his undoing. In a couple of parts, Tweety even displays a little of the sadistic streak he was known for earlier. Definitely one of the cat and bird's best.
    10
    Rabbit Rampage
    Directed by Charles M. Jones
    An animator keeps making unwanted changes to Bugs' latest cartoon, annoying the rabbit with the modifications he makes both to him and his surroundings. A remake of "Duck Amuck" with Bugs taking Daffy's role. The original was one of the series' all-time classics (many consider it the very best WB cartoon), so living up to it is a tough task. How well does "Rabbit Rampage" fare? It's definitely not quite as good as its predecessor, but the gags are novel enough (though there are of course some similarities, like the twist ending). The various alterations made to Bugs' design are the highlight of the cartoon. It's a very enjoyable short in its own right, but in the end, I feel Daffy is a significant part of what makes "Duck Amuck" so great. While Bugs is just as amazing a character as Daffy is, the plot of the cartoon, with the wild reactions it requires from the animatee, plays much more to Daffy's strengths than Bugs'.
    9
    Lumber Jerks
    Directed by I. Freleng
    The Goofy Gophers find a tree to store their nuts in, but it gets chopped. The two gophers track down their tree and end up in a sawmill. They try their best to retrieve their lost tree, or what remains of it. I have always liked the gopher duo, and this is another great appearance for them. Their politeness and unique dialogue remains just as amusing as in their earlier shorts, and there are various funny gags that the gophers' personalities contribute a lot to. The two might be portrayed a bit more realistically here, as we see one of the gophers (unusually) getting angry at the other at one point instead of endless politeness. But even with this brief moment, they remain very adorable and entertaining!
    9.5
    This Is a Life?
    Directed by I. Freleng
    Elmer is hosting the TV show "This Is a Life?" where a guest of honor is picked from the audience and their life story is told. Daffy thinks he's the one, but it's actually Bugs. His first encounters with Elmer and Yosemite Sam are recounted, while a jealous Daffy heckles Bugs, to the annoyance of Granny who wants to watch the show. The second Bugs short to reuse old footage after "His Hare Raising Tale" – however, this is much more appealing than that one was. The recycled footage only constitutes about a third of the short, it's better picked, and most importantly, the new footage is more enjoyable. We get entertaining scenes of all the characters, including some that rarely appear together (Sam and Elmer, or Granny with any of the cast here). This is the way to do a cheater cartoon and still make it a worthy watch! Also the first short to feature June Foray as the voice of Granny, a role she would perform for almost six decades!
    9
    Double or Mutton
    Directed by Charles M. Jones
    Ralph Wolf is again trying to steal some sheep, but Sam Sheepdog foils his attempts. The wolf uses a Little Bo Peep costume, a helicopter and ACME hair grower among other things. There are a few changes made to the series: the wolf and sheepdog now have their final names, and they share a punch clock and act friendly towards each other when they're not working. The idea of the sheepdog and wolf both doing the whole thing as their job was always funny, and this modification only serves to improve it. Another strong entry with good gags.
    9
    Jumpin' Jupiter
    Directed by Charles M. Jones
    Porky and Sylvester are on a camping trip, and the cat is scared of his surroundings. At night, a spaceship from Jupiter lands to obtain examples of animal life on Earth, namely from the piece of ground Porky and Sylvester are on. A sleeping Porky is blissfully unaware of it all, while Sylvester is horrified by the alien encounter. The third and last of Jones' Porky and Sylvester cartoons – this one has less of a horror theme than the first two did. Instead it's more comedic, with a funny alien character I actually found kind of cute! I've always loved this one, many fun moments thanks to Porky's ignorance of his surroundings and Sylvester's humorous characterization and expressions. A worthy last entry in a small but memorable group of cartoons.
    10

    A Kiddies Kitty
    Directed by I. Freleng
    Suzanne is a little girl who wants to have a pet cat, but her mother won't let her get one, as she keeps breaking all her toys. But soon Sylvester shows up, running away from a dog, and the girl takes him in, trying to keep her mother from knowing. Suzanne's ways of playing prove to be a nightmare for the cat. While not one of my favorites with Sylvester (who is mute here for a change), it does have some entertaining gags with good comic timing. Suzanne is an amusing character in how she's completely unaware of the pain and grief she's causing to the cat. Surprisingly, while she never had another animated appearance, she would appear in a few dozen Looney Tunes comics – maybe the series' relative lack of female characters played a part in this.
    8.5
    Hyde and Hare
    Directed by I. Freleng
    Bugs is fed carrots in the park every day by a man, and the rabbit asks him to take him in as a pet. The man does, but he is really Dr. Jekyll. He keeps drinking a concoction that repeatedly turns him into the murderous Mr. Hyde, and Bugs tries to get away from the maniac, never realizing that it's the same person. Freleng takes on the Jekyll and Hyde theme again, and I think this one is even better than "Dr. Jerkyl's Hide" was. We actually get to see the doctor himself, and he's a funny character, especially with the contrast between the meek Jekyll and the deranged Hyde. We get some wild expressions from both Hyde and the extremely likable Bugs along the way. Freleng would tackle the story once more, even more memorably, but this is also a great take on it!
    9.5
    Dime to Retire
    Directed by Robert McKimson
    Porky can't seem to find a vacant room in any hotel for the night, until he comes across one that only costs ten cents a day. Porky is astonished how cheap it is, but the reason soon becomes clear. Hotel manager Daffy releases a mouse into the room, forcing Porky to pay the "pussycat fee", starting a chain reaction where he has to pay more and more for each additional service. This story was actually adapted from one of the Looney Tunes Capitol records, "Daffy Duck's Duck Inn", except with Porky replacing Elmer. I find the cartoon version much funnier with the refined timing of the scenes and added gags (like the dog being a boxer, in a very literal sense), and in all its simplicity, it's a clever one! Daffy is perfect for the role, combining his earlier mischievousness with his later greedy version, and Porky is a natural fit for the straight man role.
    10

    Speedy Gonzales
    Directed by I. Freleng
    A group of Mexican mice tries to get cheese from a factory, but Sylvester is guarding it and manages to foil all their attempts. After yet another failure, the mice decide to get help from Speedy Gonzales, the fastest mouse in Mexico. He proves to be too fast for the cat to outwit, and the mice get all the cheese they want. Speedy Gonzales, brought back two years after his debut in "Cat-Tails for Two", was heavily redesigned for this short (including the addition of a sombrero), with this version being the one to appear in all his future cartoons. It's an entertaining cartoon, a bit dark at the beginning (many mice are implied to have died in their attempts to sneak past "el gringo pussycat"), but the rest of it is fun with Speedy being an appealing character with his cute Spanglish and incredible speed. No wonder this led to so many more cartoons with Sylvester and the mouse! The film also became the studio's third Oscar winner for best short cartoon, and the second for both Sylvester and his creator Friz Freleng.
    9.5
    Knight-mare Hare
    Directed by Chuck Jones
    While reading a book about knights, Bugs gets knocked out by an apple falling on his head. He dreams he's in the medieval times, meeting a knight, a dragon and Merlin the sorcerer. Another strong Bugs cartoon. The standout for me here is the dialogue – plenty of random puns, references to celebrities, and just plain good lines! The expressions and reactions of the characters are brilliant too, the dragon's being my favorite.
    9.5
    Two Scent's Worth
    Directed by Charles M. Jones
    In the small village of Nasty Pass, a man paints Fifi the cat to look like a skunk to help him rob the bank. But soon, the cat is spotted by Pepé Le Pew who falls for her, leading to a wild chase in the Alps. Despite Penelope having received her name in "The Cats Bah", it doesn't seem to have been established until later, as she has a different name here. As far as Pepé cartoons go, this is pretty much more of the same – the bank robber story is a good way to introduce the cartoon, but it ends pretty quickly, as the robber voluntarily gets himself locked up immediately after meeting the real skunk (I think it would have been interesting to see that go on a little longer). The rest of it is certainly entertaining, but not my favorite in the series. The ending is rather cute, though!
    8
    Red Riding Hoodwinked
    Directed by I. Freleng
    Little Red Riding Hood is going to visit Granny and bring her a gift – Tweety. As a result, both Sylvester and the Big Bad Wolf (who has problems remembering Red's name) go after the duo. The wolf throws Granny out and she vows to get revenge, and chaos ensues as Red and Tweety visit her house. An unusual Sylvester and Tweety cartoon with its supporting characters. But as usual for WB fairytale parodies, it's a brilliant one with great gags (especially the running gag with the wolf forgetting what Red is called). The characters are all appealing in their own ways, and their antics are fun to watch. One of Sylvester and Tweety's best, and possibly their most imaginative entry yet.
    10
    Roman Legion-Hare
    Directed by Friz Freleng
    In ancient Rome, Emperor Nero tells his captain of the guards Sam to find a victim to throw to the lions... or else he'll be the victim! Sam soon comes across Bugs Bunny and tries to catch him, but he gets attacked by the lions repeatedly. One of the first Bugs cartoons I remember seeing, and it's definitely held up well! Funny gags involving the lions, strong characterizations for both Bugs and Sam (especially the former is very appealing with good dialogue), and entertaining cartoon violence. Classic Bugs!
    10
    Heir-Conditioned
    Directed by Friz Freleng
    When a bunch of alley cats hear that Sylvester has inherited his owner's whole estate, they try to get their friend to give them some money. But his financial advisor Elmer Fudd tells him to support the economy by investing. The second of the three Alfred P. Sloan Foundation cartoons. While this short shares the business theme and moral of "By Word of Mouse", I think this one is much more successful at incorporating the theme while keeping the cartoon funny. There are more gags in this one, and it's less preachy, feeling more like the typical Looney Tunes cartoon. Sylvester and the rest of the cats are portrayed amusingly. Elmer is unusually smart and business-minded in this one, though to be honest, he was already portrayed as a millionaire business owner earlier this year! And despite the lesson learned, the ending is also a humorous one. For an informative/propaganda piece, I think this is a very good cartoon.
    9
    Guided Muscle
    Directed by Charles M. Jones
    Wile E. Coyote (Eatibus almost anythingus) tries to catch the Road Runner (Velocitus Delectiblus). He tries using himself as an arrow, grease, and tarring and feathering among other things. A clever entry in the Road Runner series, this has one of the best endings in these cartoons and a great Road Runner sign gag. While this series often used similar gags in multiple shorts, almost all the gags in this short are ones we haven't seen before, making it a standout entry!
    10
    Pappy's Puppy
    Directed by Friz Freleng
    Butch J. Bulldog becomes a father and teaches his son how to be a bulldog, including attacking cats. The puppy soon sees Sylvester and keeps biting him. The cat's attempts to get rid of the puppy repeatedly get ruined by the father. Another cartoon with a mute Sylvester, this one is quite fun. The puppy treads the line between cute and annoying with his constant high-pitched barking, Butch is entertaining despite being quite the typical cartoon bulldog, and poor Sylvester always seems to get the worst of it all. The ending is probably my favorite part of this, including a guest appearance...
    8

    One Froggy Evening
    Directed by Charles M. Jones
    A man demolishing a building finds a box containing a frog inside its foundation. To his great surprise, the frog starts singing and dancing. The man immediately senses an opportunity to get rich, but the frog never sings when others are there to see it. One of the greatest masterpieces of Chuck Jones and Warner Bros. Cartoons. The story is rather simple but brilliant. The animation is very expressive, making the characters feel like more than just drawings, as well as providing humor. And then there's the soundtrack – all the songs the frog sings, some of them even referencing the events in the cartoon, and all wonderfully sung by Bill Roberts. The frog, not named in this film, would receive the name Enrico in the early 60s, later being more famously renamed Michigan J. Frog. This is one of the cartoons that have later become very popular. While Michigan never made another appearance in the classic WB cartoons, he would be revived for later productions. Further showing the cartoon's influence, when Warner Bros. started their own TV channel The WB in 1995, the frog was picked as its mascot. Most significantly, this eventually also became one of four WB shorts chosen for preservation in the National Film Registry – very deservedly, as it's an absolute classic.
    10

    An additional short was produced for the United States Air Force. This cartoon was essentially an unofficial revival of a familiar character from a decade ago...

    A Hitch in Time
    Directed by Charles M. Jones
    Airman John McRogers is planning to leave the air force. Grogan, Technical Gremlin First Class is planning to leave too, and manifests two screens showing how civilian life compares to that in the air forces. Civilians might earn better, but things aren't quite that simple... The characters are clearly repurposed versions of Private Snafu and Technical Fairy First Class, though John is a lot more competent than his predecessor was. It's not as humorous as the Snafu shorts were, instead taking a more informative approach in an attempt to get people to join or re-enlist in the air force. By the standards of an advertising film, it's decently entertaining, but all in all, it's little more than a curiosity.
    7.5

    This year was a good one – while some of the shorts were somewhat derivative (referring to some of the Foghorn and Pepé entries here), there were also several masterpieces in the bunch, with "One Froggy Evening" particularly standing out. The Oscar-winning "Speedy Gonzales" made the titular character a star – possibly the last one from the series to truly make it big (not that WB would stop trying to make more happen).
  3. Tacodidra

    Looney Tunes
    We've reached a year of several important milestones. The 40th year of the Looney Tunes. Combined with the other main series Merrie Melodies, the 1000-cartoon mark will also be reached. On a weirder note, it's also the first year not to feature any characters created prior to 1967. And dark clouds are looming on the horizon...

    The Great Carrot-Train Robbery
    Directed by Bob McKimson
    Bunny and Claude rob the Carrot Express. The sheriff is on their tracks, but he fails again due to various mishaps and the rabbits' cleverness. The second and last appearance of Bunny and Claude. The characters are once again appealing – Bunny gets more dialogue here and is sweet (for a gangster, that is!), while Claude's tricks would make Bugs Bunny himself proud. The sheriff has some funny moments too despite getting outshone by the rabbits. Not quite at the level of the first Bunny and Claude cartoon (to which this is rather similar), but one of the highlights of this period in any case! I'll miss this duo – two truly underrated characters who I think had more potential in them. This is also the last short to feature characters (namely Claude and the sheriff) voiced by Mel Blanc, one of the most important names in Looney Tunes history, who voiced most of the series' most significant characters for more than three decades.
    8.5
    Fistic Mystic
    Directed by Bob McKimson
    Merlin and Second Banana go to Rattlesnake Gulch. Merlin accidentally challenges a tough guy to a fight, beating him with the help of Second Banana. After that, he convinces the smaller mouse ("Golden Cheese, mouseweight champion of the world") to face the tough guy in a boxing match for a prize of 100 dollars, with help of magic boxing gloves. An entertaining effort despite a somewhat weak ending. Very nice to see the until now underutilized Second Banana get a more prominent role here!
    8

    Rabbit Stew and Rabbits Too!
    Directed by Bob McKimson
    The Quick Brown Fox is trying to cook some rabbit stew, but he needs a rabbit! He soon sees Rapid Rabbit, but all his attempts to catch him backfire. While Bugs was restricted to TV appearances, W7 introduced yet another rabbit character after Bunny and Claude's very short career. This is very much in the style of the Road Runner cartoons, with a sly character's failed attempts to catch his fast prey, all of it without dialogue. To further emphasize this, the rabbit is shown honking a horn in a couple of scenes, though he's more active in foiling the fox than the Road Runner usually was. While definitely not a match for the earlier duo, this cartoon is amusing in its own right, with some witty gags. Rapid Rabbit and the Quick Brown Fox were the last new lead characters to appear in a Looney Tunes or Merrie Melodies cartoon, but this would turn out to be their only appearance.
    8
    Shamrock and Roll
    Directed by Bob McKimson
    Merlin decides to start visiting other countries to give more people an opportunity to see his magic show. He and Second Banana end up going to Ireland where they meet O'Reilly the leprechaun. Unimpressed with Merlin's magic act, he shows his own kind of magic, making Merlin's watch disappear... and he won't give it back, unless the mice catch him! With the chase action and the end gag, this has more of the classic WB cartoon touch than many others from the W7 era, though it isn't one of the studio's best. I like Second Banana the best out of the characters here – I've always liked tough little characters, and that side of him really shows here! This was the final appearance of the two magic mice, leaving Cool Cat as the last remaining W7 cartoon character.
    8
    Bugged by a Bee
    Directed by Bob McKimson
    Cool Cat is a student at Disco Tech. He breaks the school's pole vaulting record after a bee stings him, making him popular with the girls and leading the coach to pick him for the baseball team. The bee helps Cool Cat achieve great success in every sport. Cool Cat's hip personality is taken to an extreme here, with his constant use of the slang terms of the day, which is quite amusing. The plot is more imaginative than in the average Cool Cat cartoon (Rimfire's retirement seems to have worked wonders), and it all leads to some fun wordplay. The tiger's best cartoon since his debut! The last Looney Tunes cartoon, though there will be one more in the Merrie Melodies series. Counting both of the series, this is the 1000th short – I'm glad they managed to get there in the end!
    8.5

    Injun Trouble
    Directed by Bob McKimson
    Not to be confused with the 1938 Porky Pig cartoon of the same title. Cool Cat drives his dune buggy in the desert when he comes across an Indian tribe. Wackiness and silly puns ensue. The corny jokes call back to the much earlier spot gag cartoons... and so do the Native American stereotypes, though they're thankfully not the worst we've seen in these shorts. The jokes are all silly, some of them appealingly, some of them less so (the scenes without Cool Cat tend to be the weakest). By the standards of the time, it's entertaining – McKimson did well on his return, his shorts feeling a little more like traditional WB cartoons than Lovy's did, this one again including some fourth wall breaking. But it's not a short that would get a lot of mentions as a favorite – not helped by the fact that it hasn't been shown on TV much. And we've reached the end of the line, as this was the last WB cartoon short of the classic era!
    8


    Just two years after the Warner Bros.-Seven Arts merger, the company was sold to Kinney National Services. Unfortunately, they decided to close down the animation studio, bringing the Looney Tunes and Merrie Melodies series to an end after almost four decades in production. There had been plans for more W7 cartoons, some of which had already been announced (a series of "Keystone Kops" cartoons and a TV series based on the comic strip "Li'l Abner"), but these would never materialize. The Looney Tunes characters would return later, appearing in countless productions over the decades, but theatrical shorts would only be released occasionally.

    In addition to the Looney Tunes and Merrie Melodies, the last year of the cartoon studio included a series of anti-drugs films produced for the Lockheed Aircraft Corporation. Most of them were around three minutes each, intended to be shown to managers and usually featuring a group of cavemen as the characters. As the first five of the shorts listed below were numbered as cartoons #3, #6, #7, #8 and #9, we can assume W7 produced more of them than what is currently available.


    Behavioral Effects of Drugs
    Three cavemen (a professor and his two assistants) give a presentation on the effects drugs have on people. We see the assistants' hallucinations as well as their strange behavior after taking LSD. Rather limited animation, but the hallucination sequence is fittingly creepy (one of the most disturbing seen in the WB cartoons, for sure)! Seeing the assistants being used as guinea pigs (which will happen again in the later shorts) is a little questionable... Informative, but also an interesting curiosity.
    8
    Review Drug Effects
    The professor caveman recounts the previous information on the effects drugs have, in addition to his assistants helping him in showing the effects marijuana has on people. As this was meant to summarize the earlier information, there's predictably quite a bit of reused content, in addition to text and diagrams with narration rather than actual animation comprising much of the short.
    6.5
    Drug Needs
    The professor caveman tells about various types of needs and how they can lead to drug use and dependence: physical need (after taking drugs to alleviate pain) and psychological need (seeking approval from others who use drugs). A lot of information, but also some surreal expressions here to depict the drug user's experiences, though nothing as weird as back in cartoon #3!
    7.5
    Drug Source
    The professor caveman explains the sources of drugs (plant or chemical, area of production and supplier), using the manufacturing and distribution of heroin as an example. Here we see some surprisingly realistic animation of human characters in the scene showing the origin of heroin. It contrasts a lot with the cartoony, oddly happy caveman. The shortest of these cartoons, but it has arguably the most detailed explanation in any of them!
    7.5
    Drug Use
    The different ways drugs are used are demonstrated by the professor caveman giving them to his assistant. He explains how legally obtained drugs can still be abused and that the problem doesn't just affect a single age group. A lot of reused footage from the earlier shorts here, which does fit its purpose of recounting some of the earlier points.
    7
    Stopping Drug Abuse
    This short covers how the legal system can be used to fight drug use, focusing on federal drug laws. An attorney tells a jury about the history of drug use in the U.S., the laws signed to fight "the drug disaster" and increases in drug use. Unlike the previous ones, this short takes place in the modern day (with the attorney resembling the previously seen professor caveman), and there's a live-action opening. Some scenes are reused from the caveman shorts with slight alterations. Subjectwise, one of the more interesting entries in this series.
    7.5

    In its first two decades, the original Schlesinger/WB cartoon studio had often produced cartoon sequences for live-action feature films, and the W7 studio brought this tradition back at the end of its run. One example of this was "The Picasso Summer" (made in 1969 but only receiving a TV release in 1972 after various production issues), which featured three long animated sequences based on Picasso's paintings, though only the ink and paint was done at the W7 studio, with the rest of the animation produced by Wes Herschensohn.

    Besides the productions by their own cartoon studio, Warner Bros.-Seven Arts had acquired the rights to an hour-long independent production by Tony Benedict (who had written the Cool Cat short "Hippydrome Tiger", with some of the animators also having previous Looney Tunes experience). This appears to also have fallen victim to Kinney buying W7 and ended up not being released by them. The special had a strange story behind it, turning from a rejected TV special into a theatrical release, eventually getting picked up by other distributors, being edited various times (with the addition of new animated scenes and different kinds of live-action footage) and retitled "Santa and the Three Bears". But even then, some copies still contain references to the original intended distributor...

    A Yellowstone Christmas
    Directed by Tony Benedict
    In Yellowstone National Park, two bear cubs called Nikomi and Chinook see Mr. Ranger getting a Christmas tree. He tells the curious bears all about Christmas, and now the two want to celebrate it and see Santa before hibernating. Their mother isn't really happy about this and after she finds out Mr. Ranger wasn't exactly telling the truth, he comes with a plan not to disappoint the little bears. This was quite a sweet Christmas special! Cute characters, a charming story and good voice acting. The animation itself is fairly standard for the day. And I feel the original special was fine as it was – the later additions, such as the songs, were more or less filler and weren't really necessary.
    8

    In 1970, we saw the last pieces of animation created by the W7 cartoon studio. In two episodes of "Pat Paulsen's Half a Comedy Hour", the live-action host interviewed an animated Looney Tunes character. Directed by Robert McKimson, these were the last times the studio created new footage of the classic characters, long after these characters had been retired from the actual series.


    Episode 1
    Pat Paulsen interviews Daffy Duck. Pat asks Daffy to tell about his work with Porky, do his famous "Daffy woohoo" and reveal his next movie role. The duck isn't entirely happy with the interview, though. An amusing clip (probably even more so in the show itself among all the live-action guests!), with a more fitting portrayal for the duck than in many of his later cartoons! Solid animation and a great performance from Mel Blanc as always.
    9
    Episode 3
    Paulsen interviews Foghorn Leghorn. But the interview doesn't go very well, as the rooster criticizes the host for his long introduction, not talking enough and not being funny enough as a comedian. He proceeds to showcase his own comedy skills. Eventually he leaves, not being interested in meeting one of Pat's friends... Foghorn hadn't appeared in six years at this point, and I can just feel McKimson had really wanted to use him again – the material here is excellent! Foghorn is in his element with his usual mannerisms, cracking jokes... and indeed, he clearly outshines the interviewer. For the last time the studio worked with one of the series' most famous characters, this is a brilliant one!
    10

    Before closing down, the studio animated the title sequence for a live-action film. This may have been their last production ever.

    The Phynx
    A live-action man shot out of a cannon suddenly turns animated while flying through the air. With the credits appearing in between, we see him going to a parking meter, taking off his disguise to reveal himself as a spy, struggling to come out of a manhole due to cars and eventually skating off screen. Surreal and colorful visuals. A strange piece of animation for the last one made by the studio, but it's certainly a well made though not particularly memorable sequence.

    The last year of the Looney Tunes and Merrie Melodies may not be anyone's pick for the best of the series, but I felt McKimson's return as a director led to an improvement in quality. The lack of the familiar characters did feel a bit strange, but I always thought the W7 crew fared better with the new ones anyway. While these cartoons are often looked down on, I think they managed to stay entertaining enough until the end, even if their best days had undeniably passed.
     

    And that's it for the classic Warner Bros. cartoons! It was fascinating to see their development over the decades: the 30s with the largely musical approach eventually giving way to comedy with the introduction of Porky Pig, the 40s when the cartoons were at their wildest and most of the familiar characters made their debuts, the 50s with the crew making some of their best work with the proven concepts and having their greatest award success, and finally, the 60s with the retirement of most characters in favor of a few stars including some new ones and the cartoons making their full-scale TV debut. While I had seen many of the shorts before, there were also a lot of new ones for me, and the chronological order was something I hadn't tried before – it helped me see how the shorts changed over time and made me appreciate the cartoons and the talents behind them even more than I did before! Not all of the cartoons were necessarily hits, but even the thankfully few misses played an important part in the story. While the Looney Tunes and Merrie Melodies were obviously the highlight, the other projects the studio worked on at different times were also interesting to see, giving it all some additional context and showcasing the crew's versatility.

    Thanks to everyone who joined me on this journey – it has been a fun one! Out of the many cartoons I've watched, the Looney Tunes have always held a special place for me, and I'm glad to have been able to share my experiences finally watching them all!
     
  4. Tacodidra

    Looney Tunes
    The second year of the new Warner Bros.-Seven Arts animation studio brings us ten Looney Tunes and Merrie Melodies with old and new faces, as well as various additional projects.

    Hocus Pocus Powwow
    Directed by Alex Lovy
    Merlin and Second Banana get kicked out of the train while traveling to perform in Powwow City. Lo, the poor Indian sees them and tries to steal Merlin's magic hat, leading to a wild chase. Apart from the dated stereotypes (which have largely kept this short out of circulation), this is a good effort for the time. Merlin is an amusing character, while Second Banana largely gets overshadowed by him and the stereotypical Native American. Larry Storch took over voicing both leads from now on. Quite fast-paced with nice uses of Merlin's magic (he can summon a railroad crossing out of nowhere, for example).
    8

    Big Game Haunt
    Directed by Alex Lovy
    Colonel Rimfire is again hunting Cool Cat, and the two run into an old house. But the two soon meet Spooky, a little ghost who's just trying to make friends, and try to escape from him. Another rather fast-paced cartoon – not as appealing as Cool Cat's debut, but certainly a watchable effort. Spooky is an entertaining character, though the concept is very similar to that of Casper the Friendly Ghost. I prefer this less saccharine version, to be honest! He was considered for a series of his own where he would have appeared with a boy named Buddy, but this turned out to be his only appearance.
    7.5
    Skyscraper Caper
    Directed by Alex Lovy
    Daffy is walking in his sleep and ends up in a pond. Speedy sees this and promises to watch the duck and wake him up if necessary, as long as he's paid five pesos. Speedy comes up with a plan to tie the bell to the bed to wake Daffy up and be able to get some sleep himself. But when the duck gets up on the other side of the bed, the mouse doesn't notice this. He must find Daffy and keep him from getting hurt on a construction site. A solid though not spectacular effort – while the start of the cartoon is slow, the second more action-packed half fares better. Both characters have unusually likable portrayals for the time, being portrayed as friends once again. This would have been a pretty good sendoff for the duo, but they have one more cartoon left...
    8
    Hippydrome Tiger
    Directed by Alex Lovy
    Colonel Rimfire and his robotic elephant Ella are once again after Cool Cat. But the tiger has gone to Paris for a car race. The hunter and his elephant attempt to catch him. Cool Cat outwits them while trying to win the race. Pretty average as far as cartoons go (nothing we haven't seen in the first two Cool Cats, except for the addition of cars), but there are a couple of fun gags and a lot of chase action. I'd have liked to see the car race play a bigger part!
    7.5

    Feud with a Dude
    Directed by Alex Lovy
    Merlin and Second Banana fly on their magic carpet and end up in the Ozarks where the Hatfields and the McCoys are feuding. The hillbillies soon unite to chase the two mice who use magic to escape. The short isn't my favorite with Merlin but decent for the time – some fun parts with random gags (especially the opening and ending), but for the most part it's quite ordinary cartoon comedy. The crew truly tried to add new characters, as "the Feudin' Mountain Boys" were yet another pair of one-shot characters that were considered for a series. I'm not surprised this didn't happen, as they're essentially indistinguishable from the various hillbilly characters we've seen over the decades.
    7.5
    See Ya Later Gladiator
    Directed by Alex Lovy
    A scientist has created a time machine. He tells his assistant Daffy to watch over the machine while he's asleep... and not to pull the lever! The duck is bothered by Speedy and his friends playing music outside. He comes up with a plan to send the mouse back to ancient Rome, but they both end up there, as gladiators. Often considered one of the worst Looney Tunes, I agree this one feels quite forced. There's very little that's memorable here, much of it feels worn out (it's the fourth cartoon in the last three years where Daffy is bothered by Speedy's music, for example), and the plot doesn't really suit Daffy and Speedy (who share the screen with generic human characters). Some nice surreal visuals during the time travel sequences and an amusing gag about traffic lights aren't enough to make this one a winner. Daffy makes his last appearance, a little over 31 years after his first appearance – this makes him the character with the longest span of appearances in the series, just beating Porky Pig. As Speedy also last appeared here, this was the final cartoon to feature any pre-1964 characters. They deserved a lot better!
    6
    3 Ring Wing-Ding
    Directed by Alex Lovy
    Colonel Rimfire sees a want ad – a circus will pay 1000 dollars for a live tiger. He sees this as a great opportunity to get rich and get rid of Cool Cat at the same time. The tiger runs away from the hunter, right into the circus, leading to a chase involving the various circus acts. Entertaining but nothing new apart from a couple of gags – Sylvester and Tweety did the chase around the circus even better. In addition to Cool Cat's fire-eating act, my favorite aspect here is the music. The circus music would find various uses later on, appearing on the rating cards before each cartoon (introduced in 1969) and then becoming the theme tune for "The Merrie Melodies Show" (one of the many Looney Tunes compilation shows on TV) in the early 70s. Colonel Rimfire had his last appearance here, as the remaining Cool Cat shorts would use other supporting characters.
    7
    Flying Circus
    Directed by Alex Lovy
    WWI combat pilots Ace and Fritz face off in the air after Ace accidentally lands on the wrong airfield. These wacky airplane antics seem to have been a common theme in cartoons back then: while WB had done similar shorts before (both versions of "Dumb Patrol"), this would soon be followed by DePatie-Freleng's Roland and Rattfink short "Hawks and Doves", as well as Hanna-Barbera's series "Dastardly and Muttley in Their Flying Machines" (which Lovy would work on). While the latter was much more memorable than this, it's still entertaining with its relentless pacing and occasional randomness.
    7.5
    Chimp & Zee
    Directed by Alex Lovy
    A professor is in the jungle, looking for the rare blue-tail simian. He immediately sees one hiding in a tree with his friend, a jungle boy (called Lonzo in production material). The two foil the professor's various attempts, and he also runs into problems with the other animals in the jungle. The gags are fast-paced and fun (and less predictable than in many cartoons from this period), the professor's voice acting is great (the first time in a while that Mel Blanc shows up in a non-Daffy and Speedy cartoon), and the animation works well despite its simplicity. The last W7 cartoon directed by Lovy, who returned to Hanna-Barbera where he would spend the rest of his animation career. His stint on the Looney Tunes and Merrie Melodies isn't very highly rated, but at least he leaves with what I found his best effort!
    9

    With Lovy gone, the studio needed a new director. The replacement they got was an impressive one – Looney Tunes veteran Robert McKimson left DePatie-Freleng to rejoin the W7 cartoon studio. Having been an animator at the studio since the early 30s, directed since the mid-40s and having only missed the last couple of years, he's a strong candidate for the most loyal crew member the cartoon series ever had! Will he manage to breathe new life into the series? We'll see some new characters in his cartoons, in addition to the ones Lovy had introduced.


    Bunny and Claude: We Rob Carrot Patches
    Directed by Bob McKimson
    Two carrot-robbing rabbits, Bunny and Claude, commit crimes all over. The sheriff tries to stop them, but the duo is too clever for him. McKimson's return is a successful one – the cartoon is faster-paced and has stronger gags than most of the recent shorts. These two rabbits, obviously inspired by the 1967 Bonnie and Clyde movie, may not quite be the new Bugs Bunny, but they're likable in any case, showing some of the same trickster spirit – out of all the characters introduced in the W7 era, they're my favorites, and unlike many others, they would return for another appearance (they were in fact the last new characters to do so). Pat Woodell is charming as Bunny, and Mel Blanc is brilliant as always in his double role as Claude and the sheriff. But the absolute highlight for me here is the theme song: an extremely catchy country tune sung by Billy Strange, covering the two gangsters' exploits. Shorts like this show the studio could still deliver this late in the game.
    9

    CBS got the rights to broadcast "The Bugs Bunny Show", which was now combined with "The Road Runner Show" to form a new one-hour program. "The Bugs Bunny/Road Runner Hour" was a cheap production with little new animation, all of it directed by Robert McKimson. Instead of creating new bridging segments, ones from both earlier shows were reused, along with old Road Runner scenes set to "The Road Runner Show" theme. The opening combined the two theme songs, with a brief new sequence of Bugs introducing the Road Runner in between. Short commercial break bumpers were created with Wile E. chasing the Road Runner on stage while Bugs hosted, and the closing credits had another new sequence with the coyote wrecking Bugs' car while trying to catch the fast bird. This was a very rare case of the W7 cartoon studio creating new animation of these three characters, as none of them appeared in theatrical shorts anymore.
     

    However, the W7 crew did also animate the Coyote and the Road Runner on another occasion. The two characters appeared in several commercials for the new Plymouth Road Runner car which used the bird's beeping noise for its horn. Out of all the Looney Tunes commercials, these are among my favorites, as most of them are very much in the spirit of the original cartoons with their gags, and the visuals are nice for the time. Some of the ads also combine animation and live-action sequences.

    In addition to the Looney Tunes and Merrie Melodies, the crew created an additional short labeled as a "Cartoon Special", based on and featuring a song by Peter, Paul and Mary.

    Norman Normal
    Directed by Alex Lovy
    Norman shows us what's behind a door. His boss tries to get him to take a man to the nightclub, get him drunk and make him sign a contract. Norman asks his father what's wrong and right, and we see him at a party, not wanting to get drunk despite others' insistence. Very different from the usual WB cartoon – instead of the usual slapstick, this one has a more adult take, with its message about non-conformity. We see how the times are changing, with Norman not wanting to hear a joke making fun of a minority group (though this feels a bit hollow, having been released right after "Hocus Pocus Powwow"). This different approach is probably largely down to different writers (N. Paul Stookey and Dave Dixon were responsible for both the story and the voices, their only W7 cartoon contribution). While a bit strange, it's definitely an interesting short with good visuals and an enjoyable rock-tinged a cappella theme song. While the short never got a sequel, it has gained a cult following of sorts, and it's certainly good to see the crew experimenting a little more!
    8

    The W7 cartoon studio also produced a short for Lockheed-California Company, showcasing the proposed AH-56A Cheyenne attack helicopter. It was the first of multiple W7 cartoons commissioned by Lockheed...

    Is This Mission Impossible?
    This short demonstrates how the AH-56A Cheyenne, a reconnaissance version of an existing helicopter, can soon achieve things considered impossible with current equipment. We follow the aircraft on a mission in the Vietnam War. Enemy movement is spotted using new technology, the pilot avoids enemy fire and eventually destroys their vehicles. A strictly informative and promotional short, with unusually realistic but limited animation of the helicopter and human figures. Predictably, this one is mostly of historical interest, in addition to showing how the W7 crew was capable of producing a very different kind of animation from their usual fare.
    7

    Warner Bros.-Seven Arts also released an independent cartoon produced by the Campbell, Silver, Cosby Corporation. This was the first time since the 30s that WB had released an animated short not produced by the same studio responsible for the Looney Tunes and the Merrie Melodies at the time. Producer/director Mundie did have a previous WB connection, having designed the opening titles for the 1965 live-action film "The Great Race" (which also featured sound effects by the legendary Treg Brown).

    The Door
    Directed by Ken Mundie
    A Native American man is fishing, while another one is hunting. The two eat some fruit from a tree before meeting a woman who gives them a key, after which a door appears. The strangest animated short ever released by Warner Bros. – the whole thing has a very experimental vibe. Watercolor, stylized designs, the combination of animation and live-action footage (including that of protests and war), all of it accompanied by the jazz music and scat singing of Clark "Mumbles" Terry, who got that nickname for a reason! The anti-war message is rather obvious, otherwise the best word to describe this is "weird". It's a fascinating film, for sure, in part because it doesn't resemble any other cartoon ever released by WB.
    8

    Thanks to the Seven Arts merger, most of the Porky and Daffy cartoons formerly owned by Guild Films would now be included in the W7 syndication package along with the later cartoons. However, as TV channels were switching to color content, the appeal of black and white cartoons was decreasing. Consequently, Warner Bros.-Seven Arts decided to have colorized versions of them created in South Korea. As the original artwork no longer existed, all the animation and backgrounds had to be recreated. Sadly, the fact that this was done cheaply and quickly was obvious – not every frame was retraced, leading to choppy animation. There were questionable color choices along with various technical errors. As a positive, these versions would keep the classic shorts on TV for decades, eventually getting replaced with new computer colorized versions in the 90s, and later the black and white originals.

    The year 1968 was a surprisingly eventful one for W7, with various projects. The Looney Tunes and Merrie Melodies had one of their less remarkable years, though it wasn't without its peaks. Lovy leaving and McKimson returning sets up an interesting 1969, but there won't be much more time left for the studio...
  5. Tacodidra

    Looney Tunes
    With the Looney Tunes and Merrie Melodies now focusing on nothing but Daffy and Speedy, the year might seem like an uneventful one for the series (even if the quality has improved lately). But no, a lot will happen!

    Daffy's Diner
    Directed by Robert McKimson
    Daffy runs a diner in the desert, trying to sell mouseburgers to cats for 19 cents. He finally gets a customer, but it's the bandit El Supremo. The cat isn't impressed with Daffy using a rubber mouse for the burger and makes him get a real one, or he'll get shot! Speedy happens to show up at that very moment, offering to wash dishes for some scraps, leading to a chase. One of the more entertaining Daffy and Speedy cartoons, with a good concept, nice portrayals of the characters and appealing gags... the ending is a bit weird, but still humorous. This was the last WB short produced by DePatie-Freleng Enterprises, who would now focus on their own series distributed by United Artists. This was also the last classic short to involve producer Friz Freleng who had worked on the Looney Tunes in various roles from the very start with just a couple of years of absence in the late 30s, though he would return for some later projects with the characters. Even if they had better ones over the years, they could have done a lot worse for the last one.
    8

    Warner Bros. had now ended their collaboration with DePatie-Freleng after a failed attempt to take over the studio, but something significant was about to happen... In the meantime, WB hired Format Films to produce the next three shorts, having been impressed with their subcontracted work on the Road Runner cartoons. This time, their cartoons starred (surprise!) Daffy and Speedy.


    Quacker Tracker
    Directed by Rudy Larriva
    The Tooth & Nail Hunting Society is missing just one trophy in their collection: Speedy Gonzales. If someone catches him, they'll get a lifetime membership. "Stupid idiotic foolhardy ignoramus" Daffy takes up the task, but every attempt goes wrong, despite him trying to take advantage of Speedy's love of women and food. Gagwise, there have been much worse WB cartoons – I think most of the antics here are amusing, with Speedy's trickster side showing well. But the animation leaves a lot to be desired (more so than in the studio's Road Runners): while the animators do a good job with Daffy, the mice and the human characters fare much worse, with Speedy looking downright off-model at times. It looks better than the Tom Palmer disgraces from the 30s, for example, but I can't help but feel this would have been more enjoyable with DePatie-Freleng still at the helm.
    7.5
    The Music Mice-tro
    Directed by Rudy Larriva
    Movie star Daffy Duck goes to the Restful Haven Motel in Balmy Springs for a relaxing vacation. But Speedy and his friends, who have a band, are also there and audition for him in hopes of getting a movie role. The mice prove to be a huge nuisance for the duck who tries his best to escape them and their music. An entertaining entry – unlike most of the recent shorts, Daffy isn't in the villain role here for the most part, with the mice being responsible for most of the conflict. The gags are amusing (especially an "instant replay" one), the music is very catchy... The animation isn't the best we've seen in these shorts, but even then, it's a definite improvement over "Quacker Tracker" (we saw the same with Larriva's Road Runner shorts where the first one looked significantly worse than the following entries).
    8
    The Spy Swatter
    Directed by Rudy Larriva
    A mouse scientist has come up with a high-potency cheese that will give mice the strength to defeat any cat. Speedy is to deliver the secret formula to the cheese factory. But a cat called Mr. Brain is aware of this and assigns secret agent Daffy Duck to catch Speedy. Decently entertaining but a bit forgettable at the same time – there are some funny gags, but others are predictable, and Speedy's punchline at the end is particularly weak. On the other hand, there are some callbacks to the earlier days, with the reappearance of Sam the cat (called Mr. Brain here) who had appeared in a couple of Sylvester cartoons and "42nd Street" being heard on the soundtrack. The last WB cartoon with the involvement of Larriva and Format Films – their 14 cartoons may not have been the best in the series, but I definitely think they're better than their reputation despite the animation quality being their weakness.
    7

    As the Looney Tunes and Merrie Melodies continued to enjoy success, WB decided to reopen their own cartoon studio instead of outsourcing the shorts. Veteran animator Alex Lovy, with decades of experience working for Walter Lantz and Hanna-Barbera, was hired as the director for the new cartoons. Despite Daffy and Speedy remaining the main characters, the series would now also feature shorts with all-new characters. The reopened studio's two most famous new characters would both make their debut this year...


    Speedy Ghost to Town
    Directed by Alex Lovy
    Speedy and his friend Miguel head to a ghost town, and Daffy is spying on them. The duck soon finds out Speedy has a map to a gold mine. Seeing an opportunity to get rich, he tries to steal it with no success. The start of the new era is sadly a weak one. On a positive note, the animation is better-looking than in the Larriva trio, but with the gags, it's a different story. Most of it is either predictable or otherwise weak. Daffy gets blown up repeatedly – in the earlier WB cartoons, it was always fun to see the results of this, but Daffy barely looks different after the explosions here. There's a nice twist ending and we see a brief moment with Daffy acting wacky like he used to, but those aren't enough to save this short from mediocrity.
    6.5

    The changes continue... At this point, Warner Bros. went through a merger with fellow production company Seven Arts, creating the new company Warner Bros.-Seven Arts. While this didn't have much of an effect on the production of new cartoons, their cartoon library grew. Seven Arts had bought the cartoons earlier sold to Guild Films, so thanks to the merger, the TV rights to most of the black and white Looney Tunes and Merrie Melodies were reunited with the post-1948 library. The W7 company had new plans in mind for those too... But as for the rest of 1967:

    Rodent to Stardom
    Directed by Alex Lovy
    Daffy is in Hollywood when Harvey Hasenpfeffer, director for Colossal Pictures, spots him and decides to make him a star. But to Daffy's disappointment, he's just a stand-in for Speedy Gonzales, doing all the dangerous scenes for him. He decides to get rid of the mouse in order to be the star himself. I had low expectations after the first Lovy short but actually ended up enjoying this one! The plot is largely recycled from 1956's "A Star Is Bored", with Speedy replacing Bugs, but the gags are different enough for this to be enjoyable in its own right, and Daffy feels more in character than in many other shorts at this time. Funny and cute ending too!
    8
    Go Away Stowaway
    Directed by Alex Lovy
    Daffy heads south for a vacation, but Speedy sneaks along in the suitcase. On the ship, the duck realizes the annoying mouse is there too and tries his best to get rid of the pest. Entertaining cartoon, even if it's rather average by Daffy and Speedy standards. Nothing particularly surprising as far as gags go, but what's there is quite well done. Speedy singing "La Cucaracha" is the most memorable thing here.
    7.5

    Cool Cat
    Directed by Alex Lovy
    Colonel Rimfire is in a jungle, hunting big game with the help of his four-wheel drive elephant. After failing to find any prey, he sees a tiger – the titular character. But things don't go well, as Cool Cat manages to snatch away the elephant, thinking it's a real one that's being hunted, and tries to teach the robot how to survive in the jungle. Cool Cat was the new studio's first attempt to introduce a new character, and he would have the longest run of them, often co-starring with Rimfire. While he's far from the most popular character in the series, I think his debut is a successful one. The tiger and the hunter are both amusing characters (and Cool Cat's "hipness" isn't utilized here too much, preventing the cartoon from becoming too dated), I especially like how the tiger foils the hunter while seemingly being unaware of what's going on. The voices were performed by Larry Storch, who would be responsible for most of the new characters' voices from this point on. While the animation resembles a Hanna-Barbera cartoon more than anything you'd expect from WB, that works well for the characters. The most positive surprise in a while! This cartoon was also the first one to feature a redesigned variant of the opening and closing titles reflecting the new company, complete with yet another rearrangement of the opening theme.
    8.5

    Merlin the Magic Mouse
    Directed by Alex Lovy
    Merlin the Magic Mouse performs his magic act in a theater. There's just one audience member: Sam the cat! Merlin wears a fake mustache to hide the fact that he's a mouse, inviting the cat to take part in the act. Eventually the truth comes out, and Merlin and his sidekick Second Banana have to escape from the cat. Merlin and Second Banana were another pair of characters that would make several appearances in the W7 era. Their debut is a good one, with Daws Butler doing a great job voicing all three characters and adding a lot of appeal. The characters are also fun – Merlin with his obviously fake tricks and Second Banana being helpful but not particularly smart. While this may not be an all-time highlight, we've seen much worse – I feel the crew is at its best with the new characters, without the inevitable comparisons to earlier shorts. Sam made his last appearance here, but him being brought back after Sylvester's retirement was a surprise in the first place!
    8
    Fiesta Fiasco
    Directed by Alex Lovy
    Speedy and the rest of the mice are throwing a party. When Daffy finds out they're doing this behind his back, he's angry at not being invited and decides to spoil the party. But his attempts to use a rainmaking machine to rain on the party backfire massively. An unusual Daffy and Speedy cartoon in that the two are friends... until Daffy finds out about the party, of course. Daffy's portrayal is one of the most appealing we've had in these cartoons, and his design also looks nicer than in most of the recent entries. His fights with the raincloud are fun, and the story actually gets quite a sweet conclusion.
    8

    So it was a year with just ten cartoons – the fewest since 1930, which was the first year of the Looney Tunes. The remaining years will have a similarly shrunken schedule, though the new W7 studio will also have some side projects. Though their cartoons were by no means the best we've seen in the Looney Tunes and Merrie Melodies series, Lovy and his crew fared surprisingly well, especially with the new characters. We head on to the last couple of years of the series...
  6. Tacodidra

    Looney Tunes
    The last year of the Looney Tunes' and Merrie Melodies' third decade. Surprisingly, we even get some new directorial talent, including in the very first entry of the year!

    Baton Bunny
    Directed by Chuck Jones & Abe Levitow
    Bugs Bunny conducts a performance of "Morning, Noon and Night in Vienna" by Franz von Suppè. Along the way, he has many distractions, especially a fly. The first cartoon (partially) by a new director since 1946 – due to Jones being busy with other projects, other directors would fill in for him a few times, long-term animator Abe Levitow getting the task the most often. The cartoon feels very much like a Jones one, though – this is another great entry in his series of musical Bugs cartoons. The amazing orchestrations are perfectly synchronized with Bugs' performance, which is a humorous one... and even the fly buzzes to the tune of the music! It gets especially enjoyable and slightly chaotic near the end, with the final gag being the funniest. I'll definitely miss these musical Bugs shorts!
    10
    Mouse-placed Kitten
    Directed by Robert McKimson
    An abandoned kitten ends up at the door of Clyde and Matilda Mouse. After the two mice struggle to raise their feline son, they take Junior to a human family. On his first birthday, they go visit the now fully grown son. This soon leads to problems for the cat, as he wants his parents to stay with him and helps them despite his owner wanting him to get rid of all the mice. The plot reminds me of a reversed version of "A Mouse Divided", but the execution is quite different. One of the more obscure shorts of its time and not one of the wildest or funniest in the series, but a sweet cartoon in any case!
    8.5
    China Jones
    Directed by Robert McKimson
    The Hong Kong detective China Jones (Daffy) finds a message in a fortune cookie, promising a 150 pound reward for rescuing a prisoner held in a Chinese bakery, and heads to Limey Louie's restaurant for a tip. He meets Charlie Chung (Porky) who is trying to bring up money matters, but Jones doesn't want to share the reward. What Jones doesn't know is that there's a scheme going on against him... A rather mediocre entry – besides the obvious dated stereotypes, I don't think the story is a particularly strong one, though we do get a couple of good gags. Not one of Daffy's or McKimson's best moments.
    7
    Hare-abian Nights
    Directed by Ken Harris
    Various acts perform for the Sultan, but if they fail to impress him, they're dropped into the crocodile pit. Bugs happens to dig his way into the Sultan's palace, and he's forced to perform for him, telling stories. He tells how he ended up in a bullfight, met a monster and faced off with Yosemite Sam. Another cheater cartoon, as all the stories Bugs tells are clips from his earlier cartoons, taking up half of the short. While the clips are certainly good picks (from memorable cartoons like "Bully for Bugs"), I feel the short relies a bit too much on them. The new parts are quite entertaining, so I wouldn't have minded seeing more of them. The only cartoon directed by Ken Harris, who had been an animator for the studio since the 30s, mostly on Chuck Jones' cartoons – he was known for his strong personality animation. He fares well here – shame he never got to do an all new short!
    8

    Trick or Tweet
    Directed by Friz Freleng
    After fighting over Tweety, Sylvester and Sam agree not to try to catch him. But both cats keep making repeated attempts to snatch the bird anyway, with one always stopping the other from doing so. Despite the title, this has nothing to do with Halloween, but it's another amusing cartoon in the Sylvester and Tweety series! This short introduces Sam as a new foil for Sylvester – while Sylvester had fought orange cats before in cartoons like "Putty Tat Trouble", the one here has a comically dopey personality and a fitting voice provided by Daws Butler. Tweety is pretty much relegated to making occasional comments on the cats' antics here – the best moments come from the cats, especially Sam.
    8.5

    The Mouse That Jack Built
    Directed by Robert McKimson
    Jack Benny the mouse takes his wife Mary Livingstone out on her birthday. A cat comes up with a scheme to eat them, taking advantage of Jack's cheapness. An unusual cartoon for its time with the celebrity guest voices: the cast of "The Jack Benny Program" (also featuring Jack's servant Rochester, announcer Don Wilson, and the Maxwell, a car voiced by none other than Mel Blanc) appears voicing mouse versions of themselves. While some of the jokes are obviously going to be missed by people not familiar with the show (myself included), I think it manages to entertain in spite of that – the actors give their characters a lot of personality, they're portrayed appealingly, and there are some fun lines along the way. An interesting and funny one-shot!
    9
    Apes of Wrath
    Directed by Friz Freleng
    The drunken stork knocks out Bugs Bunny and delivers him to a couple of gorillas after their real baby manages to escape. Elvis the gorilla is horrified at the sight of the new "baby" and tries to harm him, but the mother gorilla tells him that he's his son after all. Bugs decides to have fun and annoy the father who keeps getting hit with a rolling pin whenever he reacts angrily. Essentially a remake of "Gorilla My Dreams", but I find this the more entertaining of the two cartoons. The mother gorilla in particular is a funny character, and the way Bugs takes advantage of the situation is great. The addition of the drunken stork also sets up the conflict well, and this is used for another brilliant gag at the end.
    9
    Hot-Rod and Reel!
    Directed by Chuck Jones
    Wile E. Coyote (Famishius-famishius) is once again after the Road Runner (Super-sonicus-tastius). He uses roller skates, an explosive camera kit and a jet-propelled unicycle among others. More Road Runner fun – this time it feels like there are more gags related to vehicles than usual. Another solid entry in the series.
    9
    A Mutt in a Rut
    Directed by Robert McKimson
    While Elmer is away, his pet dog Rover watches a broadcast of "The Dog Lovers Hour" on TV. The host explains how some masters neglect their dogs and eventually shoot them under the guise of a hunting trip. Rover starts acting weird towards Elmer, and when the master decides to take the dog out hunting to cheer him up, he comes to the wrong conclusions. The dog tries to get rid of his master before he gets shot himself, but everything backfires. A fun cartoon – a likable portrayal of Elmer (rare to see him not only without his usual co-stars, but also being the good guy), Road Runner-esque gags when the dog tries to harm Elmer, and a particularly great ending!
    9

    Backwoods Bunny
    Directed by Robert McKimson
    Bugs digs his way to the Ozarks and decides to spend his vacation there. Lazy B.O. Buzzard (Pappy) and his dimwitted son Elvis are nearby, with the latter spotting the delicious rabbit. Elvis tries to shoot Bugs, but he proves too smart for the buzzard. This one's fun – the buzzards are appealingly characterized (especially Elvis – suddenly a common name in these cartoons for obvious reasons!), Bugs is in his prime trickster mode (though the common scene with him in drag takes a surprising turn!), and especially the final gag involving Elvis counting to four is a great one! Pappy and Elvis would go on to make another appearance the following year with another familiar character...
    9.5
    Really Scent
    Directed by Abe Levitow
    In New Orleans, two kittens are born to Pierre and Fifi, but one of them looks like a skunk with her white stripe. The two girls soon grow up – Jeanette immediately finds a boyfriend, but Fabrette struggles with everyone running away from her. She soon comes across Pepé Le Pew, but his odor proves an obstacle to the would-be couple. I've enjoyed the Pepé cartoons, but they've been some of the most formulaic WB cartoons... but this one changes a lot of it! While we get some of the typical skunk and cat chase, there's more of a plot, an interactive narrator, the love isn't one-sided for once, and unusually Pepé actually finds out why everyone is avoiding him! Maybe Levitow stepping in was to thank for this novelty – I definitely didn't expect to like an effort by a new director so much (this being his first solo effort), but I'd go as far as to say I've enjoyed this the most of any of the skunk's appearances. Cute and very entertaining!
    10

    Mexicali Shmoes
    Directed by Friz Freleng
    Two cats, José and Manuel, try to catch Speedy Gonzales. But they're no match for the mouse's speed and wits despite their best attempts to use their brains. Another fun cartoon with Speedy, again with different cats as his foils (these ones sharing their names and personalities with the crows from 1956's "Two Crows from Tacos"). This short is also the first of two appearances by Slow Poke Rodriguez, the slowest mouse in all Mexico. Despite only making two appearances in the theatrical cartoons, he's well remembered as the opposite to Speedy... and indeed, I find the scene with him the definite highlight of this cartoon! This short got an Oscar nomination but lost to Storyboard's experimental "Moonbird".
    9
    Tweet and Lovely
    Directed by Friz Freleng
    Sylvester is in a laboratory, creating various inventions in an attempt to catch Tweety. But Tweety's birdhouse is protected by Spike the bulldog who thwarts all of Sylvester's attempts. An interesting entry – while the rest of the short follows the usual Sylvester and Tweety formula, the machines are something you'd be more likely to see Wile E. Coyote use. Thanks in part to this novelty, it's a very strong cartoon, with the cat and bird both portrayed well and having some amusing dialogue (Tweety's comments on sleepwalking being a highlight). I also love Tweety's cute rendition of "Singing in the Bathtub" (a truly nostalgic song in the WB cartoons, since it had been heard in the very first Looney Tune 29 years earlier).
    9.5
    Wild and Woolly Hare
    Directed by Friz Freleng
    When Yosemite Sam arrives in the Fat Chance Saloon, everyone either leaves or gets shot... everyone except Bugs Bunny, who shows no fear of the tough guy. The two face off, with Bugs using his wits to beat Sam. Eventually Sam tries to rob a train, with Bugs doing his best to save it. Not one of the strongest Bugs and Sam cartoons, though a solid effort in any case – the two characters are portrayed amusingly, especially the characteristically nonchalant Bugs, but the gags aren't quite as strong as in some of the earlier ones. But it's still nice to watch these two against each other!
    8.5
    Cat's Paw
    Directed by Robert McKimson
    Sylvester Jr. wants a bird stalking merit badge, so his father teaches him how to do it. In the mountains, Sylvester makes the big mistake of going after what he thinks is a helpless little bird, but it turns out to be a dangerous dwarf eagle which repeatedly attacks the cat. The first time Sylvester Jr. was used in a cartoon without Hippety Hopper – something that would be done a few more times after this one. In concept, this is quite similar to those cartoons, but certainly a fun one with the cute but ferocious little bird, breathing some new life into the formula. Sylvester Jr. is adorably precocious again, with his father also having some amusing lines throughout.
    9
    Here Today, Gone Tamale
    Directed by Friz Freleng
    The Mexican mice are starving, as they haven't had any cheese in a while. Suddenly a ship full of cheese arrives, but it's guarded by Sylvester. The mice decide to get Speedy Gonzales to help them. One of the best Speedy cartoons – nice gags, some entertaining dialogue from Speedy and the other mice, and despite all the foils Speedy has had in the series, Sylvester is definitely the one that works best.
    9.5

    Bonanza Bunny
    Directed by Robert McKimson
    Bugs arrives in a Dawson City saloon with a bag of gold. The wanted criminal Blacque Jacque Shellacque shows up and is after Bugs' gold. The two soon gamble for the "rocks", but the tough guy isn't a good loser... This short introduces another character who would return for one more short later on: Jacque is essentially a French-Canadian version of Yosemite Sam. His antics with Bugs are fun to watch, and he's an entertaining foil for the rabbit, even if he's not quite as memorable as Sam. Some great gags here, my favorite being the duo's game of 21, and the ending also has quite a nice twist (emphasizing the trickster side of Bugs).
    9.5
    A Broken Leghorn
    Directed by Robert McKimson
    Foghorn plays a prank on the chickens by placing an egg in Prissy's (who hasn't been able to lay eggs) nest. But it soon hatches and out comes a rooster, and now Foghorn is worried about the kid taking over his job. The kid immediately shows potential, and the older rooster comes up with schemes to get rid of him, all of which backfire. Unusual to see Foghorn essentially being a villain, trying to harm a kid! The cartoon is entertaining enough with funny though sometimes a bit predictable gags. The little rooster is cute, but a bit nondescript compared to some of Foghorn's earlier foils. Nice but not a standout.
    8.5
    Wild About Hurry
    Directed by Chuck Jones
    Wile E. Coyote (Hardheadipus oedipus) chases the Road Runner (Batoutahelius). This time his attempts involve a rocket sled, a magnet and a steel ball. This is one of the Road Runner cartoons where Jones and the crew toy the most with the concept – the steel ball gag is one of the longest and most unpredictable in the series, with even more comedic misfortune than usual for the coyote! I think this serves to make it stand out from the average entry in the series. This short also continues the recent trend of having the Road Runner show more personality, this time through his use of signs. And those Latin names – Jones and writer Michael Maltese must have enjoyed sneaking them in!
    10
    A Witch's Tangled Hare
    Directed by Abe Levitow
    Bugs escapes from Witch Hazel who plans to use him as an ingredient for her brew. The rabbit uses his usual cleverness to outwit the witch, with some Shakespearean elements mixed in. Another big success for Levitow – Witch Hazel is funny as always, Bugs has some great moments (the laugh-off with Hazel featuring some fun expressions), all the gags with excellent timing... This is becoming a strong candidate for the best start by any director, even if getting to work with the Jones unit must have helped Levitow a lot. But I still think there's a novelty to his cartoons and their concepts that he must have had a lot to do with.
    10
    Unnatural History
    Directed by Abe Levitow
    Professor Beest Lee gives a lecture on animals and their behavior. The running gag involves Rover the dog waiting patiently for his absent master. Another spot gag cartoon with the appealingly corny jokes. A couple of them are familiar from earlier cartoons (like the beavers damning the river from "The Eager Beaver"), but most of them are new, my favorites being the one about a man auditioning with his dog that can answer his questions and the one about a rabbit going to Mars. Nice to see this type of cartoon still lives on (though this is one of the last we would get)!
    9
    Tweet Dreams
    Directed by Friz Freleng
    A nervous Sylvester visits Dr. Milt Towne at the dog and cat clinic, telling him about how his problems started and how he kept chasing Tweety. His stories are shown through clips from earlier Sylvester cartoons, especially those co-starring Tweety. Nice idea for the story, but even for a cheater cartoon, I feel the reliance on old clips is a bit much here. The chosen clips are good, but the new parts aren't particularly memorable apart from maybe the ending. Oddly, a clip from a cartoon with Sylvester Jr. is shown as one from Sylvester's childhood, with Sylvester himself portrayed as his own father – the cats in this family certainly resemble each other!
    7.5
    People Are Bunny
    Directed by Robert McKimson
    Daffy watches TV and hears that the station QTTV will pay 1000 dollars for the first rabbit brought to the studio. He forces Bugs to go there at gunpoint, but the allure of the prizes being given away on the show "People Are Phony" gets the better of the duck. At times somewhat reminiscent of 1956's "Wideo Wabbit", this is another fun entry with Bugs' cleverness and Daffy's repeated misfortunes. One of Daffy's portrayals as a villain (something that was much more common later on), this still fits his recent greedy personality. Amusing throughout!
    9

    Another Bell System science special was also released with animated sequences by the studio, this time directed by Friz Freleng.

    The Alphabet Conspiracy
    Short animated clips are used to demonstrate how human language works. Among others, we get animated numbers dancing with a live-action girl, a professor telling how he created a talking machine based on a study of the human speech mechanism, and two detectives interrogating a man to find out where he's from based on his accent. The latter is the most entertaining of these animated scenes, as the idea is quite humorous. A little less animation than there was in "Gateways to the Mind", but what was there did a pretty good job delivering the message in a lighter way.
    8

    1959 was another good year – the start may not have been one of the best, but the crew found their groove again with a very consistent quality later on, even if there weren't as many all-time classics as in some other years. Abe Levitow had a very strong showing as the studio's latest director, though this would be his most active year in the role, and he'd only occasionally assist Jones later on.

    So we have now finished the third decade of the WB cartoons. A lot of people consider this the point where the golden age is starting to reach its end. For sheer influence, the 40s and 50s are unmatched. All of the series' most important characters have shown up, and we've seen their most highly regarded shorts. But there's still one more decade left, with some great cartoons included...
  7. Tacodidra

    Looney Tunes
    Another year consisting of Daffy and Speedy and Road Runner and Wile E. Coyote cartoons, produced by DePatie-Freleng (and sometimes Format Films). Nothing more, nothing less.

    The Astroduck
    Directed by Robert McKimson
    For the summer, Daffy rents a house that's a little run down but most importantly cheap. But it proves to be worse than he expected – it's the House of Gonzales where Speedy's family has lived for generations. Daffy tries various ways (mostly related to explosives) to get rid of Speedy, but nothing works out. Rather ordinary – some fun gags here, but a lot of it has been done in earlier and better cartoons. Great futuristic effects in the opening sequence... but the title is weird, seeming completely unrelated at first and eventually proving to be a spoiler for the cartoon's last joke!
    7.5
    Shot and Bothered
    Directed by Rudy Larriva
    Wile E. Coyote uses suction cups, a dynamite stick tied to a rope and helium gas in his attempts to catch the Road Runner. This isn't one of my favorite Larriva Road Runners despite being decently entertaining – out of the various gags, only the one with the coyote using helium gas to fly and drop a bomb is particularly memorable. The animation is hit and miss – there's a very nice shot of the Road Runner running towards the screen (probably the best we've had in the Larriva cartoons), but also an amateurish error where a rock that's supposed to crush the coyote appears to land next to him (not to mention the obligatory reused shots)!
    7.5
    Out and Out Rout
    Directed by Rudy Larriva
    The Road Runner is again chased by Wile E. Coyote, who uses birds (a Road to Andalay-esque hooded falcon, as well as doves tied to his feet) and a car among other things. The start of the cartoon is an unusual one, with not one but two schemes involving birds – it would have been interesting to see a short where all of Wile E.'s schemes somehow featured birds (besides the one being chased, of course)! Besides this, it's quite average for the time with some enjoyable gags but nothing that would be considered an undeniable series classic.
    8
    Mucho Locos
    Directed by Robert McKimson
    A poor little mouse called José is in the dump, staring at a broken TV and imagining there's a show on. Speedy comes to cheer him up, also imagining cartoons on the TV set, each of them showing either how smart mice are or how stupid ducks are. The last of WB's cheater cartoons, using old cartoons with either Speedy or Daffy for the imaginary TV sequences, though this uses the "Trip for Tat" approach of retracing and reshooting the old animation over new backgrounds – probably a sensible decision, as it gives the cartoon a more uniform look. This still feels quite lazy, but by cheater cartoon standards, I think the new sequences are quite entertaining, especially the surprise ending... Thanks to retraced footage from "Robin Hood Daffy", this cartoon is also the last to feature Porky Pig, WB's first big cartoon star. "Corn on the Cop" would have been a better sendoff for him, to be honest.
    7.5
    The Solid Tin Coyote
    Directed by Rudy Larriva
    After a couple more failed attempts to catch the Road Runner, Wile E. Coyote ends up in the dump and gets the idea to build a robot coyote. He uses it to catch his prey, but things don't prove as easy as he expected... Out of the Larriva entries, this is the most interesting one – most of the gags are focused on the robot. The various scenes are fun! There's some amusing stylized animation when the coyote gets zapped, and the Road Runner is closer to meeting his fate than ever before or after. Once again, Jones would obviously have got even more out of this concept, but it's a good one that I'm surprised wasn't used before and works well in this form too!
    9
    Mexican Mousepiece
    Directed by Robert McKimson
    Daffy decides to help starving cats overseas by sending them a care package full of mice. He lures mice into a box, but they get Speedy to help them and outwit Daffy. Strange concept for a cartoon with a charitable Daffy, but the execution is a lot more ordinary. The usual gags but nothing especially memorable... and for some reason Daffy appears to have forgotten he can fly (and there's no jokey reference to this like in McKimson's earlier "The Million Hare").
    7.5
    Clippety Clobbered
    Directed by Rudy Larriva
    Wile E. Coyote orders a chemistry set to help him catch the Road Runner. He tries tricks such as painting himself invisible and a chemical that makes him bouncy, but nothing seems to work. Larriva's last Road Runner is another fascinating one with the chemistry theme. These Road Runner cartoons focusing on a singular theme were a nice change to the formula, and I'd have liked to see more of them (there's one left, by another director). The Road Runner actively harming the coyote is a bit controversial (though even Jones did that occasionally in his cartoons), but I find him dropping an invisible boulder on the fallen coyote funny, maybe in part because it's so unexpected. The animation is good by these cartoons' standards, the pacing is fine, and I like the jazzy arrangement of Lava's Road Runner theme heard at the start!
    8.5

    Daffy Rents
    Directed by Robert McKimson
    A lot of cats have ended up in a rest home after being driven mad by Speedy. When the mouse shows up there, Dr. Ben Crazy hires Daffy to get rid of him. Daffy shows up with his mouse-catching robot Herman and is told he can name the price if he succeeds, but things prove difficult. This feels like an attempt to return to the glory days – we hear Daffy using his old catchphrase "You're despicable", there are some cultural references, even a couple of new non-mouse characters in prominent roles... In spite of these, the cartoon is a fairly average one (and rather predictable at times), though Herman has a lot of personality for a robot! The scenes with him are the best part of the cartoon – I wish he had been utilized more here.
    7.5
    A-Haunting We Will Go
    Directed by Robert McKimson
    Daffy's nephew is trick-or-treating as a witch when he gets scared by Witch Hazel. His uncle tries to tell him there are no witches and goes to visit Hazel to prove she's just a normal old lady. Suddenly, Speedy pops out of his mouse hole and Hazel decides to have a vacation, transforming the mouse into a witch and having him take her place. What a strange cartoon! Seeing Witch Hazel again is fun, but having Speedy poorly impersonate her is even more comedic. I kind of wonder if the crew was sick of using Speedy in the Daffy cartoons, and this was their way to avoid using him a lot here... There's the usual animation reuse (Daffy's nephew's witch costume is really Bugs from "Broom-Stick Bunny", Daffy gets transformed into the strange creature from "Duck Amuck"...), but also enough weird stuff here to keep it entertaining. Witch Hazel's only cartoon without Bugs, and also her last appearance.
    8
    Snow Excuse
    Directed by Robert McKimson
    It's winter and Speedy is freezing in his cottage. He goes to ask his neighbor for some firewood, but Daffy doesn't want to give any. But the duck's attempts to prevent the mouse from snatching some backfire. More entertaining than the average Daffy and Speedy cartoon with a more trickster-like portrayal of Speedy (I was reminded a little of the earlier Tweety at times).
    8
    A Squeak in the Deep
    Directed by Robert McKimson
    Daffy sees an ad for a boat race to Hawaii where the winner will get 6000 pesos. But Speedy is also interested – 6000 pesos would buy a lot of cheese! The two both enter, with Speedy sailing in a bathtub. Daffy tries to sabotage him after he proves too fast, but the mouse keeps finding ways to stay in the race. Surprisingly, the Daffy and Speedy shorts seem to be improving a little – maybe animation veteran Sid Marcus returning to write this one played a part, with this feeling more like a classic Looney Tune despite the pacing being a bit slow at times. Nothing revolutionary, but watching the duo's antics in this one (Daffy sabotaging Speedy in various ways, then the mouse gaining the upper hand) is certainly fun.
    8
    Feather Finger
    Directed by Robert McKimson
    Daffy is begging for money when he finds out Mayor Phur E. Katt is looking for a gunslinger, paying 15 dollars a week. As "Feather Finger", Daffy gets the task of catching Speedy Gonzales who keeps sneaking to Hangtree, Texas over the Mexican border. An interesting concept with more typical gags, though there are some clever parts in the mix, as well as more dialogue calling back to the pre-1964 days. The ending is an underwhelming one, with the mayor coming off as extremely unlikable.
    7.5
    Swing Ding Amigo
    Directed by Robert McKimson
    Speedy's A-Go-Go Club is a big hit with all the mice. But Daffy is living upstairs and trying to sleep, prevented from doing so by the loud music. He tries his best to ruin things for the mice. My favorite of the Daffy and Speedy cartoons so far! Besides the swinging soundtrack, this has some of the most enjoyable gags in the series, a couple of which I didn't expect, including an extended one involving a hand grenade. A nice take on the old idea of a character trying to sleep – and while the ending may not feature big surprises, it's still more satisfactory than some others from this time.
    8.5

    Sugar and Spies
    Directed by Robert McKimson
    Wile E. Coyote uses a spy kit in his attempts to catch the Road Runner. His attempts involve sleeping gas, a spy car and remote-controlled missiles among other things. Along with McKimson's previous Road Runner cartoon, a definite highlight of the DePatie-Freleng era – McKimson takes Larriva's idea of having the gags center around one theme, but with better animation and pacing. The coyote has his usual appeal, and the Road Runner gets one of his most cunning portrayals. Composer Walter Greene, responsible for the last three shorts and the remaining DePatie-Freleng entries, does a great job here with the music, with a recurring melody perfectly suiting the spy theme. The last classic era short featuring Wile E. Coyote and the Road Runner – there were now enough shorts with them to feature one in each episode of a TV series (more about that in a while). In this era, it wasn't a given, but I think they got the sendoff they deserved!
    9.5
    A Taste of Catnip
    Directed by Robert McKimson
    Psychiatrist Manuel Perez III tells the story of his most peculiar case. Daffy Duck came looking for help, as he had started to act like a cat, including having a desire to eat Speedy. Maybe it's in part thanks to how unusual it is, but this is another series highlight. The short actually points out how weird it is for a duck to chase a mouse, giving it an amusing explanation, and Daffy gets his most likable portrayal in a long time. Funny gags, the in-jokes we saw more in the earlier era (the psychiatrist shares his name with one of the animators)... I expected these shorts to get worse as they went on, but the latest Daffy and Speedy shorts have been some of the best. One of the cats featured in this short is Sylvester – he doesn't have a speaking role, but this brief appearance was his last in the classic era.
    9

    The third Looney Tunes compilation show was picked up by CBS. "The Road Runner Show" appeared four years after the failed earlier attempt to produce a TV series about Wile E. Coyote and the Road Runner. Each episode featured three cartoons, the first featuring the titular character, the second with Sylvester and Tweety, and the third with assorted characters. Like in "The Porky Pig Show" (with which this shared the theme song writer Barbara Cameron, providing an extremely catchy theme!), a selection of new bumpers was created and shown multiple times over the show's run. These were animated at DePatie-Freleng and directed by an uncredited Robert McKimson. The shorts were also given new title cards, something that would be done in most of the later compilation shows.


    The Road Runner Show
    The opening and closing sequences mostly consist of clips from Jones' and Larriva's Road Runner cartoons, though there's a little new animation of the logo and the two main characters in the former. There were 15 new bumpers created for this show, each with Wile E. Coyote trying and failing to catch the Road Runner while Bill Lava's stock cues played in the background. Among other things, we saw the coyote using grenades as tennis balls, drawing a sketch of himself and the Road Runner, and the two disguised as each other. These segments were a nice addition to the show, very much in the usual Road Runner spirit despite their brevity. Thanks to the cartoon selection, the catchy theme song and especially the new bumpers, I consider this the second most appealing TV package of the WB cartoons after "The Bugs Bunny Show".
    9.5

    Not one of the best years for the Looney Tunes and Merrie Melodies... I enjoyed the Daffy and Speedy cartoons more than I expected to, but they were quite average for the most part. At the end of the year their quality improved, with the stronger stories by Sid Marcus, who made a very brief return. The Road Runner cartoons fared a little better despite failing to reach the level of the Jones ones, but now that we've seen them all, we'll be stuck with nothing but Daffy and Speedy for a while.
  8. Tacodidra

    Looney Tunes
    The first year with DePatie-Freleng fully at the helm. This was the last year to have more than 20 entries in the Looney Tunes and Merrie Melodies series, though it wasn't entirely thanks to new cartoons...

    Zip Zip Hooray!
    Directed by Chuck Jones (uncredited)
    Ralph Phillips and his friend (Arnold) watch Wile E. Coyote chasing the Road Runner on TV. Ralph tells Arnold how he wants to be the Road Runner, and the coyote explains to the boys why he always tries to catch the Road Runner. Even after "To Beep or Not to Beep", there was still enough footage in the 1962 featurette "Adventures of the Road-Runner" for two more theatrical shorts (this time preserving the original soundtrack, and with new opening titles being the only addition) – I guess they were released just to fill out the annual cartoon schedule. And there's the problem: while this content was very entertaining in the original featurette, it's obvious that it wasn't meant to be a standalone cartoon short. The scene with the boys is cut in half here (Arnold says Ralph needs a psychiatrist, but we don't see him playing one), the connection between the different characters makes less sense here (having originally been used to insert a Ralph cartoon into a Road Runner special), and the opening and especially the ending are quite abrupt. Still enjoyable, but I recommend watching the whole thing instead. This was Ralph's last appearance – with theatrical shorts, army recruitment films (as an adult), featurettes and cutdowns, the boy certainly had a career as strange as his dreams.
    7.5

    It's Nice to Have a Mouse Around the House
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    Sylvester's attempts to catch Speedy have made him a nervous wreck, so Granny gets pest control to get rid of the mouse. Exterminator Daffy Duck tries various methods to catch him, but nothing succeeds. The start of one of the most infamous series in WB cartoon history: the Daffy and Speedy cartoons. The two would be pitted against each other in many cartoons in the following years, only because both were among the most popular characters in the series. This one handles the concept well, as there's a good motive for the duck to chase the mouse. The gags here are fairly ordinary for the most part... but like in the previous DePatie-Freleng cartoons, the crew seems to be saving the best for the last: the final gag is my definite favorite here!
    8
    Cats and Bruises
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    The mice are celebrating Cinco de Mayo when Sylvester shows up. He tries to catch Speedy, but in spite of him trying everything from a raft to a rocket sled, nothing works. A less impressive Speedy effort, with a lot of reused animation and gags from previous cartoons with Sylvester and Speedy. Not much here that particularly stands out, except for maybe Speedy's performance of "Cielito lindo", with which he charms a girl mouse.
    7
    Roadrunner a Go-Go
    Directed by Chuck Jones (uncredited)
    Wile E. Coyote shows how he films all his attempts to catch the Road Runner and learns from the errors he made. He also demonstrates the blueprint of a catapult before struggling to get the desired results with it. The second of the two "Adventures of the Road-Runner" cutdowns released this year. I think this works better as a standalone cartoon than "Zip Zip Hooray!" did – the edits between the scenes could have been improved on sometimes, but at least there's a proper opening and a more entertaining ending this time. Having part of the same catapult scene that had already been reused in "To Beep or Not to Beep" feels a bit unnecessary, though it ends differently in the two shorts. Again, the featurette is much more enjoyable than the shortened version.
    8
    The Wild Chase
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    Speedy Gonzales and the Road Runner are having a race to find out who's the faster of the two. In addition to spectators and gamblers, the race attracts the attention of Sylvester and Wile E. Coyote who come up with schemes to catch their prey. A rather divisive cartoon (it might not really be what people expect based on the plot!), but I think it's quite fun. It isn't without its weaknesses (the reused gags and animation pop up again), but the concept is a novel one, with interactions between characters we've never seen together before. The cat and the coyote are responsible for the best moments here, and the music is quite catchy. I imagine this idea would have resulted in a better cartoon if it had come out a few years earlier, but by the standards of the time, it's definitely among the more interesting efforts. This was Freleng's last directorial work for WB in the classic era, more than three decades after his debut in the role, though he would write "Corn on the Cop" and stay on as a producer a while longer. Much less notably, it was also Pratt's last co-direction.
    8
    Moby Duck
    Directed by Robert McKimson
    Daffy is shipwrecked on a desert island, with only Speedy for company. The duck soon finds a box full of food he doesn't want to share with Speedy, but it's all in cans. Speedy has a can opener, but Daffy still doesn't want to make a deal... Like a remake of 1951's "Canned Feud" with different characters, but this time the mouse with the can opener is the good guy. Not as fun as that one was, but still entertaining, even if Daffy's portrayal is far from his most likable (Speedy fares much better in his role). The infamous Daffy and Speedy pairing is still working surprisingly well...
    8
    Assault and Peppered
    Directed by Robert McKimson
    The mice are starving and ranch owner Daffy hates the poor being on his property. Once Speedy shows up, Daffy challenges the mouse to a duel. Despite the mouse's lack of experience, his speed and wits help him. Daffy's personality takes yet another turn for the worse – as the stereotypical unlikable rich character, he has some funny lines, but it's not really a role that quite suits him (they could as well have used a new character in that role). Speedy on the other hand is quite likable, keeping the cartoon afloat. The gags are quite average, nothing we haven't seen in earlier and better shorts.
    7
    Well Worn Daffy
    Directed by Robert McKimson
    Speedy and his two friends are thirsty in the desert. They find a well, but it's owned by Daffy, who does everything to prevent the mice from drinking, with help from his camel. Daffy's portrayal is again very unlikable, but thankfully his camel has some funny and even surprising moments, and the mice are all sympathetic. The gags are entertaining, but once again, I kind of wish they had used Sylvester instead of this new mean version of Daffy...
    8
    Suppressed Duck
    Directed by Robert McKimson
    Daffy goes hunting grizzly bears. But the area is divided into two sides, and hunters aren't allowed to shoot a bear unless it's on the right side. Daffy tries his best to get around this, but a ranger and a clever bear make it difficult for him. A positive surprise – I like the bear character, and Daffy has his best portrayal in a while (he's not unlikable despite being in the wrong)! Some of the gags are wackier than usual for the time, with some wild cartoon physics involved at times. My favorite so far of the DePatie-Freleng cartoons!
    9
    Corn on the Cop
    Directed by Irv Spector
    On Halloween, a criminal robs a store while disguised as an old lady. Policemen Daffy and Porky are sent after him, but there's a lot of confusion – they go after Granny who is wearing similar clothes, while she thinks the robber and the policemen are all delinquent trick-or-treaters. The only WB cartoon directed by Irv Spector, best known for his long-term work as an animator at Fleischer and Famous Studios. He fares well in his role for the most part – the animation quality is fairly typical for the time, though some of the human designs look different (maybe showing his personal style). The Daffy and Porky duo works well as usual, though the pig isn't portrayed as much more competent than the duck for once. Entertaining entry with good music, even if it's not a particular standout. Granny (called Mrs. Webster here) makes her last appearance in the classic era – considering that almost all of her appearances were with Tweety, it's impressive that her last appearance came a year after the bird's!
    8

    Rushing Roulette
    Directed by Robert McKimson
    Wile E. Coyote tries to catch the Road Runner, using a cannon disguised as a camera, a giant magnifying glass, an exploding piano, and other devices. The first Road Runner cartoon (not counting the crossover "The Wild Chase") not directed by Jones – how does McKimson fare? Purists might disagree, but I'd say very well – the animation is surprisingly lively for the time (with the designs faithful to those used by Jones), the gags are very much in the typical Road Runner spirit, with nice little details, but there's also something new. The Road Runner is portrayed with more personality than usual, including his pose for the camera and being shown as playing the piano. Those gags are a bit unusual for the series, but in a good way. And this short introduces a very catchy new Road Runner theme music by Bill Lava – while it's heard a couple of times in this cartoon, it would find much wider use soon...
    9.5

    DePatie-Freleng decided to subcontract the next eleven Wile E. Coyote and Road Runner cartoons to Format Films. These shorts would all be directed by Rudy Larriva, who had actually been an animator in Chuck Jones' unit in the early 40s, though he had left years before the first Road Runner cartoons were produced.
     

    Run, Run, Sweet Road Runner
    Directed by Rudy Larriva
    Wile E. Coyote chases the Road Runner, using various devices like a trap with spikes and a lightning rod disguised as a female road runner. The Larriva Road Runner cartoons are among the most divisive shorts in the entire WB cartoon filmography. The budgets being lower than those of the Jones classics is obvious – the animation is rather mediocre at times, with the coyote appearing off-model in some scenes. But is the cartoon enjoyable in spite of these flaws? I've always liked the Larriva cartoons more than a lot of others do, maybe in part thanks to nostalgia. This isn't one of the best, with some of the gags dragging on a little, but it does have some nice moments, especially a couple of cute scenes with the Road Runner (I like how the 60s cartoons often have him do other things besides just running around and beeping – here we see him playing hopscotch, for example).
    7.5
    Tease for Two
    Directed by Robert McKimson
    Daffy goes looking for gold, having found a map showing him the spot. But it happens to be the hole the Goofy Gophers live in, which they own the deed to. Daffy tries various measures to get rid of the polite but scheming rodents. Not an all-time classic, but the gophers are entertaining as always with their combination of politeness and violence. Some surprising gags here too, and Daffy's portrayal is a bit better than in some other shorts from the era (he's not mean for the sake of being mean, but showing his usual greed). The gophers' comeback was surprising, as it had been seven years since their last theatrical short (though they had made a couple of guest appearances on "The Bugs Bunny Show", getting the names of Mac and Tosh there). After this, we would not see them again. Also the last time Daffy would appear in a cartoon without Speedy Gonzales – despite being an unpopular pairing today, DePatie-Freleng and WB sure seemed to like it a lot.
    8
    Tired and Feathered
    Directed by Rudy Larriva
    Wile E. Coyote is after the Road Runner, and this time his plans involve a log and a fake bird sanctuary with a dynamite stick disguised as a telephone. Starting with this second cartoon, the obviously cheaply made Larriva Road Runners started using yet another cost-cutting method – the same music tracks would be used for all the remaining entries. The Lava Road Runner theme used sparingly in the last couple of shorts will be heard a lot in these... Thankfully, I find the theme very appealing in its catchiness, making this more tolerable! Otherwise, I find the short a big improvement on the first Larriva Road Runner: the gags have better pacing, and the animation is vastly improved (the addition of familiar WB animators Bob Bransford and Virgil Ross must have had a lot to do with this). While no match for Jones' best, I find this an entertaining short with some appealing expressions from the coyote and a rather active Road Runner... and it's also quite nostalgic for me, being one of the first Road Runner cartoons I saw years ago!
    8.5
    Boulder Wham!
    Directed by Rudy Larriva
    Wile E. Coyote runs into a problem while chasing the Road Runner: thanks to his speed, the bird is able to run to another cliff, but the coyote is struggling to get to the other side. He tries everything from tightrope walking to pole vaulting and hypnosis. Unlike Jones, Larriva would sometimes make a Road Runner cartoon have most or all its gags based on a theme, this being the first example with the coyote constantly trying to get to the adjacent cliff. The result is a fun one, with some rather unusual gags for the series (the hypnosis one being my favorite) and even a callback to the pre-1964 Looney Tunes at one point! On the downside, the low budgets are sometimes really obvious – we get pretty blatant animation reuse at times, including the same shot of Wile E. reading a book being used three times (something that I remember noticing even as a kid)! But as unpopular an opinion as it might be, I think Larriva is still doing a decent job with these considering the limitations of the time.
    8
    Chili Corn Corny
    Directed by Robert McKimson
    Daffy will shoot anyone trespassing in his corn field, and a nearby crow is starving. Old friend Speedy Gonzales soon shows up and helps the crow steal some corn, but Daffy is keeping an eye on them... An interesting entry. Daffy's portrayal is neither his best nor worst. The other characters fare better, with the crow being an entertaining character, somewhat similar in portrayal to the earlier Mexican crow Manuel (who surprisingly never appeared in the same cartoon as Speedy). His voice is provided by Mexican-American comedian Pedro Gonzalez Gonzalez, who does very well in his first WB cartoon role. The story takes a rather surprising turn near the end, adding something special to an otherwise rather typical Speedy cartoon. Enjoyable despite the animation quality being uneven at some points.
    8
    Just Plane Beep
    Directed by Rudy Larriva
    After seeing a leaflet for the ACME war surplus sale, Wile E. Coyote orders a build-it-yourself airplane. He uses it in his unsuccessful attempts to catch the Road Runner. I found this a rather mediocre entry as far as Road Runner cartoons go – while I like the idea of having a connecting theme for the various gags, many of them are rather predictable. Wile E. has some amusing reactions here, though – that's one thing you can always count on in the Road Runner series!
    7
    Hairied and Hurried
    Directed by Rudy Larriva
    Wile E. Coyote browses the ACME mail order catalog for new ways to catch the Road Runner. He tries snow machines, missiles and sky diving among other things. Out of the Larriva Road Runners, I think this is among the stronger entries – for the most parts, the gags are quite faithful to the series' original style, even if the Jones cartoons executed them with better animation and timing. This one might have the liveliest portrayal of the coyote in the Larriva entries.
    8.5
    Go Go Amigo
    Directed by Robert McKimson
    Speedy is having a birthday party with his friends in Daffy's radio and TV store. But as they're not paying, Daffy won't let them play twist music, leading to a fight between the mouse and the duck who keep turning the music on and off. One of the better Daffy and Speedy shorts – the idea is simple, but it works well. Speedy has a likable characterization, and the Mexican-influenced soundtrack is enjoyable. Daffy fares better in his role than lately, as it's amusing to see how far he can go just to prevent the mice from playing music!
    8.5
    Highway Runnery
    Directed by Rudy Larriva
    Wile E. Coyote chases the Road Runner yet again, using a giant rubber band, a skateboard with a sail, an explosive decoy egg and others. I've always liked the Larriva cartoons (my Looney Tunes guilty pleasure), and this is the best one yet – there's a kind of surreal quality to it all that I find very appealing. The strange sound effects, the Road Runner driving a car, the whole egg gag – so many things that shouldn't work, but they just make it funnier for me and have stuck in my mind for years. The ending iris-out gag might be the highlight – the cleverest one we've seen since the days of the old studio.
    9
    Chaser on the Rocks
    Directed by Rudy Larriva
    Wile E. Coyote's chase of the Road Runner is hampered by the extreme heat, making him see mirages. While trying to cope with the heat, he uses the likes of a dynamite stick made to look like a drink and a bird bath in his attempts to catch the fast bird. These cartoons keep surprising me with how much I like them – this is another one where we see a new addition to the series, with the secondary focus on the coyote trying to find some water to drink (there were one-off gags like this in the Jones era, but nothing like what we see here). There's again a lot of randomness to the gags – with the limited budgets of the Larriva shorts, I feel the weirder the gags get, the funnier they are. There are some obvious shortcuts taken in the animation, and the end gag is a bit abrupt (to the point there were false rumors of it having been censored), but otherwise it's enjoyable!
    9
     

    Five years after they started sponsoring The Bugs Bunny Show with their Post and Tang brands, General Foods decided to also use Bugs Bunny to advertise their Kool-Aid drink mix. In TV commercials, the rabbit would try to steal Kool-Aid from Elmer Fudd or sing and dance with live-action kids. Many of these commercials were produced by Cascade Productions and directed by Tex Avery, reuniting Bugs with his creator after more than two decades! While the animation was limited compared to Avery's classic Looney Tunes, his influence could be seen in some of the wild takes and expressions.

    While expectedly not as good as what came before it, the first full year of DePatie-Freleng cartoons at least had solid efforts throughout. With the Daffy and Speedy cartoons making up a large part of the release schedule, my main problem wasn't the weird duck and mouse combination (there was usually some reason for Daffy to go after Speedy, even if Sylvester would have been a better choice for many of the shorts) but the transformation of Daffy into an unlikable villain – from one of my absolute favorite characters in the series, he turned into one I often rooted against! His non-Speedy shorts had him portrayed better, but sadly we won't have any more of those. As for the Road Runner cartoons, Larriva's cartoons were surprisingly good considering their reputation (the last couple being the best), but McKimson's "Rushing Roulette" was the closest they came to the quality of the Jones shorts. I'm just starting to miss the earlier variety in characters a bit...
  9. Tacodidra

    Looney Tunes
    A year of big changes for the WB cartoons... in more ways than one!

    Dumb Patrol
    Directed by Gerry Chiniquy
    Running out of titles? Bosko had already appeared in a cartoon with the same name back in 1931 (not that many would have remembered it anyway). Bugs knocks out a French soldier intending to take on Baron Sam von Schpamm since he has a wife and kids to look after. The rabbit therefore fights the baron in the air, constantly outwitting him. Fairly ordinary Bugs and Sam effort, except with planes and a couple of little new gags. Another new name in the director's chair – Chiniquy had been an animator on Freleng's cartoons since the early 40s. A solid though not spectacular debut for him. This was the last short to feature Yosemite Sam.
    7.5
    A Message to Gracias
    Directed by Robert McKimson
    After all his messengers have failed, El Supremo gets Speedy Gonzales to sneak a letter past Sylvester to General Gracias. Despite having many vehicles at his disposal, Sylvester is no match for the mouse's speed and wits. Kind of Road Runner-esque with the gags... and with one of the best endings in the Speedy Gonzales cartoons! We certainly see a new side to the fastest mouse in all Mexico here!
    9

    Bartholomew versus the Wheel
    Directed by Robert McKimson
    A boy narrates the story of his dog Bartholomew. After getting his tail run over by a scooter, Bartholomew starts chasing all kinds of wheels, which eventually leads him far away. A very unusual cartoon for WB – in addition to being narrated by a child, even the art style resembles a child's drawings. This and the strange story give it a special charm, making for a rather unique short. Not one of my absolute favorites, but something I'm glad the WB crew made, as this was one of the very last times they would experiment like this.
    8.5
    Freudy Cat
    Directed by Robert McKimson
    Sylvester Jr. takes his father to see psychiatrist Dr. Freud E. Katt, as he's a nervous wreck after seeing Hippety Hopper once again. The cats recount how the whole giant mouse problem started. Another cheater cartoon, as the stories of how Sylvester met the kangaroo are taken from a couple of earlier shorts and constitute a large part of the short. Rather similar to the earlier Sylvester cheater "Tweet Dreams", which also featured him nervously telling a doctor about his previous experiences with a character he was chasing. Again, the new sequences are reasonably fun, but there's too much reliance on old material. The doctor isn't the most memorable character, but his distinctly German accent and vocabulary still stands out. The last appearance of Hippety Hopper and Junior, who I feel both deserved a better sendoff.
    7
    Dr. Devil and Mr. Hare
    Directed by Robert McKimson
    Taz once again shows up, trying to eat Bugs, but the rabbit pretends to be a doctor and a maternity nurse among others to outwit him. While not as great as some of the earlier Taz cartoons, I found this an enjoyable one with the two characters' portrayals and funny gags with the recurring doctor theme. The most memorable thing about this might be that Bugs is shown as less infallible than usual! A good effort for the time. This was the last of only five cartoons to feature Taz, who would appear much more in the later revivals.
    8.5
    Nuts and Volts
    Directed by Friz Freleng
    Trying to catch Speedy is too tiring for Sylvester, so he decides to get a robot to do the work. But even this doesn't quite go the way he expected... Nothing really new, but an entertaining watch with solid portrayals of the characters and some fun gags.
    8.5
    The Iceman Ducketh
    Directed by Phil Monroe
    Co-director: Maurice Noble
    When Daffy finds out the fur trader is paying well, he decides to go hunting. Winter suddenly comes, and Daffy struggles with the snow and ice as well as some bears while trying to shoot Bugs. One of the less popular Bugs and Daffy cartoons – I think there are some good gags here (Bugs' "invisible shield" being my favorite), but the director's lack of experience shows here more than it did on Monroe's debut last year. Some scenes are rather predictable – I can't help but feel someone like Chuck Jones could have worked wonders with better timing. And how does Bugs know Daffy is after him before they even meet in the cartoon? A decent but flawed entry, most likely owing to its troubled production (Jones was supposed to direct this before his firing). Monroe's last directorial work on the Looney Tunes and Merrie Melodies.
    7.5
    War and Pieces
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Wile E. Coyote's (Caninus nervous rex) attempts to catch the Road Runner (Burn-em upus asphaltus) with invisible paint, a gun disguised as a peepshow and other contraptions fail. Some of the gags here are rather ordinary by Road Runner standards, but there are a couple of things that really stand out! The "Secrets of a Harem" scene is the most daring one in this series, and the ending is slightly controversial by today's standards but quite clever at the same time. The last classic era short consisting of new content directed by Jones, who had been fired for moonlighting on UPA's "Gay Purr-ee". This brought to an end his three-decade run of WB cartoons, having started as an animator and then worked as a director since 1938. He moved to Sib Tower 12 Productions to direct and produce new Tom and Jerry cartoons for MGM, but he would eventually return to WB for some of the later Looney Tunes revivals. Also Noble's last co-direction, as he made the same move as Jones. The Road Runner cartoons would continue under different directors, though some aspects of the Jones cartoons (such as the Latin names) wouldn't carry over.
    9.5
    Hawaiian Aye Aye
    Directed by Gerry Chiniquy
    Tweety and Granny are on vacation in Honolulu. While Granny's away, a hungry Sylvester hears Tweety singing on another island, but his attempts to catch the bird get thwarted by a dog-like shark named Sharkey. This enjoyable short was the last cartoon of its kind in more than one way. Most significantly, Tweety made his last appearance here – despite his cute portrayal, most of the short focuses on the amusing antics of Sylvester and Sharkey, the latter being quite sly and adding some novelty to the formula. Chiniquy only directed two WB shorts, of which this was the latter and definitely the stronger. This was also the final original Merrie Melodies cartoon to use the long-running theme song "Merrily We Roll Along", which had been used for the series since 1936.
    8.5

    False Hare
    Directed by Robert McKimson
    The Big Bad Wolf and his nephew come up with a plan to catch Bugs for dinner – they disguise themselves as rabbits interested in joining Club del Conejo, the new club for rabbits. Bugs immediately sees through their plans but decides to play along anyway. Things end quite badly for Big Bad each time. The last Bugs Bunny cartoon released in the classic era – as there were already enough Bugs cartoons for both TV airings and theatrical reissues, the decision was made to focus on other popular characters. I think Bugs got quite a nice sendoff, with him being portrayed as the lovable trickster he is. Also a surprising comeback from the wolves that appeared in 1958's "Now, Hare This". They're again characterized well, with Big Bad's forced acting and eternal failures, as well as his nephew's adorable enthusiasm. The ending is also a funny one, including a surprise cameo! Being the original studio's last short with established characters, it was also the last appearance of the iconic rings in the opening and ending that had lasted 28 years, as well as the last to feature the phrase "That's all Folks!" in its end titles, which had been used since the start. The times sure are changing...
    9

    Señorella and the Glass Huarache
    Directed by Hawley Pratt
    In a restaurant, a Mexican man tells his friend the story of Señorella – a more modern, Mexican-themed version of Cinderella. She attends a party held for José, the bullfighting son of pig ranch owner Don Miguel, making an impression. The second and last time Hawley Pratt directed a WB cartoon on his own, 18 years after "Hollywood Daffy", and also the last released short to have been produced by the original Warner Bros. cartoon studio. With fairytale parodies having been a recurring theme over the run of the series, it was a fitting one to close this chapter. With the stylized animation, some quirkiness and rather simple gags, it's an appealing one. This also shows that the WB crew retained their creativity to the very end!
    9

    At this point, Warner Bros. Cartoons was shut down, ending a run of more than three decades. But it was by no means the end of the Looney Tunes and Merrie Melodies series. A new studio called DePatie-Freleng Enterprises was founded by Friz Freleng and the WB studio's last executive David H. DePatie, with many former Looney Tunes artists working for them. So it made perfect sense that DePatie-Freleng got the contract to make new cartoons for WB. The studio would also do other work for WB, such as the opening title animation for the movie "Sex and the Single Girl", but they were most famous for producing cartoon shorts for United Artists with characters such as the Pink Panther.

    The new Looney Tunes and Merrie Melodies shorts were restricted to using a few of the most popular characters of the studio: Daffy Duck, Speedy Gonzales, Wile E. Coyote and the Road Runner, with a couple of other familiar faces making occasional appearances. No more one-shots would be made. The new cartoons used a slightly altered version of the abstract opening and closing titles created for "Now Hear This" in 1963 (which had also been used for the one-shots "Bartholomew versus the Wheel" and "Señorella and the Glass Huarache"). Both the Looney Tunes and the Merrie Melodies now started using the former's theme song "The Merry-Go-Round Broke Down", getting rid of essentially the last difference there was between the two series.
     

    Pancho's Hideaway
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    Bandit Pancho Vanilla robs the bank, costing all the people in a Mexican village their life savings. Speedy Gonzales realizes it's also a bad situation for mice: since the people have no money for food, they'll have to eat crumbs, leaving nothing for the mice. So Speedy goes to retrieve all the money. The first DePatie-Freleng short is an interesting one: for the first time, Speedy doesn't face a cat or a bird but a human villain! Pancho is essentially a Mexican version of Yosemite Sam, but like with Colonel Shuffle and Blacque Jacque Shellacque, even the Sam clones are rather entertaining! Speedy is likable and clever. Enjoyable gags, skillful direction, with the ending being a particular highlight!
    9
    Road to Andalay
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    In yet another attempt to catch Speedy, Sylvester gets a falcon from a pet shop to help him. Malcolm the falcon is very vicious, to the point of attacking Sylvester himself several times, but any attempts to catch Speedy go wrong. A fun short, though the animation is a bit hit and miss here (a short scene or two look somewhat ugly to me). It's the usual chase comedy, with a random but entertaining twist at the end!
    8.5

    After the success of "The Bugs Bunny Show", WB was interested in producing more compilation shows based on the Looney Tunes characters. The second one, also picked up by ABC, was "The Porky Pig Show". As the original cartoon studio had closed down and the DePatie-Freleng collaboration hadn't started yet at that point, the new animation for the show was created (without on-screen credit) by Hal Seeger Productions – their only work for WB. The show would run until 1967, with each episode featuring three earlier cartoons, one of them usually starring Porky.


    The Porky Pig Show
    The newly animated opening featured Porky and other Looney Tunes characters playing music and dancing on a farm in front of a child audience, while the closing had them sadly saying goodbye until next week (the biggest surprise must have been Yosemite Sam crying). The theme song written by Barbara Cameron is a rather catchy one. The bridging sequences (recycled throughout the series unlike in Bugs' companion series) were mostly taken from earlier Porky cartoons, overdubbed with new dialogue, and sometimes featuring a little new animation by the Seeger studio. These were mostly unremarkable, with the dialogue mainly just consisting of Porky announcing a cartoon coming up, and the additional animation being very limited (usually just Porky talking). A few new sequences were created for introducing the sponsors, some of these actually featuring surprisingly entertaining interaction between Porky and other characters like Daffy. But all in all, it was no match for the great Bugs Bunny Show.
    6.5

    The last project of the original WB cartoon studio was the feature film "The Incredible Mr. Limpet", combining live-action and animation. It was the only WB work of Vladimir Tytla, an industry veteran better known as an animator at Disney and director at Famous Studios.

    The Incredible Mr. Limpet
    Directed by Arthur Lubin
    Supervising Animation Director: Vladimir Tytla
    Associate Directors: Gerry Chiniquy & Hawley Pratt
    Sequence Director: Robert McKimson
    In 1941, bookkeeper Henry Limpet, who has a huge interest in fish, falls into the sea. His wish comes true, as he becomes a fish himself. Underwater, he makes friends with Crusty the hermit crab and meets the imaginatively named Ladyfish. But he also gets his chance to become a hero, helping his friend George Stickle and the U.S. Navy defeat the Nazis. One of the studio's more ambitious projects! The story is a strange but effective one. Despite the wacky idea, there are even some emotional moments in the mix. The combination of live-action and animation works well – lead actor Don Knotts was "fishified" skillfully, still looking very much like himself. The animation style is a bit different from what Warner Bros. Cartoons usually did, probably Tytla's influence, but I find the artwork of the fish and the sea appealing in any case. And getting to do a feature film (even though it was only half animated) was certainly a nice closure for the legendary studio!
    9

    Obviously one of the most significant turning points in the WB cartoon history with the closure of the long-running Warner Bros. cartoon studio and the subsequent disappearance of many of the series' most familiar characters, including its biggest star Bugs Bunny. Like 1963, it was a bit of a mixed bag, with some weak entries but also a few particularly strong cartoons in the bunch. DePatie-Freleng stepped in right before the end of the year to produce new cartoons – so far, they've fared well, Freleng still continuing as a director contributing a lot to the quality. Next year, we'll be able to see more of what their output is like.
  10. Tacodidra

    Looney Tunes
    Another year with many WB cartoon shorts... and another failed TV pilot getting a new life in theaters.

    I Was a Teenage Thumb
    Directed by Chuck Jones, Esq.
    Co-director: Maurice Noble
    A new take on the story of Tom Thumb. George Ebenezer and Prunhilda Thumb haven't had a baby despite Prunhilda's wishes. Just when she says she'd like to have one, even one the size of her thumb, magician Ralph K. Merlin Jr. happens to walk past and grants her wish. But one night a cat snatches the baby, starting a weird series of events. While I like the visuals and there are a couple of good lines, I find this one of Jones' weaker efforts. He's had a lot funnier and more interesting – in fact, despite the unpopularity of Jones' early cartoons, his more serious, Disney-esque version "Tom Thumb in Trouble" (1940) was more to my liking. Quite forgettable, though I appreciate Jones experimenting.
    7
    Devil's Feud Cake
    Directed by Friz Freleng
    Sam hijacks a plane and forces Bugs to fly it, jumping out when they're about to crash. But he dies after crashing into the ground, having not had a parachute. He ends up in Hell, but the devil gives him another chance if he catches Bugs and makes him take his place. Possibly the ultimate cheater cartoon: not only are Sam's attempts to catch Bugs (which constitute the majority of the short) taken from earlier cartoons, but the story and most of the "new" sequences are actually from The Bugs Bunny Show episode "Satan's Waitin'" (Sam falling from the sky apparently being the only all new content – a short having only ten seconds of new material is pathetic, to be honest). While I haven't seen that episode in full, I imagine it worked a lot better there, with the use of older cartoons being the norm on the TV show rather than an obvious cost cutting method. As a Merrie Melodies short, it's just lazy and underwhelming – shame, since the story had potential and the ending is a genuinely funny one.
    6
    Fast Buck Duck
    Directed by Robert McKimson
    Co-director: Ted Bonnicksen
    Daffy sees a newspaper ad where a millionaire is looking for a boon companion. He immediately goes to apply, but getting past the bulldog Percy proves to be very difficult. Despite Daffy's greed being the catalyst here, it plays a surprisingly small part in the plot – the wacky antics with the dog are the main thing. Percy's clever reactions to Daffy's attempts are fun to watch – classic WB cartoon gags, really, with some of them having rather unexpected twists. The only short co-directed by Bonnicksen, who had been an animator for the Freleng and McKimson units since 1954 – McKimson relied a lot less on co-directors than Freleng and Jones did at this point. Some of the animation here is surprisingly wacky and lively for the time, I wonder if that was Bonnicksen's influence. A very nice one after a couple of weak entries!
    9
    The Million Hare
    Directed by Robert McKimson
    And the second McKimson cartoon in a row with Daffy's attempts to get rich! Daffy is visiting Bugs on his vacation and watching TV. The duo gets picked to participate on the TV show "Beat Your Buddy" – they race to the studio, with the first there winning a million dollars. Daffy tries to sabotage Bugs' attempts but ends up harming his own chances more. Maybe not the most imaginative cartoon in the series, but definitely a fun one! The rivalry between Bugs and Daffy was something the crew always took good advantage of, and Bugs in particular is portrayed well with some good lines. The twist ending is something that always stuck in my mind! An underrated short.
    9
    Mexican Cat Dance
    Directed by Friz Freleng
    Everyone is taking a siesta, so the mice take over the bullfight arena, with Speedy Gonzales fighting Sylvester bullfight style. Continuing the recent trend of reusing more and more footage, this short starts with a rather lengthy clip from "Bully for Bugs". And that's where we get to the main problem of the cartoon: the bullfight theme was done much better before, that cartoon being the greatest example. A bullfight with a cat and a mouse is a twist... but while Bugs had plenty of great dialogue during his bullfight, Speedy is mostly relegated to shouting his catchphrases over and over, supported by a bunch of annoying ceaselessly laughing mice. The gags themselves fare slightly better, though they are fairly ordinary cat and mouse stuff. Add some lazy animation (characters speaking without their mouths moving in several scenes) and you don't have one of the characters' finest moments.
    6.5

    Now Hear This
    Directed by Chuck Jones
    Co-director: Maurice Noble
    The devil has lost one of his horns and is looking for it. An old British man happens to find it and throws away his old ear trumpet, using the new horn instead. He experiences various strange phenomena. What a weird cartoon! Surreal visuals accompanied by equally odd sound effects – a tribute to Treg Brown, the creator of the various brilliant sounds used in the WB cartoons for several decades. While the cartoon is essentially six minutes of randomness, it's one you can't accuse of being predictable or derivative! Enjoyable in all its surrealism – I'll definitely take something like this over some of the other shorts we've had this year... The last Warner Bros. cartoon short to be nominated for an Oscar (for 1962), which it lost to Storyboard's "The Hole" – the Academy again showed their eccentric tastes with the nominees. Additionally, this short introduced a new set of opening and closing titles with abstract visuals and a strange arrangement of the Looney Tunes theme – these would be used in the studio's remaining one-shot cartoons ("Bartholomew versus the Wheel" and "Señorella and the Glass Huarache"), but they would find a more significant use later on...
    8.5
    Woolen Under Where
    Directed by Phil Monroe & Richard Thompson
    Another day at work for Sam Sheepdog and Ralph Wolf. Though it seems to be a bit of a clumsy day for Sam, he still easily outwits the wolf despite his attempts to sneak under the grass, unicycle and dive. This was the last appearance of Ralph and Sam. We get the usual schtick with them being friendly towards each other when not working, but there's some new stuff too, like the combination of various contraptions Ralph tries to use at the end to get rid of the sheepdog once and for all. Also the first theatrical cartoon directed by Monroe and Thompson (in fact the only one by Thompson), taking over for the fired Chuck Jones. Both had been animators in Jones' unit for years, with Monroe also having previously directed TV commercials at the studio. It still very much feels like a Jones short, which is not a surprise, as he had contributed the story before leaving. The cartoon has nice visuals too, with written sound effects and an interesting transition between scenes at one point! A worthy sendoff for the only employed rivals in the series!
    9.5
    Hare-Breadth Hurry
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Wile E. Coyote appears to be chasing the Road Runner once again... but it turns out the Road Runner has sprained a giblet, forcing Bugs Bunny to take his place! Apart from fittingly replacing the bird seed with carrots, the coyote tries to catch him using the usual methods, including boulders, guns and anvils. The last of the Bugs and Wile E. pairings is very different from the others – owing to the plot, the coyote is mute, while Bugs makes various humorous comments throughout. While I don't think it quite lives up to those earlier shorts, there are some entertaining gags, and you can't deny the idea is an imaginative one! A fun one that's a lot better than I remembered.
    8.5
    Banty Raids
    Directed by Robert McKimson
    A little beatnik rooster shows up near the barnyard, having been kicked out of another one for his loud rock music. He immediately charms the hens with his beat music, but to get there, he has to get past Foghorn first. A baby disguise is the solution... After a couple of weak Foghorn entries, what a return to form this is! The banty rooster with his ridiculous hip 60s slang and cool personality is the absolute standout character, Foghorn and the Barnyard Dawg also faring well in their typical roles. The rock-influenced soundtrack is also great, including the beatnik's brief rendition of Frankie Avalon's "Gee Whiz - Whilikins - Golly Gee" (earlier performed by Bugs on episode 6 of "The Bugs Bunny Show"). Strong timing, enjoyable gags with a great ending! This was Foghorn's last cartoon in a lead role, though he would make a cameo appearance the following year... And as bleak as things may have looked, he and the Dawg got a very strong sendoff!
    10
    Chili Weather
    Directed by Friz Freleng
    Sylvester is guarding a food processing plant, preventing the mice from getting any food. But thankfully, Speedy Gonzales arrives and gets them the food they need, leading to a cat and mouse chase inside the factory. A fun one – the plot is pretty much the most common one for a Speedy cartoon, but the action taking place inside the factory itself is new. Speedy returns to being more of a trickster with some of his ways to outwit the cat. Nothing revolutionary but a very well made chase cartoon in any case.
    9
    The Unmentionables
    Directed by Friz Freleng
    In the roaring 20s, gangsters run amok, forcing someone familiar with the underworld to take on them: agent Elegant Mess (Bugs Bunny). Mess ends up in trouble with Rocky and his gang, but he uses his wits to defeat them. Rocky and Mugsy are always fun, and this cartoon is no exception. Bugs' usual cleverness and great gags (including a surprise ending) make this a very entertaining short even without being familiar with the show being parodied here ("The Untouchables").
    9.5
    Aqua Duck
    Directed by Robert McKimson
    Daffy is in the desert and needs water. He soon finds a hunk of gold, but a packrat offers to trade it for water, which the greedy duck doesn't want to do. For a cartoon all about a character's hallucinations in the desert, this is surprisingly entertaining! This allows for some of the wackiest Daffy moments in years, thus combining the duck's earlier and later portrayals in the same cartoon. The packrat is also amusing with his constant appearances, and the last gag is both funny and surprising!
    8.5
    Mad as a Mars Hare
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Marvin the Martian is observing the Earth when a rocket lands on Mars, crashing into him. Astrorabbit Bugs is on a mission to claim the planet for the Earth. The rabbit's unwillingness is quickly changed with the lure of a carrot, and he soon meets an angry Marvin... Some fun moments with Bugs and Marvin, but I definitely find this the weakest of the Martian's appearances – as enjoyable as their shared scenes are, it takes five minutes for the two to meet, and the scenes before that are much less remarkable. Better pacing would have worked wonders here.
    8
    Claws in the Lease
    Directed by Robert McKimson
    Sylvester and his son are living in a dump, struggling to find food. Junior goes looking for a home and immediately finds one, but the woman living there doesn't want to let his father in despite various attempts. Another good effort with the cat duo, both of them having great moments (Sylvester's attempts are funny, especially him singing a cat food commercial jingle, with Junior being adorable and having some good lines). The woman isn't quite as memorable a character, but her brutish personality makes her an entertaining foil for Sylvester.
    8.5

    Transylvania 6-5000
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Bugs tries to travel to Pennsylvania but ends up in Transylvania instead. He goes to Count Bloodcount's castle, mistaking it for a motel, looking for a telephone. The vampire plans to feast on the rabbit's blood, but Bugs happens to discover a book of magic words. Jones' last Bugs cartoon in the classic era is one of his best. The scene with Bugs and Count Bloodcount using the magic words is one of the most memorable in this era, featuring some brilliant gags. Bugs' personality is captured here wonderfully, regardless of whether he's unaware of his surroundings or cleverly outwitting a vampire. While he's the definite star, the vampire is an entertaining foil for him – and while Count Bloodcount only made one appearance in the classic cartoons (I imagine that wouldn't have been the case if Jones had kept working on the series), he would return in many of the later revivals. One of the last real Bugs Bunny classics!
    10
    To Beep or Not to Beep
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Wile E. Coyote is again chasing the Road Runner, using the likes of a rope, a wrecking ball, and in an extended gag, a catapult. Continuing the recent trend of cartoons reusing old footage, this cartoon is almost entirely taken from the previous year's "Adventures of the Road-Runner", with Bill Lava's music replacing Milt Franklyn's original score, and a new opening and ending (both of them essentially different versions of scenes used in the original featurette). Having seen the featurette, it feels rather lazy, but I think it's more acceptable than the average cheater cartoon: the featurette had had a very short theatrical run, meaning that the audience was even less likely than usual to have seen the original. Some of the novelty of the featurette is lost, as none of the scenes with the coyote speaking made it here, but the catapult scene was definitely among the most memorable in the film. No Latin names for either character, just like in the full version. Enjoyable but highly derivative – and this isn't the last time the featurette would be used to create "new" cartoons...
    8

    WB also planned a TV comedy show combining live-action and animation called "The Wonderful World of Philbert". The pilot episode (originally titled "Three's a Crowd") was rejected by networks. However, like the Road Runner pilot the year before, it got a theatrical release, with some changes including removing the laugh track.


    Philbert
    Directed by Richard D. Donner
    Animation Director: Friz Freleng
    Animation Co-directors: Hawley Pratt & Gerry Chiniquy
    Griff, a cartoonist, interacts with his creation, the character Philbert, who has somehow come to life. While trying to come up with gags for the next comic strip, Griff tells Philbert his girlfriend Angela is coming to dinner. Philbert is immediately suspicious of her and decides to wreak havoc both before and during their date, also getting Griff's pet dog Hap involved. What would otherwise be a fairly ordinary comedy gets some appealing flavor from the animation/live-action combination. The chemistry between the cartoonist and his character is enjoyable, with Philbert's spiky comments and sneaky schemes. The interaction between the actors and animation might be the best we've seen since "You Ought to Be in Pictures" – I like how Philbert uses various real-life objects as instruments or otherwise manipulates them (especially during the theme song). While not an all-time classic, I think this could have made for an entertaining sitcom series with its unique animated elements.
    8.5

    The early 60s are often considered the period when the Looney Tunes and Merrie Melodies started declining in quality, and indeed, this year feels like a mixed bag at times. There were some very good cartoons in the bunch, but the start of the year was one of the weakest in the studio's history. Freleng and Jones made some good cartoons, but also some of their weakest – Jones at his most experimental could be hit and miss (though I appreciate his attempts to try something new), while Freleng had a couple of very lazy cartoons recycling old footage. McKimson surprisingly fared best out of the main directors, his cartoons being consistently enjoyable.
  11. Tacodidra
    This year, WB breaks new ground in animation. In addition to the usual short films, a few Looney Tunes characters appear in an extended featurette, and thanks to an acquisition from another studio, Warner Bros. releases its first full-length animated feature! On the downside, we have to say goodbye to a few WB cartoon stars...

    Wet Hare
    Directed by Robert McKimson
    Bugs is showering under a waterfall, but the water stops running all of a sudden. Blacque Jacque Shellacque has built a dam to take the water for himself. But Bugs outwits Jacque, destroying the dam and forcing him to build another stronger dam. Returning for one more appearance, Jacque is an entertaining character – maybe slightly more understated than Yosemite Sam, but still proving an amusing foil for the rabbit. Essentially variations on the same gag (Jacque builds a dam, Bugs does something to have it destroyed), the result is a great one, showing that Bugs still had plenty to give at this point!
    9.5
    A Sheep in the Deep
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Sam Sheepdog and Ralph Wolf are at work again, the former protecting the sheep from the latter. All of the wolf's attempts are thwarted effortlessly by the sheepdog, despite Ralph's use of a rope, a bowling ball and a "Music to Put Sheep Dogs to Sleep By" record. One of my favorites in this series – besides the usual entertaining work-related gags, there's a great scene of Ralph being woken up mechanically (to the tune of Raymond Scott's classic "Powerhouse") and an especially amusing scene with the characters wearing disguises...
    10
    Fish and Slips
    Directed by Robert McKimson
    After Sylvester Jr. praises a record-breaking fisherman shown on TV, his father takes him fishing. To make things easier, they go to a closed aquarium to do it. But all of Sylvester's attempts to catch fish end in disaster, as the fish he finds are strange and dangerous ones... I've always liked the cartoons featuring Sylvester and his son – and now that they don't all feature Hippety Hopper, we're getting some nice variety. Junior has some funny lines and Sylvester's various attempts are comedic in their disastrousness, but the weird fish are the standout for me here, especially the hammerhead and shovel nose shark combo! Another underrated short.
    9
    Quackodile Tears
    Directed by Art Davis
    Daffy doesn't want to hatch an egg, but his wife ("Honeybunch") forces him to do so. When Daffy takes the egg out of the nest for a brief moment, it rolls into a nest full of alligator eggs. Daffy and an alligator keep fighting each other for the egg. The first WB cartoon directed by Davis since 1949, and also his last one. Good old-fashioned cartoon wackiness, even if Daffy has had better. With the fuller animation of the late 40s when Davis had last directed, it would have been even more entertaining. Some scenes smack of cost cutting, notably a scene with nothing but a still background for 14 seconds (!) while Daffy and his wife are arguing off-screen. A good sendoff for Davis in any case.
    8.5
    Crows' Feat
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    The Mexican crows José and Manuel travel on the wing of an airplane until they jump off to land in a cornfield. Seeing a scarecrow in the likeness of Elmer Fudd, Manuel literally beats the stuffings out of him. But the two soon meet the real Elmer, armed with a gun... Quite a fun entry. The crows are just as entertaining as on their debut, getting some amusing lines in (I especially like their meta reference to seeing Elmer in motion pictures with Bugs Bunny). Elmer has some nice gags too, though his portrayal is a strange one – the crew had apparently realized that Arthur Q. Bryan was irreplaceable, so the hunter has no dialogue at all. Indeed, this was to be his last appearance after more than two decades of cartoons. The crows wouldn't appear again either.
    8.5
    Mexican Boarders
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    Sylvester is trying to catch Speedy as always when Speedy's cousin Slow Poke Rodriguez comes to visit. The slowest mouse in Mexico is constantly hungry, and as he'd be much too slow to avoid getting caught by Sylvester, Speedy has to do it for him. Slow Poke's debut in "Mexicali Shmoes" was a highlight in that short, so bringing him back for a more significant appearance is a great idea – he's once again funny, and his appearance makes this stand out from the average Speedy cartoon. I especially like the ending where the slow mouse once again plays a big part!
    9.5
    Bill of Hare
    Directed by Robert McKimson
    Taz is transported on a ship, but he escapes from his crate. He spots Bugs and immediately tries to eat the rabbit. Bugs keeps outwitting the beast, but he's a persistent one, even after being shot out of a cannon and getting run over by a train. Another fun cartoon despite not being Taz's best –  he's still funny, and Bugs is great with his various ways of fooling him, the scene where he tells Taz to chase a moose instead possibly being my favorite here.
    9
    Zoom at the Top
    Directed by Chuck Jones
    Co-director: Maurice Noble
    The Road Runner (Disappearialis quickius) escapes Wile E. Coyote's (Overconfidentii vulgaris) attempts to catch him with the help of a steel trap, an instant icicle maker and a boomerang with iron glue, and others. Not my absolute favorite in the series, but all of Jones' Road Runner cartoons have their charm – some creative gags, expressive animation and nice stylized designs. The coyote is of course the star as always, unusually not completely silent here (his vocal effects punctuate a couple of scenes).
    8.5
    The Slick Chick
    Directed by Robert McKimson
    Foghorn Leghorn agrees to babysit the widow hen's son after Mr. Cackle refuses to do so. Foghorn refuses to believe Cackle's claims that the boy is bad, but he's soon proven wrong, as Junior shows his sadistic side. Not a bad idea for a cartoon, but sadly the execution isn't quite what it could be... A little sadistic yellow bird – maybe an attempt to replicate the early version of Tweety, but Junior isn't a likable character in the least, making Foghorn's misfortunes significantly less funny than they could have been. The gags in the cartoon are decent (some slow pacing at times but nothing really bad), but not really groundbreaking. Surprising that Prissy wasn't used for the role of the widow hen – from what little we see of the hen, she seems much nicer than her son, though she's not as memorable as her predecessor. Maybe the standout moment is the reference to a horse named Applejack – now who'd call a horse that?
    7
    Louvre Come Back to Me!
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Pepé Le Pew once again chases a female cat who accidentally gets a white stripe painted on her. This time their chase takes place in the Louvre, with the cat's boyfriend also trying to fight the skunk. The last cartoon to feature Pepé Le Pew is one of my favorites in the series. The paintings and sculptures reacting to the stench is amusing, and the additional character adds something new to the old formula. The skunk again has some good dialogue, going out on a high.
    9.5

    Honey's Money
    Directed by Friz Freleng
    Yosemite Sam reads that a local widow has inherited five million dollars, so he decides to propose to her. While he's horrified at the sight of her at first, he immediately realizes how much he wants the money and marries her. However, things get worse for Sam when his new wife has him do all the chores, and then he finds out she has a son named Wentworth. Sam tries to get rid of Wentworth while playing with him, but everything backfires. The plot is recycled from "His Bitter Half" (with some influences from "Hare Trimmed"), even using the same name for the son. This short's version of Wentworth is not as much of a troublemaker, just unintelligent and big, while Sam tries to actively harm the boy instead of trying to survive his tricks like Daffy. The ending is also different, and in my opinion, funnier. All in all, there's enough new stuff for this not to feel too derivative (and seeing Sam on his own rather than as Bugs' foil for once is nice), and it's certainly an entertaining watch.
    8.5
    The Jet Cage
    Directed by Friz Freleng
    Tweety wishes he could fly like the other birds. Granny finds a solution: a jet-propelled flying cage. The bird is now safe from cats, but this doesn't stop Sylvester from trying various tricks to catch him! Not one of my biggest favorites in the series, but a solid one with some good gags in any case, the flying cage being the thing that sets this apart from the other entries. The ending is also one I like! Long-term WB cartoon composer Milt Franklyn died during the production of this short, with Bill Lava taking over for most of the remaining shorts (including parts of this one).
    8.5
    Mother Was a Rooster
    Directed by Robert McKimson
    The Barnyard Dawg snatches an ostrich egg from a farm and puts it next to a sleeping Foghorn. The rooster wakes up and thinks he's a mother! After the egg hatches, Foghorn introduces his new son to the dog who calls him the ugliest chicken he has ever seen. The rooster decides to get back at the dog for insulting his son. While I appreciate the crew trying new ideas, this is by no means one of the best entries in the series. On a positive note, the ostrich is cute and Foghorn has some funny moments. The gags, on the other hand, are rather ordinary, and the Barnyard Dawg seems a little out of character to me (despite his eternal rivalry with Foghorn, insulting a kid's looks to his face is a bit much for him). The Foghorn series seems to have started to run out of steam...
    7.5
    Good Noose
    Directed by Robert McKimson
    The captain on a ship announces that all stowaways found on his ship will be hanged. Everyone leaves, except for Daffy Duck. The captain's parrot Mr. Tristan immediately finds him. But Daffy convinces the captain to spare him by claiming to be a magician and promising to show him an amazing trick. But Daffy's attempts to impress the captain don't go very well... Quite a strange cartoon. An unusual situation for Daffy to be in, though he's responsible for the best moments in the cartoon. The captain isn't very memorable as a character, but the parrot is more interesting with his intentional annoyingness. Entertaining enough, certainly better than McKimson's last couple of cartoons!
    8
    Shishkabugs
    Directed by Friz Freleng
    Sam is the King's cook and isn't happy about his treatment by the monarch. The King orders him to make hasenpfeffer. He needs a rabbit for it, and Bugs happens to show up at just the right moment. But Bugs once again outwits the angry cook. While far from the strongest effort for either character, it's still a fun watch – the king provides some humorous moments with the entertaining voice acting, and Sam has some nice lines ("I hate that honorable royal majestic graciousness!"). Bugs shows his usual trickster charm too.
    8

    Martian through Georgia
    Directed by Chuck Jones & Abe Levitow
    Co-director: Maurice Noble
    The Martians are all happy, except for one who's tired of it all. Psychiatrist Sam Roar-Shock suggests that traveling would help him, so the Martian sets out, landing on Earth. But his attempts to revitalize himself don't go right, as everyone is afraid of the "monster". An unusually dark Looney Tune with its depictions of depression and being an outsider, this short is an emotional one at times. The Martian is a very likable character – very expressive despite having no lines (most of the dialogue consisting of narration), and extremely cute to boot! You can't help but feel sorry for him. The visuals in general are appealing, at times rather abstract. And it all gets a satisfying conclusion. One-shots have formed a significant part of the WB cartoons for much of their history, though they've become increasingly rare (a development that will continue) – this was one of the last truly great ones the crew made. Also the last WB cartoon directed by Abe Levitow – having mainly been an animator, he didn't direct many (and even then it was often in collaboration with Jones, like here), but in that short time, he was responsible for several masterpieces, this being one of them.
    10

    The remaining episodes of season 2 of "The Bugs Bunny Show" aired this year. This was to be the series' last season, but more Looney Tunes compilation shows would come out later... Out of the fourteen episodes, five are available to watch.

    Do or Diet
    Directed by Robert McKimson
    Bugs is explaining why rabbits enjoy eating carrots so much until Taz shows up, planning to eat him. "Dr. Bugs" convinces Taz to go on a carrot diet to improve his health (using the featured cartoons to further demonstrate the impact one's diet has), but this doesn't really bring the desired results... Another fun episode with some entertaining gags, the Dr. Bugs act being the obvious highlight!
    8.5
    The Cat's Bah
    Directed by Chuck Jones & Friz Freleng
    Co-director: Maurice Noble
    Pepé Le Pew tells the story of how he found the greatest love of his life. After he introduces a Bugs Bunny cartoon, his "love" leaves him, leaving him with just one thing to do... Essentially an extension of the similarly titled 1954 cartoon, with very little new footage even by the show's usual standards. I do like how they incorporated the old cartoons... and "Frigid Hare" even gets a slight redub to replace the original reference to July 1953 with 1968! Still one of the less interesting episodes in the series.
    7.5
    The Honeymousers
    Directed by Robert McKimson
    Having just finished hosting tonight's Bugs Bunny Show, Bugs shows the viewer his dressing room. He does his best to make it comfortable for the guest, letting them watch his favorite comedy show "The Honey-Mousers" but keeps getting distracted by the guest's loud eating, for example. An unusual episode in that this doesn't take place on the usual stage, with some nice fourth wall breaking included. A likable portrayal of Bugs, some simple but nice gags – very appealing.
    9
    A Star Is Bored
    Directed by Chuck Jones & Friz Freleng
    Co-directors: Maurice Noble & Tom Ray
    In tonight's show, Bugs shows how animated cartoons are made. He gives us a quick look at a cartoon storyboard, claims that he does Mel Blanc's voice rather than vice versa and explains how the animation sketches must be cleaned up. Just then, new clean-up artist Daffy Duck arrives. His way of cleaning up a walk cycle of Tweety isn't quite what was expected... One of my favorites in this series – while the explanations of how animation works aren't the most detailed, they're still quite informative, and most importantly entertaining! Daffy is responsible for the funniest moments here, especially his disastrous clean-up work.
    9.5
    A Tale of Two Kitties
    Directed by Robert McKimson
    In the last episode of "The Bugs Bunny Show", Bugs introduces "father of the year" Sylvester. The cat immediately embarrasses himself by almost spanking Junior on live TV. As the father starts telling stories of his mouse-catching heroics, the humiliated son mutes the sound, telling how it really went (as shown in the featured cartoons). A charming episode, with Junior upstaging his father with his usual schtick. Though Sylvester's treatment of his son is something I didn't quite expect, it otherwise fits the cats' usual portrayal with Sylvester's wild stories about his exploits. I think this was a nice way to end the Looney Tunes' first TV series.
    9

    Other episodes aired this year included "Hare Brush", "Is This a Life?", "De-Duck-Tive Story", "The Astro-Nuts", "Vera's Cruise", "Foreign Legion Leghorn", "Watch My Line", "What's Up Dog?" and "No Business like Slow Business".

    After the success of "The Bugs Bunny Show", WB had plans for a new series called "The Road Runner Show", combining earlier cartoons and new animation just like the Bugs series. However, the show wasn't picked up by networks at this point, and the pilot ended up getting a theatrical release instead (before getting reused yet again in later years).


    Adventures of the Road-Runner
    Directed by Chuck Jones
    Co-directors: Maurice Noble & Tom Ray
    Wile E. Coyote explains how he films all his attempts to catch the Road Runner in order to learn from his past errors. Ralph Phillips and his friend (called Arnold in production materials) watch the Road Runner on TV. Arnold pretends to be a psychiatrist, helping Ralph with his daydreaming problem. Finally, the coyote tells the boys why he always tries to catch the Road Runner before struggling with a catapult. In the style of "The Bugs Bunny Show", we see a combination of old and new footage, with earlier cartoons used for the coyote's previous failed attempts (from various Road Runner cartoons) and Ralph's explanation of his daydreaming ("From A to Z-Z-Z-Z"). The coyote is heard speaking for the first time in a Road Runner cartoon, and he and the Road Runner unusually don't have Latin names displayed, apart from the latter being listed as "Super-Sonnicus Idioticus" at one point, obviously made up the coyote himself. While the special's structure (25 minutes with reused cartoon footage mixed in) is clearly one intended for TV rather than theatrical use, the result is a very appealing one – both the sequences with Wile E. providing his explanations and the two boys' antics are very entertaining – surprisingly the latter might be my favorite part of the short ("Beep beep! Zip tang!"). The old footage is also utilized effectively, making it more of an entity than the usual "Bugs Bunny Show" episode was. Why it wasn't picked up is a mystery to me, as this is a great pilot – not that the Road Runner would stay off TV forever....
    10

    In addition to starring in cartoons, Speedy Gonzales also became the subject of an international hit song this year. While the Pat Boone song's (originally recorded by David Dante the year before) depiction of the character as a lazy womanizer doesn't have much in common with the cartoons, Mel Blanc did record his usual Speedy voice for the spoken parts of the song.

    Outside the Looney Tunes world, the last of WB's four Bell System science specials was made this year, again with cartoon sequences included, created under the direction of Phil Monroe, who was responsible for the commercials the studio produced at the time. Disney would take over for the last entry in the series.

    About Time
    In this special about how time works, simple stylized animations are again used to explain things. We see the evolution of timekeeping – how the sun, the moon and weather influenced the creation of the calendar, how Galileo came up with the idea of using a pendulum for the clock. There are looks at how the Earth's friction works, atoms, the whole history of the Earth condensed into 24 hours, the passage of time on Earth and on a spaceship. The only sequence with proper characters or some humor involves twins Peter and Paul arguing (Goofy Gophers style) about who should be the first to travel into space, while the ending has nice visuals to go with the narrator's questions about how it all began and whether time will stop when it all comes to an end. I liked these sequences more than the ones in the previous special, but once again, besides assisting the narrator, there isn't much of interest animationwise.
    7.5

    Despite having become the industry leader in the cartoon shorts market, Warner Bros. Cartoons never tried to make an animated feature – could the failures of the likes of Fleischer to challenge Disney have put them off this? However, Warner Bros. would distribute one made by another studio, United Productions of America (UPA). "Gay Purr-ee" was worked on by many former WB animators. Most controversially, Chuck Jones (who had previously directed "Hell-Bent for Election" for UPA's predecessor Industrial Films back in 1944) moonlighted on the movie, co-writing it with his wife Dorothy. Jones was consequently fired by WB for violating his contract. How ironic that WB acquiring the movie was how they found out about it!


    Gay Purr-ee
    Directed by Abe Levitow
    Mewsette, a cat from Provence, wants to leave the country life behind and heads to Paris. There she meets Meowrice who promises to help her fit in, but he has nefarious plans in mind for her... Mewsette's boyfriend Jaune Tom and his faithful friend Robespierre try to find her before it's too late. An interesting film for sure! While the story itself is good with enough twists and turns to keep it exciting, I found myself liking the visuals and audio even more. The main characters show signs of the typical Jones/Levitow style, but otherwise the visuals are definitely more in the UPA style – the beautiful background paintings, stylized character designs, abstract visuals... Unusually for the time, celebrity voices were used for many of the likable characters (Judy Garland as Mewsette, Robert Goulet as Jaune Tom, Red Buttons as Robespierre...) – especially Garland's charming performance and Buttons' entertaining delivery stand out. The highlights for me were the musical sequences with the enjoyable songs by Harold Arlen and E.Y. Harburg (who had worked with Garland on "The Wizard of Oz") and at times very surreal visuals! Sadly the film wasn't a commercial success despite its positives – I imagine it was too artistic and at times weird for the general public's enjoyment at the time.
    9

    The year 1962 was definitely a varied year with many projects both in theaters and on TV – maybe the most random bunch since the WWII era... Most of the year still had a high quality, but this is the first year where I started wondering if the series was finally reaching its inevitable point of decline, with the later parts of the year being rather weak, though thankfully it did end on a high thanks to the magnificent "Martian through Georgia".
  12. Tacodidra

    Looney Tunes
    This year brings us more Looney Tunes and Merrie Melodies, along with the second season of the unfortunately rare Bugs Bunny Show.

    Cannery Woe
    Directed by Robert McKimson
    Mayor Raton's cheese committee fails to get any cheese, as the shop they always got it from is now guarded by Sylvester. But two mice, José and Manuel, can help – José knows Speedy Gonzales who does the job. Very much in the style of the previous Speedy cartoons, it's certainly fun but besides the mayor character, there's not much that stands out in comparison to the earlier shorts... apart from the great ending, that is!
    8.5
    Zip 'n Snort
    Directed by Chuck Jones
    Wile E. Coyote (Evereadii eatibus) chases the Road Runner (Digoutius-hot-rodis), using the likes of a toy airplane and a grenade, a cannon and axle grease. Another great entry, I especially like the gag where the coyote gets electrocuted, turning his nose into a light bulb – one of several scenes where we get the usual expressive animation for him! The last gag reminds me of those used in the first few Road Runner cartoons, but it's been so long since them that it doesn't feel too derivative.
    9.5
    Hoppy Daze
    Directed by Robert McKimson
    A tough brown cat keeps failing to catch mice. When he sees Sylvester looking for food in the trash, he lures the black cat to catch mice for him, promising to make him champion mouser and let him keep 20% of the mice caught. But the plans go wrong when Sylvester lets Hippety Hopper out of a crate, leading to failed attempts to beat the "giant mouse". Once again McKimson tries to rejuvenate the Hippety Hopper series by introducing a new co-star – the result is definitely an entertaining one, with the brown cat's tough guy schtick being amusing. There are some cute moments with the kangaroo too, and I like the boxing references (the brown cat is mentoring Sylvester as if he was training a boxer). But despite being a fun entry, I don't quite consider it one of the absolute best in the series – the ones with Sylvester Jr. have the most appeal to me.
    8.5
    The Mouse on 57th Street
    Directed by Chuck Jones
    A mouse digs his way into a bakery and gets drunk after chewing his way through a rum cake. Hungover, he snatches the "Sun-Flame" diamond from Spiffany's, mistaking it for a piece of ice. The police set out to get the diamond back, leading to a wacky chase around town. A memorable one-shot with some nice visuals (the mouse is a very cute one!) and comedy with the two bumbling policemen who are the standout characters here. With the increasing focus on specific main characters, this kind of short was something you wouldn't be seeing much longer...
    9.5
    Strangled Eggs
    Directed by Robert McKimson
    As the winter's cold is about to arrive, Foghorn goes to court Miss Prissy. But soon a baby is left at the hen's doorstep – Henery Hawk! The chickenhawk keeps getting a craving for chicken, while Foghorn tries to get rid of him. An unusual role for Henery, but it all works very well – certainly something fresher than the last time we saw him in "All Fowled Up"! The little chickenhawk is his usual adorable self, and Foghorn is responsible for much of the comedy, all of his attempts to harm Henery backfiring on him. With this short, we say goodbye to two of Foghorn's most significant co-stars, as this was the last golden age appearance of both Henery and Prissy. I think this was a very nice sendoff for the two, with especially Henery getting to shine here.
    9.5
    Birds of a Father
    Directed by Robert McKimson
    Sylvester is horrified to find out his son has made friends with a bird! Despite Junior's unwillingness to harm his friend Spike, his father decides to teach him to be a real cat, showing him how to catch birds. But Sylvester's attempts all fail... This is a sweet short – I liked the unexpected friendship between the cat and the cute little bird! One of Junior's best appearances. Sylvester's attempts to catch the bird are amusing, and he also gets some great lines in.
    9
    D' Fightin' Ones
    Directed by Friz Freleng
    A group of dogs is heading to the city pound, along with Sylvester. When the car hits a bump, he falls out along with a dog. The two try to escape, but they're chained together, so they also have to come up with a way to break the chain while trying their best to get along. A nice idea for a cartoon to have the cat and dog working together while still having the usual differences. The cartoon itself is entertaining though rather ordinary with its gags, but a good concept definitely does its job!
    8.5

    The Abominable Snow Rabbit
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Bugs and Daffy travel to what they think is Palm Springs, but a wrong turn takes them to the Himalayas. Daffy ends up meeting the Abominable Snowman who mistakes him for a bunny rabbit (due to his shirt sleeves looking like rabbit ears) – the snowman plans to name him George and hug him and squeeze him... Bugs and Daffy both then try to convince the snowman that the other is the rabbit. The Abominable Snowman is one of the best remembered one-off characters in the series (Jones would use him again a couple of decades later, giving him the name Hugo). He's indeed a very entertaining character with his silliness and overly affectionate ways. Bugs and Daffy trying to outsmart each other is fun to watch, as always, both characters being portrayed very well, and the visuals are also appealing with Jones' distinctive art style. A definite standout! This was also the first theatrical WB cartoon to credit a "co-director" (episodes of "The Bugs Bunny Show" had already had ones the year before), a role that would be held by various animators and layout artists – Jones and Freleng working on both theatrical and TV productions forced them to get some help with their usual duties.
    10
    Lickety-Splat
    Directed by Chuck Jones
    Co-director: Abe Levitow
    Wile E. Coyote (Apetitius giganticus) is after the Road Runner (Fastius tasty-us). His attempts involve roller skis, explosive missiles and a boomerang. A couple of recent Road Runner cartoons had extended gags, now Jones and his crew include a running gag with the missiles. These little changes do a lot to keep the series from becoming too formulaic, and that gag is the standout for me here, even with a couple of twists included! The coyote's portrayal is also very appealing: he seems to be happier here for some reason, and he breaks the fourth wall even more than usual (including displaying both characters' Latin names on signs). The early 60s are often considered a period of decline for the WB cartoons, but the Road Runner cartoons are showing no signs of that!
    10
    A Scent of the Matterhorn
    Directeur: M. Charl Jones
    A cart painting a white line on the road rolls down the hill, painting stripes on everything, including a cat. You guessed it – Pepé Le Pew sees her and falls in love. This leads to a chase on the snowy and icy mountains. The old Pepé formula is used as is, but I still consider this one of the skunk's better later appearances. His characterization is great – we get plenty of amusing dialogue and a nice rendition of "Tip Toe Through the Tulips with Me". Good visuals and funny gags too, not just restricted to the body of the cartoon: hilariously, all the credits are listed in Pepé's trademark pseudo-French – the first time since the early 40s (especially Tex Avery's cartoons) that the opening sequence has been this much fun!
    9
    The Rebel Without Claws
    Directed by Friz Freleng
    In the Civil War, the Confederate signal corps have lost all their carrier pigeons, so Tweety must do the job. He has to deliver an important letter to General Lee. The Union soldiers try their best to prevent this with the help of "messenger destroyer" Sylvester. Surprising that the Confederates are the protagonists here... or was this the crew realizing most people were rooting for Sylvester anyway? In any case, it's another entertaining and fresh take on the Sylvester and Tweety formula. Both characters get to shine, Sylvester being on the receiving end of the violence as usual, and Tweety having some cute moments and the most memorable and surprising line of the cartoon ("I tawt I taw a damn Yankee tat"). A fun short!
    9
    Compressed Hare
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Wile E. Coyote lures Bugs to his home with a phone call, planning to eat him. But his plans to cook rabbit stew fail due to Bugs' cleverness, despite the coyote's use of the likes of a vacuum cleaner, quick-drying cement and a giant electric magnet. The Bugs and Wile E. cartoons (of which this is the fourth) have all been brilliant, among the best cartoons of their time, and this one is no exception. The coyote's contraptions are fun as always, and Bugs has some great, often sarcastic dialogue, in addition to showing his own kind of ingenuity. The last gag with the magnet is the definite highlight of the cartoon, with the crew taking it to unexpected and hilarious levels.
    10

    The Pied Piper of Guadalupe
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    Tired of the mice running away from him, Sylvester gets an idea after seeing the book "The Pied Piper of Guadalupe". After getting some music lessons, he uses a flute to lure the mice to him one by one, keeping them in a bottle. But there's one mouse he's unable to get: Speedy Gonzales. A nice entry in the Speedy series – the Pied Piper theme adds some novelty (though it had already been used in a Sylvester cartoon, "Too Hop to Handle" with Hippety Hopper), even if the gags switch to the more typical ones near the end. Nice Mexican-themed music, great use of sound effects and even some in-jokes (former WB animator J.C. Melendez is Sylvester's music teacher). The first short with (co-)directorial work by Pratt since 1946's "Hollywood Daffy"! Also one of three WB shorts nominated for an Oscar this year (the Academy sure liked all the cat and mouse cartoons!), but they all lost to Zagreb Film's surreal "Surogat" (Substitute).
    9
    Prince Violent
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    Also known as "Prince Varmint" thanks to TV censors. Everyone runs to the castle in fear, as Viking invader Sam the Terrible attacks. Bugs has no fear, though, protecting the castle from Sam and his trusty elephant. Bugs has some nice one-liners and tricks up his sleeve here. But despite being an enjoyable watch, it's not one of my favorites with Bugs and Sam – earlier cartoons had many of the same gags and did it even better. The only thing here that really stands out is the elephant who's an entertaining character and ends up having a surprisingly significant role!
    8
    Daffy's Inn Trouble
    Directed by Robert McKimson
    Daffy is sick of cleaning at Porky's Bristle Inn, so he decides to quit and open his own Duck Inn Tavern right next door. After failing to get customers, Daffy starts sabotaging Porky's business with little success. Daffy's portrayal as a villain is something that got increasingly common around this time (and wasn't a very well-received development), but I think this cartoon is an entertaining one with some good gags, with all of Daffy's attempts having comedic consequences. Porky doesn't get to do much in his role, but even the understated role sets up the conflict well.
    8.5
    What's My Lion?
    Directed by Robert McKimson
    Rocky the mountain lion runs away from hunters, finding shelter in a lodge. But that's where Elmer Fudd is staying, and Rocky, hiding among mounted animal heads, finds it difficult to not be noticed by the hunter. Essentially a remake of "Cracked Quack" from 1952 with different characters, this is by no means a match for that one, but I find it entertaining in its own right. Rocky, who's the main character here more than Elmer, is quite funny, and the final gag is a brilliant one! The main weakness for me is the same as in the previous Elmer cartoon – Hal Smith is again a bit underwhelming as his voice, emphasizing what a huge loss Arthur Q. Bryan's death was for the series.
    8.5

    Beep Prepared
    Directed by Chuck Jones
    Co-director: Maurice Noble
    Wile E. Coyote (Hungrii flea-bagius) again tries to catch the Road Runner (Tid-bittius velocitus). He tries everything from tripping him to a spring under the road and a rocket sled. Some funny gags here, like the Road Runner being able to move a manhole to another place – was this one of Calvin Q. Calculus' famous portable holes? The ending is definitely the standout part, though. Another one of WB's Oscar nominees this year – I find it a little surprising that this was the only Road Runner cartoon to get a nomination, as it's not the strongest in the series despite its qualities.
    9
    The Last Hungry Cat
    Directed by Friz Freleng
    Co-director: Hawley Pratt
    A Hitchcock-esque narrator presents a story about murder. Sylvester tries to catch Tweety, but the cat gets knocked out and the bird escapes. Waking up with Tweety gone and a feather in his mouth, Sylvester thinks he has finally eaten the bird. But after the narrator tells him he has committed murder, he thinks the police are after him, and after getting away, his conscience starts haunting him... An unusual one – while it has its parodic aspects and funny moments, the suspenseful atmosphere is what stands out most here. A Sylvester and Tweety thriller (with the latter in quite a small role) is something unexpected, and this has one of the best characterizations of Sylvester, at times reminiscent of his performance in "Birds Anonymous". A late series highlight!
    10

    Nelly's Folly
    Directed by Chuck Jones
    Co-directors: Maurice Noble & Abe Levitow
    In an African jungle, Nelly the giraffe entertains the other animals with her singing. Suddenly an explorer hears her and promises her fame and riches, making her sign a contract. Nelly leaves her friends for America, becoming a sensation. But fame is fleeting... An unusual attempt by the WB crew to tell a dramatic story instead of focusing on comedy (though naturally there are some gags included). It definitely makes for a captivating and at times tragic story – one that could very well be real if it didn't star a singing giraffe! The visuals are appealing, very recognizably Jones, but the absolute standout is Gloria Wood's amazing vocal performance! WB's third Oscar nominee this year, and the most interesting of the three.
    9.5

    The remaining fourteen episodes of season 1 of "The Bugs Bunny Show" aired in 1961. Three of these are available to watch.

    Episode 13
    Directed by Robert McKimson
    Sylvester hosts the Bugs Bunny Show this time, but he's interrupted by his son who wants to be introduced too. Junior soon notices a giant mouse backstage, and Sylvester's attempts to host get derailed by his attempts to catch Hippety Hopper. One of the better Bugs Bunny Shows – while we've seen the giant mouse business in many cartoons, combining it with Sylvester trying to host a show at the same time adds something new to it... and Junior is adorable and funny as always! The characters' charm was retained very well in these hosting segments!
    9
    Episode 20
    Directed by Chuck Jones & Friz Freleng
    Co-directors: Abe Levitow & Maurice Noble
    Bugs, hosting alone this time, introduces a performance of the classic opera "The Barber of Seville". Elmer sneaks into the performance. Bugs also explains why Daffy isn't appearing on the show tonight and makes a comment on his preferred diet compared to that of Wile E. Coyote. Out of all the episodes I've seen so far, this is the most obvious bridging material, as essentially all of the new footage makes reference to the featured cartoons. We do get a surprisingly seamless transition from the new footage to "Rabbit of Seville", although the late Arthur Q. Bryan is really missed (even Mel Blanc can't match his wonderful performance as Elmer). Some charming quips from Bugs and the usual nice animation, but the other new segments from the show I've seen so far have been more entertaining on their own.
    8
    Episode 24
    Directed by Chuck Jones & Friz Freleng
    Co-directors: Abe Levitow & Maurice Noble
    As Bugs is trying to introduce today's host Yosemite Sam, he's scared off by Pepé Le Pew's stench, and the skunk takes over as the host. Sam is offended and tries to get rid of Pepé in order to regain his rightful place, but none of his attempts are a match for the terrible smell. My favorite episode so far of the Bugs Bunny Show! The various reactions to Pepé are the funniest we've seen to date, and in one of the most appealing aspects of the show, we get unusual character combinations – not only are Sam and Pepé a very unexpected pairing, but even Taz shows up here! Apart from Pepé's references to the cartoons being shown, this could even work as a stand-alone Looney Tune. These kinds of surprises really make me wish there was more of this show available to watch...
    10

    Season 2 of the same series also started this year. This time, the episodes were named – some of them shared a title with one of the featured cartoons, while others got all new titles. The episodes also started having more of a theme instead of just random antics involving the hosting characters. Some episodes even featured full-length stories incorporating the older cartoons. Out of the first twelve episodes of the season, only two are available.

    Bad-Time Story
    Directed by Chuck Jones & Friz Freleng
    Co-directors: Maurice Noble & Richard Thompson
    In the first episode of season 2, Bugs explains how cartoon physics work, demonstrating zipping into and out of a scene. We also see him introducing the cartoons by reading books of fairytales and wooing Witch Hazel who's been turned into an attractive rabbit. Another fun episode – some entertaining animation especially when Bugs' zipping is shown in slow-motion, and the scenes with Witch Hazel as a rabbit are a nice continuation to "Bewitched Bunny" (which was shown in this episode). Not my favorite episode of the show, but a good one in any case!
    8.5
    Ballpoint Puns
    Directed by Chuck Jones & Friz Freleng
    Co-directors: Maurice Noble & Tom Ray
    Bugs' guests on the show this week are the dancing pens, Penbrook and Penelope. They demonstrate their skills – more than Bugs expected them to! They also write and draw the title art to each cartoon being shown. A cute and interesting idea! Dancing pens are something that one might have expected to see in the much earlier "things come to life" cartoons, but this handles the concept more appealingly than most of those did. The cartoon title sequences are very beautiful, too (the compilation TV shows would often replace the theatrical title sequences with new ones, but nowhere near as appealingly as here)!
    9

    Other season 2 episodes aired this year included "Satan's Waitin'", "Daffy Doodling", "Omni-Puss", "Tired and Feathered", "Man's Best Friend", "The Unfinished Symphony", "Prison to Prison", "Go Man Go", "I'm Just Wild About Hare" and "Stage Couch".

    Another year with plenty of nice cartoons. Three Oscar nominations in the same year was a record for the studio, though they unfortunately failed to win with any of them. Chuck Jones experimented with some nice one-shots, and the old stars enjoyed some great appearances both in theaters and on TV.
  13. Tacodidra

    Looney Tunes
    The first year of the new decade brings not only more theatrical releases of the Looney Tunes and Merrie Melodies, but the WB cartoons will also find a home in a new medium!

    Fastest with the Mostest
    Directed by Chuck Jones
    Wile E. Coyote (Carnivorous slobbius) is after the Road Runner (Velocitus incalcublii). He tries to use a hot air balloon and a missile, a fake detour and other methods. In addition to the usual expressive animation for the coyote, we get a great portrayal of the Road Runner (he's getting more and more character in each short) and another long final gag like in the previous one. This short also has the scene where Wile E. comes the closest so far to catching his prey! The crew is doing a great job keeping these cartoons fresh!
    9.5
    West of the Pesos
    Directed by Robert McKimson
    Many mice have been caught and put in cages in a laboratory guarded by Sylvester. But another group of mice comes up with a plan: get Speedy Gonzales to come from all the way in Guadalajara, to meet Carmela and help them on the side. The fast mouse frees the captives, and they have some fun with the cat in process. While the cartoon is pretty similar in idea (and some of the gags) to the earlier Speedy and Sylvester shorts, there's enough new stuff in it to make it entertaining, especially the cute scenes with Speedy (quite the ladies' man in his early appearances!) and Carmela.
    9
    Horse Hare
    Directed by Friz Freleng
    In 1886, Bugs Bunny protects Fort Lariat from attacking Indians led by Renegade Sam. No matter what Sam tries, the rabbit is too smart for him to defeat. Out of all the 60s cartoons, this might be the most controversial one with the Native American stereotypes (with rather stylized designs) and the plot, making it one of the rarest Bugs cartoons nowadays. Rather similar in concept to the likes of "Scalp Trouble" and "Tom Tom Tomcat", thankfully this cartoon focuses more on the Bugs vs. Sam rivalry, with Sam getting the worst of all the characters. Some good gags here, the ending is a particularly memorable one with Sam getting caught in the crossfire yet again.
    8
    Wild Wild World
    Directed by Robert McKimson
    TV host Cave Darroway presents a documentary film from the prehistoric times, showing how cavemen lived. We see them hunting for food (with little success), the developments in technology, and what life was like in general. A prehistoric take on modern technology (and other contemporary themes) has always been a fun idea, and this short contains a rather early example of that. The plot point of a prehistoric film being found had already been used by McKimson in 1958's "Pre-Hysterical Hare" – maybe even he realized that cartoon wasn't up to par and decided to reuse some of its best ideas in a better film... This spot gag cartoon is certainly an entertaining watch, but I don't think it's a particular highlight. Maybe it could have been a bit wilder for even more fun!
    8
    Goldimouse and the Three Cats
    Directed by Friz Freleng
    In this Goldilocks parody, three cats (father cat Sylvester, the mother cat and spoiled brat cat Sylvester Jr.) are eating porridge in their cottage due to a lack of mice, to Junior's great frustration. The three go on a walk while Sylvester's porridge cools down, and Goldimouse comes out of her mouse hole, eating Junior's porridge and sleeping in his bed. After the cats see her, Sylvester makes various failed and injury-inducing attempts to catch her. Another good fairytale parody with amusing characters. Goldimouse is cute, while the cats provide the comedy – Junior is especially funny as the baby cat, and I like how he and his mother often realize Sylvester's plans will fail long before that has even happened. This may not have the randomness of the Avery classic "The Bear's Tale", but still a fun take on the classic story!
    9
    Person to Bunny
    Directed by Friz Freleng
    Bugs is interviewed on TV, filmed live in his home. But his interview with Mr. Burrows gets interrupted by a fame-hungry Daffy Duck, as well as Elmer Fudd who's insulted by Bugs' comments on him. The usual slapstick fun, with great portrayals of the characters who have the usual strong chemistry – Daffy does succeed at stealing the show, although not in-universe. This was the last cartoon to feature Arthur Q. Bryan voicing Elmer, as he had died five months before its release. Over the two decades voicing the character, he gave one of the most memorable performances in the series – the character would keep appearing a while longer, but with new voice actors. While it's not one of my absolute favorite Elmer appearances, I think the cartoon is a strong one, giving Bryan a good farewell.
    9.5
    Who Scent You?
    Directed by Chuck Jones
    A cat isn't allowed to get on a ship, so she sneaks in under a fence, getting white paint on her fur in process. Pepé Le Pew looks at the ship from a distance, noticing what he thinks is a female skunk. He swims to the ship, leading to the usual chase. Cute stylized visuals and some nice gags here, but after the more imaginative "Really Scent", it's a bit disappointing to see the Pepé cartoons return to more of the same. The series has had weaker than this entry, though, so it will definitely appeal to the fans of the character.
    8.5
    Hyde and Go Tweet
    Directed by Friz Freleng
    Sylvester once again chases Tweety, and the bird hides in a bottle in Dr. Jekyll's laboratory. This bottle happens to contain the Hyde formula, making Tweety repeatedly turn into a monster. Sylvester is unaware that the monster is Tweety for much of the cartoon, and consequently chases the bird whenever he's in his normal form, but the tables keep getting turned. One of the most memorable Sylvester and Tweety cartoons thanks to the monstrous version of Tweety – who knew such a cute character could become something so scary? Freleng had used the Jekyll and Hyde concept before in "Dr. Jerkyl's Hide" and "Hyde and Hare", with this cartoon perfecting its execution.
    10
    Rabbit's Feat
    Directed by Chuck Jones
    Wile E. Coyote is again trying to capture and eat Bugs Bunny ("Rabbitus idioticus delicious", as he labels him). But regardless of whether the coyote uses a gun or a grenade, the rabbit proves too smart even for a self-proclaimed genius to outwit. The Wile E. and Bugs cartoons have been amazing so far, and this one is no exception! The coyote's portrayal is funny as always, and Bugs really shines in this one with his cleverness and sometimes quite random dialogue. The rabbit's animation here matches his fun personality, as every time he enters a hole in the ground is handled differently (including using his ears as a drill). These little details are a big part of why these cartoons are so enjoyable!
    10
    Crockett-Doodle-Do
    Directed by Robert McKimson
    Foghorn Leghorn sees Egghead, Jr. reading a science book and takes the kid to the forest to show him some scouting and woodcraft. But once again, the boy genius does everything better than Foghorn did. Very much in the vein of the previous shorts featuring these characters, it's another fun one with Egghead, Jr.'s imaginative contraptions and nice gags. My favorites are the duck call and the smoke signals! This was the last appearance of Egghead, Jr. – maybe the crew was afraid of the formula wearing thin, but the three cartoons we got were all great!
    9.5

    Mouse and Garden
    Directed by Friz Freleng
    Sylvester finds a mouse, trying to hide it from his friend Sam. Once Sam realizes this, it leads to the two endlessly fighting over the mouse, trying to prevent each other from eating the little rodent. Similar to Sam's previous appearance in "Trick or Tweet", but with the mouse replacing Tweety. I find this the stronger of the two cartoons, as the cats' personalities and their sabotaging each other are taken advantage of even more amusingly here. The mouse being a less defined character than Tweety (despite having some cute moments) also allows for more focus on the cats' antics. One of two Oscar nominations for WB cartoons this year, but both lost to Rembrandt Films' "Munro".
    9
    Ready, Woolen and Able
    Directed by Chuck Jones
    It's another day at work for Ralph Wolf and Sam Sheepdog. The wolf's attempts to catch the sheep involve a barrel of gunpowder and bed springs among others. One of my favorites in the Ralph and Sam series – as in the recent Road Runner cartoons, Jones includes an extended gag at the end where the wolf, swinging through the air, can't get away from the sheepdog no matter what he tries – the longer it goes on, the more hilarious it gets! Yet again, the crew knows how to keep things from getting stale!
    10

    Mice Follies
    Directed by Robert McKimson
    Ralph and Morton have been at a lodge meeting until 2 o'clock despite promising their wives they'd be home by 11. They try to sneak in without them noticing, but they come across a cat in process, thinking the girls are angrier than ever before. The characters are once again entertaining, and their antics and misunderstandings are certainly fun to watch – and eventually the wives get in the act too! The Honey-Mousers made their last appearance here, including the only appearance of Morton's wife Trixie. Just a month after the short's release, Hanna-Barbera introduced their much more successful Honeymooners parody, The Flintstones – did McKimson and WB give up on these characters too early?
    9
    From Hare to Heir
    Directed by Friz Freleng
    Sam, Duke of Yosemite, was cut off the allowance by his uncle, the King. But just then, Bugs shows up at the door telling Sam that he has been chosen to receive a million pounds. But some money will be deducted every time he loses his temper. This proves to be a huge problem for Sam, as Bugs turns out to be a very annoying guest! A hilarious short taking full advantage of Sam's short-fused personality – we hear plenty of funny fake cursing here! A similar idea had been used in "The Wabbit Who Came to Supper" featuring Elmer back in 1942, but with Sam's temper and the refined personality of Bugs, I think this manages to be even better than that already great short was. A late classic!
    10
    The Dixie Fryer
    Directed by Robert McKimson
    Foghorn Leghorn flies south with a bunch of ducks. There he meets two hungry chickenhawks, Pappy and Elvis, and has to outwit them in order not to be eaten. The two buzzards from "Backwoods Bunny" returned here, though they're now portrayed as chickenhawks instead. Some fun moments with the characters here – all three are entertaining with their distinctly Southern mannerisms (though Foghorn is referred to as being from the North here!) and they take turns in outsmarting each other. Apart from a couple of gags, I don't find it a standout in the Foghorn series, though – just an average, entertaining effort.
    8.5
    Hopalong Casualty
    Directed by Chuck Jones
    The Road Runner (Speedipus-rex) is chased by Wile E. Coyote (Hard-headipus ravenus) who uses dynamite, a Christmas package machine and earthquake pills in his disastrous attempts. The coyote comes oh so close to catching the Road Runner at the start, but it's all downhill from there. This has another extended gag at the end, possibly my favorite in all the Road Runner cartoons! The earthquake pills scene is hilarious – the coyote's animation, his gestures, the sound effects, all of it contributes to one of the liveliest and funniest cartoon scenes I've seen. But that's not to say the other scenes aren't entertaining too. A shining moment in the series!
    10
    Trip for Tat
    Directed by Friz Freleng
    Tweety and Granny travel around the world, with Sylvester sneaking along on the ship. The cat attempts to catch the bird in each destination, but all the attempts are equally unsuccessful. Some of the destinations contain reused animation (reshot over new backgrounds) and gags from earlier cartoons. While the recycling from the likes of "Tweety's S.O.S." is quite obvious, the new scenes are genuinely funny and charming, especially the scene with Granny and Tweety painting. It also differs from the recent cheater cartoons by genuinely attempting to incorporate the reused animation into a new story instead of having characters recount past events. With just a little more new footage, this could have been a true series highlight.
    9
    Dog Gone People
    Directed by Robert McKimson
    Elmer promises his boss Mr. Crabtree to take care of his dog Rupert. But there's a problem: the dog thinks he's a human and is offended if he's treated like a dog. Elmer tries his best to comply, as he might become vice-president if he succeeds... but there's a possibility he'll be demoted, too! Chaos inevitably ensues. An interesting idea for a cartoon – the cast of characters is fun, and Rupert provides for plenty of wackiness especially after he finds a bottle of bay rum... Hal Smith takes over as the voice of Elmer Fudd here. He doesn't quite match the charm of Arthur Q. Bryan's performance (especially the character's trademark laugh sounds a little off), though his attempt is certainly better than Dave Barry's in "Pre-Hysterical Hare".
    8.5

    High Note
    Directed by Chuck Jones
    A group of musical notes is constructing the sheet music for "Blue Danube", getting ready for a performance of the composition. But things get disrupted, as one of the notes is missing, having got drunk. Can the conductor note get through the performance? An unusual cartoon with its clever and funny use of animated musical notes. I especially like how other music is used here – the note gets drunk by entering another sheet ("Little Brown Jug"), and that song's melody is heard at the appropriate moments. Definitely an imaginative one! WB's other Oscar nominee of the year. The Academy was often showing a more eccentric taste in their selections at this point, so I'm not surprised this appealed to them!
    9.5
    Lighter than Hare
    Directed by Friz Freleng
    Yosemite Sam of Outer Space tries to capture an Earth creature to take to his leader. But he picks the wrong creature, namely Bugs Bunny. After Bugs easily destroys Sam's robots, he tries to take on the rabbit himself, but he's no match for Bugs' cleverness and use of war surplus stuff. While an alien is definitely the weirdest role Sam has been in so far, I think this cartoon is a good one, with Bugs' use of the various gadgets being the standout here. We get many robot-related gags along the way. Sam's portrayal could be considered a slight weakness in this short – I don't think his typical personality traits really pop out here, so a different and more fitting alien character could very well have been used...
    9
     

    For years, movie studios had been against showing their theatrical content on television. The first Warner Bros. cartoons to appear on TV had been the pre-1948 ones sold to Guild Films and A.A.P. But by this time, the tide had turned. WB created a new show to broadcast their post-1948 library of cartoons. "The Bugs Bunny Show", aired on ABC, featured three previously released cartoon shorts in each episode, but Jones, Freleng and McKimson also directed new content for the series, with the former two also writing and producing. Between the shorts, there would be comedic segments hosted by Bugs and other characters on stage. A new theme song, "This Is It", written by Jerry Livingston and Mack David, was sung by Bugs and Daffy at the start of each show, and versions of it would be used in Looney Tunes TV broadcasts for several decades.
    As influential as the show was, the original episodes of "The Bugs Bunny Show" are unfortunately very difficult to find – only a few have been released on DVD or made available by collectors. As I've already reviewed the cartoon shorts, I'll focus on the new bridging sequences here. I was able to find three episodes out of the twelve broadcast this year.

    Episode 2
    Directed by Friz Freleng & Chuck Jones
    Co-director: Hawley Pratt
    Bugs thanks the audience for watching his show and also the sponsors for spending a fortune on it. Rocky and Mugsy happen to be watching this on TV and decide to go into the television business by taking over Bugs' show. Rocky hosts (threatening the audience, the performing characters, the sponsors and even the animators in process) and tells Mugsy to "let Bugs have it". Eventually Bugs comes up with a way to outwit the gangsters. The crew is doing a very good job making these new sequences entertaining – besides the great animation, we get the usual cleverness from Bugs, but the star for me here is Rocky, with his always amusing tough guy act. The gangster even threatening the sponsors was unexpected!
    9.5
    Episode 5
    Directed by Friz Freleng & Chuck Jones
    Bugs keeps introducing all of his co-stars, apart from Daffy. The duck tries his best to steal the show, but nothing works out for him. Pepé Le Pew also shows up, stinking up the stage. Some amusing interaction between the characters here, but not quite as strong as episode 5 was. Maybe the most significant thing here is the first time Daffy interacts with Speedy Gonzales – a pairing that would later become somewhat infamous!
    8.5
    Episode 10
    Directed by Friz Freleng & Chuck Jones
    Co-director: Hawley Pratt
    Daffy gets an opportunity to host The Bugs Bunny Show, but his act is interrupted by Yosemite Sam who wants to see cartoons. Eventually Daffy asks Bugs to get rid of the heckler. This feels even more like bridging sequences than the previous episodes did, with more overt references to the cartoons being shown, but it's still an enjoyable watch. Sam in particular gets to shine with his antics, though Daffy and Bugs are also great in their roles.
    8.5
     

    Bugs Bunny's TV appearances made him even more popular, and advertisers would take advantage of this. Especially General Foods, sponsor of "The Bugs Bunny Show", used the Looney Tunes characters to advertise their products: Post cereal and the drink Tang. While it isn't known exactly how many of these ads were made, I've seen several of them. The commercials naturally starred Bugs, with some of them also featuring Daffy, Elmer or Sam. For commercials, they were very appealing – the usual good animation, the lovable characters with Mel Blanc's inimitable voice, and a catchy jingle that appeared in many of the Post ads. This started a trend, as the characters would be used to advertise countless different products over the decades.

    As in the previous two years, a Bell System science special was broadcast with cartoon sequences included, this time directed by Robert P. McKimson.

    The Thread of Life
    In this special going through how genetics work, animated sequences are used to showcase how height is inherited (with a comparison to tall and short trees), how chromosomes work, and DNA. Once again, the animation is there to assist the narration, but from an artistic point of view, it's less interesting than in the last two Bell specials. Most of the animation (which there isn't as much of this time) consists of rather simple geometric shapes moving around, the most notable exception being a stylized animation of a girl and a boy in the chromosome part. The earlier ones did a better job keeping things entertaining.
    7

    The WB cartoons' last decade is off to a nice start. A solid run of the theatrical shorts with a few brilliant efforts in the bunch (especially those by Chuck Jones). The cartoons' TV debut with "The Bugs Bunny Show" was also a charming one based on the footage that can be found – and this series definitely played a big part in the characters achieving their enduring popularity.
  14. Tacodidra

    Looney Tunes
    This year of WB cartoons includes one more award-winning entry, and in addition to the usual cartoon shorts, the start of a new project for the cartoon studio...

    Don't Axe Me
    Directed by Robert McKimson
    After Daffy snatches Rover's (the Fudds' pet dog) food, the dog decides to take revenge by convincing Mrs. Fudd to serve roast duck for their guest Reverend Brown. Daffy finds out about the plans and tries his best to prevent Elmer from using his axe on him. Elmer's wife, making her only appearance here, is a nicely designed character – she both looks and sounds like a female version of her husband without being too direct a copy. The scene with Rover making his dinner suggestion to her is the funniest one in the cartoon! But the scenes with Daffy and Elmer (both portrayed well, as usual) are of course entertaining too. A strong cartoon, despite being one of the less known ones from this period.
    9.5
    Tortilla Flaps
    Directed by Robert McKimson
    Speedy and his friends are celebrating Cinco de Mayo, but the festivities are interrupted when El Vulturo attacks, trying to eat the mice. The bird repeatedly tries to catch Speedy, but his speed and cleverness prove too much for the predator. A typical chase cartoon – good gags and villain, but not a particular standout. Speedy is very likable, adding a lot of appeal to the short.
    8.5
    Hare-less Wolf
    Directed by Friz Freleng
    Charles M. Wolf's wife tells her lazy husband to go shoot a rabbit. He immediately meets Bugs Bunny, but the forgetful wolf lacks the wits to beat him. A funny short with one of Bugs' less intelligent opponents – while he's definitely far from a match for our hero, his constant forgetting what he was supposed to do makes for some funny gags. Bugs even reminds him a couple of times that he was looking for a rabbit – probably the most help he ever gave to one of his enemies!
    9
    A Pizza Tweety-Pie
    Directed by Friz Freleng
    Granny and Tweety are on vacation in Venice. Sylvester (portrayed here as a stereotypical Italian cat) sees the bird and makes various failed attempts to catch and eat him. The Italian theme adds some flavor to an otherwise average Sylvester and Tweety entry – Tweety singing "Santa Lucia" is very cute, and Sylvester's accented lines are amusing. Also an imaginative ending with some stylized animation!
    8.5
    Robin Hood Daffy
    Directed by Chuck Jones
    Friar Tuck (Porky) wants to join Robin Hood (Daffy) and his merry men. But Robin Hood's incompetence, especially when trying to rob a wealthy traveler, don't convince him that he's dealing with the real Robin Hood. One of Jones' classic Daffy and Porky cartoons, once again with Daffy as the incompetent hero. Daffy is responsible for the slapstick, while the sarcastic Porky provides the drier humor. The result is definitely a memorable cartoon, with some great visuals and brilliant lines. Out of the several Robin Hood parodies the studio did, this is the best one.
    10

    Hare-way to the Stars
    Directed by Chuck Jones
    Bugs accidentally ends up in space, meeting Marvin the Martian who's planning to blow up the Earth with his new Illudium PU-36 explosive space modulator in order to have a better view of Venus. Bugs has to foil his plans before returning home. This might be my favorite of the Bugs and Marvin cartoons – brilliant expressions from Bugs, the Martian's best portrayal yet with his amusing dialogue, and the debut of the funny instant Martians (though their design is virtually identical to the aliens from "Jumpin' Jupiter"). One of the best Bugs cartoons lately.
    10
    Whoa, Be-Gone!
    Directed by Chuck Jones
    Wile E. Coyote (Famishius vulgaris ingeniusi) tries to catch the Road Runner (Birdius high-ballius) using contraptions like a trampoline, a barrel of dynamite and a do-it-yourself tornado kit. Another good entry in the series – again some gags that take unexpected turns, my favorite being the last one with the tornado seeds.
    9
    A Waggily Tale
    Directed by Friz Freleng
    A little boy called Junior is treating his pet dog badly despite his mother telling him not to. He gets grounded and has a dream about being a dog, getting adopted by a little girl and having a bad time himself. An interesting story for a cartoon, with the short itself being a nice one but not a particular standout. There are a couple of appealing references to popular songs from the time, but otherwise it could have done with more gags.
    8
    Feather Bluster
    Directed by Robert McKimson
    An elderly Foghorn Leghorn and Barnyard Dawg notice their grandsons partaking in similar antics to what they used to do and start reminiscing about the good old days and all the tricks they played on each other. Another cheater cartoon with clips taken from earlier Foghorn shorts. While I feel these take up a bit too much of the short, the new scenes do have a charm of their own with the nostalgic atmosphere and the cute moments with the little rooster and dog. For a cartoon mostly based on old material, they could have done a lot worse.
    8
    Now, Hare This
    Directed by Robert McKimson
    B.B. Wolf tries to catch Bugs, but his attempts fail, and Bugs tells him he has to outsmart a rabbit in order to get one. After B.B.'s nephew shows up, the wolf gets an idea to do a routine based on the story of Little Red Riding Hood. Wackiness ensues, as Bugs sees through their plans. I think this is quite a clever cartoon! As usual, the fairytale parody works well – Bugs' ways to outwit the wolves are ingenious, the characters' acting in the routine is amusing, and they're all portrayed entertainingly. Out of the two recent cartoons pitting Bugs against a wolf, I found this the stronger one.
    9.5
    To Itch His Own
    Directed by Chuck Jones
    The Mighty Angelo, the world's strongest flea, goes on vacation from the flea circus. He finds a nice vacation spot on a dog who doesn't seem to mind much, but his relaxation gets interrupted by another dog, the tough Butcher. Angelo goes to attack him. A fun short, an imaginative idea to see a flea actually helping a dog against another one! There are some wild expressions and other fun moments along the way, all of it working well without much dialogue. The last Warner Bros. cartoon to feature music by the legendary Carl Stalling. He had worked on the cartoons since 1936, scoring most of the classic Looney Tunes and Merrie Melodies during this period.
    9
    Dog Tales
    Directed by Robert McKimson
    An old-fashioned spot gag cartoon, this time looking at various breeds of dogs, some of them participating in a dog show. There are a couple of reused gags here (including one with Charlie Dog, thereby making his last appearance), but I think the new ones are entertaining enough with the typical corny jokes. For the most part, this is the type of cartoon we could have seen in the late 30s or early 40s, but there are also signs of the latest popular culture with the appearance of Elvis Presley in dog form. A good effort!
    8.5

    Knighty Knight Bugs
    Directed by Friz Freleng
    King Arthur tells his knights to retrieve the Singing Sword stolen by the Black Knight (Sam). But since none of them will do it, the court jester (Bugs) gets the task. He gets the sword quite fast, but the Black Knight and his dragon go after him. Another successful Bugs and Sam cartoon with strong characterizations and gags. The constantly sneezing dragon has the most comedic scenes here, complete with Sam's angry reactions. The dialogue is also great throughout. The studio's fifth Oscar winner for best short cartoon, and the second in a row – sadly, it was to be their last. It's a bit surprising to have this as the only Bugs cartoon to win the award, as some other entries in the series are more beloved... but it's definitely not a bad one to do it with!
    9.5
    Weasel While You Work
    Directed by Robert McKimson
    Foghorn and the Barnyard Dawg are at it again, this time playing tricks on each other in the snow. The weasel shows up, trying to eat Foghorn, and the rooster and the dog repeatedly try to sic him on each other. Pretty ordinary Foghorn short, apart from the winter theme – but certainly entertaining. The weasel makes his last appearance of three – I feel parts of his personality were reused to create the more memorable Taz. Due to a musicians' strike, the following six shorts would use stock music by John Seely. The music is rather enjoyable at times, but apart from an organ arrangement of "Camptown Races", it doesn't sync quite as well as the usual WB cartoon soundtrack.
    8.5
    A Bird in a Bonnet
    Directed by Friz Freleng
    Tweety is being chased by Sylvester and hides in a hat. Granny buys the hat, thinking it has a stuffed bird on it. Sylvester makes various failed attempts to snatch the hat from her. A different idea for a Tweety cartoon, as he's mostly relegated to a prop here. On the other hand, Granny gets one of her most significant roles, as she foils Sylvester's attempts. Not a series highlight, but a nice one for its unique idea and the slapstick.
    8.5
    Hook, Line and Stinker
    Directed by Chuck Jones
    The Road Runner (Burnius-roadibus) avoids being caught by Wile E. Coyote (Famishius-famishius), who uses the likes of a sledgehammer and a falling piano. One of the stronger Road Runner cartoons lately – besides the usual great animation, the gags are very good ones, with the last gag with the Rube Goldberg machine being the absolute standout. I think even Seely's stock music works surprisingly well here – it's definitely a different sound from the usual Road Runner cartoons, but the cues are catchy and for the most part quite fitting.
    9.5
    Pre-Hysterical Hare
    Directed by Robert McKimson
    Elmer is hunting Bugs, and the bunny falls through the ground. He finds a time capsule from 10,000 B.C., with a film inside. The film shows caveman Elmer Fuddstone hunting a saber-toothed rabbit, with similar results to their descendants' antics. What sounds like a worthy concept for a Bugs Bunny cartoon sadly falls flat. It isn't entirely without good parts: the idea of Elmer Fuddstone trying to invent gunpowder at Bugs' suggestion is a funny one. But besides the mostly predictable gags, the execution of the short is rather sloppy. Reused footage, questionable character design choices, voice synchronization errors... Most unfortunately, Arthur Q. Bryan (who was ill at the time) doesn't voice Elmer here. Dave Barry, who did entertaining Humphrey Bogart impressions in some earlier cartoons, fills in for him – sadly his Fudd isn't at the level of his Bogart. One of Bugs' weakest cartoons, I'm afraid.
    6.5
    Gopher Broke
    Directed by Robert McKimson
    The Goofy Gophers are harvesting, but all the vegetables in the field get snatched away, as the farmer takes them to the barn. The gophers find out the barn is guarded by the Barnyard Dawg, so they come up with plans to get rid of the dog, driving him insane in process. Plotwise, this feels quite close to the later Hubie and Bertie cartoons, just with different characters. While I don't think it quite lives up to those, or the earlier gopher shorts for that matter, I think this is also an enjoyable short, especially the dog's reactions, as well as those of a baffled pig.
    8
    Hip Hip-Hurry!
    Directed by Chuck Jones
    The Road Runner (Digoutius-unbelieveablii) evades the various attempts of Wile E. Coyote (Eatius-slobbius) to catch him. In addition to the traditional dynamite and boulders, we see the coyote using a motor boat and ACME Hi-speed Tonic. While this is not one of my absolute favorites in the Road Runner series, there's one thing that stands out – the Road Runner himself is portrayed as more of a trickster here, as he's seen actively foiling the coyote's plans on a couple of occasions (including tripping him).
    9
    Cat Feud
    Directed by Chuck Jones
    On a construction site, Marc Anthony meets Pussyfoot, with the kitten immediately charming the tough bulldog. The dog even gives the kitten a sausage for a snack, but this catches the eye of an alley cat. The dog tries his best to prevent the cat from snatching it and also keeps the kitten from getting hurt. While not the best Pussyfoot cartoon, it's definitely another cute one, now with new more stylized designs for the characters. A bit similar to "Feline Frame-Up" in that Marc Anthony is fighting another cat to defend Pussyfoot and with the focus on comedic gags more than sweet moments, but in a different setting and without any human characters. This was the duo's last appearance.
    9

    In the next few years, Warner Bros. would produce four live-action television specials as a part of the Bell System Science Series for AT&T Corporation. All of these had animated sequences produced by the cartoon studio – apparently their first TV work. In this one, they were directed by Chuck Jones.


    Gateways to the Mind
    While the special explains how the human sensory system works, various short animated clips are shown throughout, with an animator called Gene presenting a few of these sequences. Some of these feature stylized human characters to demonstrate the phenomena. The highlights involve a character called Joe Commuter – we see a little man representing his thinking, showing how complex simple events (like waking up for work or eating a strawberry) are, with some surprisingly lively animation included. Educational content with little humor, but the well-designed characters help present it all in a more memorable and appealing way.
    8

    Not quite the best year for the studio, but for the most part, they managed to avoid real flops... and of course, Bugs finally got his deserved Oscar. Will the decade end on a high?
  15. Tacodidra
    And we reach 1957 – not just another year out of many, but one of the studio's most successful!


    Three Little Bops
    Directed by Friz Freleng
    A modern jazzy take on the story of the Three Little Pigs. The wolf wants to play with the Three Little Bops who are performing in the House of Straw. His corny trumpet playing doesn't impress the pigs and he gets thrown out, blowing the house down in anger. Fairytale parodies (including ones of the Three Little Pigs) were something the studio had made a lot of times before, while jazz cartoons were much rarer, though there had been a few controversial entries like "Tin Pan Alley Cats" and "Goldilocks and the Jivin' Bears" in the 40s. This short has a brilliant soundtrack by jazz legend Shorty Rogers, synchronized perfectly with the animation. Stan Freberg provides all the impressive voices, even becoming the first voice actor other than Mel Blanc to get an on-screen credit (something that wouldn't happen regularly until the early 60s)! The characters are likable and funny, the story is a great new version of a classic tale, and we get many musical gags. The ending is also a very satisfying and funny one! Rivals the likewise musical "Pigs in a Polka" for the best version of this story.
    10
    Tweet Zoo
    Directed by Friz Freleng
    Tourists are looking at various animals in the zoo, but Sylvester is interested in the rare and only specimen of a tweety bird. He tries his best to eat the lovable bird but keeps having various run-ins with the other, more dangerous animals. A great entry in the series – Tweety is cute in all his naivety, while the beatings Sylvester receives from the other animals are hilarious (he still fares better than in some of his other appearances, though)! Special mention to the gags with the lion – they remind me slightly of the ones in "Tweety's Circus", but I might like the ones here even better. The zoo setting is a perfect fit for Sylvester and Tweety!
    10
    Scrambled Aches
    Directed by Chuck Jones
    The Road Runner (Tastyus supersonicus) is chased by Wile E. Coyote (Eternalii famishiis) who uses devices such as a fake leg to trip the bird, dehydrated boulders and a steam roller. This is one of the most memorable Road Runner cartoons lately – great animation (especially on the expressive coyote, but there are also other nice details like the Road Runner preening) and some of the more inventive devices in the series, most of them of course from ACME. Jones and Michael Maltese clearly have a lot of imagination left for these cartoons even this late in the game!
    9.5
    Ali Baba Bunny
    Directed by Chuck Jones
    Bugs and Daffy travel underground, but instead of Pismo Beach, they end up in Ali Baba's cave. Daffy tries to take the treasure, but the cave is guarded by Hassan who won't let the duck get away with. In this Chuck Jones classic, Daffy's greediness is taken to a new level. Great dialogue especially from Daffy, brilliant characters (including the funny Hassan) and some very memorable gags, with Bugs as a genie being a highlight. One of the most entertaining Bugs cartoons of its time.
    10
    Go Fly a Kit
    Directed by Chuck Jones
    A cat at the airport is waiting for her boyfriend to fly back from the south. A man tells the story of how the male cat was raised by an eagle and learned to fly, and how he saved the female cat from a bulldog. What a cute cartoon! Up there with the Pussyfoot cartoons as one of the sweetest shorts in the WB filmography – a strange but nice story with adorable art and a mixture of funny and emotional moments. One of the most underrated shorts in the series!
    10
    Tweety and the Beanstalk
    Directed by Friz Freleng
    Jack's mother throws away the beans her son traded the cow for, and a beanstalk grows right under Sylvester's bed. The cat ends up in a land where everything is huge – including the tweety birds, to his delight. But his attempts to catch Tweety don't go really well, as he has to avoid a giant bulldog. Another great Sylvester and Tweety cartoon with an interesting new setting – everything being huge makes for some great new gags. Funny portrayals of all characters, and a slightly controversial but amusing ending to the story.
    9.5
    Bedevilled Rabbit
    Directed by Robert McKimson
    Bugs ends up being transported to Tasmania along with a bunch of carrots. There he meets the dreaded Tasmanian Devil who tries to eat him. But Bugs comes up with schemes to outwit Taz, including the enticement of a wild turkey surprise! Almost three years after his debut, Taz returns – the character was reportedly brought back after requests from fans. While not quite having the novelty of "Devil May Hare", his second appearance is another very enjoyable one, with both him and Bugs getting to shine in their roles. The Tasmanian She-Devil gag from the first one is used here in an even funnier variation, and we also get Bugs singing Charlie Dog's "At'sa Matter for You"!
    9.5
    Boyhood Daze
    Directed by Chuck Jones
    After breaking a window, Ralph Phillips (portrayed as a kid again) is sent to his room. He imagines he's a famous explorer and then a jet pilot, making his parents proud with his heroics. While not as good as Ralph's debut in "From A to Z-Z-Z-Z", it's another entertaining look at a child's daydreams, with appealing visuals. Rather a cute cartoon than a particularly funny one.
    8.5
    Cheese It, the Cat!
    Directed by Robert McKimson
    Ralph Crumden is planning to throw his wife Alice a surprise birthday party. But when he goes to get the cake, he finds out there's a new cat in the house, preventing him from doing so. He gets Morton to help him, but the schemes the two come up with don't really work. More entertaining than the first Honey-Mousers cartoon – I think this one has funnier gags and takes better advantage of the chemistry between Ralph and Morton, though on the downside, Alice doesn't show up much (though the scenes we get with her and Ralph are sweeter than the first time around). A nice entry for some of the more forgotten WB cartoon characters.
    9
    Fox-Terror
    Directed by Robert McKimson
    A fox tries to steal chickens. When a little rooster pulls the cord to alert the Barnyard Dawg, the dog thinks he's just thirsty. The fox uses Foghorn in his schemes to prevent the dog from guarding the hens. A good entry in the Foghorn series – again, there's something new with the addition of the little rooster and the fox. Especially the latter is funny, though the former gets one particularly good moment too! Nice gags throughout.
    9
    Piker's Peak
    Directed by Friz Freleng
    The highlight of a festival is that whoever climbs the Schmatterhorn will be awarded 50,000 cronkites. Sam decides to volunteer, but Bugs is interested too when he realizes how many carrots that sum would buy. So Sam sabotages Bugs' attempts while trying to climb, which repeatedly backfires on him. This Bugs and Sam cartoon has some great gags, especially one involving a rescue dog! The music repeatedly played by the orchestra whenever Sam falls is also rather catchy, and Mel Blanc gives charming vocal performances as usual. Maybe nothing really extraordinary, but the typical Bugs cartoon done right!
    9
    Steal Wool
    Directed by Chuck Jones
    On another work day for Ralph Wolf and Sam Sheepdog, the wolf tries various plans to snatch sheep, but they all get foiled by the sheepdog. We see the wolf using a bridge made of firecrackers, a cannon and a rubber band among other things. Another fun entry with some amusing gags, and I like the new twists on the two doing this for their job, including the ending – the off-work friendship of the two characters is depicted quite well in this short!
    9
    Boston Quackie
    Directed by Robert McKimson
    Daffy is the detective Boston Quackie. While he's on a holiday, Inspector Faraway (Porky) tells him to deliver a briefcase to the consulate in Slobovia. The important briefcase gets stolen by a man in a green hat and Quackie has to get it back, with the help of his girlfriend Mary and Faraway. These kinds of comedic hero roles have always suited Daffy, and this one's no exception. While it's not one of my absolute favorites in the bunch, it's certainly a nice one with good supporting characters and some amusing gags, especially the eventual revelation of what's in the briefcase!
    8.5

    What's Opera, Doc?
    Directed by Chuck Jones
    Elmer is hunting rabbits, namely Bugs, once again, but this time, it all happens to the tune of the operas of Richard Wagner. The combination of classical music and comedy was often utilized in the WB cartoons, and here's where it reaches its peak. The operatic music is cleverly combined with lyrics related to the cartoon's events (whether it's Elmer's attempts to "kill the wabbit" or him falling in love with Bugs disguised as Brunhilde). Transforming a 15-hour opera performed over four days into a seven-minute cartoon sounds like an absolutely insane idea, but the WB crew handles succeeds at this. There are some of the series' most impressive visuals courtesy of layout artist Maurice Noble, the great orchestration by Milt Franklyn, the humorous lyrics by Michael Maltese, Mel Blanc and Arthur Q. Bryan doing an amazing job singing as their characters... It's all sheer ingenuity. The short has deservedly become of the most praised cartoons of all time, and it is the last released of the four WB shorts that have been chosen for preservation in the National Film Registry. Fittingly, it was the first animated short ever to get the honor.
    10

    Tabasco Road
    Directed by Robert McKimson
    The Mexican mice are having a party in honor of Speedy Gonzales. Two of them, Pablo and Fernando, leave and drunkenly try to fight a cat. Speedy has to save them repeatedly. Another good cartoon for Speedy, though I actually found the drunken mice even more entertaining here! Speedy of course saves the day in quite violent ways, and we even get a clever slow-motion gag at one point. Continuing from Speedy's Oscar win with his previous cartoon, this one got another nomination, but lost – I don't think WB really minded this time, though...
    9

    Birds Anonymous
    Directed by Friz Freleng
    Sylvester is about to eat Tweety when an orange cat stops him, telling Sylvester how eating birds can lead to self-destruction. The black cat joins Birds Anonymous, a group for cats with a bird addiction. But he soon finds out getting rid of an addiction isn't that easy... A clever cartoon about alcoholism, using birds as a metaphor. Some brilliant character acting for Sylvester both in animation and voice, fitting the subject well. But despite the serious theme, the cat's struggles when reminded of birds are also entertaining, with the great dialogue responsible for a lot of the humor. One of the classics in the series! Beating WB's other alcohol-related nominee among others, it became the studio's fourth Oscar winner for best cartoon short. The third cartoon in a row with accolades – what a time this was for the series!
    10
    Ducking the Devil
    Directed by Robert McKimson
    The Tasmanian Devil is delivered to a zoo and immediately escapes. Daffy is scared when Taz goes after him, especially after reading that he especially likes to eat wild duck. But when the duck hears there's a 5000 dollar reward for bringing Taz back to the zoo, he tries to takes advantage of the beast's love for music. The first appearance (and the only one in the classic era) for Taz without Bugs Bunny, but he has great chemistry with Daffy too! The duck has a great portrayal here, and Taz's reactions (especially to Daffy playing the bagpipes) are very funny.
    10
    Bugsy and Mugsy
    Directed by Friz Freleng
    Bugs finds shelter from the storm under the floor of a condemned building. Robbers Rocky and Mugsy hide in the same building, and when Bugs realizes this, he decides to foil their plans by convincing Rocky that Mugsy is scheming against him. Great gags all around, with brilliant characterizations (Bugs is lovable and clever, while Mugsy is the more entertaining of the two gangsters with some very funny dialogue). Pitting Bugs against criminals works amazingly once again!
    9.5
    Zoom and Bored
    Directed by Chuck Jones
    Wile E. Coyote (Famishus vulgarus) chases the Road Runner (Birdibus zippibus), using contraptions such as a hole in the road, a brick wall and bumblebees. He keeps getting startled by the Road Runner's loud beeps. This is one of my favorites in the Road Runner series. The Road Runner himself plays a more active role and shows more personality than usual (and the coyote is obviously very funny, as always), some of the gags are really unique (the one with the brick wall being my favorite) and even the ending is a surprising and great one!
    10
    Greedy for Tweety
    Directed by Friz Freleng
    Tweety is chased by Sylvester who in turn gets chased by Hector in traffic, and all three end up in animal hospital with broken legs after a crash. Sylvester tries to eat Tweety and takes turns with Hector in beating each other up, with the cat and dog trying to do all this without Granny noticing. A hilarious cartoon thanks to Sylvester and Hector's antics – Tweety gets overshadowed by them here. "A Street Cat Named Sylvester" previously had Hector with his leg in a cast, but this short takes it to a whole new level. One of the most violent and funniest cartoons of its time!
    10
    Touché and Go
    Directed by Chuck Jones
    A man is painting a white line on the road when he's knocked over by a dog chasing a cat. The cat gets some paint on herself, now looking like a skunk. This predictably attracts Pepé Le Pew, leading to a chase that mostly takes place underwater. The typical Pepé story, but with a new setting – and very nice stylized designs and some of the skunk's best dialogue. While I found a couple of earlier entries in the series to have stronger gags, Pepé himself has rarely been portrayed more amusingly. One of his stronger efforts.
    9
    Show Biz Bugs
    Directed by Friz Freleng
    Bugs and Daffy are performing together, and the duck is annoyed to have second billing. The audience also clearly prefers Bugs, and Daffy eventually resorts to trying to sabotage his act, which repeatedly backfires on him. The second cartoon to depict Daffy's envy of Bugs' success ("A Star Is Bored" having been the first one) is a memorable one! While he essentially turns into the villain during the cartoon, I kind of feel for him – his act was no worse than that of Bugs (rather more impressive at times), yet the audience obviously went for Bugs just because he was the more popular performer. This is another cartoon where I wonder if part of the story was based on the crew's own experiences (maybe the cartoons' award success: while they had won four Oscars for best cartoon, they had often been beaten by Disney and MGM, sometimes with weaker efforts). It's a very entertaining cartoon, the end gag being a highlight – despite pretty much being recycled from "Curtain Razor" with different characters, it works better here, especially with the earlier events of the cartoon.
    10
    Mouse-taken Identity
    Directed by Robert McKimson
    Hippety Hopper is delivered to his new home at the zoo, but he immediately escapes, entering a nearby museum after seeing a stuffed kangaroo. Sylvester happens to be right there, showing his son how to catch mice. He soon faces the "giant mouse", getting beaten repeatedly to Junior's great shame. Another nice entry in the series – I especially like Sylvester Jr.'s portrayal here. He's more talkative than usual, slightly more competent than his father (even if his attempts to help aren't always the most useful!) and even gets a great punchline in. Sylvester Sr. and Hippety Hopper are also fun, of course, and the new setting makes for some nice gags involving the various exhibits at the museum.
    9
    Gonzales' Tamales
    Directed by Friz Freleng
    The other mice are jealous of Speedy Gonzales, as all their girlfriends are in love with him. They come up with a plan to lure Sylvester to chase Speedy out of town, but the cat once again proves to be no match for the mouse. An interesting story for a Speedy cartoon – it's unusual to have the other mice against Speedy. The rest of it is more typical for the series, but fun to watch in any case (the Mexican theme, especially the music, adding a lot of appeal)!
    9
    Rabbit Romeo
    Directed by Robert McKimson
    Elmer Fudd is sent a rare Slobovian rabbit, Millicent, by his uncle Judd – and he'll be paid 500 dollars for watching over her! But Slobovian rabbits need company, so Elmer lures Bugs in. Millicent immediately falls for him, but he doesn't reciprocate these feelings, trying his best to get away. Millicent is an entertaining character, and this cartoon is rather similar to the Pepé Le Pew formula with a gender switch. Bugs is of course fun, and Elmer fares well in his supporting role. Another amusing entry despite not being one of my absolute favorites.
    8.5

    Another special short featuring Ralph Phillips was made for the U.S. Army. After various collaborations, most significantly the wartime Private Snafu series, this was the last short the WB cartoon studio made for the army.

    Drafty, Isn't It?
    Directed by Chuck Jones
    Ralph Phillips' dreams all turn into nightmares as the army recruiter shows up all of a sudden. But district representative Willie N. List arrives with his anti-nightmare machine, telling Ralph what things are really like in the army and how certain stereotypical depictions of it aren't true. For a primarily informative cartoon, I think it manages to be entertaining enough. There are some gags included in it, including Willie repeatedly having to keep Ralph's dog from waking up, and the artwork is appealing, especially the humorous inaccurate depictions of the army. And another thing that I think deserves credit – despite Ralph being depicted as an adult here, the dream theme makes it feel more like a proper Ralph Phillips cartoon than "90 Day Wondering" did.
    8

    After the slightly weaker but still good 1956, I found 1957 one of the very best years in the WB cartoon filmography! Many all-time classics, including two very deserved award winners. While the schedule keeps shrinking, things are still looking strong...
  16. Tacodidra

    Looney Tunes
    This year won't bring us significant new stars (though a couple of recurring characters debut), but fun cartoons for sure! And we can see the crew experimenting with new character combinations, supporting characters and even a few one-shots!

    Bugs' Bonnets
    Directed by Chuck Jones
    The narrator explains how clothes, even just a hat, affect a person's behavior. This is then demonstrated with Elmer Fudd and Bugs Bunny, as theatrical hats fly out of a truck and keep landing on their heads. An unusual idea for a cartoon, but one that provides plenty of entertainment! It's great to see Jones keep experimenting with concepts instead of just remaking the same short over and over. Seeing Bugs and Elmer's personalities change completely all of a sudden makes for some hilarious moments and makes this cartoon stand out from the mass.
    9.5
    Too Hop to Handle
    Directed by Robert McKimson
    Sylvester Jr. wants his father to teach him how to catch mice, but there aren't any around. Inspired by the book The Pied Piper of Hamelin, Junior makes a pipe, and after a few attempts, it attracts Hippety Hopper, who has escaped from the zoo. The kangaroo of course proves too strong and agile for Sylvester to defeat. Another fun entry with appealing characterizations, Junior in particular getting to shine with his adorableness and great dialogue. Sylvester is of course entertaining too, with Hippety Hopper a cute and effective foil for him. This appears to be another cartoon based on one of the Capitol Looney Tunes records – in this case, a loose adaptation of "Pied Piper Pussycat" from a couple of years earlier, with the addition of Hippety Hopper. As with the previous record adaptation, the cartoon version is a lot better.
    9
    Weasel Stop
    Directed by Robert McKimson
    Foghorn is playing pranks on a dog guarding the henhouse, making him think a weasel is attacking. When one does show up, the rooster convinces the weasel to get rid of the dog in order to be able to steal the chickens, but the dog outwits the predator with ease. Strange entry – while the weasel is a familiar one from 1953's "Plop Goes the Weasel!", this cartoon uses a different dog instead of the Barnyard Dawg for whatever reason. The new dog character is a somewhat likable one, but definitely doesn't hold a candle to the one we've usually seen! The gags are good, but not the best in the Foghorn series... and the punchline at the end is a bit lazily recycled from "All Fowled Up".
    8
    The High and the Flighty
    Directed by Robert McKimson
    Foghorn Leghorn and the Barnyard Dawg are tricking each other, as usual. Daffy Duck, salesman for the Ace Novelty Co., sees an opportunity and starts selling practical joke devices to the duo. An unusual character combination, but it works well! Daffy has always fit the salesman role well, and this short is no exception. Foghorn and the Barnyard Dawg have the usual strong characterizations too, and the whole story is set up well, with a comedic conclusion. After a couple of slightly weaker Foghorn entries, this is more like it!
    9.5
    Broom-Stick Bunny
    Directed by Chuck Jones
    Bugs is dressed as a witch for Halloween and goes trick-or-treating to Witch Hazel's house. Thinking he's a real witch, Hazel is impressed by his ugliness and serves him some tea, wanting some ugliness tips. But after Bugs takes off his mask, Hazel remembers she needs a rabbit's clavicle for her new brew, and a chase ensues. Witch Hazel's second appearance is another funny one. The characters are brilliant, Bugs being likable as always and the witch is also a great character with her trademark laugh and entertaining dialogue (including constant wordplay). A worthy successor to "Bewitched Bunny".
    9.5
    Rocket Squad
    Directed by Chuck Jones
    Space cops Sgt. Joe Monday (Daffy) and Detective Shmoe Tuesday (Porky) set out to arrest a flying saucer bandit who robbed the First National Bank of Jupiter. We see how they deal with the case. Some enjoyable scenes of futuristic travel and machines, and good dialogue. Not the best of Jones' Daffy and Porky cartoons (I prefer the likes of "Drip-Along Daffy" and "Duck Dodgers in the 24½th Century"), but still an entertaining one, for sure.
    8
    Tweet and Sour
    Directed by Friz Freleng
    Granny catches Sylvester trying to eat Tweety once again and gives him a final warning: if there's any harm done to Tweety while she's gone, he'll be sent to the violin string factory. For once, Sylvester leaves Tweety alone, but an orange cat with an eyepatch shows up, trying to snatch the bird, and Sylvester has to prevent him from doing so. The idea of a cartoon where Sylvester tries to protect Tweety instead of eating him is an interesting one! The antics of the two cats fighting are amusing, and there are some nice gags, my favorite being when Granny and Tweety (especially the latter!) are mimicking a violin rendition of Chopin's Funeral March. But then there's the one problem I have with this cartoon: this is one where I've never liked Sylvester's treatment – for the one cartoon where he really doesn't do anything wrong apart from the start, the ending is quite mean-spirited. Otherwise it's an enjoyable one.
    8.5
    Heaven Scent
    Directed by Chuck Jones
    A female cat paints herself to look like a skunk by sliding along a newly painted flag pole in order to scare off dogs and get some fish. But she once again gets chased by Pepé Le Pew who falls for her. It's pretty much the usual Pepé cartoon once again, but with some especially funny dialogue jokes with the skunk, including him singing "The Fountain in the Park" (kissing along to the tune). Apart from that, I'd say it's quite an average entry for the skunk, he's had both better and worse ones.
    8.5
    Mixed Master
    Directed by Robert McKimson
    Harry gets his wife Alice a dog named Robert. But Alice isn't impressed since they already have a dog – a pedigree thoroughbred toy Pekinese named Chang. When the two dogs don't get along, she decides Robert has to go, since he's not thoroughbred. After hearing this, Robert sets out to prove what kind of a dog he is, taking the breed names mentioned in a book too literally. A pretty unusual cartoon with the art style (Robert's the only character here who's drawn in the typical WB style), but I think it's an entertaining one. Robert is an appealing character, especially with his literal interpretations of what a boxer is like, for instance. The ending is the cartoon's only somewhat weak part for me, though even that's a kind of a twist!
    9
    Rabbitson Crusoe
    Directed by Friz Freleng
    Sam is on a desert island, sick of having nothing to eat but coconuts. But suddenly, Bugs Bunny sails by in a crate. Sam brings Bugs on the isle, but plans to make rabbit stew of him. But the bunny proves too smart, and man-eating shark Dopey Dick also occasionally gives Sam some trouble. A great cartoon, as usual with these characters. The scenes with the shark might be my favorite, there are some great and even surprising gags in them. The lead characters are portrayed really well, with Bugs repeatedly using his wits to trick Sam, and we even get some nice singing by the former (especially his rendition of "Secret Love" is charming despite its brevity).
    9.5

    Gee Whiz-z-z-z-z-z-z
    Directed by Charles M. Jones
    Wile E. Coyote (Eatius birdius) tries to catch the Road Runner (Delicius-delicius) using various devices (most of them ACME products), such as a battleship steel armor plate, a bat-man outfit and a jet motor. But either due to the products not working as expected or the coyote's own incompetence, everything fails. The bat-man outfit is one of the most iconic products used by the coyote, and then there's the classic fourth wall breaking end gag. Wile E. himself is once again very expressive, and the Road Runner shows not only his speed but also his wits as the foil. A strong candidate for the best cartoon in the entire Road Runner series.
    10
    Tree Cornered Tweety
    Directed by Friz Freleng
    Tweety narrates a story of how he tried to hide from Sylvester in various places. But no matter where he goes, the cat finds him and attempts to catch him. The crime drama style narration makes this quite unique... and cute, since it's Tweety! The other gags are entertaining too, especially a nice visual pun on the bird's full name of Tweety Pie and the ending! Yet again, Freleng and his crew deserve credit for coming up with something different for almost every Tweety cartoon!
    9.5
    The Unexpected Pest
    Directed by Robert McKimson
    John and Marsha haven't had any mice in their house lately, so they're planning to get rid of the cat. Sylvester sees a mouse in the yard and spares him, as long as he helps him keep his home by repeatedly scaring Marsha. But the mouse soon turns the tables when he realizes how much the cat needs him! A nice storyline for a cartoon, with appealing characterizations for both Sylvester and the mouse. A well made one, with the ending giving it a fittingly humorous conclusion!
    9
    Napoleon Bunny-Part
    Directed by Friz Freleng
    Bugs ends up digging his way to Napoleon Bonaparte's headquarters. The French Emperor thinks Bugs is a spy and tells his guard to catch the rabbit, but Bugs outwits the duo quite easily. A very good Bugs cartoon – the gags are entertaining, the characters (both the always appealing Bugs and Napoleon and his guard) portrayed humorously, and we get some nice references and dialogue along the way.
    9.5
    Tugboat Granny
    Directed by Friz Freleng
    Sylvester sees Tweety traveling on a tugboat along with Granny and makes multiple failed attempts at catching the bird. A solid entry in the Tweety series, maybe not the most memorable one, but still some funny gags and a good soundtrack (with a rather catchy song performed by Granny and Tweety). Sylvester gets the most screentime here, Tweety's appearances are mostly limited to his comments on the cat's failed attempts (though I like how he gets to foil a couple of Sylvester's attempts himself). Fitting the maritime theme, we even get a brief return of the cute sailor's hat the bird wore in a couple of late 40s cartoons.
    8.5
    Stupor Duck
    Directed by Robert McKimson
    In this Superman parody, Daffy portrays the incompetent hero Stupor Duck. Disguised as reporter Cluck Trent, he overhears the managing editor watching a TV program where the villain Aardvark Ratnik plans to blow up everything. Our hero mistakes this for a real threat by a villain and goes to stop him, with comedic consequences. The WB crew had spoofed Superman before, with Bugs Bunny becoming Super-Rabbit and Private Snafu as Snafuperman. This is the most direct parody with a similar backstory to the original, and I also find it the funniest of them. Daffy in the role of a bumbling hero had become a recurring theme thanks to Chuck Jones' cartoons, and McKimson also handles this well. Amusing antics, great lines – an impressive parody!
    10
    Barbary-Coast Bunny
    Directed by Chuck Jones
    Bugs hits his head on a rock which turns out to be a huge hunk of gold! Nasty Canasta cons Bugs out of it by pretending to run a bank, with Bugs depositing the gold. But the rabbit isn't one to be fooled – he goes to Canasta's casino in San Francisco where he plays various games to great success and Canasta's dismay. Another great effort for Bugs – he's likable as always. In the last appearance of Canasta, his portrayal differs from his first two – he's much less threatening, being portrayed as rather dumb in this one. Brilliant reactions from the characters, Bugs' endless luck, and the way he easily annoys and outwits Canasta – it's all very funny.
    9.5
    Rocket-bye Baby
    Directed by Chuck Jones
    Due to a disturbance in cosmic forces, a Martian baby is accidentally delivered to the Wilburs, while their baby ends up on Mars. The strange-looking, precocious baby Mot causes a lot of confusion and shock for the Wilbur family and other people. The characters are nice, especially the Martian baby who's comically skillful for his age – the crew managed to make him look both cute and weird at the same time. There are entertaining reaction gags, add science fiction elements and maybe even a small slice of horror, and you've got a very memorable cartoon. Some parts are slightly reminiscent of "Punch Trunk", but it doesn't feel too derivative – a very strong entry!
    9.5
    Half-Fare Hare
    Directed by Robert McKimson
    The local carrot crop has been frozen in the winter's cold, so Bugs decides to get aboard the Chattanooga Choo-Choo to get to enjoy the bumper crop. On the train, he meets two hungry bums who decide to have rabbit for dinner. Fairly typical chase cartoon, not a particular standout despite Bugs' always appealing personality and the amusing hobos. But even a more basic Bugs cartoon is far from the worst way to spend six minutes, and this does have some surprises, like the ending that's pretty unusual for the time!
    8
    Raw! Raw! Rooster!
    Directed by Robert McKimson
    Foghorn gets a visit from his old college chum Rhode Island Red, and he's not happy to see the old loudmouth. Red keeps annoying Foghorn and the hens are immediately smitten with him, so Foghorn decides to get rid of him. Foghorn's attempts to harm Red (mostly by using explosives) always backfire massively. A fun short – McKimson was obviously trying to come up with some new additions to the Foghorn formula, as the last couple haven't featured the usual Barnyard Dawg, Henery or Prissy, instead introducing new characters. Red is definitely an enjoyable character in all his annoyingness, and much funnier than the dog from "Weasel Stop" was. Fittingly, we even hear him sing the WB cartoon classic "Freddy the Freshman"! Always nice to see something different for a change!
    9
    The Slap-Hoppy Mouse
    Directed by Robert McKimson
    Sylvester and his son are living in a mansion. But Junior tells his father that all the other cats think the easy living has ruined his mousing skills, to the shame of the son. The father decides to show he's still got it and they head to a rundown house. Hippety Hopper falls out of a truck, into the basement of the house, and Sylvester soon has to face the "giant mouse"! Another good entry in the Hippety Hopper series, pretty much along the same lines as many previous entries, but with a good story and entertaining portrayals of both cats. A series of strong gags shows the formula still hadn't been worn out.
    9
    A Star Is Bored
    Directed by Friz Freleng
    Daffy is annoyed at having to clean the film studio while Bugs is a big star. He goes to the casting director in hope of getting an acting role, but the one he's given is as Bugs' stunt double, doing all the dangerous scenes for him. Even Daffy's attempts to steal the scene don't go as expected. While Daffy might not be able to outshine Bugs in the picture they act in, he definitely does so in this cartoon. Daffy's envy of Bugs was a significant part of the character in his later appearances (often attributed to Jones, but Freleng seems to have been the first to use this idea), and this is the best use of that yet. His misfortunes in this short are very funny, and his arrogance prevents them from feeling too cruel. Bugs gets to do a lot less, but he works well in his role, and his trickster side pops up at times. A great one in all its simplicity.
    9.5
    Deduce, You Say!
    Directed by Chuck Jones
    Detective Dorlock Homes (Daffy) and his assistant Watkins (Porky) try to solve the case of the Shropshire Slasher, a dangerous criminal who has escaped from Dartmoor prison. But Homes' methods don't quite seem to work... Yet again, Jones does well with Daffy and Porky in this Sherlock Holmes parody – the formula with the former as an incompetent hero and the latter as the smart sidekick always works well.. Both characters shine here, with Daffy being an entertaining show-off and Porky getting some hilariously dry comments in. Plenty of randomness along the way and a particularly nice reference at the end. Unusually, I actually found Porky the funnier character in this short!
    9
    Yankee Dood It
    Directed by Friz Freleng
    Elmer Fudd is the king of the elves. When he finds out some of the elves have started working for a shoemaker, he sends one to go get them back. If he gets in trouble, he has to say the word "Rumpelstiltskin". However, getting the shoemaker's elves to return is difficult – he doesn't know how to run his business without the elves doing their work for free, and to Sylvester's delight, the word "Jehoshaphat" will turn elves into mice! The last of the three cartoons funded by the Alfred P. Sloan Foundation. These were surprisingly good for what they are, but at the same time, I don't think it's a huge loss not to have more of them – hearing the Looney Tunes characters talking about economy isn't really what people watch these cartoons for! This short is easily my favorite of the trio – the fairytale take is hilarious at times, especially Sylvester's ways of getting the elves to turn into mice are a lot of fun! The only flaw indeed is how much time (almost two minutes!) is taken up by Elmer's explanation of how businesses should be run – educational, for sure, but I feel it takes a bit too much time out of an otherwise very funny cartoon. An underrated and enjoyable cartoon in any case!
    9.5
    Wideo Wabbit
    Directed by Robert McKimson
    Bugs sees a want ad looking for a rabbit to appear on TV. He applies, not knowing that his appearance will be on The Sportsman's Hour, to be shot by hunter Elmer Fudd. After the rabbit gets away from the hunter, the two end up on various sets, with Bugs constantly outwitting Elmer. Great gags – the TV shows parodied here may not be remembered that well today, but there's plenty of fun and randomness anyway! We see Bugs asking Elmer a famous loaded question, a Liberace parody and various other comedic scenes. Definitely worth a watch!
    10
    There They Go-Go-Go!
    Directed by Chuck Jones
    The hungry Wile E. Coyote (Famishius fantasticus) again tries to catch the Road Runner (Dig-outius tid-bittius). This time, he uses a gun on a spring, a wheel full of dynamite sticks and a pile of boulders, among other things. Maybe not a revolutionary entry, but another good one in the series – funny gags, with the coyote again showing a lot of personality through his expressions.
    9

    Two Crows from Tacos
    Directed by Friz Freleng
    Two Mexican crows, José and Manuel, try to catch a grasshopper. But they get outsmarted by him and only end up getting hurt themselves. The two crows would return in another cartoon several years later – while they might not quite have the appeal of the previous Mexican character used by Freleng (Speedy Gonzales), I like them anyway, especially Manuel is amusing in his stupidity, with José being more cunning and often getting mad at his friend. Along with the good gags, this makes the short an enjoyable one, even if it isn't an absolute classic. Freleng would later use very similar characters (except as frogs instead of crows) in the Tijuana Toads series at his own DePatie-Freleng studio, even voiced by the same actors (Don Diamond and Tom Holland).
    9

    The Honey-Mousers
    Directed by Robert McKimson
    A mouse couple, Ralph and Alice Crumden, are struggling to find anything to eat since the people moved out of the house. Ralph's friend Morton shows up to tell him a new family moved in. The male mice go to get some food, but to their shock, there's also a cat in the house. They have to come up with a scheme to outwit the cat. A parody of the then popular TV series The Honeymooners with the characters turned into mice. While I'm not very familiar with the show parodied here, I think the characters are still entertaining enough to add some appeal to the typical cat and mouse chase. All three characters are amusing with their distinct personalities (the brash Ralph, the not very intelligent Morton, and Alice who's quite unamused with her husband's antics) and get their moments to shine, and there are some nice gags, particularly the last scene. The Honey-Mousers would appear a couple more times in McKimson's cartoons, but they never became very popular.
    8.5
    To Hare Is Human
    Directed by Chuck Jones
    Wile E. Coyote, genius, is trying to catch and eat Bugs Bunny. But even a genius won't find it easy against Bugs. He consults the "UNIVAC Electronic Brain" for his next move, using everything from dynamite to hand grenades in process. The second cartoon to pit the coyote against Bugs is another very good one. While the Road Runner cartoons were generally completely separate gags (the only thing in common being Wile E. trying to catch him), this has the computer and its suggestions as a theme throughout the short. While this might not be as well known as "Operation: Rabbit", it's definitely a worthy follow-up.
    10

    Additionally, a short cartoon was produced for the U.S. Army. While not a part of the Looney Tunes and Merrie Melodies series, it did feature a character who had appeared in one of the shorts (and would make a couple more appearances later on)!


    90 Day Wondering
    Directed by Chuck Jones
    Ralph Phillips is over the moon about getting out of the army. But he then feels out of place with everything seemingly having changed and starts thinking about re-enlisting. "Pete, the Civilian's Friend" tries to convince him how great life is as a civilian, but then "Re-Pete" shows him how much better things are in the army. Very similar in idea to "A Hitch in Time", but I think this one is the better short of the two, with faster pacing and stronger characters. And yes, this features the same Ralph Phillips from "From A to Z-Z-Z-Z", but now as an adult. This wouldn't be his last appearance in an army film...
    8

    1956 was another nice year for the WB cartoons – maybe slightly weaker than the earlier years of the decade, but again, the quality was still quite consistently high. I feel this year kind of started a new period for the studio where the focus was more on making new cartoons with the earlier stars than introducing new ones, though the Honey-Mousers and José and Manuel had at least a little longevity. This will continue to be the case for at least some time...
  17. Tacodidra

    Looney Tunes
    This year will bring us several debuts of memorable secondary characters, one of whom would eventually become one of the best-known Looney Tunes characters in the later decades. There's also a technological advance of sorts: as many theaters had started showing films in widescreen, the WB cartoon studio also started taking this into account. While the cartoons continued to be produced in full-screen for the rest of the run, they were now designed with both aspect ratios in mind, at least to some extent (this is especially obvious in the opening and closing titles).

    Dog Pounded
    Directed by I. Freleng
    Sylvester is desperately trying to find food when he sees Tweety in a tree. The only problem is that there's a dog pound in the yard, forcing the cat to come up with various methods to catch the bird. The cartoon is very similar to "Ain't She Tweet" from two years earlier (which was one of my favorite Tweety cartoons), but the gags are funny enough to make up for the slight derivativeness. Some great shots with surprise appearances from the bulldogs, and speaking of surprises, there's a funny cameo here...
    9
    Captain Hareblower
    Directed by I. Freleng
    Everyone abandons ship when Pirate Sam attacks, except for Bugs Bunny. The rabbit proves more than a match for the pirate who repeatedly gets blasted by cannons. A good cartoon, but I can't help but find it highly derivative at times. Some of the gags are virtually the same as in "Buccaneer Bunny", though there are some nice new additions like a funny ending. With more new gags, this would have been even more enjoyable.
    8.5
    I Gopher You
    Directed by I. Freleng
    The Goofy Gophers plan to harvest, but their vegetables get taken away. The gophers follow the truck to a food processing plant and wackiness ensues when they try to get the vegetables back. Another cute short with the gopher duo (this time without a rival character), with some fun moments when they get caught up in the machines in the factory. Little creatures interacting with machines was already a source of humor in the series much earlier (like in "Dog Gone Modern" and its remake "House Hunting Mice"), but this is one of the best of its kind. The gophers with their polite personalities and nice dialogue contribute a lot to this.
    9
    Feline Frame-Up
    Directed by Charles M. Jones
    Claude Cat keeps tormenting fellow pet cat Pussyfoot, but when Marc Anthony defends his little friend, the owner just blames the bulldog for bullying Claude. Claude then frames Marc Anthony for trying to harm Pussyfoot, getting him thrown out. The bulldog tries to get justice, but the owner keeps catching him in the act. While not quite reaching the level of the first two Pussyfoot and Marc Anthony cartoons, this is another good one, but less sweet (with Pussyfoot in a much smaller role) and with more slapstick. Claude is extremely unlikable here, making it very satisfying to see Marc Anthony give him his just deserts. A fun entry!
    9.5
    Wild Wife
    Directed by Robert McKimson
    John comes home from work and is annoyed at his wife Marsha for not mowing the lawn – despite having all the time in the world, she still didn't find the time to get anything done. She then tells him about everything she did on the busy day. An unusual WB cartoon – not only is it a one-shot, but one featuring only human characters. It plays on the everyday life of a family and gender roles. While I can't say it's the funniest cartoon the studio made (despite some amusing scenes), it's definitely an interesting one in how different it is – and for the time, it comes off as a surprisingly feminist cartoon, too! Worth a watch!
    8.5

    No Barking
    Directed by Charles M. Jones
    Claude Cat is trying to look for food (especially birds) in the dump, but he soon runs into Frisky Puppy who scares him with his loud barking. This leads to a chase around the dump, with Claude repeatedly getting startled by the dog. There are some funny moments here (including another surprise cameo), but I have to say it again – I'm not a big fan of the Frisky Puppy cartoons, they're among Jones' weaker efforts of the time. This type of cartoon (such as the Curious Puppies) was more appealing in the late 30s and early 40s, now it doesn't really hold a candle to the wilder, more anthropomorphic characters of the time. Frisky Puppy is cute apart from his loud barking, some of Claude's expressions are entertaining... but this kind of cartoon just doesn't do much for me.
    7

    Bugs and Thugs
    Directed by I. Freleng
    Bugs mistakes the car of bank robbers Rocky and Mugsy for a taxi cab and they take him hostage. Bugs comes up with a clever scheme to outwit the gangsters. Bugs has been always been very appealing for his trickster personality, and this short takes full advantage of it! While Bugs had faced gangsters before (in "Racketeer Rabbit"), this cartoon is the first to pit him against the final version of Rocky (who had previously appeared with Daffy and Sylvester and Tweety) and his dumb sidekick Mugsy who makes his debut here. Clever gags, amazing characterizations, brilliant lines – Bugs in his prime!
    10
    The Cats Bah
    Directed by Charles M. Jones
    Pepé Le Pew tells the story of how he found love in the Casbah. Penelope is the pet cat of an American tourist. Some white paint falls on her, leading to the skunk setting his sights on her. Another good Pepé cartoon, largely with the same formula as the previous ones, but with some appealing fourth wall breaking as part of the narrative. This is also the first short to name Penelope.
    8.5
    Design for Leaving
    Directed by Robert McKimson
    Daffy is a salesman, installing a new push-button home for Elmer while he's at work. However, the way the devices work doesn't really impress Elmer... While this doesn't quite reach the level of some previous salesman Daffy cartoons like "Daffy Dilly" and "Fool Coverage", it's an entertaining one, with the unexpected ways the devices (mal)function. Daffy is very fun with his sales pitches, but Elmer's portrayal isn't one of his absolute best – I feel his reactions to Daffy's antics could have been more over the top and funnier.
    8.5
    Bell Hoppy
    Directed by Robert McKimson
    Sylvester tries to join the Loyal Order of Alley Cats, but he keeps getting rejected. But once the leader fails to beat a giant mouse (Hippety Hopper, of course), he tries to find someone to bell the mouse, but since no one else agrees to do it, Sylvester is invited to do it as his initiation to join the brotherhood. His attempts keep resulting in failure and getting beaten by the other cats... A new variation on the Hippety Hopper cartoons, and a very funny one at that! The cats' antics are entertaining to watch, especially Sylvester's attempts to avoid getting beaten – the kangaroo is overshadowed by the rest of the cast here. McKimson was doing well to keep the series from becoming too formulaic.
    9.5
    No Parking Hare
    Directed by Robert McKimson
    A freeway is being built, and Bugs' rabbit hole is in the way. When he refuses to move out of his home, a construction worker tries to destroy it, but the rabbit keeps outwitting him. The second time Bugs has met an unpleasant construction worker, the first one having been "Homeless Hare", and like that one, it's a brilliant cartoon! Bugs is witty, there are various funny gags with the man failing to destroy Bugs' home (with some amusing reactions from him), lively animation...
    10
    Dr. Jerkyl's Hide
    Directed by I. Freleng
    Two dogs, Alfie and Chester, go beat up cats and come across Sylvester again. The cat hides in Dr. Jerkyl's laboratory and drinks a potion that keeps turning him into a monster. Whenever Alfie faces the cat, the monstrous cat beats him badly, while Chester only keeps seeing the normal cat. This pretty much reuses the plot of "Tree for Two", to the extent of featuring the same dog characters (except they now have Cockney accents, and Spike has been renamed Alfie). The accents add new personality and appeal to the characters, and there's also an addition to the plot near the end... However, I don't think this otherwise quite reaches the level of its predecessor (mostly because the concept doesn't have the same novelty), but it's still a very entertaining cartoon. The Jekyll and Hyde theme has been used in the WB cartoons many times, and this wouldn't be the last time even for Sylvester...
    9
    Claws for Alarm
    Directed by Charles M. Jones
    Porky decides to spend the night in Hotel Dry Gulch despite his pet cat Sylvester's worries. The cat prevents mice from harming his owner multiple times, but the unaware pig just thinks his pet has gone mad. A sequel to 1948's "Scaredy Cat" – while the horror elements in that one were stronger, I think this is the funnier short with Porky's great lines and a hilarious last scene! While the suspenseful atmosphere of the Porky and Sylvester shorts was rare for the WB cartoons, they seem to have been somewhat popular, as one more would be released the following year.
    10

    Little Boy Boo
    Directed by Robert McKimson
    The cold winter is coming, and Foghorn Leghorn needs a warm place to stay in. He decides to propose to widow hen Prissy in order to stay with her. She wants to know if Foghorn is a good father to her son before marrying him. He goes to play games with the kid, but the boy's mathematic genius proves to be at odds with Foghorn's methods. The first appearance of Prissy's son, later known as Egghead Jr. The way the boy genius plays Foghorn's games (solving everything with equations) and reacts to the things he says is hilarious – unlike Foghorn's previous foils, he doesn't even try to do anything against the rooster, but things just end up going badly for Foghorn, mostly due to his own foolishness (contrasting well with Egghead Jr.'s intelligence). Very simple but also very funny! The smart kid would return for a couple more appearances in later Foghorn cartoons.
    10

    Devil May Hare
    Directed by Robert McKimson
    All the animals are running away from the Tasmanian Devil who eats pretty much any species there is. He meets Bugs Bunny, who tries to outwit him by pretending to help him hunt various animals. The first appearance of the Tasmanian Devil, or Taz, as he's often called. Similarly to Marvin the Martian, he would only make a few appearances in the classic era, but has since become one of the most popular characters in the series with his appearances in later series and merchandise. Based on his debut, it's easy to understand why Taz became such a beloved character. Besides his unique design, the character is an entertaining one – while he mostly communicates with grunts and growls, what little dialogue he has is hilarious. Bugs' attempts to defeat him are likewise great, and he also gets some nice lines in. A worthy debut for a significant secondary character!
    10
    Muzzle Tough
    Directed by I. Freleng
    Granny is moving into a new home, and Sylvester notices Tweety among the things being moved. He comes up with various schemes to sneak in and catch the bird, with Granny's bulldog proving an obstacle. Some funny and violent gags here, with strong portrayals of all characters. An above average entry in the series... and that title pun is a winner, too!
    9.5
    The Oily American
    Directed by Robert McKimson
    Moe Hican is a rich Mohican, living in a mansion. His riches allow him to do everything while at home, including hunting in a special forest room. Today he's hunting a moose, but it proves hopeless, with his servant Jarvis constantly getting hurt. The idea of a rich character doing everything inside his mansion is a fun one, maybe it could have been utilized for even more gags. The characters in this one-shot are decently entertaining despite being a bit one-note – there's obviously some stereotypical content here, but not as bad as in some earlier shorts. The little moose is my favorite with his cleverness, constantly outwitting the hunter. Not bad, but not a real standout either.
    8

    Bewitched Bunny
    Directed by Charles M. Jones
    Bugs is reading the story of Hansel and Gretel (Hansel? Hansel?) when he sees the witch inviting the two kids into her house. He saves them from a terrible fate, but the witch now decides to have rabbit stew for supper instead! The first appearance of Witch Hazel, as she would be named later. The cartoon is a very entertaining one, with memorable gags, entertainingly portrayed characters (especially the witch, voiced brilliantly by Bea Benaderet) and some great quotes from the characters. An excellent take on a fairytale that surprisingly hadn't got a Looney Tunes parody until now!
    10
    Satan's Waitin'
    Directed by I. Freleng
    While chasing Tweety once again, Sylvester falls off a roof and dies. Having been a bad pussycat, he ends up in Hell. Thankfully, cats have nine lives, but chasing birds can be dangerous... This is a strong candidate for my favorite cartoon in the entire Sylvester and Tweety series. The theme is something very different from the usual cartoon in the series, and the cartoon manages to be both disturbing and funny at different times. The characters are great: The devil (a bulldog) is fittingly creepy and plays a big part in the plot (tempting Sylvester to chase Tweety again and again). Tweety has some cute moments, but Sylvester is definitely the big star here – Mel Blanc gives him a brilliant vocal performance (as he does for the other characters), he's likable despite being the villain, and while gruesome, his deaths are also quite comedic. One of Freleng's greatest masterpieces.
    10
    Stop! Look! And Hasten!
    Directed by Charles M. Jones
    Wile E. Coyote (Eatibus Anythingus) chases the Road Runner (Hot-roddicus Supersonicus). Besides the usual boulders and dynamite, his plans include a Burmese tiger trap and leg muscle vitamins. One of the strongest cartoons in the Road Runner series – there's some very expressive animation for the coyote, some of the gags are quite surprising, and the opening humorously emphasizes the coyote's hunger. Jones even includes a nice variant of the end titles, as he would do a few times in the Road Runner cartoons.
    10
    Yankee Doodle Bugs
    Directed by I. Freleng
    Bugs' nephew Clyde is having a test on American history today, but he is struggling to memorize the names and dates. His uncle helps him by telling him how it all (supposedly) happened and the role rabbits played in the events. A funny and random take on history, with various entertaining puns and visual gags. Clyde Bunny's second appearance resembles his first in that his uncle Bugs is again telling him a story of questionable validity, but this is easily better than "His Hare Raising Tale" was – better gags, no recycled footage, and even Clyde's slightly refined design is better. This was the last we saw of him in the classic era, but a good farewell, even if it's mostly down to Bugs.
    9
    Gone Batty
    Directed by Robert McKimson
    In the baseball game between the Greenville Goons and the Sweetwater Shnooks, the Goons dominate and eventually the Shnooks' pitchers are all injured. Their mascot Bobo the elephant takes over, showing quite a lot of skill at the game. Freleng's classic "Baseball Bugs" immediately comes to mind – some of the gags here are essentially the same, though that short admittedly also recycled gags from earlier baseball cartoons. It doesn't quite reach the level of that short, but it's certainly a nice one in any case. Bobo had debuted in 1947's "Hobo Bobo", and seeing him brought back so many years later is a surprising decision. But the cute elephant manages to add a lot of appeal to the cartoon, even if I preferred his debut. And hey, it looks like his dream in that one of becoming a baseball player did come true in the end!
    8.5
    Goo Goo Goliath
    Directed by I. Freleng
    A stork is drunk after the last parents he delivered a baby to gave him champagne. As he's unable to deliver a giant baby to his parents at the top of a beanstalk, he leaves him with a regular-sized family and chaos ensues. A funny and cute short with some nice gags related to how the family takes care of the huge baby (and even gets helped by him on occasion). The stork character is my favorite here, though – besides again being the catalyst for the plot, he's just as amusing as he was in "A Mouse Divided".
    8.5

    By Word of Mouse
    Directed by I. Freleng
    Hans, a German mouse from Knöckwurst-on-der-Rye, tells his family about his trip to America. There he's amazed by the living standards of both humans and mice. The American mouse Willie gets his professor friend to explain how competition in business keeps prices low for the customers. However, the mice also have to avoid getting eaten by Sylvester. The start to a strange chapter in the WB cartoon history: the Alfred P. Sloan Foundation paid the studio to produce cartoons promoting capitalism – the studio had made many commissioned shorts before, but this was the first time such films would be released as Looney Tunes or Merrie Melodies. Three of these would be made (all directed by Freleng and featuring Sylvester), this one being the first. It feels a bit strange to have the characters give an economy lesson in the middle of the cartoon antics, but thankfully the educational/propaganda aspect isn't too on the nose in most parts. It still manages to be an entertaining cartoon – and fittingly, there are even some economy-related puns!
    8

    From A to Z-Z-Z-Z
    Directed by Charles M. Jones
    Ralph Phillips is a student at Valley View school, but he tends to get distracted while studying due to his tendency to daydream. Despite the teacher's best attempts to stop him from doing so, Ralph keeps dozing off and going on exciting adventures. Another cartoon with a largely human cast. Creating a short entirely based on a little boy's dreams is an unusual concept... but Jones does this brilliantly! The dream sequences are obviously the highlight of the cartoon, with Ralph being shown in various fantastic settings, with some interesting visuals. A simple idea done very impressively! This cartoon even got the studio another Oscar nomination (for 1953) after three years of being ignored, but it lost to Disney's "Toot, Whistle, Plunk and Boom" (which coincidentally also took place at a school).
    10
    Quack Shot
    Directed by Robert McKimson
    When Daffy sees Elmer hunting ducks, he comes up with various schemes to annoy the hunter. But most of Daffy's attempts backfire and end with him getting shot over and over. An unusual cartoon in that Elmer seems to have the upper hand most of the time (even in cartoons with Daffy, this was generally only the case when Bugs was involved too). It's a fun cartoon, Daffy and Elmer are a combination that always seems to work well!
    9
    My Little Duckaroo
    Directed by Charles M. Jones
    The Masked Avenger (Daffy Duck) and his comedy relief sidekick (Porky Pig) go to arrest the notorious criminal Nasty Canasta. But the Masked Avenger's attempts to arrest the villain don't seem to have any effect on him. This is very much in the vein of "Drip-Along Daffy", with Daffy and Porky having similar roles and the same villain making an appearance. This might in fact be the cartoon's big flaw: while it certainly has some amusing gags (especially Daffy's extended attempts to get a reaction from the villain), it will inevitably be compared to its predecessor, and that comparison will be pretty one-sided. An entertaining Daffy cartoon in any case, even if it's not a standout like Canasta's debut was.
    8.5
    Sheep Ahoy
    Directed by Charles M. Jones
    Ralph Wolf (called George here) is again trying to steal sheep, with Sam Sheepdog (called Fred, or Ralph in another scene) foiling his attempts. He uses an ACME smoke screen bomb, a rock costume and a giant balloon among other things. Very much in the style of the characters' debut in "Don't Give Up the Sheep", I found this one to have great and imaginative gags – possibly even better than the first time around (the artificial rock scene being my favorite). The clock punch gag is also here, but there's a twist on it, which I think further improves it!
    10
    Baby Buggy Bunny
    Directed by Charles M. Jones
    Little bank robber Ant Hill Harry, also known as Baby-Face Finster, gets away by disguising himself as a baby. When his loot falls in Bugs' rabbit hole, he pretends to be an abandoned baby in order to get it back, while the rabbit takes care of "Finster". One of the funniest Bugs shorts – a great idea for a cartoon, with excellent gags! Baby-Face Finster is an amusing character with his act, and Bugs himself is portrayed hilariously, showing his usual cleverness.
    10

    Three more theatrical compilations of earlier cartoons were released this year: "Bugs Bunny's Cartoon Carnival", "Bugs Bunny's Cartoon Jamboree" and "Bugs Bunny's Cartoon Festival". These also had specifically made trailers produced by the studio, again consisting of footage of the featured shorts and new illustrations of the characters rather than actual new animation.

    Another strong year, maybe not quite the all-time best but up there anyway. The debut of Taz is obviously the most notable event in retrospect, though Egghead Jr. and Witch Hazel would also become memorable recurring characters. With the Oscar nomination, the studio was also again getting some acclaim within the industry – could 1955 prove even better?
  18. Tacodidra

    Looney Tunes
    This year, Chuck Jones introduces yet another new pair of characters. There are also several all-time classics in the mix! On a more negative note, the WB cartoon studio was temporarily shut down this year, but thankfully that didn't affect the release schedule due to the existing backlog of cartoons.
     

    Don't Give Up the Sheep
    Directed by Charles M. Jones
    A hungry wolf tries to steal a bunch of sheep, but a sheepdog watches over the herd and foils all his attempts, for which he uses a bush disguise, pan pipes and a wildcat among other things. The first appearance of Ralph Wolf and Sam Sheepdog, though not yet with their familiar names (the sheepdog is the one called Ralph here with no name mentioned for the wolf). Very much in the spirit of the Wile E. Coyote and Road Runner cartoons, including the wolf having a very similar design to the coyote. The gags are similarly clever, several of them take unexpected turns (especially an extended gag involving a tree) even if we know the wolf will fail. This is also an interesting take on the chase cartoon: while the wolf is more of a typical cartoon predator, for the sheepdog the whole thing is his job (complete with gags related to clock punching). So we can say it's a combination of the familiar cartoon antics with something all new, and a great one at that.
    10
    Snow Business
    Directed by I. Freleng
    A blizzard keeps Granny from getting food for Tweety and Sylvester, and to the cat's disappointment, they have no food in the house except for bird seed. Craving cat food, Sylvester comes up with schemes to eat Tweety who's unaware of what's going on, while a starving mouse tries to eat Sylvester! Another good one. Sylvester's portrayal is one of the most likable yet – while he does try to eat Tweety, it seems he's only doing it due to a lack of other suitable food and is the victim of another hungry animal himself. Tweety is adorable, his naivety only adding to that, and the mouse also gets some good scenes.
    9

    A Mouse Divided
    Directed by I. Freleng
    Sylvester's wife is sad that they've never had a baby. Meanwhile, the stork is drunk and unable to fly, leaving a baby at the cats' doorstep. The big problem is that the baby is a mouse – while the new mother immediately falls in love with him, the father tries to eat him. Things soon take a different turn, though... An enjoyable and at times very cute cartoon. While Sylvester was shown as having a son in a couple of earlier shorts, this one shows more sides to what he's like as a father. And there's the amusing drunken stork – while one already appeared in "Baby Bottleneck", the newly designed Freleng version would appear as a plot device in several of his cartoons.
    9.5
    Forward March Hare
    Directed by Charles M. Jones
    A letter from the army, sent to Bertram Bonny, falls into Bugs' rabbit hole. Misreading the recipient as "B. Bunny", he believes he's been drafted. He joins the army, baffling various people and especially causing a hapless sergeant a lot of grief. This is a cartoon I've always loved – Bugs' antics in the army are hilarious, as are the others' reactions to seeing a rabbit in the army, while you can't help but feel for the poor sergeant at the same time! The military theme is something the crew always handled really well, even in peacetime!
    10
    Kiss Me Cat
    Directed by Charles M. Jones
    The owners of Pussyfoot and Marc Anthony find a mouse in the kitchen. If Pussyfoot doesn't start catching mice, they'll have to get a new cat. Marc Anthony doesn't want to lose his little friend, so he tries to teach him to catch mice, with little success. The adorable cat and dog duo had a brilliant debut the year before in "Feed the Kitty", and while this second one isn't as well known as its predecessor, it doesn't pale much in comparison when it comes to quality. Various cute moments with the (now officially named) cat and dog, entertaining gags... Marc Anthony has some great expressions here, and it's fun to watch what he comes up with to protect his friend (and the mouse gets some good moments too). A sweet short that's definitely worth watching if you liked the first one!
    10

    Duck Amuck
    Directed by Charles M. Jones
    Daffy is a musketeer, but he soon notices the scenery is missing. This starts a series of events where the animator constantly makes modifications to the scenery and sometimes Daffy himself, to the duck's great frustration. The Looney Tunes characters have often broken the fourth wall and occasionally even acknowledged that they are cartoon characters, but this short takes it to a whole new level, as the entirety of the short features an animator's interactions with Daffy and the rest of the cartoon. This makes for one of the most unpredictable cartoons in the series, and Daffy is a perfect character for it with his hilarious reactions and great lines. All in all, one of the most memorable WB cartoons. And indeed, it's one of the four WB cartoons that have been chosen for preservation in the National Film Registry. Further showing its popularity, it's also the highest-rated WB cartoon on the IMDb!
    10
    Upswept Hare
    Directed by Robert McKimson
    Elmer Fudd finds a beautiful desert flower for his tropical garden, and since the flower needs its native soil to grow, he digs up plenty of it too. Unfortunately for Elmer, Bugs is brought to his penthouse along with the soil and proves to be a nuisance to him, with his neighbor downstairs also getting caught up in the mess. This is another funny effort where both of the main characters get some good moments. Despite the plot being rather similar to some earlier ones like "The Wabbit Who Came to Supper", there are enough new gags to keep it entertaining.
    9
    A Peck o' Trouble
    Directed by Robert McKimson
    Dodsworth sees a woodpecker in a tree and wants to have the bird for breakfast. But he's lazy, so he comes up with a different plan: he gets a little kitten to catch the woodpecker for him under the pretense of learning. The bird proves too clever for the cats to outwit. Dodsworth and the kitten were appealing characters on their debut the previous year, and this second and last cartoon is another enjoyable one in the same vein. Despite his lack of dialogue, I think the adorable kitten (changed from white to yellow here) steals the show again. The ending is particularly funny and cute!
    9
    Fowl Weather
    Directed by I. Freleng
    Granny tells Hector the bulldog to watch Tweety while she's away, or else she'll shoot him! As soon as she leaves, Sylvester goes after the bird, leading to a chase around the farm, also involving a group of chickens. Freleng continues the recent trend of having most Sylvester and Tweety cartoons take place in different settings, this time on a farm. And this proves to be a great decision, as there are plenty of great farm-themed gags, with a tough rooster particularly shining in his role. The regular cast is great too – Sylvester's failed plans are fun to watch as always, Tweety gets to break the fourth wall in addition to the usual adorableness, and Hector (the first of many times that name was used for the bulldog) has more personality than usual, too.
    10
    Muscle Tussle
    Directed by Robert McKimson
    Daffy is on the beach with his girlfriend when a muscular white duck shows up. She leaves Daffy for the strong guy, thinking he's a coward for not wanting to fight him. A salesman cons Daffy into buying a mixture that will supposedly make him strong, leading him to show off to the couple. A slightly less remarkable cartoon compared to what we've had lately, but it's a nice one to watch in any case. No idea what Daffy saw in that girl, though!
    8.5
    Southern Fried Rabbit
    Directed by I. Freleng
    Bugs reads about there being a record carrot crop in Alabama, so he decides to head south. The only problem is that he meets Confederate soldier Sam, still preventing Northerners from crossing the Mason-Dixon line almost ninety years after the end of the Civil War. Bugs uses various disguises to outwit him. Some scenes in the cartoon have made it quite a rarely aired one, particularly Bugs' slave/Lincoln routine (which Daffy had done before in 1949's "Wise Quackers"). Controversy notwithstanding, I think this is a very strong Bugs cartoon with the bunny in his prime trickster mode, with Mel Blanc giving him a really appealing vocal performance. Sam is an entertaining foil for him with his reactions to Bugs' antics. Not the best "Northerner goes to the South" WB cartoon (that honor goes to "Dog Gone South"), but very close to it in any case!
    10
    Ant Pasted
    Directed by I. Freleng
    Elmer is having a picnic on the 4th of July and shooting firecrackers. After he throws a few at ants for fun, they declare war on him. This reminds me of some earlier Freleng shorts like "The Fighting 69½th" (which also had ants at war) and "Of Thee I Sting" (another one with insects attacking a human). It's an entertaining effort with some amusing explosion gags. Also nice to see Elmer appear without his usual co-stars once in a while, even if there is just as much focus on the ants as on him!
    8.5
    Much Ado About Nutting
    Directed by Charles M. Jones
    A squirrel goes to a nut stand, and each type of nut he sees is bigger than the last one. He takes a coconut with him, but he can't crack it open no matter what he tries. For a cartoon based on such a simple idea, this is a fun one: the consequences of his failed attempts to crack the nut are amusing, and the squirrel himself is very cute! The pantomime approach is something Jones was a master at (like in the Road Runner cartoons), and it works very well here, letting the great visuals do their job.
    9.5
    There Auto Be a Law
    Directed by Robert McKimson
    Various spot gags about cars, showing us how they've developed over time, as well as ones about traffic today. A running gag involves a man who has got lost in an overpass and tries to get back on the highway, asking a hamburger stand owner for help. This feels like a combination of cartoons from two different periods: the designs are very much the 50s style (resembling the cartoons produced by UPA), but the idea of the short calls back to when Tex Avery was at WB and made a lot of these spot gag cartoons. This is very much in the same spirit with a lot of corny jokes about a specific theme. I think this is a nice return for that type of cartoon, something different for the time, even if it doesn't quite have the wildness of the typical WB cartoon of the early 50s.
    8
    Hare Trimmed
    Directed by I. Freleng
    Sam hears about a rich widow who has inherited a million dollars. He plans to marry her and use the money for nefarious means, so Bugs does his best to prevent it from happening. A rare occasion when Granny (whose first name is revealed to be Emma) was used outside the Sylvester and Tweety shorts. She does well in the unusual role of the rich lady, but Bugs and Sam are the stars of the film with their strong portrayals, including some great dialogue. The impressive run of entertaining Bugs and Sam cartoons continues!
    9.5
    Tom Tom Tomcat
    Directed by I. Freleng
    Tweety and Granny are traveling on their wagon when Sylvester, here an Indian cat, spots them. The whole tribe proceeds to attack the duo, but their attempts constantly get foiled as Granny defends their fort. Another rather controversial and consequently rare cartoon – Native American stereotypes outlasted others in these cartoons. Apart from that, there are a few other differences from the typical Sylvester and Tweety cartoon: Granny has one of her most significant roles yet, getting pretty much equal screen time with Tweety, and there is a large group of cats they have to deal with rather than just Sylvester. Solid but not spectacular.
    8
    Wild over You
    Directed by Charles M. Jones
    A wildcat escapes from a Paris zoo. She paints herself to look like a skunk to evade a policeman, but things take a bad turn when Pepé Le Pew falls for her. Even getting scratched by the wildcat doesn't deter the skunk. This mostly uses the familiar formula for the Pepé cartoons, except there's yet another new skunk lookalike being chased by him. It's an entertaining one, thanks to a great portrayal of Pepé, with many amusing lines. These shorts are definitely better than I remembered!
    9

    Duck Dodgers in the 24½th Century
    Directed by Charles M. Jones
    The world supply of the illudium phosdex shaving cream atom is low, so incompetent hero Duck Dodgers goes to Planet X, the only place left that has this scarce element. With the help of the Eager Young Space Cadet, Dodgers manages to fly there, but he has to face Marvin the Martian who has also arrived on the planet. Another cartoon to use Daffy as the bumbling "hero" showing off and Porky as his smart sidekick who does all the actual work. But this is easily the most influential of such cartoons – while the Duck Dodgers persona wouldn't make another appearance in the classic era, he proved influential to the extent that Jones and writer Michael Maltese finally created a sequel almost three decades later, and an entire TV series was made in the 2000s. And this unusual success is perfectly understandable – the cartoon is a standout with its imaginative gags and sharp portrayals of the characters, as well as the futuristic space theme that appeals even today.
    10
    Bully for Bugs
    Directed by Charles M. Jones
    Bugs tries to dig his way to the Coachella Valley for the carrot festival, but he ends up in the middle of a bullfight instead. After getting attacked by the bull, he becomes a bullfighter, using ingenious methods to defeat it. Inspired by producer Edward Selzer's insistence that bullfights weren't funny. Jones definitely proved him wrong – this short has some of the best personality animation in the series (especially the bull), excellently timed gags, amusing lines from Bugs... An undeniable classic.
    10

    Plop Goes the Weasel!
    Directed by Robert McKimson
    The Barnyard Dawg is guarding the chickens, and Foghorn decides to annoy him by letting some little chicks go under the fence and making him catch them. Soon a weasel shows up and tries to snatch them, and the dog keeps kicking him out, while Foghorn comes up with more schemes. Another very entertaining Foghorn cartoon – the plot is somewhat similar to the Henery Hawk cartoons (including Foghorn and the dog trying to make the weasel chase the other one), but with a new weasel character who would show up in a couple more cartoons after this. He's a funny character with his voice ("Yeah, yeah, yeah") and design – with his mannerisms, I think he could be considered a predecessor of another McKimson character that would debut the following year... This may not be a groundbreaking effort, but a very well done one anyway!
    9.5

    Cat-Tails for Two
    Directed by Robert McKimson
    Two cats, Benny and George, go on a Mexican ship to find some food, namely Mexican mice. But the mouse they find proves to be difficult to catch. "Speedy" Gonzalez, the fastest mouse in all Mexico, is too fast and clever to fall for their traps, with the cats instead suffering various misfortunes. The cat duo is a funny one, especially the dumb Benny who had debuted in "Hoppy-Go-Lucky" the previous year. But of course this short's historical importance lies in the third character. This was the first appearance of Speedy Gonzales, as his name would be spelled in his later cartoons. The mouse already had his familiar voice and Spanglish here, though his design would be altered significantly for the later shorts (I think this early one is also very cute), and his personality is a bit more of the trickster variety here. The gags are great, making this a worthy debut for one of the biggest later WB cartoon stars.
    9.5
    A Street Cat Named Sylvester
    Directed by I. Freleng
    It's winter, and Tweety is out in the cold. He knocks on the door of a house and is taken in by Sylvester who plans to eat him – but the cat has to prevent Granny from finding out he has brought the bird in. Hector the bulldog tries to protect Tweety despite having his leg in a cast. Unusually, Sylvester is portrayed as Granny's pet here but Tweety isn't. Some cute dialogue, such as Sylvester paraphrasing Tweety's catchphrase and funny fighting between the cat and the dog, with Granny getting involved with some awful-tasting medicine. Maybe not my favorite in the series, but a solid entry anyway.
    9
    Zipping Along
    Directed by Charles M. Jones
    The Road Runner (Velocitus tremenjus) is again chased by Wile E. Coyote (Road-runnerus digestus). The coyote's attempts include a hand grenade, mousetraps and hypnotism. While following the successful formula from the first three cartoons, there are a few changes. Here, the two characters start having different Latin names in every short, after the earlier shorts had kept reusing the same ones (just with slight differences in spelling). The end gag of the Road Runner driving or riding on a vehicle is also gone – it would indeed have got old pretty soon if they had kept using it. Another strong entry with the usual expressive animation, this time with the Road Runner slightly more active in foiling the coyote's plans.
    9.5
    Lumber Jack-Rabbit
    Directed by Charles M. Jones
    Bugs wanders into Paul Bunyan's country and is delighted to find giant carrots there. However, the lumberjack sends his likewise giant dog Smidgen to guard the vegetable garden. The dog starts chasing Bugs. Apart from some nice visuals and Bugs' likable performance of "Jimmy Crack Corn", I don't find this a particularly memorable entry in the Bugs Bunny filmography – nice to watch, but that's about it. It does have a significant place in WB cartoon history, though. It was their only classic cartoon to be produced in 3D – a rather short-lived craze in the film industry. Sadly, only a 2D version is available to watch nowadays, but there are several parts that I can imagine looked quite impressive in 3D.
    8
    Duck! Rabbit, Duck!
    Directed by Charles M. Jones
    It's duck season, but Daffy has changed all the duck season signs to rabbit season ones. Elmer is again out hunting, but Bugs keeps showing various signs to make him repeatedly shoot Daffy instead. The third entry of the Hunting Trilogy, which takes place in winter unlike its predecessors, is a worthy conclusion. Bugs showing signs about what season it is in reaction to Daffy's statements ("I'm a dirty skunk!") is a great running gag, and the ending here challenges "Rabbit Fire" for my favorite in the trilogy. The animation and vocal performances give the characters a lot of personality, all the gags are amazing – one of the best cartoons of its time.
    10
    Easy Peckin's
    Directed by Robert McKimson
    A fox tries to steal chickens from the J.C. Henny Poultry Farm, but George, a strong rooster, is guarding the hens and constantly thwarts the fox's attempts. Though the theme is nothing new, the cartoon is quite clever with the comedic personalities and imaginative gags. This is all accompanied by a great soundtrack by Carl Stalling, including a fun arrangement of the William Tell Overture. An impressive one-shot cartoon.
    9.5
    Catty Cornered
    Directed by I. Freleng
    A group of gangsters led by Rocky has kidnapped Tweety, holding him for ransom. The bird's attempts to escape constantly fail. Sylvester is also nearby, trying to eat Tweety. Another interesting take on the Sylvester and Tweety series – Rocky from "Golden Yeggs" is a surprising foil for the duo, but it's entertaining to watch, with essentially everyone in the cartoon pitted against one another at some point. The story also gets a nice conclusion, even if it's not quite what one of the characters might have wanted...
    9
    Of Rice and Hen
    Directed by Robert McKimson
    Prissy is jealous of how all the other chickens have children, so she decides to go find a husband. She sets her sights on Foghorn Leghorn, but the rooster shows no interest in her. But the Barnyard Dawg, in his eternal rivalry with Foghorn, comes up with a plan... This second Foghorn and Prissy cartoon is another very good one, with an entertaining portrayal of the hen... and the entire cast, really: Foghorn has some amusing lines yet again and the dog's scheme is a fun one. And I must mention it: the title is one of the cleverest we've had!
    9.5
    Cats A-weigh!
    Directed by Robert McKimson
    Sylvester and his son are going around looking for food. Sylvester Jr. is tired of being an alley cat, and the two cats soon find a solution. The crew on a ship is looking for a cat to catch all the mice on board, and Sylvester applies for the job. While Junior was supposed to help his father, he ends up doing all the work while the father lazes around, until a "giant mouse" (Hippety Hopper) appears. One of my favorites in the Hippety Hopper series – Sylvester Jr. and the kangaroo are both adorable, and Sylvester Sr. has a very funny portrayal here with some great lines and reactions. I also like the turn the story takes near the end!
    9.5
    Robot Rabbit
    Directed by I. Freleng
    Bugs is eating carrots in Elmer Fudd's carrot patch, and the hunter tries to shoot him. But after getting outsmarted once again, Elmer gets a robot to get rid of the rabbit once and for all. But the machine proves to be no match for Bugs either! For the first time in several years, Freleng uses Elmer in a Bugs Bunny cartoon (he generally preferred to use Yosemite Sam as Bugs' foil). It's an excellent one, showing Friz should maybe have done more with the hunter. Bugs is a lovable trickster defeating both man and machine, there's some appealing character singing (Bugs and Elmer's duet of "In a Little Red Barn" is sheer fun), great gags... And a special mention to the "robotic" off-key arrangement of "What's Up Doc?" over the opening titles!
    10
    Punch Trunk
    Directed by Charles M. Jones
    A five-inch elephant (later named Teeny by a little girl) comes to America on the S.S. Michael Maltese. Various people encounter the elephant with comedic consequences. A memorable one-shot where the people's hilarious reactions to Teeny provide for some great gags – we get some very funny lines and brilliant animation. This is essentially a bunch of variations on the same gag rather than a progressing story – quite an unusual cartoon for the series, but an extremely enjoyable one at that!
    10

    The Looney Tunes characters also started appearing in theatrical compilations of earlier cartoons. This year, the first of these was released: "Bugs Bunny's All-Star Cartoon Revue". The cartoon studio also created a short trailer to advertise this compilation – little new animation was created for it, but besides clips from the featured cartoons, it contained some nice new illustrations of the characters.

    This year was another strong one, though maybe one whose real significance would only be realized later – Speedy Gonzales would become very popular after a redesign, and "Duck Amuck" and "Duck Dodgers in the 24½th Century" have become two of the most acclaimed WB cartoons in later decades. Ralph Wolf and Sam Sheepdog probably made the most immediate impact of this year's debuts, becoming recurring characters.
  19. Tacodidra

    Looney Tunes
    This year gives us the return of a few characters we had only seen once before, along with an adorable new pair of recurring characters!

    Who's Kitten Who?
    Directed by Robert McKimson
    Hippety Hopper hops away while in his crate, ending up in a basement. In the same house, Sylvester is trying to show his son how to catch mice. Then the kangaroo shows up and Sylvester stands no chance against him, to the embarrassment of Sylvester Jr. Another nice entry with Hippety Hopper. The basic idea is pretty much the same as in "Pop 'im Pop!", but there's a new added gag (which would be used many more times!) with Sylvester's son being embarrassed by his father's failures to the point of hiding his face with a paper bag. The gags are good – maybe not quite as memorable as last time around, but cute in any case.
    8.5

    Operation: Rabbit
    Directed by Charles M. Jones
    Bugs meets self-proclaimed genius Wile E. Coyote, who is planning to eat him. The coyote uses various devices, such as a pressure cooker and an explosive decoy rabbit, in his futile attempts to catch the rabbit. Wile E. Coyote returns for the first time since his debut in 1949's "Fast and Furry-ous" – this time he gets an official name, and unusually, a voice. While it's quite strange at first to hear him speak, this version of him is very amusing too, especially his constant compulsion to brag about his intelligence. The gags are all great, and the coyote is yet another villain Bugs has impressive chemistry with. The bunny shows he's a genius of sorts too, with the clever and funny ways to outwit the predator. While most of Wile E.'s remaining appearances would be with Road Runner like his first one was, Jones would also pit him against Bugs Bunny a few more times.
    10

    Feed the Kitty
    Directed by Charles M. Jones
    Marc Anthony the bulldog comes across a cute little kitten. At first, he growls at the cat, but the feline soon manages to melt his heart. The dog brings the kitten home with him, but after his owner tells him not to bring anything into the house, he has to hide him. Possibly the sweetest cartoon in the entire series! Pussyfoot (as the cat would later be named) and Marc Anthony are just adorable. For characters that only meow and bark, they're really expressive, which contributes to some very emotional moments in the short. And of course there are the usual funny scenes too! In his early days, Jones was often making cute cartoons, but this was really his greatest success at that! Simply a masterpiece – it's no surprise these two characters would return a few times.
    10
    Gift Wrapped
    Directed by I. Freleng
    It's Christmas, and Sylvester gets a rubber mouse for his present. But he's more interested in Granny's present – Tweety. He tries various schemes to catch the bird, but none of them prove successful. Another entertaining Sylvester and Tweety cartoon. The gags are fun as usual, and the character portrayals are good. Freleng was trying his best to make most of the Tweety cartoons have unique settings or themes despite following the same formula – in this case, the Christmas theme adds a lot of appeal! For the first time, Granny is shown to be the owner of not only Tweety but also Sylvester, which would be the case in most later cartoons featuring her.
    9
    Foxy by Proxy
    Directed by I. Freleng
    The foxhounds are out hunting, including a dumb dog who wants to cut a fox's tail off. Bugs Bunny is annoyed by this, and he decides to play a prank on the dogs by disguising himself as a fox. The dumb dog in particular ends up falling for this. A pretty random plot for a cartoon, but I like this one anyway! The lead dog is very reminiscent of Willoughby who also hunted a fox in one of his cartoons. Nice gags, good characterizations (the dog is funny with his gullibility), and things taking an interesting turn near the end.
    9
    Thumb Fun
    Directed by Robert McKimson
    All the ducks are flying south for the winter, but Daffy decides he'll get there more easily by hitchhiking. After a couple of failed attempts, he manages to force Porky to pick him up. But Daffy repeatedly gets the duo in trouble, while Porky tries to tolerate his nonsense. Daffy is once again hilarious – all the cartoons where he pesters Porky have been very enjoyable! Porky also has some enjoyable scenes, showing some cleverness here! Another great short.
    9.5
    14 Carrot Rabbit
    Directed by I. Freleng
    In the Klondike, Chilkoot Sam steals gold other people have found, but he's not getting much anyway. Bugs Bunny, on the other hand, keeps finding a lot of it and selling it for just a couple of carrots a piece. Sam convinces Bugs to become his partner in gold digging, planning to take it all for himself. Bugs and Sam are another pair of characters that are always fun, even if this isn't one of their absolute best. The characters' portrayal are entertaining, and the animation of Bugs shaking whenever he finds gold is a particular highlight. The gags are good but rather average by Bugs levels, apart from a great (and slightly weird) ending!
    8.5
    Little Beau Pepé
    Directed by Charles M. Jones
    Pepé Le Pew, disillusioned with his bad experiences in love and completely unaware of his stench, tries to enlist in the French foreign legion. The skunk scares the entire legion and they run away. He prepares to defend the fort himself until he falls in love with the legion's cat mascot, who has accidentally got a white stripe painted on her back. Another variation on the usual Pepé theme, with more of a backstory for the skunk (who is finally officially named). A nice short with a funny portrayal of the main character. The visuals are good, with the cat being particularly cute!
    8.5

    Kiddin' the Kitten
    Directed by Robert McKimson
    Dodsworth the cat has to get rid of the mice in his home, or he'll be thrown out. Since he hates work, he comes up with a scheme to get others to do it for him. He starts the ACME School of Mouse Catching, and a skillful kitten soon enrolls! A fun one, especially thanks to the characters. Dodsworth is entertaining, and the kitten is cute and clever. The gags are enjoyable, and the animation is lively.
    9
    Water, Water Every Hare
    Directed by Charles M. Jones
    It's been raining a lot, and Bugs' rabbit hole is flooded. He ends up in an evil scientist's castle, as the scientist is looking for a living brain to give to his robot. Bugs ends up getting chased by Rudolph the monster (later renamed Gossamer). Much in the vein of "Hair-Raising Hare" (including an appearance by the same monster), this is another great cartoon with slight horror elements, all played for laughs. Bugs as a hairdresser is a classic moment, as is the scene with Bugs and the scientist using the contents of various bottles in their chase. A worthy sequel to one of Jones' best Bugs cartoons.
    10
    Little Red Rodent Hood
    Directed by I. Freleng
    A granny mouse tells her grandchild Teeny a bedtime story – Little Red Riding Hood. The little mouse imagines he's Red, outsmarting Sylvester who's playing the Big Bad Wolf. This short is a cute one, with some entertaining gags featuring the always amusing Sylvester and the adorable mouse. The WB cartoons had several funny versions of this fairytale, the first one way back in the 30s, and this cat and mouse version is another good one!
    9
    Sock a Doodle Do
    Directed by Robert McKimson
    Kid Banty, a world champion fighting rooster, falls off a truck and ends up on the farm with Foghorn Leghorn and the Barnyard Dawg. The little rooster starts punching something whenever he hears a bell, and the two rivals both decide to take advantage of this... The fighting rooster adds some new energy to what is otherwise quite a traditional Foghorn cartoon, although one with great gags! Foghorn and the dog coming up with imaginative schemes involving the fighting rooster is fun to watch, and we of course get a lot of entertaining cartoon violence along the way!
    9.5
    Beep, Beep
    Directed by Charles M. Jones
    Wile E. Coyote (Carnivorous vulgaris) again tries to catch the Road Runner (Accelerati incredibilus). This time he tries dropping an anvil on him and an exploding water glass among other things. After his return in a Bugs Bunny cartoon, Wile E. finally gets another appearance with the Road Runner (I'm surprised it took almost three years for them to get a second short)! This of course uses the same formula as the first one (and many later entries), but there are a couple of new additions – the coyote displays blueprints of his more outlandish plans, and one of his props backfires on him in a much later scene (something that would happen quite often in the later cartoons). Wile E.'s great expressions and amusing actions, a gag where he and the Road Runner are only shown as lights on their caps, written sound effects – a lot here that makes it stand out from the average chase cartoon!
    10
    The Hasty Hare
    Directed by Charles M. Jones
    Martian commander Marvin and his dog companion K-9 are ordered to bring a live creature from the Earth to Mars. The first one they meet is Bugs Bunny, and they attempt to capture him. Marvin's second appearance refines his character slightly and gives him his familiar voice. The cartoon is an excellent one, featuring strong characterizations of all three (particularly Marvin is very funny) and many comedic moments! The soundtrack is also a standout one, a perfect fit for the visuals. Even better than Marvin's debut, probably contributing to him becoming such a popular character despite not appearing much in these shorts.
    10
    Ain't She Tweet
    Directed by I. Freleng
    Sylvester sees Tweety in a pet shop window laughing at him along with a mouse. When the bird is delivered to Granny, the cat tries to get him, but the bulldogs in Granny's yard prove to be a huge obstacle. Sylvester's various attempts are fun to watch, Tweety shows his lovable combination of cuteness and mischievousness, and there are many strong gags. One of the funniest Sylvester and Tweety cartoons!
    10
    The Turn-Tale Wolf
    Directed by Robert McKimson
    After reading the story at school, the Big Bad Wolf's nephew is angry and humiliated that his uncle blew the Three Little Pigs' house down. The wolf claims he never did that, telling the real story of how the pigs were actually the bad guys. Quite similar in idea to 1941's "The Trial of Mr. Wolf", but this time with a different fairytale. The characters are great, especially the mean pigs previously seen in "The Windblown Hare" – maybe we shouldn't outright reject the wolf's story, after all... Another nice fairytale parody, and far from the last one we get!
    9
    Cracked Quack
    Directed by I. Freleng
    Daffy is struggling to fly south due to a blizzard. After crashing into Porky's house, he sees a stuffed duck in the window and decides to take its place for the rest of the winter. Porky's dog Rover soon finds out about this, though... Another short where the plot might not be particularly revolutionary, but the cartoon itself is a real standout! The characters are all entertaining, especially Daffy himself, and the gags (some of them quite unexpected) are timed perfectly! An underrated gem.
    10
    Oily Hare
    Directed by Robert McKimson
    Bugs' rabbit hole is in the middle of a Texan oil field. Orvil Rich is concerned that one of the holes doesn't have oil gushing out of it, so he and his assistant Maverick go to blow it up. However, Bugs keeps constantly outwitting the duo. The two Texans are decently entertaining, though Orvil is pretty much a slightly calmer and less amusing version of Yosemite Sam. The gags are likewise good but not among the best in the series. Not a bad short by any means, but one of the weaker Bugs cartoons so far.
    7.5

    Hoppy-Go-Lucky
    Directed by Robert McKimson
    Sylvester is showing his friend Benny, a dumb cat who keeps calling him George, how to catch a mouse (to love him and pet him and squeeze him and hug him...) in a warehouse. But things don't work out, as Sylvester instead meets Hippety Hopper and once again thinks the kangaroo is a giant mouse. The addition of Benny, a funny character in all his stupidity, breathes some new life into the Hippety Hopper formula. The character would show up again next year in a more historically significant cartoon... I'd say the kangaroo gets a little overshadowed here, as the cats' antics are clearly the highlight of the cartoon, and they're certainly fun to watch!
    9
    Going! Going! Gosh!
    Directed by Charles M. Jones
    The Road Runner (Acceleratti incredibilis) is once again chased by Wile E. Coyote (Carnivorous vulgaris). This time, the coyote's schemes involve a dynamite arrow, quick-drying cement and a giant boulder among other things. The cartoon is an excellent continuation to the Road Runner series – the coyote's expressions are again hilarious, and there's plenty of amusing cartoon logic, making some of the gags rather surprising!
    9.5
    A Bird in a Guilty Cage
    Directed by I. Freleng
    Sylvester sees Tweety in the window of Stacy's department store and sneaks inside. He tries to catch and eat the little bird, but nothing works out. Another great entry – the Sylvester and Tweety cartoons did well at using different settings for each cartoon at this point. The department store theme allows for many nice scenes involving the products in the store, with both the cat and the bird (both portrayed very well) using them to their advantage.
    9.5
    Mouse-Warming
    Directed by Charles M. Jones
    A mouse family (the mother, the father and their daughter) moves to a new house. The girl mouse and a boy mouse living in a neighboring mouse hole fall in love with each other. But there's a cat who realizes this, and he takes advantage of this in order to eat the boy mouse. The main thing that stood out to me in this short: the cute designs (in which Jones' art style is very apparent)! The rest of the cartoon is rather ordinary cat and mouse stuff, though there's an interesting point: the characters are mute, but we see them sending each other letters to carry the story forward. Worth a watch for the adorableness, at least!
    8.5
    Rabbit Seasoning
    Directed by Charles M. Jones
    The second part of the famous Hunting Trilogy. It's duck season, but Daffy sneakily plants rabbit season signs and rabbit tracks all over to convince the hunters otherwise. Elmer comes to hunt rabbits, but Daffy's the one who repeatedly gets shot due to being misled by Bugs. Though I'd rank "Rabbit Fire" slightly higher, the second part of the trilogy is another great one. Instead of the "rabbit season/duck season" routine, we get a different one ("Would you like to shoot me now or wait till you get home?") with Daffy constantly having "pronoun trouble" for most of the cartoon. This was a brilliant choice by Jones and writer Michael Maltese – it's very much in the spirit of the first part (with Bugs repeatedly outwitting the befuddled duck), but at the same time not too much of a rehash.
    10
    The EGGcited Rooster
    Directed by Robert McKimson
    Foghorn's wife tells him to hatch their egg while she's away playing bridge. This prevents him from having his usual fun annoying the Barnyard Dawg. But then Henery Hawk appears, hunting chickens Indian style, and Foghorn convinces him to hatch the egg for him, with chaotic consequences. Great short where all of the usual trio get to shine, though the strongest role might surprisingly be that of the dog – I like how easily he manages to annoy Foghorn here, even threatening to tell his wife if he goes away from the egg! It's nice to see the Foghorn Leghorn series evolve, as while the old aspects (Henery chasing chickens, Foghorn and the Barnyard Dawg fighting) are still there, the egg adds a new aspect to the plot.
    10

    Tree for Two
    Directed by I. Freleng
    A black panther escapes from the zoo. Meanwhile, tough bulldog Spike and his little friend Chester decide to go beat up cats. After the two meet Sylvester, Spike repeatedly tries to attack him but unknowingly fights the panther instead with disastrous consequences. An absolute classic – a simple but humorous story, hilarious reactions from the characters, great voice acting... Sylvester's performance of "The Charleston" is one of my favorite musical moments in the WB cartoons. The two dogs are amusing and likable too – they would go on to appear in another cartoon later on. This cartoon must have been one that Freleng himself was very proud of, too, since he would reuse the basic story several times, including once at WB.
    10
    The Super Snooper
    Directed by Robert McKimson
    Daffy is detective Duck Drake who is called to investigate the strange events on the Axe Handle Estate. Once he arrives there, he meets an attractive female duck who keeps hitting on him and pleading her innocence. He is convinced she's guilty and tries to demonstrate how she did it. Plenty of visual puns here! The characters are fun, Daffy being his usual self and the female duck also being an amusing character with her constant advances to Daffy (surprisingly, he does well to resist them). "The Great Piggy Bank Robbery" obviously still remains the best short to have Daffy as a detective, but this is also a nice watch in itself!
    9

    Rabbit's Kin
    Directed by Robert McKimson
    Shorty, a little brown rabbit, hides in Bugs' rabbit hole, as Pete Puma is trying to catch and eat him. Bugs decides to have a little fun with the predator who's not particularly intelligent, the puma getting several lumps on his head along the way... Another classic short – Pete Puma is a very entertaining character in all his stupidity, becoming one of the best known characters to only appear in one cartoon (in the classic era, that is – he would be brought back more than four decades later for another one). Shorty is also cute and funny with his extremely high-pitched voice and character acting. And it pretty much goes without saying that Bugs is clever and charming.
    10
    Terrier Stricken
    Directed by Charles M. Jones
    Frisky Puppy has fleas, so his owner tries to give him a bath. While she's away, a chase ensues with Claude Cat trying to catch the dog, but the puppy's barks constantly scare him. This is very much like "Two's a Crowd" from 1950 and not just because it has the same characters – the pantomime approach (apart from a few lines from the pets' owner) and animal antics are very much in the style of that cartoon. It's wackier and faster-paced than the first one, but the story is a weaker one. Apart from Frisky's cute design and a fun ending gag, I don't find this short particularly memorable.
    7.5
    Fool Coverage
    Directed by Robert McKimson
    Daffy is an insurance salesman, trying to convince Porky to buy a policy. If Porky gets a black eye in an accident in his own home, he'll get a million dollars. The pig is still reluctant, so Daffy tries to convince him by causing various mishaps, all of which hurt him instead of Porky. Daffy as an annoying salesman is an enjoyable concept, used brilliantly in a few late 40s cartoons, and this cartoon brings it back! The usual great chemistry between the duo, various funny gags, and even a hilarious poke at the ridiculous clauses often included in insurance policies. Daffy and Porky at their best!
    10
    Hare Lift
    Directed by I. Freleng
    After an airplane lands right above Bugs' rabbit hole, he goes inside it to look at what it's like there. Meanwhile, bank robber Sam is trying to escape from the police. He hijacks the plane, and Bugs has to fly despite not knowing how to, to Sam's horror. This is a fun one with a lovable Bugs and an amusing Sam brilliantly playing off each other. While the great characters do the heavy lifting here (Bugs' nonchalance and Sam's enraged and shocked reactions being equally funny), the gags are entertaining in themselves too. With this and the much earlier "Falling Hare", it seems Bugs and planes are a combination that works well!
    9.5

    In addition to the Looney Tunes and Merrie Melodies, this year also included one of the WB cartoon crew's most unusual projects – one that didn't even feature any animation! Jones and Freleng co-wrote a live-action short compiled from old film footage of monkeys and other animals in costumes, featuring the familiar voice of Mel Blanc.

    Orange Blossoms for Violet
    In June 1923, a couple of monkeys, Violet and Fred, are going to get married. But the evil Harvey is also interested in Violet and tries to kidnap her. Fred tries to save her, leading to a wacky chase. An amusing one-off – the voices and Howard Jackson's music add a lot of appeal and go along well with the footage, giving it the usual Looney Tunes energy. Definitely an interesting experiment from the crew!
    8.5

    Another good year, a little more influential than the previous year with the new character introductions. The return of Wile E. Coyote and the Road Runner was obviously the main event of the year – they will now become two of the most ubiquitous characters in the series with dozens of cartoons over the next decade.
  20. Tacodidra

    Looney Tunes
    After this year, we'll have had a full decade of the Looney Tunes! And what a year it is – as the success of the Looney Tunes and the Merrie Melodies grows, the two series release a combined total of 44 cartoons this year! For various reasons, this number would never be matched in the later years.

    The Lone Stranger and Porky
    Directed by Robert Clampett
    Porky is delivering gold when he gets robbed. Thankfully, the mysterious hero the Lone Stranger and his horse Silver are there to save the day (and pretty much relegate the pig to a side role). Given the director, you can expect the whole idea not to be played straight – there are many comedic scenes, parodying everything from Snow White to serials, and the characters interact with both the narrator and the audience. Clampett just doesn't disappoint or fail to surprise me!
    9

    Dog Gone Modern
    Directed by Charles Jones
    Two dogs enter an all-electric model home. They have a lot of trouble with the machines in the house, and a chase ensues, of course. An interesting cartoon – unusually for the series, the dog characters don't have any dialogue, instead just barking and growling like an ordinary dog. They're quite expressive, though, meaning that the comedy here is largely visual. It's much more fast-paced and comedic than Jones' first effort, already showing some signs of things to come. Enjoyable, but he'll naturally do a lot better later on. This short also features his first recurring characters – the dogs that are often referred to as the Curious Puppies.
    8.5
    It's an Ill Wind
    Directed by Ben Hardaway & Cal Dalton
    Porky and the annoyingly talkative Dizzy Duck go fishing, but their plans are interrupted by a storm. They find shelter in an abandoned house, but there's a lot of chaos, as they think it's haunted due to a dog and turtle wreaking havoc there. An amusing and chaotic cartoon, not quite reaching the randomness and wackiness of a Clampett cartoon, but the characters' antics are still nice to watch. The crew seems to have kept trying out new co-stars for Porky, as Dizzy appears here just as much as he does. While he works well in his role, I still prefer last year's three (Daffy, Petunia and Gabby).
    9
    Hamateur Night
    Directed by Fred Avery
    It's amateur night at the Warmer Bros. Theater, with the best act being chosen after all the performances. The acts aren't well received by most of the audience, and there are also interruptions from Elmer singing "She'll Be Coming 'Round the Mountain" and a laughing hippo (the latter voiced by Avery himself). The idea is similar to the earlier "Into Your Dance" (and to a lesser extent, "I Love to Singa" and "A-Lad-in Bagdad"), but in this one, there are more gags and they're even funnier. The hippo is my favorite character here with his contagious laughter, though the disastrous performances are also very amusing!
    10
    Robinhood Makes Good
    Directed by Charles Jones
    Three squirrels read a book about Robin Hood and decide to play the characters. "Who's gonna be Robin Hood?" The big one, while the middle one is Little John, and the small one has to take the role of the villain they'll rob. But a fox notices the squirrels' game and pretends to be Maid Marian. "Robin Hood" and "Little John" go to save her, and soon the little squirrel has to save them! Jones' early efforts are often known as having been very cute, not having the comedy of his later shorts. This is one of those, being quite slow-moving at times. But at the same time, it's definitely not without its positives. I love the voice work here – Mel Blanc does a great job as always, and Berneice Hansell gives the squirrels an adorable voice. The animation and backgrounds are also really well done.
    8
    Porky's Tire Trouble
    Directed by Robert Clampett
    Porky is working at the Snappy Rubber Company, making car tires. No dogs are allowed in the factory, but Porky's pet Flat Foot Flookey sneaks in, causing a lot of chaos, especially after swallowing some rubberizing solution. I've heard Clampett was getting sick of doing nothing but Porky cartoons, and I think it's starting to show a little – Porky is officially the star here, but most of the cartoon seems to focus on the dog instead. An enjoyable cartoon with some good chase scenes, but not one of my absolute favorites.
    8.5
    Gold Rush Daze
    Directed by Ben Hardaway & Cal Dalton
    A young dog is planning to go digging for gold. But the owner of the gas station he visits thinks it's not a good idea – he tells about his experiences and failures digging for gold essentially everywhere. After all the great shorts lately, I found this to be among the more underwhelming ones – the animation is good, as is the music, but the gags here are mostly rehashed. The gold digging theme was also something covered before (in "Gold Diggers of '49" back in 1935) and in a funnier way.
    7
    A Day at the Zoo
    Directed by Fred Avery
    It's feeding time at the Kalama Zoo, and we see the various animals there. Another spot gag cartoon with a lot of corny but amusing puns. There's also a running gag with Elmer teasing a lion despite both a sign and the narrator telling him not to do so. These kinds of cartoons pretty much disappeared from the series as time passed, but they're definitely fun in small doses!
    9
    Porky's Movie Mystery
    Directed by Robert Clampett
    A mysterious phantom is haunting the Warmer Bros. studio lot, and the police are desperate to find out who's responsible. Porky is called to the rescue... but this time he's not appearing as himself but as Japanese secret agent Mr. Motto. A strange cartoon – Porky portraying another character for the entirety of the cartoon is something new and an interesting concept, even if I'm not quite sure what to think about the Motto character (his ju jitsu skills are interesting, the stereotypical portrayal less so). The ending here might be the most random one I've seen in any of these cartoons. An interesting experiment that reminds me a little of a few Tashlin Porkys, but as a slightly less serious take.
    8.5
    Prest-O Change-O
    Directed by Charles Jones
    The Curious Puppies are back. This is very similar to "Dog Gone Modern", the difference being that after being chased by a dog catcher, the two dogs end up in magician Sham-Fu's house. Instead of machines, the magician's props are giving the dogs trouble this time, the small one struggling with a rope and the big one being pestered by a rabbit (the Bugs prototype from "Porky's Hare Hunt"). It's an entertaining short – not as good as the rabbit's debut, but the magic theme just manages to make it not feel too derivative of the previous Curious Puppies cartoon. A scene where the big dog puts the rabbit in a trunk, repeating the sequence with bigger trunks, is an early version of a gag Jones would use in some of his later cartoons to more impact.
    8.5
    Chicken Jitters
    Directed by Robert Clampett
    Porky has a poultry farm – there are many gags involving the chickens, as well as a newly hatched duck that ends up on the farm. A fox attacks and the duck is in danger! Besides the obvious "Porky's Poultry Plant", many of the chicken scenes remind me of... pretty much every cartoon so far that has had chickens in it! But with Clampett's involvement, there are some unexpected things here (the fox has a gun!) and the end gag is a good one.
    8.5
    Bars and Stripes Forever
    Directed by Ben Hardaway & Cal Dalton
    A group of canine prisoners is trying to escape from Alcarazz prison (not the first time they've used this pun), and the warden seems to be quite naive at times. When one of them manages to do it, the police start chasing him. There are some nice comedic scenes here, like the escaping prisoner's musical number and a clever joke involving an electric chair. It's not an all-time classic, but it has its moments. I definitely prefer it to Hardaway and Dalton's previous one-shot with dog characters.
    8.5
    Daffy Duck and the Dinosaur
    Directed by Charles Jones
    And another color Merrie Melody with the lovable crazy duck! This short takes place in the prehistoric days, with Casper Caveman and his dinosaur Fido looking for food. They come across a duck – Daffy, of course! This is the first truly great short by Jones – Daffy comes up with more wacky ideas to outwit the hunter, the supporting characters are also amusing ones (especially the dinosaur), and there are many funny gags including a long sequence with signs and a fairly surprising ending!
    9.5
    Porky and Teabiscuit
    Directed by Ben Hardaway & Cal Dalton
    Porky is told by his father (now named Phineas Pig) to take some feed to the race track for 11 dollars. He accidentally buys a nag called Teabiscuit with the money and then enters a race with it. The horse race theme is something we've seen multiple times in the series, even with Porky in "Milk and Money". While this doesn't quite match that one, it's still an entertaining entry. The best part here is Teabiscuit himself, a lot of character for a mostly non-anthropomorphic horse.
    8.5
    Thugs with Dirty Mugs
    Directed by Fred Avery
    The Killer and his gang rob all the banks, and police chief Flat-Foot Flanigan vows to catch him! Will he manage to do so before they rob Mrs. Lotta Jewels? This gangster movie parody (with the characters introduced as actors playing roles) features a lot of puns, fourth wall breaking and random jokes. As always, Avery manages to surprise the audience with these. Another one worth a watch!
    9
    Kristopher Kolumbus Jr.
    Directed by Robert Clampett
    Porky portrays the titular character who discovers America despite various setbacks, such as his crew abandoning him and an encounter with a sea serpent. Making Porky play various roles instead of just being himself is something Clampett appears to have tried multiple times to add variety to the series. This wacky take on Columbus includes some funny gags, but I feel it could have been even wilder. It's still an enjoyable one, and even playing a role, Porky feels more like himself here than he did in "Porky's Movie Mystery".
    8.5

    Naughty but Mice
    Directed by Charles Jones
    Sniffles the mouse has a cold (not really a surprise with that name). He sneaks into a drug store and things get weird. He gets drunk, makes friends with an electric shaver (makes more sense with the former in mind) and gets chased by a cat. This is quite slow-paced for the most part, which wasn't unusual for early Jones, and the design and animation style of the mouse wouldn't look out of place in a Disney cartoon (Sniffles' conversation with the shaver also feels like it might have been inspired by Donald Duck and the spring in "Clock Cleaners", though much friendlier). But there are a few animations of wild takes and other moments that are very much WB. A cute cartoon, probably the best one ever with an electric shaver character, but still not at the level of the Jones' later masterpieces. Still an important step for him – out of his early characters, Sniffles was the most successful, appearing in several cartoons and also becoming one of the stars in the Looney Tunes comics alongside an original character called Mary Jane.
    8
    Believe It or Else
    Directed by Fred Avery
    In a parody of "Believe It or Not", we get to see unusual people, events, new developments in science, optical illusions... Elmer doesn't believe any of it, though. Another spot gag cartoon with puns and other jokes, though Avery has done even better ones before. Still some fun moments here, especially the end scene.
    8
    Polar Pals
    Directed by Robert Clampett
    On the North Pole, Porky and his animal friends are having fun, dancing and playing along to the catchy tune "Let's Rub Noses (Like the Eskimoses)". But then the fun is ruined by fur trapper I. Killem who tries to shoot the animals, and it's up to Porky to save the day. With all the animals, this is surprisingly cute for a Clampett cartoon, but of course we get the more typical gags (many of them ice-related) and fast-paced chase sequences too. I can't help but love the corny pun of an "ice-bestos" curtain! One of the best recent Porkys.
    9.5
    Hobo Gadget Band
    Directed by Ben Hardaway & Cal Dalton
    Hobos board a train and play music, only to get kicked out. As the Junktown Gadget Band, they then participate in an audition for a radio station. This reminds me of the Merrie Melodies from a couple of years ago with its emphasis on music over comedy (though there are a couple of amusing jokes) or significant plot developments. The music is indeed good and the ending is a nice one, otherwise it's a bit mediocre for the time.
    7.5
    Scalp Trouble
    Directed by Robert Clampett
    General Daffy is commanding his troops. After struggling to wake up Porky, they defend the army post from an Indian attack. The subject matter is again quite dated. That aside, the cartoon is another good Clampett entry with fast-paced and wacky fighting scenes. Things get especially wild after Daffy accidentally swallows some ammunition!
    9
    Old Glory
    Directed by Charles Jones
    One of the most unusual cartoons in the series in that it's a completely serious short without a single joke in it. It's also the first time since his debut that Porky has appeared in a Merrie Melody and therefore a color cartoon. Portrayed here as a kid, Porky is struggling to learn the Pledge of Allegiance and wonders why he needs to do that. He falls asleep and meets Uncle Sam who tells him about American history. As the threat of a war was looming (and these fears would soon come true), this patriotic cartoon must have had a big impact on the audience. More than eight decades later and not being American, I don't really get the whole experience here, but I still think it's an effective cartoon with its visuals (realistic, at times rotoscoped animation for Uncle Sam and the Founding Fathers) and message. This isn't really what I expect from the series, but as a one-off, I think it succeeds in what it's trying to do.
    8
    Dangerous Dan McFoo
    Directed by Fred Avery
    The story of the shooting of Dan McFoo. A stranger comes to the saloon and sets his eyes on Dan's beautiful girlfriend Sue. The two dogs proceed to fight, complete with a boxing announcer. Some of the gags in this would have stood out more at the time and have since become more common, such as when the fight gets slowed down and paused. The characters are entertaining, Sue does the Katharine Hepburn impersonation Avery seems to have liked a lot (having used it before in "Little Red Walking Hood"). But what's more notable is Dan's voice – Arthur Q. Bryan gives him the exact same voice, speech impediment included, that would soon be given to Elmer Fudd. These are the interesting things that you'll notice when going through these chronologically!
    9

    Porky's Picnic
    Directed by Robert Clampett
    Petunia Pig returns! Porky goes on a picnic with her, an annoying kid (Pinky from "Porky's Naughty Nephew") comes along, and Petunia and Pinky almost get hit by a train. Sounds just like the 1933 disaster "Buddy's Day Out"! Thankfully, this cartoon is a lot better. There are actual gags in this one, the characters are better (Petunia is actually sweet in this one, unlike in the Tashlin cartoons), and there's a satisfying ending after all the trouble the brat puts our heroes in. Petunia gets a new design (though it was already seen very quickly in a picture on Porky's wall in "Scalp Trouble") which would be used in all of her subsequent appearances, including the Looney Tunes comics.
    8.5
    Snowman's Land
    Directed by Charles Jones
    The "Northeast Dismounted Police" (all of them dogs) want to catch the dangerous outlaw Dirty Pierre, the "Scourge of the North". As everyone else quickly runs away, a goofy Mountie has to "volunteer" to catch the criminal. His incompetence makes the task quite difficult. Fairly ordinary comedy cartoon, but still enjoyable to watch even if it isn't the most memorable one.
    8
    Wise Quacks
    Directed by Robert Clampett
    Mr. and Mrs. Daffy Duck get new hatchlings, and Daffy's longtime friend Porky comes to visit him. One of the hatchlings gets captured by an eagle, and it's up to a drunken Daffy to save it. I loved this one – Daffy is especially fun here, with Mel Blanc's great performance (he could do a hilarious drunken voice). The ending is a particularly hilarious one! Daffy gets a new design here, adding a gray highlight to his face, but this design change would be reverted soon.
    10

    Hare-um Scare-um
    Directed by Ben Hardaway & Cal Dalton
    Frustrated with rising meat prices, John Sourpuss goes hunting with his dog and comes across a rabbit. The rabbit proves to be too crazy and cunning for the two. Now even called 'Bugs' Bunny (from Hardaway's nickname – note the apostrophes) in promotional material, he is redesigned as a gray rabbit closer to what we'd see later on. The personality is still very close to that of Daffy Duck (and some parts of this short resemble the Hardaway-written "Daffy Duck & Egghead", including another crazy song and the ending), but we get more aspects of the familiar Bugs – the "Guess who" scene would be reused later, and this is the first time he wears a costume (of a girl dog) to fool another character. This is a short of such historical importance in the series that it's hard to look at it outside that context, but I'd definitely count it as one of the best of its era. For unknown reasons, this cartoon had the last 30 seconds cut out before its original release, but thankfully it's since been restored to its original intended length.
    10
    Detouring America
    Directed by Fred Avery
    Another Avery spot gag cartoon, this time showing us many of the U.S. states and their people, animals and nature. The highlight is the "human fly", climbing the Empire State Building. Not the best cartoon of its kind, but still an entertaining watch with its typical puns and comedic reactions. Also very impressive visually, especially the background pans. It truly made an impact at the time – it gave the studio an Oscar nomination (their first since 1932), but lost to Disney's "The Ugly Duckling". The Academy sure had a diverse taste then, as those two films couldn't have been much more different from each other!
    8.5
    Little Brother Rat
    Directed by Charles Jones
    The mice are having a scavenger hunt, and after getting a cat's whisker, Sniffles only needs an owl's egg to win. He goes to get one, but the father owl stops him. He goes there again, only for the owlet to hatch, and while attempting to bring the egg to the party, Sniffles and the owl get chased by a cat! This is an improvement over the first Sniffles cartoon – like its predecessor, it's very cute, but with the addition of better characters (as much as I liked the shaver, the owls are more defined and believable as characters), and Sniffles himself having more personality, including a new catchphrase of "Gee willikers". It might slightly resemble the output of that studio with the other mouse, but I don't think it suffers at all in comparison.
    9
    Porky's Hotel
    Directed by Robert Clampett
    Porky owns a hotel and gets a customer – an angry goat called Mr. Gouty. This character reminds me slightly of Gabby Goat (possibly a relative?), but there's also a Gabby in this cartoon – a duck that's very similar to Dizzy from "It's an Ill Wind". Chaotic antics ensue, as Gabby gets annoyed by a fly, and the goat gets caught up in the whole thing. An entertaining short with some good gags, though Porky himself doesn't appear much. Some nice WB cartoon nostalgia too, as "Honeymoon Hotel" from the 1934 cartoon is heard with new lyrics.
    8.5
    Sioux Me
    Directed by Ben Hardaway & Cal Dalton
    There's been a long drought in the Indian reservation in Hangnail, Oklahoma. Rainmaker J.Q. Drizzlepuss has to make things better with his rain dance, or else... Thankfully, a doctor arrives to save the day with his weather pills, including the much needed rain pill! A little boy gets the pills. But the rainmaker throws them away, angry that he didn't bring the water he was supposed to get, and they get eaten by animals, as well as some people. A shamefully obvious rip-off of the earlier "Porky the Rain-Maker", to the point I was able to copy and paste the plot outline for that one here without changing much more than the character names. That cartoon was such an enjoyable one that even an inferior remake has some appeal left to it. The ending is a new one and quite funny, but otherwise I'd just go for the original.
    7
    Land of the Midnight Fun
    Directed by Fred Avery
    In this travelogue, people go to Alaska on the S.S. Wrecks. After some ship-related gags, we see some about the Alaskan people and nature. This is another fun watch – these kinds of cartoons with the charmingly corny puns appear to have been very popular at the time. Despite some jokes having been recycled from earlier cartoons, I like how all of these take place in very different settings.
    8.5
    Jeepers Creepers
    Directed by Robert Clampett
    Policeman Porky has to investigate a deserted house that's suspected to have a ghost in it. Once he enters, the ghost starts playing pranks on him. Entertaining short – the highlight for me was the mischievous ghost character with his supernatural abilities and funny voice. The audio is great in general – Mel Blanc is brilliant as Porky, there are many fittingly creepy sounds, and the catchy title song is heard sung by the ghost. The rest of the short is very enjoyable too – we get the usual Clampett wildness with some horror influences mixed in.
    9.5
    Naughty Neighbors
    Directed by Robert Clampett
    After a long feud between the Martins and the McCoys, leaders Petunia and Porky sign a non-aggression pact. But despite the two pigs being in love, the families' animals seem to want to continue fighting. Fittingly for the plot, there are two very different kinds of scenes. The animals keep fighting in comedic ways, while the scenes with Porky and Petunia are very cute. Their duet of "Would You Like Take a Walk" (with changed lyrics, much better than the original!) is definitely the most memorable part of this cartoon – the same song is also used to comic effect in the fight scenes. The ending is quite a daring one for the time! Sadly, Petunia (definitely one of my favorite female characters in the series) would never appear in another classic era short after this one. But like some other dropped characters, she would live on in the Looney Tunes comics for many more years.
    8.5

    The Little Lion Hunter
    Directed by Charles Jones
    Yet again, Jones introduces potential new stars! Young African native Inki is hunting various animals (including the mysterious Minah Bird) but doesn't succeed at catching them. He then comes across a lion and tries his best to get away from the beast. For an African character in the 30s, I think a much worse job could have been done – Inki is quite likable, even if he doesn't completely avoid the stereotypes of the time. The Minah Bird steals the show here, though – the nonchalant bird walking and hopping to the tune of Mendelssohn's "The Hebrides" was used as a running gag of sorts. A chase cartoon with no dialogue and the timing of animation to classical music are both something Jones would do much better later on, but despite being nowhere near that quality, this one still has some appeal of its own, especially with some expressive animation.
    8
    The Good Egg
    Directed by Charles Jones
    All the chickens in the henhouse have new hatchlings, except for one. Depressed, she plans to drown herself but finds an egg on the beach. The egg hatches, and it's a turtle, but the mother hen raises him as a chick. The other chicks bully the turtle and don't let him join them on their sailing trip – one that ends up going very wrong! A cute short, though also a very sad one at times. The little turtle is easily my favorite character here, and I found the ending quite an emotional one. Maybe not your typical WB cartoon, but I certainly enjoyed this one.
    9
    Pied Piper Porky
    Directed by Robert Clampett
    Porky is the Pied Piper of Hamelin and rids the town of rats. This theme is soon swept aside, though – after failing to lure out one mouse with his horn, Porky decides to use a more traditional mouse trap (a cat) instead, and the rest of the cartoon focuses on that. There are some entertaining jokes here, like the cat being afraid of the mouse, and the highlight being the ending. But despite this being a fun enough watch, I think both the director and the character have had much better entries before.
    8
    Fresh Fish
    Directed by Fred Avery
    Professor Mackerel Fishface is trying to catch the rare Whim Wham whistling shark. Meanwhile, we see gags involving various different fish. A running gag features a two-headed fish who's looking for Mr. Ripley, to the annoyance of the narrator. Out of these spot gag cartoons, I'd say this is an average one – entertaining but not quite matching "A Day at the Zoo", for example (maybe the wider variety of animals there also played a part). But in any case, I enjoyed watching these punny fish.
    8.5
    Fagin's Freshman
    Directed by Ben Hardaway & Cal Dalton
    Blackie the kitten doesn't want to sing childish songs with his mother and siblings, preferring listening to crime shows. After he's sent to his room without supper, he has a nightmare where he's at school being taught how to commit crimes by Fagin, and they soon end up in a shootout with the police. Hardaway and Dalton's output has been a bit of a mixed bag – some very good cartoons, while others are less remarkable. This is in the latter group: while the characters are reasonably entertaining (the criminal Fagin being my favorite one), the predictable ending and moral feel too saccharine. Maybe it would have worked better if Blackie had committed actual petty crimes instead of just preferring exciting radio shows to sickeningly sweet kids' songs (the extremely annoying "Three Little Kittens" which isn't even played for laughs here). Enjoyable cartoon in parts, but others made me feel just like Blackie did in the cartoon itself.
    7
    Porky the Giant Killer
    Directed by Ben Hardaway & Cal Dalton
    Everyone in town is going to slay the giant living in a castle. Porky joins them, armed with a table leg. When the giant wakes up, everyone quickly runs away, except for the pig who ends up getting locked inside the castle. To make matters worse, he accidentally wakes up the giant's baby. Now he has to make sure he doesn't make too much noise to wake up the father. This is another enjoyable Porky short – the characters all have quite a bit of personality, though I'm not sure why everyone is insistent on killing the giant (he seems like a pretty decent guy, at least when people don't trespass on his property). This one differs from most of the previous shorts by not having a happy ending, but I think the crew manages to make it funny this time, unlike the injustice Porky faced in "Porky's Super Service".
    8.5

    Sniffles and the Bookworm
    Directed by Charles Jones
    A variation on the familiar "books come to life" theme. Sniffles is safe from cold weather in a bookstore. The bookworm (who would become a recurring character in the series) is scared of the visitor and asks a couple of book characters for help in dealing with him. Once they realize the mouse isn't dangerous, they all perform a musical number ("Mutiny in the Nursery") until a real danger pops up. The song performance is good, but ignoring the fact Sniffles didn't exist before 1939, this feels like a cartoon from a few years earlier and not necessarily in a good way. Despite the usual beautiful animation, this is definitely the weakest of the three Sniffles shorts so far.
    7
    Screwball Football
    Directed by Fred Avery
    It's the biggest football game of the year! As you can guess from the title, the game is a very crazy one, with a lot of visual gags and wordplay. There's also a running gag with a baby licking an ice cream cone while the man sitting next to him is also trying to lick it. The best football cartoon yet, as well as one of the best sports-related ones in general, though obviously the humor eclipses the sport itself here. Special mentions to the music (one of the best of the many uses of John F. Barth's "Frat" in these cartoons) and the great ending.
    9
    The Film Fan
    Directed by Robert Clampett
    Porky is supposed to get some groceries for his mother, but when he notices a movie screening with kids admitted free (his age seems to be changing a lot!), he goes to see it. In the style of "Bosko's Picture Show", "She Was an Acrobat's Daughter" and such, we see comedic newsreels and trailers for movies. Another Porky short where the focus isn't really on him, and fairly derivative of several earlier shorts, but we still get some fun gags like a dog wanting to see a movie about trees. Amusing for sure but not one of Clampett's masterpieces.
    8
    The Curious Puppy
    Directed by Charles Jones
    Or two curious puppies, as they return for their third appearance in the same year. A dog sneaks into a closed amusement park and accidentally turns on the master switch. After that, he gets chased by a watch dog through some of the rides. This is another mildly comedic entry with the two dogs' various antics, though I think more could have been done with the amusement park idea – we don't get a roller coaster scene, for example, and the house of mirrors could have provided even more gags than what was done. Some fun here, but I feel these puppies have pretty much given all they can already.
    8

    A short animated clip featuring Porky was also made for a Warner Bros. blooper reel (of course the company's biggest cartoon star had to appear in addition to all the live-action stars), with variations appearing throughout it. It is believed to have been made by the Hardaway and Dalton unit.

    Breakdowns of 1939
    Yes, this is the famous clip of Porky trying to hammer a nail and accidentally hitting his thumb, then swearing. I bet it got an amazing reception from the people watching the reel back then, and now that it's available to the general public, everyone seems to get a kick out of it. It's also definitely one of the first times (if not the very first) an "outtake" of a cartoon character was created, something that's quite common in today's animated movies. The rating might feel a bit high for less than 20 seconds of animation, but what can I do – it's simply an iconic sequence!
    10

    The Schlesinger studio also created animated sequences for two live-action films this year, both of them directed without credit by Hardaway and Dalton, seemingly the go-to guys for the studio's assorted projects. One was for the MGM short "How to Eat", the other for the Republic Pictures feature "She Married a Cop".

    How to Eat
    Humorist Robert Benchley shows a chart of a man's digestive system, showing the effects stress has on the stomach. The cartoon man comes to life and eats a chop which then turns into a hundred-pound weight. He then eats a goldfish which turns into a ship. Quite a strange clip lasting a little over 20 seconds – it probably made more sense in the context of the full short. There isn't much animation here, but the goldfish is nicely animated, and I quite like its design.
    7
    She Married a Cop
    As the plot of the movie involved an animation studio (Mammoth Studios), of course some cartoon sequences had to be included. This short sequence features Paddy the Pig who is a police officer. He sings the song "I Can't Imagine" and tries to impress his girlfriend. Three cats (who resemble the students of Katnip Kollege a little) sing along. There's less than a minute of animation – it's well drawn, but these kinds of musical cartoons had started to lose their popularity in real life by this point. It served its purpose in the context of the movie, but I still prefer Porky and Petunia to these two pigs.
    7.5
     
    And that's it for the busiest year of the WB cartoons. Most of the cartoons were very enjoyable, with no particularly bad entries included. But I still think the couple of years before this were slightly stronger in general – was the schedule perhaps even too tight? Anyway, I appreciate the way the crew experimented with various ideas. While the Merrie Melodies have mostly been one-shots with the exception of a few recurring characters like Elmer and Daffy, Chuck Jones introduced several new characters this year with the clear intention to make series of them from the start (a couple of them having already got multiple follow-ups in the same year). It's quite obvious that the studio doesn't want to rely on Porky alone, and their attempts will soon start to bear fruit...

    The 30s were an interesting decade for the two cartoon series. Especially in the second half of the decade, we've already seen a lot of development in animation quality and comedy, as well as the introduction of a couple of characters that would be huge (Porky Pig and Daffy Duck). With Freleng, Avery, Clampett and Jones, most of the directors that would really shape the Looney Tunes and Merrie Melodies have already shown up, though for many of them, their best times still lie ahead. What will the 40s bring?
  21. Tacodidra

    Looney Tunes
    1951 might not be the most influential year for the WB cartoons with regard to debuting characters (in fact, there are more recurring characters we see for the last time this year). But there is one new combination of familiar characters that will appear several times later on... and obviously many great cartoons!

    Hare We Go
    Directed by Robert McKimson
    In 1492, Christopher Columbus sets out to prove the world is round after Queen Isabella promises him her jewels if he succeeds. Bugs joins him on his voyage as a lucky mascot, but the crew on the Santa Maria thinks he's bringing them bad luck instead. Not the first funny take on Columbus in the WB cartoons, as Porky had played him in 1939's "Kristopher Kolumbus Jr.", but this one is very entertaining too. Some good lines from not only Bugs but also Columbus and the King, Bugs being clever, and the always amusing historical parody.
    9
    A Fox in a Fix
    Directed by Robert McKimson
    A fox tries to break into a henhouse and steal the chickens, but there's a watchdog preventing him from doing so. The fox comes up with a scheme: he disguises himself as a dog by shaving off some of his fur. But he's still not able to carry out his plans, as the watchdog keeps giving him lessons in how to be a good watchdog. A funny take on an old theme. The fox is clearly the star character with his various schemes, though the dog is also a good foil for him. There are some unexpected scenes, especially the ending is a highlight!
    8.5
    Canned Feud
    Directed by I. Freleng
    Sylvester's owners go to California for a two weeks' vacation and forget to put out the cat. He thinks he'll starve until he finds a lot of canned food in the cupboard. But a mouse has snatched the can opener, and Sylvester has to try to get it from him. Otherwise the typical funny chase cartoon, but like in the previous year's "Stooge for a Mouse", the mouse is the bad guy (and the cat isn't trying to eat him). Great voice acting (Sylvester's "Oh no" stands out), nice in-jokes (the owners share their last name with animator Ken Champin), and good portrayals of the characters – the mouse is fittingly annoying, while Sylvester is likable, and for once, undeniably justified in all his actions. You can't help but feel sorry for him!
    9
    Rabbit Every Monday
    Directed by I. Freleng
    Yosemite Sam is out hunting and comes across Bugs Bunny. Sam's attempts to shoot the rabbit go wrong due to Bugs' cleverness. A hunting cartoon using Sam instead of Elmer? Surprising, but it works well – Sam is one of those characters that seem to fit pretty much any role. The two characters have good chemistry and the gags are great. Bugs singing a love song to a carrot is definitely a nice way to start a cartoon, and the last gag might be one of the most random in the series. Another win for the duo!
    10
    Putty Tat Trouble
    Directed by I. Freleng
    Tweety is cleaning snow out of his nest when Sylvester and an orange cat both start chasing him. Their plans keep failing, mostly because they constantly fight each other. One of the strongest Sylvester and Tweety cartoons – the first of many to pit Sylvester against not just Tweety but another cat too. There's a lot of entertaining cartoon violence and the usual Tweety adorableness – for the latter, I especially like a scene involving a drinking bird! Also one of the few WB cartoons set at Christmas, though the cat and bird duo would appear in an even more holiday-themed short the following year...
    10
    Corn Plastered
    Directed by Robert McKimson
    A crow who's wearing a propeller beanie and a tuxedo eats corn in a field, while the farmer tries his best to stop him. The crow then enters his house to cause further nuisance. We get the ordinary cartoon gags, but there's one big flaw: the lackluster characters. The farmer is an average foil for the wacky lead character, but the crow (despite his cute design) tends to be more annoying than anything else, especially his voice – I feel there was an attempt to create another trickster character in the vein of Bugs Bunny, but he lacks the likability. Shame, as some of the gags (especially the fridge one) had potential, and the music is good.
    7
    Bunny Hugged
    Directed by Charles M. Jones
    In the world heavyweight championship wrestling match, defending champion the Crusher faces challenger Ravishing Ronald. Bugs is Ronald's mascot, and when he's getting beaten badly, Bugs takes over for him with his wrestling persona of the Masked Terror, using clever schemes to challenge the Crusher. The usual silly sports cartoon, and could there really be any sport more fitting for this than wrestling? It's another great Bugs cartoon – the bunny's plans to outwit the Crusher are fun, and the champion wrestler (who previously appeared as a boxer in 1948's "Rabbit Punch") is also an entertaining character in his silliness.
    9.5
    Scent-imental Romeo
    Directed by Charles M. Jones
    The animals are being fed at the zoo, but Penelope Pussycat doesn't get any of the delicious meat. She paints herself to look like a skunk in order to get some – this works, but she also manages to attract Pepé Le Pew and desperately tries to get away from the skunk. Entertaining dialogue (the pseudo-French is always fun), nice gags, Penelope being particularly cute – a very strong short, with the skunk's performance of the song "Baby Face" also always standing out to me. A candidate for the best Pepé short.
    9.5
    A Bone for a Bone
    Directed by I. Freleng
    Geo. P. Dog buries his bone in a hole in the ground, but it happens to be the home of the Goofy Gophers. The two try to convince the dog to bury his bone somewhere else, but he does it again, not wanting to let the gophers tell him what to do. The dog tries to catch the gophers who keep outwitting him. The gophers' combination of politeness and their violent ways of foiling the dog's plans works well just like in their previous cartoons. Some clever and unexpected gags like one of the gophers playing a card trick on the dog. Another great cartoon for the adorable gopher duo!
    9.5
    The Fair Haired Hare
    Directed by I. Freleng
    Sam's house is built on top of Bugs' rabbit hole. After Sam chases Bugs off the property, Bugs takes the issue to the highest court. They decide the two should share the property – but if one of them dies, the other inherits it fully. Sam naturally tries to get rid of Bugs, but the rabbit proves too smart. Some clever gags here, with a very amusing portrayal of both characters (especially Bugs), brilliant animation... There are also a couple of musical scenes, especially Bugs' accented performance of "Home on the Range". Certainly worth a watch!
    10
    A Hound for Trouble
    Directed by Charles M. Jones
    Stowaway Charlie Dog ends up in San Carlo, Italy. He goes looking for a master once again, but no one seems to understand English. He eventually meets restaurant owner Pasquale who's not interested in having him as his pet, but Charlie decides to impress him by serving the customers while he's away. The basic plot is essentially the same as in the previous Charlie Dog cartoons, but with a new setting, providing for plenty of humor based on Italian themes. The cartoon is a hilarious one with Charlie's crazy antics – especially his rendition of the song "At'sa Matter for You" needs to be heard! The last cartoon starring the dog, I think this is an excellent sendoff for him!
    10
    Early to Bet
    Directed by Robert McKimson
    The narrator introduces the Gambling Bug whose bite causes a compulsion to gamble. He's taking a one-day vacation, but then he spots a dog and a cat – the former wants to play gin rummy for penalties, but the latter doesn't. The bug bites the cat repeatedly, changing his mind on playing the game, and the dog always wins, making the cat suffer awful penalties. Essentially a sequel to "It's Hummer Time", just as great as its predecessor! The gambling aspect is a nice addition, amusingly depicted with an actual bug, and the penalties are interesting and fun to see just like last time around. This short also has a highly satisfying ending!
    10

    Rabbit Fire
    Directed by Charles M. Jones
    It's rabbit season, and Elmer is hunting. But Bugs and Daffy soon start fighting over whether it's really rabbit season or duck season. Due to Bugs' cleverness, Daffy repeatedly gets shot. One of the most famous Warner Bros. cartoons, and the first entry in what is often called the Hunting Trilogy. The gags here are all brilliant, especially the famous rabbit season/duck season routine – similar gags have been used before (Daffy and Porky's eagle/pig argument in "Duck Soup to Nuts"), but this is definitely the best-known example. The conflict gets resolved in an equally amusing way. One of the cartoons that best define the true spirit of the Looney Tunes.
    10
    Room and Bird
    Directed by I. Freleng
    Granny sneaks Tweety into Spinsters Arms hotel where pets aren't allowed, and another old lady does the same with Sylvester. The cat hears the bird singing in the neighboring room and tries to catch him, but there's another problem for the duo: they need to avoid getting noticed by the security guard! One of Sylvester and Tweety's greatest cartoons – the inclusion of the security guard adds an all-new element, and there are some amazing gags in this one! Even Tweety's theme song that's heard for the fourth time in a row is more of a plot point here than in the previous shorts. A priceless one!
    10
    Chow Hound
    Directed by Charles M. Jones
    A mean and gluttonous dog comes up with a scheme – he makes a cat get meat for him by living in various homes (and the zoo) simultaneously. But to his disappointment, no gravy! A mouse is also forced to participate in the scheme. An interesting one-shot – probably the least likable dog character next to Shep from "Fresh Airedale", repeatedly abusing the other two animals as part of his nefarious plans. The short, one of the cruelest in the entire series, isn't the wackiest or funniest WB cartoon... but then there's the ending, which is absolutely amazing. Very close to the top mark for that alone!
    9.5
    French Rarebit
    Directed by Robert McKimson
    A crate of carrots falls off a delivery truck, and so does Bugs Bunny. He's in Paris, and two restaurateurs, Louie and Francois, both set their sights on the rabbit. However, Bugs manages to pit the two men against each other and then gets them interested in a recipe by the famous New Orleans chef Antoine. Another great Bugs cartoon, his methods to outwit the two French chefs (who are both quite entertaining) are very fitting and funny. One of the most random cartoons McKimson has made, for sure!
    9.5
    The Wearing of the Grin
    Directed by Charles M. Jones
    Porky is going to Dublin, but there's a storm. He goes to a castle to find a room to sleep in and meets a pair of leprechauns who accuse him of trying to steal their pot of gold. After a slow start, the cartoon gets more entertaining later on, even including some Wackyland-esque surrealism. The leprechauns are appealing characters in all their mischievousness, and Porky also fares well in his role in his final solo appearance. Even if it's not one of his or Jones' absolute best, it's still a nice addition to WB's first big star's filmography.
    8.5
    Leghorn Swoggled
    Directed by Robert McKimson
    "Rootin' tootin' chickenhawk" Henery is looking for a chicken, but Foghorn tells him he's too little to catch chickens. The Barnyard Dawg, in his eternal rivalry with the rooster, promises Henery he'll tell him how to catch one if he gets him a bone. A cat knows where to find one but wants a fish, leading to Henery having to find things for several animals. Foghorn inadvertently helps him do that. Another very good cartoon for the barnyard trio – the plotline of Henery helping the various animals get what they want in return for something is entertaining, and especially Foghorn gets to shine in his role.
    9.5

    His Hare Raising Tale
    Directed by I. Freleng
    Bugs and his nephew are looking at a photo album. Bugs tells him about some of his exciting experiences, such as his time as a baseball player, his vaudeville act with Elmer, and when he fought the boxing champion. Another new cost-cutting method: a so-called cheater cartoon with clips from earlier Bugs cartoons and new wrap-around segments featuring him. The earlier footage is of course entertaining, but I'd much rather watch the original cartoons (in some cases, the clips here are cut off right before a funny gag). The new segments are nice and charming, with the ending being a highlight (even if it's not particularly surprising!), but I can't help but be slightly underwhelmed. Bugs' nephew, later named Clyde Bunny, was one of many child characters introduced around this time – he never became particularly popular, it seems, as he only had a couple of appearances in the classic era.
    7
    Cheese Chasers
    Directed by Charles M. Jones
    Hubie and Bertie have managed to sneak into a cheese factory and have eaten so much cheese they never want to have it again. No longer liking cheese, they conclude there's nothing left to live for and try to get eaten by Claude Cat. But Claude thinks there's something wrong and refuses to eat them. A character trying to get eaten by a reluctant cat had been done before in 1945's "Life with Feathers" featuring a debuting Sylvester and a lovebird. But as good as that cartoon was, this one takes the idea to a whole new level. There are more characters involved, Jones' amazing style with the funny expressions, great gags... Writer Michael Maltese often liked to create variations on the typical chase cartoon, and this is the most interesting one. It says a lot about the WB crew's talent that they managed to make a hilarious cartoon about such a dark theme – this was Hubie and Bertie's final appearance, and despite appearing in several impressive cartoons, their last was the best one.
    10

    Lovelorn Leghorn
    Directed by Robert McKimson
    The old hen Prissy goes looking for a husband, armed with a rolling pin. After this strategy doesn't work on Foghorn, he convinces her that the Barnyard Dawg is really a bachelor rooster wearing a dog suit, and she goes after him instead. The first Foghorn cartoon to feature last year's debutante Prissy is a hilarious one! Foghorn's portrayal is one of the best he's had – besides his inventive and comedic scheme to get Prissy away from him, he has a lot of great lines in this short. And Prissy is also funny, especially with her reactions to Foghorn's ideas and other expressions. The new formula worked very well – we'll get several more appearances from Prissy in the upcoming Foghorn shorts.
    10
    Tweety's S.O.S.
    Directed by I. Freleng
    Sylvester is hungry and notices Tweety on a ship. He gets on board, chasing the bird. Granny protects Tweety, but once she loses her glasses, Tweety has to fend off the cat himself. Another awesome Tweety cartoon – Granny's poor eyesight provides for a couple of good gags and allows us to see a rather active Tweety. All three characters do well here. Sylvester is amusing with his usual failures, while Tweety gets some great lines in. The ending is also one of the best in the Tweety cartoons!
    10
    Ballot Box Bunny
    Directed by I. Freleng
    Yosemite Sam is running for mayor and vows to rid the country of all rabbits. When Bugs hears this, he decides to challenge Sam. Both try to impress the people while sabotaging each other. Great idea for a cartoon, with funny gags and characterizations – Sam in particular shines here, though Bugs is also amazing, of course. The WB crew could make pretty much anything funny, and this short proves politics was no exception!
    10
    A Bear for Punishment
    Directed by Charles M. Jones
    It's Father's Day, and Henry Bear's wife and son try to make the day special for him. But he's not at all interested in participating in the traditional activities, all of which lead to injury or embarrassment for him. One of the most memorable cartoons not featuring the main characters from the era. Junyer and Mama Bear's performances and other activities here are hilarious, as are Henry's reactions to them. This was the last appearance of the WB cartoons' most dysfunctional family, and also their most entertaining!
    10
    Sleepy Time Possum
    Directed by Robert McKimson
    Mr. and Mrs. O'Possum have a problem: their son is constantly sleeping instead of peeling potatoes. The father decides to get some life into him by disguising himself as a hunting dog and scaring him. The "dog" constantly gets outwitted by the little possum who still finds the time to take naps. A fun cartoon even if it's not the strongest in the WB filmography. The kid is the most entertaining character here, displaying a bit of the trickster personality we see often in the Looney Tunes.
    8.5

    Drip-Along Daffy
    Directed by Charles M. Jones
    "Western-type hero" Drip-Along Daffy and his "comedy relief" deputy Porky enter Snake-Bite Center which is full of outlaws and has no sheriff. Daffy comes to fight the outlaws, but beating the rustler, bandit and square dance caller Nasty Canasta proves to be a huge challenge. Continuing in the vein of "The Scarlet Pumpernickel" from last year, but now in a Western setting, Jones again puts Daffy in the role of an incompetent hero – a role where he works brilliantly! Great sight gags, strong portrayals of all the characters, clever use of different types of animation (utilizing wild and expressive animation for some scenes and limited animation for Nasty Canasta's walk cycle). One of Jones' best Daffy cartoons. He would go on to use Canasta in a couple more cartoons later in the decade.
    10
    Big Top Bunny
    Directed by Robert McKimson
    Colonel Korny's circus hires Bugs as their performing rabbit, much to the frustration of their star, Bruno the Slobokian acrobatic bear. The two perform together and Bruno tries to ruin things for Bugs, but the rabbit proves too smart. Not one of Bugs' best, but a nice short anyway – watching Bugs outwit the arrogant bear is fun, and Bruno himself is quite an effective character in all his unlikability. And even an average Bugs short is one of the best ways to spend seven minutes!
    8.5
    Tweet Tweet Tweety
    Directed by I. Freleng
    Sylvester is in a bird and game refuge where hunting and fishing are strictly forbidden! But he finds an egg in a nest and decides to hatch it – out comes Tweety! The rest of the cartoon mostly involves Tweety being in a tree while Sylvester is trying various things to catch him. Not one of my favorite Sylvester and Tweety shorts, they've had even funnier ones. But it's definitely still an entertaining watch. The highlight for me is Tweety's song – sure, we've heard it in five out of the last six Tweety cartoons, but the rendition here (with different lyrics) is really cute and great! Good gags too, again the ones with a more mischievous Tweety are the standout for me. This is also the first cartoon where he is mentioned to be a rare specimen of a "tweety bird" – the earlier cartoons generally had him portrayed as a canary.
    8.5
    The Prize Pest
    Directed by Robert McKimson
    The radio show Porky is listening to tells him even he could be the lucky winner of the grand prize... and he indeed is! Sadly for him, the grand prize is Daffy Duck who proves to be a total nuisance. After getting thrown out, Daffy pretends he's a split personality. If he's treated well, he is gentle, but if not, he turns into a monster, and Porky falls for the whole thing. McKimson's Porky and Daffy cartoons are some of the best, and here's another very funny one. Daffy steals the show here with his schtick, but Porky is a brilliant foil for him and gets some funny moments himself. An amazing conclusion to a great year!
    10

    The Looney Tunes would also find success outside the world of animation, namely in the music business! Capitol Records had released both songs and stories with the voice of Mel Blanc and writing and art contributed by the WB crew since 1947, and the popularity of these reached its peak this year. The Sylvester and Tweety song "I Taut I Taw a Puddy Tat" with lyrics by WB writer Warren Foster became a genuine hit – according to the Billboard magazine dated February 17, 1951, the song was the ninth best selling pop single in the U.S. at the time. Not bad for a bird and a cat!

    What this year may have lacked in new characters, it made up for in excellent cartoons, perfecting the formula for some previously introduced series. Though I'll miss Hubie and Bertie and the Three Bears, each of them at least made their last appearances in their very best cartoons. Thankfully we'll soon have some other returning characters taking their place...
  22. Tacodidra

    Looney Tunes
    The Looney Tunes and Merrie Melodies' third decade begins! This year, we have some recurring characters making their first appearances and say goodbye to a few others.

    Home, Tweet Home
    Directed by I. Freleng
    Sylvester is chasing Tweety in a park. His attempts to catch the bird keep getting foiled by a woman, a bulldog and Tweety himself. In this relatively early Sylvester and Tweety entry, Tweety's character is still quite close to his 40s version. While he starts relying more on other characters to save him, he's still very much capable of defending himself when he needs to (with the earlier sadism still there on occasion). Sylvester is entertaining, though as in the other early cartoons, I feel he gets overshadowed a bit by Tweety and his quips. Not my absolute favorite Sylvester and Tweety cartoon, but in their early days, they couldn't really do wrong.
    9
    Hurdy-Gurdy Hare
    Directed by Robert McKimson
    Bugs decides to buy a hurdy-gurdy and a monkey to earn some money. However, when the monkey tries to take all the money for himself, Bugs decides he can do it alone. The monkey tells a gorilla at the zoo about how badly he was treated by Bugs, and the gorilla starts chasing Bugs. An underrated cartoon – nice gags, the usual cleverness from Bugs (including some excellent lines), and a great ending! A lot funnier than McKimson's previous Bugs Bunny cartoon involving gorillas ("Gorilla My Dreams").
    10
    Boobs in the Woods
    Directed by Robert McKimson
    Porky is in nature, painting a beautiful landscape when Daffy comes to ruin it. And any other relaxing things the pig tries similarly result in him being annoyed by the crazy duck. Porky and Daffy have always been a great comedic duo – and this hilarious short is possibly my favorite with them! Daffy is at his wackiest, constantly bothering Porky, who is great as the straight man. Many funny gags with plenty of randomness from Daffy, some of the best animation of the time, and an especially memorable conclusion – a strong candidate for McKimson's best cartoon.
    10
    Mutiny on the Bunny
    Directed by I. Freleng
    Pirate captain Shanghai Sam needs a new crew for his ship with the old one having deserted him. He lures Bugs to work on his ship with the promise of getting to see the world. But Bugs keeps outwitting Sam with various tricks, often leading to the ship sinking and Sam having to repair it. Bugs and Sam are another duo whose chemistry and interactions are always entertaining. Sam is great in the role of a pirate – it had been done before in "Buccaneer Bunny", and this wouldn't be the last time either. Bugs is charming, the gags are imaginative and unexpected – another very good one!
    9.5
    The Lion's Busy
    Directed by I. Freleng
    It's Leo the lion's birthday. He's now ten years old – and Beaky Buzzard is delighted, as lions rarely live longer than that. The buzzard plans to eat him, and the lion's attempts to fight him don't work. Beaky's return is surprising, as he hadn't shown up in cartoons since Bob Clampett left the studio (though he had appeared more often in the Looney Tunes comics). He's an amusing character like before, though he's portrayed as much more cunning here than on his first two appearances. An unusual theme, nice gags and an interesting pair of characters – a worthy return for Beaky.
    9

    The Scarlet Pumpernickel
    Directed by Charles M. Jones
    Daffy is tired of appearing in comedic roles, so he asks his boss J.L. to let him appear in a more dramatic role. He has written a script himself for this purpose, featuring him as the highwayman Scarlet Pumpernickel, who has to save his sweetheart Melissa, about to be married to the Grand Duke (Sylvester). One of the best remembered cartoons from the era, featuring a large cast of Looney Tunes characters in various roles. The parodic hero story was something Jones would often use Daffy in, this being the first significant example – unusually the whole thing is portrayed as a made-up story, which allows for a lot of randomness. Melissa Duck, debuting here, didn't appear much in the classic cartoons, but she would become a recurring character in later eras, appearing the most often out of Daffy's various girlfriends. The character acting is great, especially from Daffy himself, both in the story and when desperately trying to pitch it to J.L. Something unusual for the time, definitely an influential cartoon for the series!
    9.5
    Homeless Hare
    Directed by Charles M. Jones
    A construction worker (Hercules) ends up destroying Bugs' home when moving dirt from the ground. Bugs takes revenge on the mean guy, as wild antics ensue all around the construction site. This cartoon was much funnier than I remembered, with some great expressions (a Jones specialty) and funny lines especially from Hercules. Jones always did these kinds of cartoons really well – Bugs can go quite far with his actions, but they feel especially justified here with how unlikable and disrespectful the construction worker was towards him (and even his fellow construction workers, further irritating Bugs). A top-notch effort!
    10
    Strife with Father
    Directed by Robert McKimson
    Big Beaky leaves his son Little Beaky for Monte and Gwendolyn English Sparrow to hatch and raise. Once the buzzard has grown up, it's time for him to leave the nest. Monte tries to teach his son how to fly and catch chickens without any success. Easily the weakest of the Beaky Buzzard shorts, though it's still quite a humorous one with some good gags. The characters are clearly the highlight in this fairly ordinary short – Beaky has always been a funny character, and Monte is also entertaining with his attempts to remain calm despite the problems dealing with his dumb son. I find it surprising that after more than four years away, Beaky appeared in two shorts released so close to each other... I wonder if there were plans to start using him more often – in any case, this would be his last animated appearance in the classic era.
    8
    The Hypo-Chondri-Cat
    Directed by Charles M. Jones
    Hubie and Bertie find a new house to live in, but there's a problem: Claude Cat also lives there! The mice soon notice the cat is a hypochondriac, constantly fearing illness. Hubie and Bertie manage to convince him that he's about to die unless he has an operation... This is an absolutely brilliant entry, improving a lot on the similarly themed and already enjoyable "Mouse Wreckers" – Hubie and Bertie's sadism is taken to a new level, and Claude's portrayal is also much more interesting. Probably one of the darkest cartoons in the entire series, though it has some funny moments too – and there's also a really surreal hallucination sequence (it reminds me slightly of the nightmare scene in "Fresh Airedale", but even weirder)! Jones was really breaking new ground, this kind of cartoon couldn't have come from any other director, and it's one of his many masterpieces.
    10
    Big House Bunny
    Directed by I. Freleng
    Running away from hunters, Bugs ends up digging his way to Sing Song Prison. Prison guard Sam Schulz thinks he's a prisoner trying to escape, so Bugs ends up being prisoner 3½. He tries to get away while Sam keeps getting in trouble with the warden. Another amazing Bugs and Sam cartoon! The gags are all great, with a setting that provides for plenty of comedy, and the characters are funny (we especially see some very amusing reactions from Sam). Even among the generally strong Bugs cartoons, this is one of the standouts.
    10
    The Leghorn Blows at Midnight
    Directed by Robert McKimson
    Henery is trying to catch a chicken, but he thinks the Barnyard Dawg is one. The dog tells him that Foghorn Leghorn is the chicken he's looking for, but Foghorn convinces the hawk that his meat is no longer tender and he should instead go after a pheasant (i.e. the dog). Another very enjoyable cartoon with the trio, with great portrayals for all of them (possibly their best ones yet). They all get their opportunity to shine, as both the rooster and the dog take turns helping Henery catch the other one, with some excellent dialogue. One of Foghorn's best.
    10
    His Bitter Half
    Directed by I. Freleng
    Daffy reads a newspaper and sees that a "refined wealthy lady duck" is looking for a partner. In hopes of getting rich, Daffy immediately marries her, but things aren't what he expected, as the new wife makes him do all the household chores. She also forces him to play with her son Wentworth who is an absolute nuisance. Not the first cartoon to have a henpecked Daffy, but definitely an entertaining one. Getting rich is something Daffy has shown an interest in lately, and this is definitely an interesting plot (and explains why Daffy tries his best to tolerate the awful wife and even worse stepson). Despite his greed, you can't help but feel sorry for him. Wentworth is also entertaining in all his annoyingness, which makes for some good gags. Not my favorite Daffy cartoon, but a good one at any rate.
    8.5

    An Egg Scramble
    Directed by Robert McKimson
    Farmer Porky is collecting the eggs laid by his chickens, but the old hen Prissy isn't laying any. The other hens decide to play a prank on her, putting an egg laid by Agnes in her nest. Prissy doesn't want to give up the egg she thinks she laid, leading to a chase that even involves the police and the dangerous gangster Pretty Boy Bagle. More a Prissy cartoon than a Porky one, this is a fun and fast-paced short, taking various unexpected turns. Definitely an enjoyable watch! Fittingly for a chicken character, Prissy would become a recurring character in the Foghorn Leghorn cartoons soon after her debut here. She was supposedly based on the 30s character Emily (who appeared in three cartoons), but if that's the case, Prissy is definitely a funnier character than her predecessor.
    9.5
    What's Up Doc?
    Directed by Robert McKimson
    Bugs tells a reporter the story of his life and his career in show business. We see his first meeting with vaudeville star Elmer Fudd, among other things. The idea of the cartoon is a bit similar to "A Hare Grows in Manhattan", but the focus is mostly on Bugs' career this time. And just like that short, it does its star justice! Besides the great look at Bugs' life, there's the wonderful chemistry between Bugs and Elmer, some celebrity parodies, nice gags... And of course the titular song – first heard over the titles of "Stage Door Cartoon", it returns and will soon become Bugs' permanent theme. This cartoon even contains a vocal version of it performed by Bugs and Elmer, a year after a version had been heard on the Capitol story record "Bugs Bunny in Storyland". Another standout effort!
    10
    All a Bir-r-r-d
    Directed by I. Freleng
    Sylvester and Tweety are traveling on a train, in the baggage car. The cat keeps trying to catch the little bird, but his attempts keep getting foiled by the conductor, Tweety pulling on the emergency cord, and a dog... Another good cartoon for Sylvester and Tweety – the typical gags but in a new setting, some funny lines (especially from Tweety), and if you look closely, many in-jokes related to the WB crew! Tweety is becoming less active in defending himself from Sylvester, though there's still a cleverness to his actions and his comments on the cat's misfortunes that would be missing later on. He also sings a cute and rather catchy song that would become his theme song for a while (being heard over the titles of his next two cartoons). Nice one even if it's not the characters' absolute best.
    9
    8 Ball Bunny
    Directed by Charles M. Jones
    A skating penguin is left behind when an ice skating show packs up. Desperate to find his way home, the penguin ends up in Bugs' rabbit hole. Bugs promises to help the penguin home to the South Pole, and the two go on an exciting voyage around the world. A pretty unusual short with its adventurous approach, though of course there's a lot of comedy too! Playboy Penguin from "Frigid Hare" returns for one last appearance – he's had a slight design change (he's now a black penguin instead of a blue one), but is just as adorable as last time around, if not even more so! Great short with both funny and cute moments.
    9.5

    It's Hummer Time
    Directed by Robert McKimson
    A cat tries to catch a hummingbird, but the clever bird foils all his attempts. A dog keeps getting caught up in the cat's attempts and repeatedly subjects the cat to violent and imaginative punishments. A funny and unique take on the traditional cat and bird chase. You know something will always happen to the cat, but you never know what exactly the dog will come up with, so there's an unusual excitement to it all. While clever, the hummingbird is a bit overshadowed by these antics, though he's also likable, especially the way he keeps humming many familiar tunes. The cartoon is also visually impressive – there's an unusual camera angle change near the end, for example. McKimson may not have been considered quite as innovative as Jones, for example, but this is definitely something new!
    10

    Golden Yeggs
    Directed by I. Freleng
    On Porky's farm, a goose lays a golden egg. However, since he knows how badly things went for the goose the last time this happened, he instead claims Daffy Duck did it. He's happy to take credit, but then he's abducted by gangsters who force him to actually lay one! Another nice cartoon with some fun gags, especially the scene where Daffy tries to escape. The mob boss introduced here ("Racketeer Rabbit" had featured a different-looking gangster with the same name), Rocky, would appear in several later cartoons along with Bugs Bunny. As much as he is the stereotypical cartoon gangster, he's entertaining in his role and has a memorable design.
    9.5
    Hillbilly Hare
    Directed by Robert McKimson
    Bugs is on vacation in the Ozarks when he meets the hillbilly brothers Cot and Punkinhead Martin. The two try to shoot Bugs, thinking he's from the rival family the Coys, but the rabbit escapes, eventually leading the two hillbillies into a wild square dance! Feuding hillbillies are something we've seen before in a few 30s cartoons, but this is definitely the most memorable short based on the theme. The square dance with the wacky and catchy song performed by Bugs is the obvious highlight here – the beginning of the short is also enjoyable, but that part is sheer brilliance.
    10
    Dog Gone South
    Directed by Charles M. Jones
    Charlie Dog is still looking for a home. He's in the South and tries to get Colonel Shuffle to take him in as his pet. But the Colonel's hatred of the North (which Charlie keeps referring to) and him already having a dog prove to be big obstacles. This is a pretty random pairing of two characters who had previously appeared with the real star characters (Charlie in three Porky cartoons and Colonel Shuffle in a Bugs cartoon), but it ends up working amazingly! Charlie is funny as always, while the Colonel is absolutely hilarious with his rage at just hearing the word "Yankee". And there's also the classic line "Oh, Belvedere! Come here, boy!" This immediately became one of my favorite cartoons when I first saw it as a kid, and I still love it just as much today!
    10
    The Ducksters
    Directed by Charles M. Jones
    Porky is a contestant in the game show "Truth or AAAHHHHH!", hosted by Daffy. But the questions are all impossible ones, and Porky must pay the penalty for each failure to answer correctly. The Porky and Daffy pairing works really well, as usual – in fact, I think this is one of their very best cartoons! Plenty of funny lines, fine slapstick comedy and an excellent ending. It also helps that the game show theme remains just as relevant today as it was back then.
    10
    A Fractured Leghorn
    Directed by Robert McKimson
    A cat is trying to catch a worm, as he needs one to be able to catch fish. But Foghorn Leghorn is after the same worm, leading to a fight between him and the cat. The first Foghorn cartoon not to feature Henery Hawk or the Barnyard Dawg, and therefore a slight deviation from the usual formula – but this cartoon is a very funny one anyway, especially with Foghorn's incessant talking (he keeps blabbing even more than in most of his cartoons). The cat (the same one we've seen in several McKimson cartoons lately) is mostly mute, as is the worm, leaving the spotlight to the rooster, though both of those characters also fare well in their roles. A good showcase in how the character of Foghorn Leghorn could also be used in different situations!
    9.5
    Bunker Hill Bunny
    Directed by I. Freleng
    In the Battle of Bagle Heights, Bugs is defending his fort from the attacking Sam von Schmamm the Hessian. Sam repeatedly gets blasted by cannons. There's a degree of familiarity at times (the repeated cannon gag was already used in "Buccaneer Bunny"), but the setting is a new one. There's a nice contrast between the angry Sam and the calm Bugs. Not the duo's strongest cartoon, but an entertaining one in any case.
    9

    Canary Row
    Directed by I. Freleng
    Sylvester is after Tweety, but the house the bird lives in ("Broken Arms Apartments") doesn't allow any cats to enter! He comes up with schemes to catch the bird, but they all get foiled by the bird and his owner Granny. Tweety had had various owners in his previous cartoons, but this short introduced one who would appear in the cartoons even beyond the classic era! Granny (who would sometimes also be portrayed as Sylvester's owner) is clearly a more entertaining character than her predecessors – Bea Benaderet gives her a memorable voice, and she's portrayed as quite clever here with the ways she ruins the cat's plans. And Tweety himself still plays a part in beating the cat instead of entirely relying on Granny. An important step forwards for the series, and also a fun cartoon! This short was originally nominated for an Oscar (for 1949), but the nomination was withdrawn by producer Edward Selzer. Maybe a cunning tactical decision, as the studio's remaining nominee "For Scent-imental Reasons" did win the award!
    10
    Stooge for a Mouse
    Directed by I. Freleng
    Unusually, Sylvester is friends with Mike the dog. A mouse's attempts to get some cheese are foiled by the cat, but then he comes up with a scheme – convince the dog that the cat is trying to betray him. Poor Sylvester has no clue what's happening. An interesting variation on the typical cartoons with cats, dogs and mice. It's fun to see what the mouse comes up with, though I can't help but feel sorry for Sylvester... The ending is a funny and rather satisfying one, though!
    9

    Pop 'im Pop!
    Directed by Robert McKimson
    Gracie the fighting kangaroo is getting ready for her performance at the circus, and her son Hippety Hopper escapes, causing a lot of chaos in the city. Sylvester is telling his son how he once fought a giant mouse and beat him. He gets an opportunity to prove the story is true, as Hippety Hopper shows up, but the kangaroo is too tough with his fighting skills. Easily the best of the three Hippety Hopper cartoons so far, with the funniest gags (including a running gag involving cement) and expressions. It's also the first appearance of Sylvester Jr., who would appear in several later McKimson cartoons, usually with Hippety Hopper. He's very cute, and a nice addition to the series – in this cartoon, he seems to be more supportive and admiring towards his father than in the later ones. The Hippety Hopper cartoons don't seem to be everyone's cup of tea, but this early one is great, pretty much setting the template for the later ones!
    10
    Bushy Hare
    Directed by Robert McKimson
    A stork accidentally delivers Bugs to a mother kangaroo in Australia instead of her real baby. The kangaroo is sad when Bugs says he's not her baby, so he plays along. But an Aboriginal hunter soon sets his sights on Bugs who nicknames him Nature Boy. Another enjoyable Bugs cartoon, even if it's not my absolute favorite. Some nice gags here, and the cast of characters is good – Bugs is his usual lovable self, the hunter is a bit one-note but entertaining, and the kangaroos are cute (though I'm a bit surprised Hippety Hopper wasn't used here).
    8.5
    Caveman Inki
    Directed by Charles M. Jones
    In the prehistoric times, Inki and a little dinosaur companion are hunting various animals. Inki soon gets chased by a lion cub that's interested in the bone in his hair, and a giant dinosaur starts chasing both of them. There are also running gags involving a man eating soup, and of course, ones featuring the Minah Bird. This is quite similar to the previous Inki cartoons, though Jones' expressive style is more apparent and the gags are slightly faster-paced than in the earliest entries. I think this is one of the strongest cartoons with the character, and there is a certain charm to it (I especially like the ending and the Minah Bird scenes in general), but it doesn't really hold a candle to the best shorts of the era. The final appearance of Inki, the last of Chuck Jones' 30s characters that still made occasional appearances in the series – the stereotypically designed African native was starting to be a bit outdated as a character even then. His co-star the Minah Bird, on the other hand, would return decades later to make occasional cameos in various WB cartoon series.
    8
    Dog Collared
    Directed by Robert McKimson
    It's Be Kind to Animals Week, and Porky tries to be kind to all the animals he sees. But after he pets a giant white dog, the dog starts chasing him around, and he can't get away no matter what tries. A wild chase cartoon with various nice gags (perfectly punctuated by the music) and the adorable dog character. Porky always works well as the straight man character, and this short is no exception. There's also a good twist near the end. Something very simple but excellent!
    10
    Rabbit of Seville
    Directed by Charles M. Jones
    Elmer is hunting Bugs again, but the two end up on a stage, doing a performance of Rossini's opera "The Barber of Seville". One of Jones' operatic masterpieces – the animated action is synchronized excellently with the music, and the whole thing is accompanied by fitting and humorous lyrics sung by Bugs and Elmer (Mel Blanc and Arthur Q. Bryan both doing a perfect job singing in character). Expressive animation, great music, comedy – this one has it all. One of the most beloved cartoons in the whole series, and for a good reason.
    10
    Two's a Crowd
    Directed by Charles M. Jones
    John gets his wife an adorable puppy as a present. But Claude Cat isn't happy about the newcomer, especially when he hears he'll be thrown out if he doesn't get along with the puppy. While the couple is away, the dog keeps startling the cat by barking loudly. Claude comes up with various schemes to get rid of the dog. I must admit I didn't find this short particularly memorable. The puppy is an adorable one, but Claude's portrayal isn't as appealing as in his previous appearance – the lack of dialogue probably plays a part too, making him seem more like a generic cartoon cat. An entertaining seven minutes, for sure, but in this era, there are many even more enjoyable ones.
    8

    The first year of the new decade continued the studio's amazing run – one of the absolute best years of the WB cartoons! All three directors made many masterpieces. McKimson may not generally be as highly rated as Freleng and Jones, but his cartoons this year don't pale in comparison to theirs at all – he is often considered to have been at his career peak around this time. The new character introductions (especially Granny) also make this another fairly influential year for the whole series. This all bodes well for the future...
  23. Tacodidra
    And we've reached the last year of the Warner Bros. cartoons' second decade. This year is especially notable for the introduction of two of WB's longest-lasting and most beloved characters.

    Wise Quackers
    Directed by I. Freleng
    A tired Daffy is unable to fly south and gets caught by hunter Elmer Fudd. The duck promises to do anything Elmer wants if he spares him, including being his slave. Elmer agrees to this, but Daffy's attempts to help Elmer prove to be more of a nuisance. Daffy is perfect in his role, and the chemistry with Elmer is good, as expected. Some parts of this cartoon are quite questionable (not really a surprise given the subject), but it's an entertaining short for the most part.
    9
    Hare Do
    Directed by I. Freleng
    Elmer chases Bugs, and the two end up in a movie theater. The rabbit tries to watch the movie while avoiding the hunter, coming up with various schemes to get him thrown out. Maybe the short isn't the most revolutionary, but it's certainly a fun take on the usual Bugs and Elmer chase! All the gags are great, with both characters getting to shine – Bugs with his clever ideas, and Elmer with the occasional moment when he gains the upper hand. One of the first Bugs cartoons I remember seeing, and it still holds up well!
    10
    Holiday for Drumsticks
    Directed by Arthur Davis
    Two hillbillies decide to fatten up Thomas the turkey for Thanksgiving. Daffy is frustrated with Thomas getting all the food, so he convinces him to try losing weight in order to be spared and eats all the food himself. Daffy's portrayal is very good once again, and there are some surprises along the way. However, there are parts where the similarities to the earlier (and superior) "Tom Turk and Daffy" are quite strong – the turkey is similarly named, and there's also a gag reused from that short. Despite this occasional derivativeness, it's an enjoyable watch.
    8.5
    Awful Orphan
    Directed by Charles M. Jones
    Porky orders a canary from the ACME Pet Shop, but ends up getting Charlie Dog instead. The dog proves to be a huge nuisance once again and keeps coming up with new schemes to make Porky let him stay. While very similar in idea to Charlie's debut in "Little Orphan Airedale" (which itself resembled "Porky's Pooch"), I find this by far the stronger cartoon of the two. The gags in this one are funnier, and we get some brilliant character acting from both Porky and Charlie. A definite classic!
    10
    Porky Chops
    Directed by Arthur Davis
    A squirrel is taking a vacation in the north woods. This is interrupted when Porky arrives to chop down his tree, but the squirrel does his best to ruin his attempts. A lot of fun! I like the squirrel character, the gags are entertaining, and the animation is some of the liveliest we've seen since Clampett's time at the studio.
    9.5

    Mississippi Hare
    Directed by Charles M. Jones
    Bugs ends up on a Mississippi riverboat in a batch of cotton. Using a disguise to hide that he's a stowaway, he goes on to beat the short-tempered Colonel Shuffle in a poker game, and the angry man tries to shoot him. Colonel Shuffle, despite being an entertaining character (he would later reappear in an even stronger cartoon), is pretty much a Southern version of Yosemite Sam in personality. The gags are entertaining and not overly derivative, on the other hand – with Bugs' great characterization, it's another very enjoyable cartoon.
    9
    Paying the Piper
    Directed by Robert McKimson
    Porky is the Pied Piper of Hamelin and manages to rid the town of all rats. The cats aren't happy, though, and the Supreem Cat comes up with a scheme: the Pied Piper won't be paid for his deed if there's even one rat around, so he disguises as a rat, causing a lot of trouble for Porky. The second time Porky has portrayed the Pied Piper, the previous one having been the imaginatively titled "Pied Piper Porky" in 1939. I find this the better cartoon of the two, with the fun characters (Supreem is a good foil for Porky) and the nice and jazzy tune Porky keeps playing to lure the mice. Maybe not a spectacular cartoon, but a good one in any case!
    8.5
    Daffy Duck Hunt
    Directed by Robert McKimson
    Porky and his dog (the Barnyard Dawg) go duck hunting. The dog fools Daffy by telling him that his owner will torture him if he doesn't catch a duck, so the duck plays along – but Daffy soon finds out the dog won't help him in return. He tries his best to outwit the duo and escape, framing the dog for trying to steal him. The concept naturally brings Daffy's debut in "Porky's Duck Hunt" to mind, but there are significant differences – Daffy gets caught at the very start, and there's more focus on Daffy, as well as Porky's dog, than in that one. Another very entertaining short with all of the characters having some great scenes, but Daffy predictably standing out in particular. Porky seems a bit meaner than usual here, which Daffy takes great advantage of.
    9.5
    Rebel Rabbit
    Directed by Robert McKimson
    Bugs notices that the bounty for a fox is 50 dollars, 75 dollars for a bear... but only two cents for a rabbit! Offended, he goes to Washington to confront the game commissioner. After this fails, he resorts to more drastic measures... I've always found this one of the most memorable Bugs cartoons, mainly because it's something so different. Bugs' vanity isn't all new (the Cecil Turtle trilogy showed this, for example), but the aggression and the things Bugs does here are something not seen much in the series before – the closest thing I can think of is Clampett's version of Bugs. There's also some interesting use of live-action footage in a couple of the scenes that makes the whole thing even funnier, Mel Blanc does a great job with the voices as usual, the animation is appealing and wild – a unique and great short.
    10

    Mouse Wreckers
    Directed by Charles M. Jones
    Hubie and Bertie have found a new home, but they soon find out it's also the home of award-winning mouser Claude Cat. The two mice decide to play various tricks on the cat to drive him insane and make him leave. A fun cartoon with the mice's clever and sadistic schemes. The cat (still unnamed) is just as much of a star here, though – his expressions are very amusing and wild. Claude would later receive even funnier portrayals, being Hubie and Bertie's rival in all their remaining cartoons. The only real weakness here is the abrupt ending – it's pretty obvious something was cut before release. This cartoon was nominated for an Oscar (for 1948), but after a year, the Academy went back to favoring the more familiar cat and mouse team of Tom and Jerry, with their "The Little Orphan".
    9.5
    High Diving Hare
    Directed by I. Freleng
    Yosemite Sam is excited to see Fearless Freep's high-diving act. When Freep is unable to arrive and the performance is cancelled, Sam forces host Bugs Bunny to perform the act instead, but is repeatedly tricked to diving himself. Another great cartoon – brilliant portrayals of both lead characters (maybe the best one of Sam so far), and imaginative variations on the same gag, some of them quite unpredictable! Freleng has been responsible for many of the best Bugs cartoons, this being yet another one.
    10
    The Bee-Deviled Bruin
    Directed by Charles M. Jones
    Thanks to Junyer, the Three Bears run out of honey, so Henry decides to get some himself, straight from a beehive. This proves to be a disastrous idea, thanks to Junyer's stupidity and Henry's awful luck. The Three Bears are an underrated and funny group of characters, and I find this third entry their best yet. Mama Bear is the straight man of the group, with Henry being aggressive and violent and Junyer stupid (as in the previous shorts). Speaking of violence, this is a good candidate for one of the most violent cartoons in the series – characters get punched, stung, hit in the face with a shovel... And it's all hilarious thanks to the funny characters and Jones' expressive style.
    10
    Curtain Razor
    Directed by I. Freleng
    Also known as "Show Stopper" on some TV airings. Porky is an agent at the Goode and Korny talent agency who are holding an audition for performers. The acts all seemingly fail to impress him for various reasons. In a running gag, a fox insists on showing Porky his act, but he has to wait for his turn. This cartoon brings the late 30s shorts to my mind – the idea of different acts auditioning was used in many cartoons like "I Love to Singa", "A-Lad-in Bagdad", "Hamateur Night"... But being brought back years later, it doesn't feel too derivative, as the acts themselves are new ones. The typical celebrity parodies also make an appearance (Sinatra and Crosby as birds again, with Al Jolson joining them). The fox's scenes are definitely the highlight in this entertaining short.
    9
    Bowery Bugs
    Directed by Arthur Davis
    Bugs is showcasing the Brooklyn Bridge to an old man, telling him the story of how Steve Brody made a sensational jump off the bridge. Brody was fed up with his bad luck, deciding he needed a rabbit's foot for a good luck charm. Bugs fools him by disguising as Swami Rabbitima, telling Brody his fortune, and chaos ensues. A brilliant one (based partially on a true story!) – Bugs is at his best, driving Brody mad, and the latter is also an entertaining character. I've already mentioned how much I love it when Bugs pretends to be someone else, and here we get plenty of that, with great gags. This was the only Bugs Bunny cartoon Art Davis directed in the classic era – based on how good this one is, I'd certainly have liked to see more.
    10
    Mouse Mazurka
    Directed by I. Freleng
    In a Slobovian village, Sylvester chases a little dancing mouse. After several failed attempts to catch the mouse, the rodent turns the tables on the cat by pretending to drink nitroglycerine and threatening to blow himself up! Maybe not the most revolutionary cartoon in the series, but an entertaining one for sure – the setting and the way the mouse gains the upper hand are the main differences from the average Sylvester cartoon. The ending is a great and surprisingly dark one, and I like the synchronization of the music (Brahms' Hungarian Dances and several Russian folk tunes) with the animated action.
    9
    Long-Haired Hare
    Directed by Charles M. Jones
    Opera singer Giovanni Jones is practicing for his grand performance, but he keeps getting distracted by Bugs performing less high-brow tunes nearby. After getting attacked by Giovanni three times, Bugs decides to take revenge and goes to make a mess of his performance, eventually taking the place of the conductor. The use of classical music as a crucial part of the cartoons was something that Friz Freleng was the first to do, but Chuck Jones would make the best-known examples, this being a rather early one. And the combination of music and comedy is done absolutely brilliantly here! The synchronization is perfect, there are plenty of funny moments based on the music (Giovanni Jones accidentally starting to sing the same songs as Bugs is especially hilarious!) and also the usual visual comedy. An all-time classic!
    10
    Henhouse Henery
    Directed by Robert McKimson
    Henery Hawk is again trying to catch a chicken when Foghorn Leghorn tells him he needs to start smaller. Most of his targets aren't even real chickens. Meanwhile, the Barnyard Dawg and Foghorn have their usual rivalry. Naturally, this mostly follows the same formula as the previous entries in the series, but there are some changes. The Barnyard Dawg has his most significant role yet, the pacing is slightly faster at times, and this is also the first of many times we hear Foghorn sing "Camptown Races". Pretty much all the eventual elements of the typical Foghorn cartoon are there now. The first few in the series may have been a little more memorable and innovative, but this is a great cartoon in its own right.
    9.5
    Knights Must Fall
    Directed by I. Freleng
    After Bugs uses Sir Pantsalot's armor as a trash can, the knight challenges him to a battle of honor. The two meet on the jousting field, with the knight the audience's favorite, but Bugs' cleverness once again saves the day for him. Some nice gags here, Bugs gets some great lines in and has an appealing characterization in general. Another good one even if it isn't one of the absolute highlights for me.
    8.5
    Bad Ol' Putty Tat
    Directed by I. Freleng
    Sylvester (back to being mute) is after Tweety once again. Among other things, we see the cat painting his finger to look like a female canary, and the duo ending up on a badminton court, but every attempt to catch the bird fails, as usual. We're still in the early days of the Sylvester and Tweety cartoons, so we see the more aggressive version of Tweety (even reusing one of the gags from his debut "A Tale of Two Kitties"), wearing that cute sailor hat that would soon disappear. While Sylvester's portrayal might not be the strongest (the lack of dialogue plays a part), Tweety really shines here with his adorableness and clever ways to outwit the cat. This is among the most entertaining Sylvester and Tweety cartoons – early Freleng Tweety is the best Tweety, really.
    10
    The Grey Hounded Hare
    Directed by Robert McKimson
    Bugs watches a greyhound race and falls in love with the mechanical rabbit. When he sees the dogs chasing the rabbit, he tries his best to stop them from catching "her". Another great and fast-paced Bugs cartoon. Bugs is entertaining as always, his ways to defeat the dogs are fun to watch, and there's a humorous (even if not particularly surprising) ending. Even better than I remembered!
    10
    Often an Orphan
    Directed by Charles M. Jones
    After Charlie Dog is abandoned by his master, he goes looking for a new one. Once again, he tries to convince Porky Pig (this time a farmer) to take him for his pet. His attempts to impress Porky keep failing. Apart from the farm setting, this is quite similar to the earlier two Porky and Charlie cartoons, some gags having appeared in all three. But it's very entertaining in its own right, the twist ending being an absolute highlight (the funniest in the three so far).
    9.5
    The Windblown Hare
    Directed by Robert McKimson
    Having read the story of the Three Little Pigs, the pigs decide to sell the straw and stick house to someone gullible and live in the brick house – and Bugs happens to buy them. Meanwhile, the Big Bad Wolf is also following the story and goes to blow the houses down, leading to a lot of chaos. The WB fairytale parodies have always been great, and here's another very funny one! The self-awareness of the characters following the storybook, the mixture of different fairytales (Bugs invokes Little Red Riding Hood), the great gags – a creative take on the story with a fun cast of characters, the pigs being the bad guys for once!
    10
    Dough for the Do-Do
    Directed by I. Freleng (uncredited)
    The last of the four color remakes of Clampett's black and white Porkys, in this case "Porky in Wackyland". Like in the original, Porky goes to Wackyland in search of the valuable Do-Do bird, but the wacky bird proves hard to catch. The original was a masterpiece of surrealism, and as such, it makes sense that very little was changed here (to the extent that Freleng refused to take credit for the remake). There were some slight cuts and additions made, the most significant being a different ending. The animation remains the same for the most part, but the backgrounds with their clear Dali influence are one area where I feel "Dough for the Do-Do" clearly improves on the original. It's a difficult cartoon to rate in that it hardly counts as an original short, but there are indeed areas that it does even better than the first version did, so I'll just rate it based on my enjoyment (which was high). After the miss with "Slightly Daffy", Freleng nails this Clampett remake! Also the last cartoon made in Cinecolor for further cost-cutting (the studio will find new ways to do that).
    10

    Fast and Furry-ous
    Directed by Charles M. Jones
    In the desert, a road runner (Acceleratii incredibus) who keeps making a distinct beeping noise is chased by a hungry coyote (Carnivorous vulgaris). The coyote tries everything from boomerangs to boulders and jet-propelled tennis shoes to catch the fast bird, but nothing succeeds. The debut cartoon of Wile E. Coyote (as he would later be named) and the Road Runner already has most of the classic elements in place: the coyote's endless failures, his use of various gadgets (many of them ACME products), the humorous Latin names (something Jones seems to have particularly liked, as he had already used a few in 1942's "Dog Tired"), the classic painted tunnel gag... It's interesting that the formula needed very little change from here for the Road Runner shorts to become one of the most popular WB cartoon series. And even in its own right, this is a very enjoyable chase cartoon, with some expressive animation and imaginative gags!
    10
    Each Dawn I Crow
    Directed by I. Freleng
    John the rooster is very happy until the narrator points out that farmer Elmer Fudd is sharpening his axe – and that means he's about to prepare a chicken dinner! John has until tomorrow morning to come up with a way to get rid of the axe... or the farmer himself! Another very entertaining cartoon with an unusually dark theme for the series. Elmer is surprisingly sidelined a little here, most of the focus being on John who's quite a likable character, as well as the narrator who seems to take pleasure in John's plight. Fun all the way through!
    9.5

    Frigid Hare
    Directed by Charles M. Jones
    Bugs tries to go to Miami Beach for his two-week vacation. But he accidentally ends up on the South Pole where he ends up having to save a penguin from an Inuit hunter. Another entertaining Bugs cartoon – the bunny outwits the hunter with his classic schemes, and the penguin is an extremely cute one! Later named the Playboy Penguin, he would go on to make another appearance in the following year.
    9
    Swallow the Leader
    Directed by Robert McKimson
    The swallows are flying back to Capistrano for the spring, and a cat wants to catch and eat one. But the swallow is too clever to be caught by him. An entertaining one with short gags where both the cat and the swallow come up with their own schemes to outwit each other. It's quite Sylvester and Tweety-esque at times – while the characters here don't quite reach the memorability of that duo, I still liked the characters here, especially the cute swallow.
    9
    Bye, Bye Bluebeard
    Directed by Arthur Davis
    Porky is trying to chase a mouse who's eating his food when he hears the news that Bluebeard the killer is at large. The mouse decides to disguise himself as Bluebeard to get Porky to do what he wants, but the real killer soon shows up to the shock of both Porky and the mouse... Another cartoon with an unusually dark theme at times, though it's played for laughs for the most part. The wild animation is great – we get some funny and imaginative takes (I feel there's even a slight Avery influence here at times). It's a good short all around, with a satisfying conclusion to the story. WB decided to shut down Davis' unit to cut costs, making this his last directorial work for a long time. Truly a shame, as he had made some great cartoons during the three-year period. This leaves us with the iconic director line-up of Freleng, Jones and McKimson, who would be responsible for most of the remaining cartoons during the original WB cartoon studio's run.
    9

    For Scent-imental Reasons
    Directed by Charles M. Jones
    Pepé Le Pew has entered a perfume store, and the owner is desperate to remove the skunk from there. The desperate man sends his cat to do the job, but she gets a stripe of white hair dye on her, making her look like a skunk too. Pepé falls for her and the usual chase begins. The Pepé formula has been completed – the cat (later known as Penelope Pussycat) becomes the character the skunk is chasing, she gets the stripe painted on her completely accidentally, and the cartoons are now set in France (while in the previous two, he was the only character speaking with a French accent). The latter gives the cartoon a nice touch with the characters' amusing pseudo-French dialogue. This is definitely one of the strongest entries in what would be a rather formulaic series. But while Pepé never really seemed to be among the most popular Looney Tunes in the later decades (at least until getting caught up in recent controversy, reviving people's interest in the character), he achieved something truly impressive back in the day: this film won the studio their second Oscar for best short cartoon. And while it's not my absolute WB favorite even from its release year, I still think it's a very well made cartoon.
    9.5
    Hippety Hopper
    Directed by Robert McKimson
    A suicidal mouse is saved by Hippety Hopper the kangaroo, and the former frees the latter from his crate in return. The cause of the mouse's despair is Sylvester, and helped by the kangaroo, the mouse comes up with a scheme to get rid of the cat. Very similar to Hippety's debut in "Hop, Look and Listen", down to the dog character who's annoyed at Sylvester's failures to kick the mouse out, as well as a similar ending. But this does have some entertaining new gags (especially the shot of the dog seen through Sylvester's glasses is something I've always found funny), and the plot is an interesting though a bit dark one. A good cartoon despite being a little derivative, though I feel the formula would have worn out fast without some additions (that we'll be getting soon)...
    8.5
    Which Is Witch
    Directed by I. Freleng
    Bugs goes to the African village of Kuka Munga. Witch doctor I.C. Spots happens to be cooking a brew with just one ingredient missing – a rabbit! After he catches Bugs, the bunny must come up with a way to escape. Another cartoon that's now rarely seen due to the stereotypical depictions of African natives in it. The witch doctor is quite a wacky character, there are some funny gags and an unexpected ending, but otherwise it's rather average, not among the best Bugs cartoons.
    8
    Bear Feat
    Directed by Charles M. Jones
    The Three Bears practice to become a trick bear act at the circus after Henry sees a want ad in a newspaper. But the bears' attempts all go wrong, with Henry repeatedly getting injured and taking his frustration out on Junyer. Another funny cartoon with the bears, with a similar structure to their previous one but a new theme. Junyer is especially entertaining with his stupidity, inadvertently ruining Henry's tricks. While I think their previous appearance was slightly better, this is a great one too, with a couple of rather unexpected gags (the one with Henry landing after a long time in the air reminds me of some gags in the later Road Runner cartoons).
    9.5
    Rabbit Hood
    Directed by Charles M. Jones
    The Sheriff of Nottingham notices Bugs snatching a carrot from the King's garden and tries to arrest the rabbit. But Bugs outwits the sheriff in his usual ways. Meanwhile, Little John promises Bugs that Robin Hood will arrive, but there's no sign of him. Another great Bugs cartoon with imaginative gags and a particular surprise at the end! Besides the always appealing Bugs, Little John is a standout character, appearing in some of the short's most memorable gags.
    9
    A Ham in a Role
    Directed by Robert McKimson
    Tired of "low comedy", a dog quits his job at Warner Bros. Cartoons, deciding to become a Shakespearean actor. The Goofy Gophers have invaded his home. After the dog throws them out, the two gophers come up with schemes, ruining his Shakespeare readings. A clever cartoon with its juxtaposition of high art and cartoons – especially the way the gophers' schemes and other events fit in with the Shakespeare quotes. The characters are all great, the pretentious dog is amusing as are the mischievous gophers. The latter are very adorable besides being funny – their designs just get cuter in each cartoon! There are also some other entertaining gags, especially the effective use of a false ending (possibly its best use in WB cartoons, though not the last one). Sheer brilliance!
    10

    Warner Bros. Cartoons also made an informative short for the Federal Security Agency Public Health Service. It won them yet another Oscar, this time for best documentary short, sharing the win with 20th Century Fox's "A Chance to Live". This was also the first time an animated short had taken that honor!
     

    So Much for So Little
    Directed by Charles M. Jones
    We go through John Emerson Jones, Jr.'s life from infancy to old age. But for him to be able to have such a happy life, public health service plays a big part. John's local health officer narrates, telling us how it all works, as well as the importance of healthy living in general. Definitely not the kind of cartoon one would watch for comedy – it's an entirely serious short, covering the risks at various stages of life. This film has a great way of appealing to the audience's emotions – while talking about the number of babies that are expected to die before their first birthday, we're shown the very cute (and distinctly Jones-styled) little Johnny. The later parts showing his other stages of life are likewise emotional – a great short for its purpose, I completely understand the success it had at the time!
    9

    After the previous year's "Two Guys from Texas", Bugs Bunny would make a second appearance in a sequence created for a live-action film, this time a scene combining live-action and animation. Like last time, the animation was directed by Friz Freleng, with Jack Carson as one of the actors.

    My Dream Is Yours
    After little Freddy is told a bedtime story from a Bugs Bunny comic, he has a dream where an animated Bugs Bunny comes out of an Easter egg. He and the live-action bunnies played by Jack Carson and Doris Day all perform a song and dance routine to the tune of Liszt's "Hungarian Rhapsody No. 2", telling him to get ready for Easter. There are also some cartoon birds participating in the song, as well as a surprise cameo by another WB cartoon star! Understandably for a kid's dream, this is quite saccharine, especially the people in bunny costumes. But it does have a charm of its own – the combination of live-action and animation is good (though it has been utilized even better by the studio), the tune is one that always works well, and Mel Blanc's voice acting has the usual appeal. Watched on its own, this is a decently enjoyable curiosity.
    8

    This year was another strong candidate for one of the best years of the Looney Tunes and Merrie Melodies – the quality was consistently very high. With the two Oscar wins, this was the studio's most award-winning year, and the debut of Wile E. Coyote and the Road Runner would bring them another popular duo of characters.

    All in all, the 40s were an amazing decade for the Warner Bros. cartoons, with many of the all-time classics released then. While the 50s will continue the series' strong run, I consider the 40s their most important decade – most of the studio's big stars were introduced in this decade, really helping establish the series and even getting the crew their first high-profile accolades, though a few more will debut in the following decade...
  24. Tacodidra
    This year will bring us the debut of a character who would become more popular in the later decades, and another notable recurring character. There will also be a significant increase in familiarity (you'll soon find out why)! We're also back to having more than 30 cartoons per year.

    Gorilla My Dreams
    Directed by Robert McKimson
    In the jungle, a female gorilla is sad that the stork hasn't brought her a baby. Bugs sails there in a barrel, and the gorilla decides to raise him as her child, and Bugs plays along. The gorilla's husband Gruesome isn't happy about the news and takes the "baby" for a walk in a ploy to get rid of him. I do like this cartoon – especially the gorilla characters are fun, and the visuals are good. But I still can't help but find it a fairly average effort in comparison to all the great recent cartoons. A much later short with a similar idea was always more my cup of tea...
    8.5

    Two Gophers from Texas
    Directed by Arthur Davis
    A dog is tired of dog biscuits, instead wanting to hunt his own food. With the help of a book, he sets out to catch the Goofy Gophers, but his attempts all go wrong. Better than the gophers' first appearance. Their polite personality is used here to an amusing effect, their new designs are even cuter than the first time around, and the dog is much funnier than the one in their previous cartoon. The animation is lively, including some very wacky expressions for the dog. Definitely worth a watch!
    10
    A Feather in His Hare
    Directed by Charles M. Jones
    An Indian is hunting Bugs. He tries several ways to outwit the rabbit, but Bugs always wins out at the crucial moment. This is one of the most rarely seen Bugs Bunny cartoons due to the Native American stereotypes in it. Apart from this badly dated aspect, the cartoon is an entertaining one, with various imaginative and unpredictable gags. Another cartoon where I feel the ending is the standout moment – they do another "last of the Mohicans" joke, but this time in a more amusing variation. A good cartoon despite some problematic elements.
    9
    What Makes Daffy Duck
    Directed by Arthur Davis
    It's duck season, and Daffy is the target for all the hunters. Elmer Fudd and a fox both set their sights on him at the same time, and Daffy challenges the two to a race to decide who gets him. The two then spend most of the time focusing on beating each other rather than Daffy. Davis has really hit his stride, especially with his Daffy Duck cartoons. A brilliant cartoon with a great portrayal of Daffy, fun gags with everyone trying to outsmart each other, and amazing characterizations and animation. A very underrated gem!
    10
    What's Brewin', Bruin?
    Directed by Charles M. Jones
    It's winter, and the Three Bears (who had previously appeared in "Bugs Bunny and the Three Bears") are trying to hibernate. However, the short-tempered Papa Bear's sleep keeps getting disrupted by everything from his wife's and son's noisy sleeping to water leaks. The plot is a variation on a theme that had already been used multiple times, including by Jones himself in 1940's "Good Night Elmer". But the amusing bear characters, the father in particular, make this stand out. The short really gets going in the second half with the bears' random antics, and it's all capped off with a clever ending.
    9
    Daffy Duck Slept Here
    Directed by Robert McKimson
    And speaking of a repeating theme – here it is again! After difficulties finding a hotel room to stay in, Porky manages to get one in Hotel Bromo, but he has to share it with Daffy Duck. The roommate proves to be a huge nuisance, constantly keeping Porky awake. Out of all these similarly themed cartoons, I think this is the best – Daffy is hilarious in all his annoyingness, the usual great chemistry with Porky is there, the gags are funny... This is the way not to make an old concept feel too derivative!
    10
    A Hick a Slick and a Chick
    Directed by Arthur Davis
    Elmo, a hick mouse, goes to meet his crush Daisy Lou, but she already has a boyfriend, the stylish Blackie. When Blackie gets her a fur coat, Elmo promises to do better by catching an ermine, but he doesn't even know what one looks like! Another funny entry with a likable lead character (and Blackie being appropriately unlikable in all his arrogance). Not quite one of the most memorable cartoons of its time, but a good one anyway with some enjoyable wordplay and action.
    8.5
    Back Alley Oproar
    Directed by I. Freleng
    And in case the two we just had weren't enough, here's a third different version of the "character desperately tries to fall asleep" cartoon. Elmer tries to get some sleep, but he's kept awake by Sylvester who's singing outside his house. Freleng had used this concept in 1941 for "Notes to You" with Porky and an unnamed cat, and several of the gags are directly recycled too. Obviously this hurts the cartoon's originality, but I find the addition of Sylvester and the new gags enjoyable enough to make this worth a watch in its own right. The ending, while clearly a variation on the original, is one area where the cartoon clearly improves on it.
    9.5
    I Taw a Putty Tat
    Directed by I. Freleng
    Sylvester's owner has lost five canaries this month, and she doesn't realize the cat ate them all. She orders a new one, Tweety – and he proves too much for the cat to beat. This is another short where the basic plot is from an older cartoon, in this case Tashlin's "Puss n' Booty", with Sylvester and Tweety replacing the one-off characters from that short. But the gags are new ones, and the addition of the more famous cat and canary pair adds a lot of appeal. We're starting to move towards the final Sylvester and Tweety formula. Unlike in "Tweetie Pie", Sylvester speaks, and Tweety has more lines too. This short might have my absolute favorite version of Tweety – he still retains the combined childishness and cleverness (and sometimes sadism!) of the original Clampett version, but with the cuter yellow-feathered design introduced by Freleng (the little sailor hat only adds to the adorableness). An exemplary effort!
    10

    Rabbit Punch
    Directed by Charles M. Jones
    Bugs is watching the world championship boxing match, and after heckling the Champion, he has to face him in the ring. Bugs is struggling at first, but the match turns into a wacky one with both boxers hardly following the usual rules! A wacky cartoon, a kind of a precursor to a more famous Bugs cartoon by Jones (which would even feature the boxer character from this one)... A lot of enjoyable randomness here, with some of the best scenes having very little to do with actual boxing, and another great performance from Bugs!
    9.5

    Hop, Look and Listen
    Directed by Robert McKimson
    A little kangaroo escapes from the zoo. Sylvester has been struggling to catch mice that are big enough to eat, but when the kangaroo enters his house, he mistakes it for a giant mouse. Sylvester doesn't stand a chance against the kangaroo, to the annoyance of a dog. The kangaroo, only named Junior here, would soon be renamed Hippety Hopper and become a recurring character in McKimson's Sylvester cartoons. The Hippety Hopper formula hasn't quite been finalized yet, as most of the later ones would add a new character to the bunch, but this is a very enjoyable first entry in any case. The dog character is surprisingly the most amusing in this short, though Sylvester's attempts to beat the kangaroo are also fun to watch.
    9.5
    Nothing but the Tooth
    Directed by Arthur Davis
    In the year 1848⅞, gold is found in California! Porky goes looking for some but ends up on Indian territory. There he meets a little Mohican who repeatedly tries to get him to remove his hat in order to scalp him. Wild gags, fast-paced chases and a fun cast of characters – Porky is great, of course, but the Mohican and even Porky's horse get some good moments too. Another cartoon that's definitely questionable from today's point of view, but also a very entertaining one if you can look past that.
    9.5
    Buccaneer Bunny
    Directed by I. Freleng
    Pirate Seagoin' Sam finds a place to hide his treasure, but this happens to be Bugs' rabbit hole. This leads to a chase on Sam's pirate ship, with the pirate repeatedly getting blasted by cannons. Yosemite Sam was a great foil for Bugs on his debut, and his short-fused personality is just as entertaining in this second short. And trickster Bugs naturally has great chemistry with him. There are various amusing gags, and even the repeated cannon blasts don't get old. Another nice one!
    9.5
    Bone Sweet Bone
    Directed by Arthur Davis
    In the Museum of Natural History, a paleontologist has lost a vertebra of the dinosaur skeleton and thinks his little dog Shep is to blame. The bone Shep buried has been taken by a bulldog, so the little dog has to come up with a way to get it back. Another good effort by Davis. Fast-paced gag cartoon, with some great expressive animation for the two dogs. Little dialogue here (mostly from the paleontologist), but the animated action works well even without it!
    9
    Bugs Bunny Rides Again
    Directed by I. Freleng
    Yosemite Sam enters a saloon, and all the cowboys immediately flee in fear. But Bugs Bunny decides to stay and challenge the tough guy... The bunny outwits Sam in various imaginative ways. The three Bugs and Sam cartoons so far have all been very good, but this is the best of them, with the funniest gags (including some "blink and you'll miss them" ones!) and most enjoyable portrayal of Bugs. Special mention to the soft shoe sequence – while Bugs already did the same dance in "Stage Door Cartoon", seeing Sam do it is a lot funnier!
    10
    The Rattled Rooster
    Directed by Arthur Davis
    A rooster tries to find a worm to eat, but all the other roosters get there first. Once he finally gets the chance to catch one, the worm proves to be too smart for him, and another reptile soon joins in the action... The characters are this cartoon's weak point for me: the worm does have some appeal, being another trickster in the series, but the rooster is quite nondescript. A decently fun basic chase cartoon, but by no means a standout.
    8
    The Up-Standing Sitter
    Directed by Robert McKimson
    The ACME Baby Sitting Agency sends "star sitter" Daffy to babysit for a chicken – sitting on her egg, that is. While the mother is away, the egg hatches. The chick runs away from Daffy, since he's a stranger and "little kids should never have anything to do with strangers"! Daffy has to try his best to keep the chick safe and manages to annoy an angry dog in process. A fun entry, the precocious and mischievous little chick is an amusing character, and watching Daffy try to catch him is fun, even if I can't help but feel sorry for the duck at times. Maybe he should have told the chick he was his babysitter...
    9
    The Shell Shocked Egg
    Directed by Robert McKimson
    A mother turtle puts her four eggs (already named Tom, Dick, Harry and Clem) in the sand for them to hatch in the sun. Once she goes away, the sun sets and the partially unhatched Clem pops up, looking for a place to get fully hatched. This leads to chaos, with the mother, a dog and a rooster all after the egg. This reminds me of "Booby Hatched", which also had an unhatched egg going around, though this time there's no predator trying to eat the egg. The most entertaining characters here are the fame-hungry dog (who has some of the best-animated scenes) and the singing little turtles, and there are also some well-animated wild takes.
    9

    Haredevil Hare
    Directed by Charles M. Jones
    Bugs is a passenger on a rocket to the moon. There he meets a Martian who plans to blow up the Earth. Bugs has to outwit him and his dog companion. A funny cartoon with great expressions and amusing characters. This is one of the shorts whose significance would only be realized later – while Marvin the Martian, as he would be named decades later, only ended up appearing in a few Bugs Bunny cartoons in the classic era, he would eventually become one of the most popular characters in later Looney Tunes productions and merchandise. The character's appeal is already obvious on his debut with his entertaining personality and unique design, though his voice is different from the famous one. I also like how K9 gets a more significant role here, even having some dialogue. Very strong first effort, paving the way for the later cartoons with Marvin.
    9.5

    The rights to all the cartoons released until now would be sold to Associated Artists Productions (the color cartoons and the 1931-1933 Harman-Ising Merrie Melodies) and Guild Films (the rest of the black and white library) in the 50s. Although WB has since regained the rights to all the shorts, for a long time this meant that the cartoons released before and after this cutoff point would be in different TV syndication packages. The later WB-owned ones were shown most often.

    You Were Never Duckier
    Directed by Charles M. Jones
    Daffy plans to participate in the national poultry show, but is disappointed – while the best rooster will win a 5000 dollar prize, the best duck only gets 5 dollars. The insulted duck decides to disguise himself as a rooster, but he ends up getting chased by George K. Chickenhawk and his son Henery Hawk who plan to eat him! A wonderfully funny cartoon with great characterizations – both Daffy and Henery are always brilliant, and seeing them together in the same cartoon is a novel idea. Daffy's portrayal is a combination of his earlier and later versions, with the wacky duck now starting to show his interest in money... One of the best of its time, with a surprising conclusion!
    10
    Dough Ray Me-ow
    Directed by Arthur Davis
    Heathcliff the cat keeps getting in trouble due to his stupidity, and Louie the parrot always has to help him out. But Louie soon finds out Heathcliff's owner is leaving him one million dollars in his last will and testament, and if he disappears, Louie will get the money! The parrot comes up with various schemes to make the cat die. Despite the dark theme, the cartoon is a hilarious one, especially thanks to Heathcliff's appealing stupidity. While he's made many amazing cartoons during his short stint as a director, this is probably my favorite from Davis so far!
    10
    Hot Cross Bunny
    Directed by Robert McKimson
    A doctor is planning to conduct an experiment by switching a chicken's personality with that of an experimental rabbit. The rabbit is Bugs Bunny, of course! We see him trying to entertain an audience of doctors until he finds out what is planned. A great cartoon with Bugs at his wackiest and some of the funniest gags in the series! One of the WB cartoons I've seen the most often, but it just doesn't lose its appeal.
    10
    The Pest That Came to Dinner
    Directed by Arthur Davis
    Pierre the termite keeps eating Porky's furniture. After failed attempts to get rid of him, Porky gets exterminator I.M.A. Sureshot to help, but the dog's assistance doesn't prove very useful. The typical chase antics with a couple of imaginative termite-related gags. The extremely random ending was by far the biggest surprise in this average but enjoyable effort.
    8.5
    Hare Splitter
    Directed by I. Freleng
    Bugs is going to meet his crush Daisy Lou, but a brown rabbit called Casbah has exactly the same plans. Noticing that Daisy is away shopping, Bugs disguises as her to fool Casbah. Unusually for a Bugs cartoon from this time, he's essentially the one instigating the conflict here – Casbah doesn't really do anything to him until much later, other than being interested in the same girl, of course. In any case, it's a very entertaining entry, with a great appearance from Bugs (seeing him pretend to be other characters is always fun!) and some fun animation. Casbah is also good in his role (another foil that fails to match Bugs' intelligence, despite gaining the upper hand briefly), and while we don't get much insight into the real Daisy Lou, she appears in one of the film's best gags!
    10
    Odor of the Day
    Directed by Arthur Davis
    It's winter, and a dog is looking for a warm place to stay. He finds a house, but it's occupied by a skunk! Things get even more chaotic when the dog gets a cold and can't smell the skunk's stench. The skunk looks identical to Pepé Le Pew – while he's mostly mute and in a different role from his usual one, the cartoon seems to be officially considered a Pepé cartoon in any case (having later ended up on several video compilations with other Pepé shorts). While not a standout, this is an entertaining short with an unusual theme – the gags are nice, and the conflict gets resolved in an imaginative manner!
    8.5
    The Foghorn Leghorn
    Directed by Robert McKimson
    Henery Hawk's father (now redesigned) tells his son he's too little to hunt chickens with him, lying about what chickens are like. After he gets beaten by Foghorn, he convinces Henery that the rooster is just a loud-mouthed shnook. Foghorn desperately tries to convince Henery that he indeed is a chicken, while the hawk tries to catch the Barnyard Dawg instead. Another great cartoon with the barnyard trio – Foghorn is as amusingly loud and Henery as endearingly tough as always, and the dog gets his best portrayal so far. I especially like how this turns some aspects of the first two Foghorn shorts upside down: Foghorn is (stupidly) trying to prove he's a chicken rather than denying it, and Henery has even more of a reason to be mistaken about what chickens are like. The increased focus on the rooster is starting to show, and he'll take Henery's place as the intended star of the series soon. But even with the changes, everything that was good about the first two is still there!
    10
    A-Lad-in His Lamp
    Directed by Robert McKimson
    While digging a hole, Bugs finds Aladdin's lamp. Smokey the genie comes out of the lamp and grants him wishes. Bugs wishes to go to Baghdad with him, but he ends up angering Caliph Hassen Pheffer who is also interested in the lamp! The genie character is a fun one, adding a lot of appeal to the short. The comedy is good in general, with plenty of wonderfully corny puns thrown in. All in all, a great entry despite being one of the less-known Bugs Bunny cartoons.
    9
    Daffy Dilly
    Directed by Charles M. Jones
    Daffy is trying to sell practical joke devices, but no one's buying them. But he soon finds out multimillionaire J.P. Cubish is in a critical condition and whoever can make him laugh will inherit a million dollars. One problem is he hasn't laughed in fifty years. Another one is that Cubish's butler continuously prevents Daffy from entering. Daffy is very likable and funny in this cartoon – while Jones' cartoons often emphasized Daffy's greed, which definitely plays a part here, he still has his traditional wacky portrayal. The gags are great, and the story is carried well from start to finish in this brilliant cartoon.
    10
    Kit for Cat
    Directed by I. Freleng
    Sylvester and a little kitten are both taken in from the cold by Elmer. But he can't keep two cats, so he'll make his decision on who gets to stay after sleeping. He's showing a clear preference for the kitten, so Sylvester tries to sabotage his chances with little success. A fun cartoon with great characterizations – not just the familiar characters but also the cute and mischievous kitten. The concept is similar to some earlier cartoons, especially "Hiss and Make Up", but I find this one more memorable thanks to the more interesting characters.
    9.5
    The Stupor Salesman
    Directed by Arthur Davis
    Slug McSlug robs the Last National Bank and manages to escape from the police. He's in for trouble, though – house appliance salesman Daffy shows up at his door and won't take no for an answer! Daffy as a salesman is starting to become a popular idea in the shorts, and I think it's a perfect way to utilize him at his most annoying! The duck's schemes to try to sell something to the criminal are fun and imaginative, as are the fast-paced chase sequences. Davis has shown to be especially great at making Daffy cartoons, and this one is no exception!
    10
    Riff Raffy Daffy
    Directed by Arthur Davis
    A homeless Daffy is sleeping in the park and policeman Porky repeatedly tells him to leave. Daffy finds shelter from the cold in a department store, but once Porky notices him, a chase ensues with the pig trying to get rid of the duck. Another wacky cartoon with a simultaneously wacky and clever portrayal of Daffy and many entertaining gags (including another strange ending).
    9.5
    My Bunny Lies over the Sea
    Directed by Charles M. Jones
    Bugs attempts to go to Los Angeles but ends up in Scotland instead! He mistakes bagpipe player Angus MacRory for an old lady being attacked by a monster, destroying the bagpipes. MacRory consequently challenges Bugs to a golf game – the bunny comes up with clever schemes to win. MacRory is an amusing character, and Bugs fares excellently with his strange ways to play golf – another cartoon showing how great the WB crew was at making silly sports cartoons.
    10
    Scaredy Cat
    Directed by Charles M. Jones
    Porky and his pet cat Sylvester move to an old house. To the annoyance of an unaware Porky, Sylvester is scared of various things in the house, including a group of mice who try to execute Porky! The horror elements of this short are something that haven't been seen in the series very often, giving it the creepiest atmosphere since "The Case of the Stuttering Pig" back in 1937. But there's some comedy too, especially from Sylvester – while he has no dialogue here (he seems to be handled differently in almost every cartoon at this point), his pantomime approach to explaining things to Porky is the funniest part of the cartoon. Notably, this is also the first cartoon where he gets his name. A great one to end the year with!
    10

    Since their purchase by WB, the former Leon Schlesinger studio hadn't made animated sequences for live-action films like they used to, but that would change this year. Freleng directed a dream scene for the film "Two Guys from Texas". Bugs Bunny himself appears in this sequence!

    Two Guys from Texas
    An animated version of Jack Carson's character Danny Foster is a shepherd, but his lambs get stolen away by a wolf (Dennis Morgan's character Steve Carroll) who croons "Ev'ry Day I Love You (Just a Little Bit More)". Bugs gives the shepherd some advice, but it doesn't seem to have the desired result. An entertaining sequence with the typical charm of the time, and the tune being sung is an appealing one. Not really comparable to the wonderful cartoons the studio was making at the time (despite some occasional signs of the typical WB humor), but it must have been quite a nice surprise for the audience back then!
    8.5

    The quality of the Looney Tunes and Merrie Melodies remained high for another year. All the directors managed to shine this year – in addition to the three more familiar ones, Art Davis also delivered some absolute masterpieces. But will this keep up? The last year of the decade will bring some changes to the series, both positive and negative ones...
  25. Tacodidra

    Looney Tunes
    This year, the studio will finally start to receive accolades for their great cartoons, with the first pairing of two very familiar characters...

    One Meat Brawl
    Directed by Robert McKimson
    It's Groundhog Day – this should be a happy occasion for Grover Groundhog, but due to the meat shortage, everyone is hunting him! Porky and his dog Mandrake (the same dog as the Barnyard Dawg who had debuted in "Walky Talky Hawky" the year before) are also after him, trying to get a new addition to Porky's collection of stuffed animals, but the clever groundhog keeps outsmarting the hunting pair. Another great cartoon! Grover is a fun character with a cute design, starting the short with a song, and with the lovable trickster personality that was so popular in this series. Porky and Mandrake are also brilliant in their roles, and the gags are all great, especially the last one!
    10

    The Goofy Gophers
    Directed by Arthur Davis
    A dog is guarding a vegetable garden, but two gophers manage to sneak in and eat the vegetables. The dog tries his best to get rid of them, but the two cleverly defeat him every time. The adorable and polite (but violent) gopher duo would make several appearances in the series, and this first one is a very entertaining cartoon with their personalities pretty much already finalized (although their designs would soon be recolored to make them brown instead of gray, and they would later receive the names of Mac and Tosh). There are some nice gags, with one of the gophers impersonating another WB cartoon star being my favorite!
    9.5
    The Gay Anties
    Directed by I. Freleng
    We return to the 1890s. A couple is having a picnic, but ants arrive and attempt to snatch all the food away. We also see various gags involving the ants performing and having fun. In a way, this reminds me of some of the earlier music-focused Merrie Melodies, although in a more comedic version. The nostalgic feel is appealing, and the various gags with the ants are amusing. Maybe not a standout but a nice, and for the time, different cartoon.
    8.5
    Scent-imental over You
    Directed by Charles M. Jones
    A little dog, Fifi, wants to have a fancy look for the spring, so she dresses in a fur coat. The only problem is that it makes her look like a skunk and all the other dogs keep avoiding her. Things get even worse when Stinky the Skunk (formerly known as Henry, yet to be renamed Pepé Le Pew) sets his sights on her. The Pepé cartoons are clearly yet to find their final formula, as it's a dog being chased instead of a cat (the first one did have a cat, but a male one). But I don't find this a bad thing – this provides some variety, and the dog character is a likable and cute one. The clever ending in particular helps make this one of the most memorable appearances of the skunk.
    9.5
    A Hare Grows in Manhattan
    Directed by I. Freleng
    A magazine wants to publish Bugs' biography, so he tells us about his youth in New York. We hear how he managed to outwit a group of mobster dogs. I always find it interesting when cartoons show the backstory of a character, and this is a very entertaining cartoon with Bugs being his usual clever and charming self. The narrative elements definitely do a lot of the work making this more than just one more typical Bugs cartoon, but the result is a great one in any case!
    10
    Birth of a Notion
    Directed by Robert McKimson
    Daffy doesn't want to fly south for the winter, so he tries to find a home to stay in instead. After convincing Leopold the dog that he has saved his life, Daffy is let in by him, but the scientist living there must not find out or he'll throw both of them out. Soon it turns out the scientist needs a duck's wishbone for his experiment... A wonderfully wacky and violent cartoon, with a great performance from Daffy and entertaining supporting characters (Leopold the dog is fine in his role and has the funniest line of the short, while the Peter Lorre caricature scientist is a great mixture of creepy and funny). McKimson continues to impress, definitely the best early run of any director to date!
    10

    Tweetie Pie
    Directed by I. Freleng
    After Tweety who's out in the cold is almost eaten by Thomas the cat (later known as Sylvester), the cat's owner takes the little bird in. The cat repeatedly tries to catch the bird, but Tweety always ruins Thomas' attempts. The first cartoon to pair Sylvester and Tweety, after an unproduced earlier attempt by Clampett. The pairing of the two characters works brilliantly, though for some reason Sylvester is mute here. This was also the first to give Tweety his yellow feathers, bringing him closer to his famous design. Similarly to Clampett's cartoons with him, Tweety is still very much capable of defending himself from the cat, though this is usually followed by an extra beating for Sylvester from the owner! Despite all this, the short almost never came to be – producer Edward Selzer insisted Freleng use the woodpecker character from "Peck Up Your Troubles" as Sylvester's foil instead of Tweety, though Freleng won the argument in the end. And he was proven right, as the short finally got Warner Bros. Cartoons a much deserved Oscar for best cartoon short in their ninth consecutive year of being nominated! It was a very deserved win, and the start to one of the studio's most memorable and longest lasting series...
    10
    Rabbit Transit
    Directed by I. Freleng
    After reading the story of the tortoise and the hare, Bugs challenges Cecil Turtle to a race once again. This time, the rules include no cheating, though this doesn't really come true, with Cecil's jet propulsion engine and the duo's various tricks on each other. A great last entry of an amazing trilogy – despite the same characters and basic plot as in "Tortoise Beats Hare" and "Tortoise Wins by a Hare", all three cartoons are clearly different, with new gags and different endings (this possibly having the most imaginative one). Maybe this was in part thanks to different directors handling each one.
    10

    Hobo Bobo
    Directed by Robert McKimson
    Bobo, an Indian elephant, hates having to carry logs around, so he decides to travel to America to join the circus like his uncle Jumbo. After various failed attempts to get on the boat, a minah bird convinces him to paint himself pink. A funny little cartoon with a humorous narration and an adorable lead character. The Minah Bird's appearance (complete with his theme tune) is a particularly nice one – he was always the best thing about the Inki cartoons, and he is also great here.
    9
    Along Came Daffy
    Directed by I. Freleng
    Two hillbillies (one of whom resembles Yosemite Sam) are starving in their cottage when traveling salesman Daffy Duck shows up trying to sell them a cook book. The hillbillies decide to have some roast duck, and Daffy tries to escape from the two. Fast-paced fun with a great appearance from Daffy and some nice gags. The two hillbillies also fare well in their roles, even if they're overshadowed by the star. Daffy as a salesman was a concept that would be used many times in the series to humorous effect, and this early attempt is already a success!
    9.5
    Inki at the Circus
    Directed by Charles M. Jones
    And right after the Minah Bird's surprise return, his co-star Inki is back too! Instead of the jungle setting of the previous cartoons, this cartoon takes place in a circus where Inki is the "African wildman". A dog notices the bone in his hair and tries to get it, with another dog and the Minah Bird also joining in the action. While I'm not the biggest fan of the Inki cartoons, I think this is the best so far – there is some more of the typical Looney Tunes action (including a dynamite gag), and Jones' expressive style has improved a lot in the three and a half years since the last one came out. The Minah Bird is once again responsible for some of the best moments, and the pantomime approach is always appealing, with a great soundtrack accompanying the action. An entertaining seven minutes, but not quite the best WB or Chuck Jones had to offer at this point.
    8.5
    Easter Yeggs
    Directed by Robert McKimson
    The Easter Rabbit doesn't want to deliver eggs this year, so he manages to coax Bugs into doing it. It proves really difficult for Bugs to keep smiling while delivering them, as he meets a very mean kid and then Elmer Fudd who wants some rabbit stew. Another very entertaining Bugs cartoon with amusing gags and characters (not least Bugs himself, of course) and a really satisfying conclusion!
    9.5
    Crowing Pains
    Directed by Robert McKimson
    The 501st cartoon out of 1001 in the two main series, so we're past the halfway point now! The farm animals are beating each other up again, this time with Sylvester joining Foghorn Leghorn and the Barnyard Dawg. Henery Hawk is after a chicken once again and hasn't learned to recognize one – this time Foghorn convinces him that Sylvester is the chicken. The addition of Sylvester is a great one – this time the cat appears with his usual voice and has great chemistry with all the characters. They all fare well, though the dog has a fairly small role – maybe the crew hadn't fully realized his popularity yet (and Henery is still the intended star character according to the titles). Funny gags (especially the last one is memorable), expressive characters and wild animation – another standout cartoon for Foghorn!
    10
    A Pest in the House
    Directed by Charles M. Jones
    Due to a bad labor shortage, manager Elmer Fudd makes the huge mistake of hiring Daffy to work in his hotel. A tired man comes to the hotel for peace and quiet – and if he's disturbed, he'll punch Elmer. Daffy keeps doing noisy things over and over, to the dismay of the manager. A rare cartoon where Elmer is the sympathetic guy, never doing anything wrong (except hiring the wrong employees, it seems), while Daffy proves to be a nightmare! Out of all the shorts where a character is trying to sleep, this is among the funniest mostly due to the chaos caused by Daffy and the desperate attempts by Elmer to fix things.
    9
    The Foxy Duckling
    Directed by Arthur Davis
    A. Fox is desperately trying to sleep when he reads in a book that a duck down pillow is the solution to his problem! He then goes to get himself a duck, but the little yellow duckling keeps foiling his attempts. A funny chase cartoon with nice characters, especially the clever little duck. Again, I'm reminded a little of the early Tweety with how the duck ruins all the fox's plans, with violent consequences (and that they're both cute little birds definitely emphasizes the similarity). An entertaining one-shot that just gets better as it goes on!
    9.5
    House Hunting Mice
    Directed by Charles M. Jones
    Hubie and Bertie enter the "House of Tomorrow" and try all the modern appliances. Things end up going wrong when a cleaning robot dumps Bertie in the trash. Jones recycled the setting of one of his earliest cartoons here: "Dog Gone Modern" from 1939. However, this is one of the remakes where I feel the new version easily beats the original. Besides the gags being funnier and there being more of a plot here, the replacement of the Curious Puppies with Hubie and Bertie works wonders – the two mice are much more likable with refined personalities than the fairly generic dog characters. Hubie and Bertie's characters also get finalized here – the former is now gray and the latter brown, and Hubie is finally referred to by name. Another good cartoon, showing Jones' improvement as a director in comparison to the original. As yet another cost-cutting measure, some of the cartoons are now produced in Cinecolor, this being the first such one since "Beauty and the Beast" back in 1934.
    9

    Little Orphan Airedale
    Directed by Charles M. Jones
    Rags McMutt escapes from the dog pound. Hiding in a car, he meets his old friend Charlie who tells him the story of how he found a master – Porky Pig! Charlie Dog makes the first of his several appearances, often with Porky. Surprisingly, this is the second cartoon in a row where the plot is clearly recycled from an earlier entry: Clampett's 1941 cartoon "Porky's Pooch" had the same concept and structure, with the character of Charlie also strongly resembling Rover from that film. But what the cartoon loses in originality, it makes up for in entertainment. There are many funny gags, and I think the dog character is more appealing in this one than the original, and the ending is also more amusing.
    9
    Doggone Cats
    Directed by Arthur Davis
    Wellington the dog is told by his owner to deliver a package to Uncle Louie. But two cats (one of whom is Sylvester) sense an opportunity to toy with the dog, and repeatedly snatch away the important package. At this point, Sylvester has constantly switched between speaking and being mute, this time the latter is true. An entertaining cartoon with fun gags all around, a rare chase cartoon where there aren't really good or bad guys – Wellington comes off as unlikable at the start, but the cats soon become the tormentors. The ending is also a good one with some wild animated takes.
    9
    Slick Hare
    Directed by I. Freleng
    Elmer is maître d' at the Mocrumbo where Hollywood stars are dining. Humphrey Bogart orders some fried rabbit, and Elmer has 20 minutes to find a rabbit or else... Bugs happens to be right there, eating carrots, and a chase ensues. Besides the fun Hollywood parodies (especially Bogart has some great lines) and related gags, we get some amusing antics with Bugs and Elmer, both of whom excel in their roles. The highlight is Bugs' wonderfully animated, unique samba performance. Another flawless short with the rabbit!
    10
    Mexican Joyride
    Directed by Arthur Davis
    Daffy goes to Mexico on vacation. After trying the local food with comedic consequences, he goes to see a bullfight. But after heckling the bull, he's forced to take the place of the bullfighter himself! Daffy is very amusing here, and the bullfight is fun to watch – it's a very farcical one even in comparison to the usual bullfight cartoon, with Daffy doing various random things to outwit the bull. The gags are fun, and I like the lively and expressive animation – the Davis unit has a slightly different but very appealing art style. Definitely his strongest cartoon so far!
    10
    Catch as Cats Can
    Directed by Arthur Davis
    A singing canary (a caricature of Frank Sinatra) is the idol of all the girl birds, and his parrot colleague (a Bing Crosby caricature) is annoyed at the newcomer taking away his audience. The parrot decides to convince a cat (Sylvester) to try to eat the canary for the important vitamins, but things don't go well for the cat... I think the singing birds are the main attraction here – I especially like the animation of the Sinatra canary singing while flying! Sylvester's portrayal is a bit weird (then again, it seems the WB crew was generally unsure what to do with him at this point), as he has a different, dopey voice instead of the usual one – I wonder if the decision to use Sylvester as the cat character was a late one, as there's also a scene where his design is very different from the usual one... The ending is a brilliant one, truly surprising and the most memorable part of the cartoon. A good effort, but I feel it would have been even funnier and more enjoyable with the normal Sylvester voice and portrayal.
    9
    A Horse Fly Fleas
    Directed by Robert McKimson
    A. Flea from "An Itch in Time" makes a surprise return! This time, he befriends Duplicate the horsefly. They're both homeless and set out to live on a dog. But they unknowingly trespass on Indian flea territory and get chased by the tribe. Surprisingly, the dog ends up being the funniest character here with his reactions to all the things going on. The earworm "Food Around the Corner" is back with slightly rewritten lyrics ("Home Around the Corner"). There's definitely plenty of action here, but among all the strong entries of the time, it's left in the shade. The horsefly character is underutilized, and the Indians are the same stereotypes we've seen in countless cartoons already. A mildly amusing entry, but by no means a match for the flea's previous appearance!
    8

    All in all, a standout year, with Warner Bros. Cartoons finally receiving the Academy Award they had been close to so many times! While "Tweetie Pie" was certainly the most important cartoon of the year, being the first to pair Sylvester and Tweety, there were many strong entries. Some new characters were also introduced – the likes of the Goofy Gophers and Charlie Dog may not have become bona fide stars, but notable recurring characters anyway. And now we're about to reach the cartoons that have received the most attention on TV...
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