I watched the video and it gave me....nothing. It might be due to my head spinning right now.
I've been watching this season from episode one and I at no point felt anything. All I felt was embarrassment for the show due to the horrid writing that it had been forced to endure. Just telling me that sacrificing writing and actual development to slap me with a league of songs make it fix anything nor wipes away the transparent rushed pace of it all doesn't make it any better. That weak...at best. So, based on the feeling the songs gave me, this was the worst episode ever.
You use songs to dazzle people, to gap the dialogue, to shift large amounts of talking or to simply set an atmosphere. Disney doesn't spam songs at you, it uses them at best as a short introduction and then has a obligatory villain song to set his atmosphere/ personality basis in a small time frame, its used to express great desire or dreams. Thing that are in nature very important to a said character or have extreme emotions linked to them. They are used to express key characters point. Hence why the villain encounters may have songs too, since this is the introduction of the villain as his/ her goals. In other times they are used to picture a community, which to its credit MMC did sort of do in the start. As the community is indeed an un-focused and important part of any character.
Example:
Princess and the frog:
New Orleans-Community and intro.
I got friends on the other side-The villain deal and goal.
Almost there- Main character goal and how she is connected to community.
You got to look inside(whatever its called)-the progression of the goals of each character and the introduction of a new one.
Song are very good at creating fast progression...the key word being fast but they should also have meaning, they should resemble key points and important parts. If I am getting a song that legitimate about a important part/ character trait/ goal or whatever within two minutes after one another, that basically flipping a chapter of a book instead of a page. Hence why it has progression issues, it also makes the emotions within these songs a commodity and lack the mark or impact they had. Even in songs there job is to convey something and move it along, not solve it entirely. It isn't the song jobs to come in and go "Don't worry characters. I'll mop up here!" thats the song stealing the spot light from the characters themselves, I should have more personality in the mane six than seeing a sad face, trying to convince me that this song is more powerful and important that the last three I just had a second ago. Then when celestia finally comes In I'm numbed to it all, its no longer important to me. Its just throwing the same thing over and over again to move stuff out the way, going all out with the voice actors and animation in some vague hope that It will be enough to keep me happy to the end, same with the speech and the tears. Well, no. I want writing, actual writing. I want the mane six, not a damn musical where the musician are playing the parts.
Conflict is not conflict if all they do is make a sad face then immediately fix a problem.
it should of taken a page of out Discords return episode 2.
Anything has potential. I could morph twilight and pinkie pie into a gay couple called stave and eric who like to lift weights and throws parties and I still pull crap from the air about the possibilities.
I shouldn't HAVE to be fed the possibilities, I shouldn't HAVE to ask questions. I shouldn't have to be told by my fellow bronies over and over again that waiting for it will yield results. No, this was the finale. This one episode, this was was what we got for the season ending and it left me with nothing but a few songs, a bunch of questions and a shocked expression on my face. Telling to me watch it over again dosen't suddenly inspire me to like it. Its not like a burning fire enriches my soul and I'll convert on the spot my opinions.
If I have to have other people explain the plot to me or fill in the plot holes to me then that is bad conveyance or outright bad writing. If I have to be told that I need to wait and see the potentials then that is bad appeal and CONVEYANCE You can't go shuffle away the issues by begging people to look to the future, that nothing more than a really nice way of asking me to forgive the episode it self and hope the future ones will do better or fix it writing wise, If the episode was good I wouldn't need to have others implore me to look forth to the future, I would actively look forward to it myself in optimism.
Its ironic that twilight being the main character card is being pulled because we didn't see a single shred of twilight personality within the mist of all these songs and bad writing. they focused on twilight purely because they couldn't even get one character personality into the episode and story progression, let alone six. I honestly could replace twilight voice and just stick a unicorn OC in her place and everything would be the same. Hell, they couldn't even explain half the plot.
it was a bail out of an episode. We got a deus ex machina spell that comes out of nowhere that overly does all this stuff...because...magic, I guess. We got a mystical void realm just out of nowhere for no reason. When you make a mystical void realm, especially with no reason beforehand or at least clues to it, that writers code for "OH MY GOD WHAT THE FUCK AM I WRITING quickly. Quickly. Just shove a god realm in there and try to pretends its mystical!"
No.
I think throwing songs at me and pretty visual along with some hollow speeches plus some tear animations won't make me sad, it won't make me angry, it won't even make me entertained. It will make me bored.
I went into this objectively. I gave no cares towards twilicorn or the episodes. I was a little iffy about what this will lead to or if it was true but that it at best.
Re-watching it won't change what it is. Saying the logic behind the songs doesn't mean they aren't forced, fast, overkill and skips actual character development, pretty much defeating the mane six even being there. They could be any characters for all I care and how the hell or why the hell would I feel for someone accomplishment if it doesn't provide the character itself for this moment. Telling me the possibilities doesn't change the present, which is a massive mistake.
If your lone episode causes rifts within a fandom. That a bad episode. The fandom is a reflection of the product, the fact its gotten so confused and uppity to the point that it had to have its own sub forums speaks clearly on what it has done.
Is the episode god awful?
Nah. Its not THAT bad. It has a lot of good points...but with its all out and gun blazing attitude, it made its flaws just as clear and shining to see.