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Ishmael

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Everything posted by Ishmael

  1. From a 55 year old, I'd say that's a good guess. It's not entirely incomprehensible--hopefully you'll be more far-seeing, steadier, and less reactive. What you gain for overcoming obstacles and setbacks. But reading your subtext, you're also right.
  2. Hasbro was ready to pull the plug on after 2 1/2 seasons, but the show's artistry, intelligence and big heart kept it going for another seven. A whole decade of layered jokes, allusions to literature and film, and warmth and zaniness. I don't want to reach the end, and I'm still holding off. Being older makes me appreciate the 22 minutes of magic in this little show, and I just want to hold on. The year has been one of gradual improvement for me, and FiM has been a part of that. Maybe some entity will get the rights to FiM and try to honor its legacy with something new. It can never be the same, but maybe it'll capture some of the original magic, and the 2010s it swam in. We'll see.
  3. Well. It's been a long journey, but the end can no longer be denied. I have "The Big Mac Question" left, and then the final three. Emotions are mixed, though not especially sad. I've been reading the comics, and I have the next generation--the only reason I'm keeping my Netflix subscription--but...the end you all experienced six years ago is about to land for me. How strange that a show for younger girls about magic pastel ponies came to resonate with so many people, most of whom lost interest, but a great many didn't. New or new-ish PMV still rack up views. What is it about this show? An essay on classic Simpsons attributed that show's huge impact through the 1990s to it having such great heart. More than the writing's cutting intelligence, or the characterization, the show had a big heart, and put it out there. You could feel it everywhere. In a world of terrors, the adventures of pastel ponies being better friends has no small appeal. Their hearts are so, so big. Anyway. Thanks for giving me a space to talk about this.
  4. I don't think 110 is in the cards for me...but if it is, I hope to still have all my marbles, still doing good writing.
  5. I continue to draw out the inevitable end, but I've reached episode 20. So many charming and heartfelt moments in these episodes, offset by characters straying from their personalities, or being drawn weirdly. Rarity in "Dragon Dropped" is almost upsetting to witness, but I'm glad Gabby made another appearance. I'm not quite sad, exactly, but something close. Battling insomnia for the past couple months really has me needing the show. And there's something about Thanksgiving coming that suits the show--maybe old memories of school holidays, staying up late to watch Letterman, and catching all the cartoons I normally missed.
  6. Wow. She's so much more expressive in this one. Great work.
  7. Thanks for all the suggestions. I only ever got to precalculus mathwise; heavy duty stuff is beyond me, so hopefully these aren't too heavy. Hopefully none of these are like Godel, Escher, Bach! I'm a big fan of Feynman's popular books (Surely You're Joking and What Do You Care What Other People Think), but don't know QED. Hopefully the library has a copy. I've always loved science, but didn't think I was smart enough to pursue it. I've gotten so much out of popularizations of the harder science though, like Brian Greene. Cosmos got ten year old me on the train, and I've never gotten off.
  8. Nice explanation. Any general-audience accessible books on the subject you'd recommend? Been a long time since I've read any cosmology....
  9. Fantastic. A practical application for Terrell rotation! But would you have to spin all the way to 0.9c to get these effects? You'd get some of them at much lower speeds? I don't know, just thinking aloud.
  10. @Luciferase I think I first heard about Bronies and the whole phenomenon in 2012, perhaps 2011. So strange to think back on that time and feel like it's not long ago at all, and very little having changed from then to now. But if I moved that same time span to 1980-1995, the endpoints are unimaginably different. People were surprised it went more than one season? Seems hard to believe, but I'm hardly the target audience, then or now. I remember how big the show was--not dominating everything like Star Wars, but a steady current I kept bumping into. "Everypony" in work chats always made me happy. Maybe the G4 magic will appear again, but given who/what owns the rights, it doesn't seem likely. Which is sad. So many things could have launched from it, and I presume when I finally get to G5 I'll regret that's what happened.
  11. Wow, 12 years old in 2010 makes you 27 now. How does it feel to have grown up with the show?
  12. Whatever brushes you're using capture the impressionistic feel well. Reminds me a little of 1970s fantasy paperback covers, especially for Tolkien. Her forelegs are posed well, too. You can really feel the anatomy with just lines and shading, and she has a lot more energy than her Flash version.
  13. I like the watercolor-mixed media aesthetic.
  14. I didn't graduate high school, and didn't think I'd want anything to do with it after leaving. Like most posters in the thread, I didn't have a great time, and one traumatic experience pushed me to college early. But the amount of unfinished business I had made me curious after a decade or so, and with social media in the mid-to-late-aughts, I was surprised to reconnect with people who I barely remembered but who had positive memories of me. What spurred me to my 20th high school reunion was a friend a grade ahead of me. Attending his 20 year, he had a long and transformative experience with a classmate who'd been his mortal enemy. The mortal enemy was one of those kings of high school--football captain, student council president, highly sought by the opposite sex, lionized by the school, incapable of doing wrong. In actuality, this person was a racist bully who got away with everything. My friend reported that twenty years on, this racist bully was utterly transformed, working as a community organizer in the worst parts of Baltimore. They talked at length of what had caused the transformation. The biggest thing was "getting away from my John Birch Society dad," former bully said. This was so striking I decided to go to my 20 year a year later. A couple bullies apologized for how they treated me, which was so weird I didn't process what happened until a friend explained it afterwards. The other striking thing was three attractive women who approached me with stars in their eyes professing how much they admired me, but then disappeared into the crowd, never to be seen again. I thought I'd made some connections with a few people, but they all faded away over the next year. I've learned to not bother chasing people who won't respond to friendly overtures, so didn't think too hard about it. I live two time zones away, in a very different ambit, and don't have any ties to my high school town, so I suppose it's natural for that to have happened. My oldest friend went to the 30 year, but reported he just avoided losers and weirdos too eager to talk to him. The exception was a woman who had been widely considered the most beautiful in our class, cheerleader, prom queen, on and on. She had a long conversation with him. Life after high school hadn't been kind to her, but she was holding her own. At the time, I described going not as fun or enjoyable, but revelatory and satisfying. It proved people can grow and change, though many don't, or can't.
  15. Thanks. Today's a better day, so maybe I'll watch some more after getting some work in. Took the suggestion to check out Equestria Girls. The first two didn't do anything for me, but the later ones had more substance and interest. Seems like Hasbro lost interest in their spinoff, too--the concept had enough legs for at least a few more.
  16. I'll ask around and let you know. I'd suggest community colleges, too. Inexpensive and to the point training, and you'll rub shoulders with experienced people who know what they're doing. Oh...I'm sure that Reddit forum you found will have great suggestions on books or training.
  17. I'm still drawing out the end, which probably isn't healthy. Going through some things right now, and having new episodes to experience still helps. Which is an odd thing to say about a show that ended six years ago. As season 9 goes on, I can understand more and more why it rubs people the wrong way. It feels like many of these episodes were B-scripts lying around, already completed but never produced. Were they were made because Hasbro didn't care any more, or didn't want to invest in their show? I'm still enjoying (most) of them, though it's jarring how some characters act increasingly out of character. Thanks for listening, and keeping the pastel pony flame alive.
  18. I was disappointed to see that Shout Factory released only 1-7 on DVD, which as noted are only 480p (unless those DVDs are some special species that supports something higher). Maybe it's having grown up with physical media, but it's bizarre to me that FiM hasn't had Blu-ray releases. Physical media is having a resurgence, at least with CDs, LPs and even cassettes. I don't know that I'd watch them much, but it would be nice knowing having a set would free me from streaming whims. Have seen some threads here about sailing the high seas. Maybe it's come to that again.
  19. Glad it helps. I'm sure there are tons of video tutorials like this. Lynda.com was a great site of tutorials, but it's now "LinkedIn Learning" and looks irrelevant to your needs. Adobe has great books and courses, though they split them across several titles so you have to buy more. I'm sure you can find the books used for a lot less than new. I prefer books to follow along, especially for software as complex as Adobe products, but it's been ages since I did this kind of work, so can't suggest any. I might know people who could suggest some, if you're interested.
  20. Youtube suggested this, but I think it's really meant for you. https://www.youtube.com/shorts/MAtL7ax9xOQ How to make pony walk cycles in a Flash
  21. Thanks, @Dreambiscuit. Your thoughts really resonated with me during a difficult week, so I'm grateful you posted. Our hopes, dreams and plans not fully being in our control is a helpful touchstone.
  22. @ShinyBug12 I'm glad you've found this place to talk about the pony show. Having watched half of the last season, I can feel the shine starting to fade--as much from re-watching favorites too many times as from (hopefully) shifting to a more positive place than I was in when I started watching. I'm glad there are others still around for us to talk who who enjoy the show so much. Rewatching favorite episodes, especially in light of some of the criticism here (and especially on Youtube), dulls the wonder a little, and this makes me as sad as the unavoidable end of the show. Little gaffes and slips I let pass or thought charming or excusable are more disappointing now that I've seen almost the entirety of FiM. Part of everything changing, and us being changed by things changing, I suppose. I'm glad the show is substantive enough for you to make it your own in the way you're doing. If I was younger, that's something I might've done too. FiM's characters have so much potential that has gone unexplored, and while the comics delve into this some, it's not the same. Remaking it as your own is a way to give it a bigger, longer life, at least for yourself. Thanks for the kind reply.
  23. I noticed Luna's same slights and thoughtless, if mostly innocuous, gaffes, and they bothered me as well. I suppose mismanaged anger could explain her behavior, but it feels more like careless writing to me. It's a shame, as Luna's deep wounds enabled a potentially great character, but we only see a little of this.
  24. @Dreambiscuit I really appreciate your thoughtful and articulate reply. I have a note on my microwave of The Four Agreements, from the book by Ruiz: Be impeccable with your word Don't take anything personally Don't make any assumptions Always do your best Like fixating on always being mindful, living to the fullest, and the like, these can all be helpful talismans or humorless taskmasters. Is "always do your best" realistic? It's exhausting! Always living a peak experience just burns out. Everything is always changing, always in flow, becoming something else at the same time we become something else. It's important to be mindful--to actually be living your life instead of watching it from the sidelines--but obsessing about wringing every moment is as neurotic as you say. "Nothing too much" is the best distillation I've found. Not that I'm the best in practicing, but at least I remind myself when I'm circling the drain. :) Your point about our plans not entirely being up to us is an important one. Control is more illusory than we realize, and dependent on so many things going right, many of which we'll never even know. Like the self-made man, control is often an unhelpful myth. The trick is figuring out what you have real control over, and letting go of the rest.
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